No matter how you look at it, "Goodbye, Boy" is very similar to " Young You", which is obviously different from the general "Youth Pain", but cruel youth. Use a bloody perspective to depict the background of youth.
The so-called "young people do not know the taste of sorrow" is definitely a judgment issued by the property class, but for people living at the bottom of the society, the children of the poor are in their homes early, and the sadness behind it is the word "sorrow". Can it be compared?
In this film, Zhang Chenhao is such a young man struggling at the bottom of the society. His mother became a vegetable because of a car accident, and his father was gambling and drinking all day long. Life seemed like a stagnant pool and lifeless. However, drowning people also have the instinct to save themselves. To Zhang Chenhao, Li Fei is like a gleam in the dark, with the courage to move forward inexplicably.
As a result, Zhang Chenhao, who is a gangster, still changed his mind and studied hard with the obedient girl Li Fei, her grades skyrocketed, and he has the momentum to join the good student camp.
However, Li Fei and Zhang Chenhao are people from two worlds after all. They face different pressures and act differently. Li Fei has always wanted to go to Sweden as an exchange student, but she missed it and couldn't stand the persuasion of the class teacher. She consciously or unconsciously alienated Zhang Chenhao. Although Zhang Chenhao had the intention to do good things, he was accustomed to using violence to control violence, coupled with heavy blows from the reality. , And finally parted ways with Li Fei, and began a muddled life again.
The dimensional wall is not so easy to break, especially at the most powerless age.
Whether it's a rolling train, or the sky full of fireworks lit up in the New Year, or a glimmer of light from the cracks of the window, all are full of hope.This is the most helpless place, Zhang Chenhao is obviously a witness, it seems that he can be born in the sun, but he can't rewrite his destiny.
In the end, Zhang Chenhao was involved in the murder and fell into the country of crime. But this time, Li Fei chose to throw the murder weapon into the river, and together with Zhang Chenhao, he had to bear the unbearable weight of his life.
As a realistic youth film, this film has many points worthy of recognition, and there are also many flaws. The most obvious is that the emotional line comes too fast and goes faster. Zhang Chenhao just came up " "Staring" on Li Fei, put on a posture of "you must be yours." The good girl should have a natural resistance to the punks, but Li Fei inexplicably agreed to Zhang Chenhao's request, which is actually somewhat contradictory to her single-minded goal of going to Sweden. In the midway, Li Fei and Zhang Chenhao drew a clear line, lacking the necessary foreshadowing and not enough psychological description. This leads to a problem: Li Fei and Zhang Chenhao do not have such deep emotional bonds as Chen Nian and Liu Beishan do. In the end, they cover up their crimes for Zhang Chenhao, which naturally lacks persuasiveness.
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