October 2022 self-study 00037 aesthetic subjective questions and answers (memories version)
1. Please use a pen to paint and write the answers to all test questions on the answer sheet according to regulations.
2. Before answering the questions, candidates must fill in their name and admission ticket number with black signature pen or fountain pen on the specified position on the answer sheet.
Non-multiple-choice questions part
Notes:
Use a black signature pen or fountain pen to write the answer on the answer sheet, and cannot answer it on the test paper.
3. Short answer questions: This question has 6 questions in total, each question has 6 points, totaling 36 points.
36. Core research methods of aesthetics
Answer:
From the perspective of discipline nature, the core method of aesthetics should be a philosophical method.
First of all, aesthetics has been subordinate to philosophy since its birth. Later, aesthetics became an independent discipline, but never separated from philosophy. All kinds of influential aesthetic schools and thoughts have corresponding philosophical ideas as the background.
Secondly, since aesthetic activities are the most advanced and most complex spiritual activities of human beings, and are spiritual activities with the current one-time characteristics, they require the subject to devote themselves to their whole body and mind, and especially the subject needs to travel in the conceptual world to understand the true meaning of aesthetic activities, which is beyond the reach of scientific and experimental methods and any other methods.
Again, aesthetics involves the overall deep original issues such as life, human survival practice, infinite meaning, etc., and can only be mastered by philosophical methods of experience, perception, meditation and understanding under the guidance of rationality.
Finally, as a theoretical discipline, aesthetics not only includes the analysis of phenomena, appreciation experience, essence review, inspiration communication under the potential guidance of rationality, but also logical deduction, abstract thinking and theoretical improvement, which is inseparable from philosophical thinking.
37. The special nature of aesthetic activities as value activities
Answer:
(1) What aesthetic activities pursue is not ordinary value, but spiritual value that can meet people's spiritual needs.
(2) What aesthetic activities pursue is not ordinary value, but spiritual value that can meet people's spiritual needs.
(3) What aesthetic activities pursue is not a general spiritual value, but a unique spiritual value that can inspire people to understand the true meaning of life and inspire people to constantly create the meaning of their own life.
38. Openness of aesthetic objects
Answer:
(1) The openness of aesthetic objects means that aesthetic objects have uncertainty and inexhaustible.
(2) For example, the "words are endless but meanings are infinite" and "images outside the image, scenery outside the scenery" often mentioned in Chinese classical aesthetics are essentially profound revelations of the openness of aesthetic objects. That is to say, the aesthetic objects are both limited and definite, but also infinite and uncertain.
(3) The infiniteness of the aesthetic object resides in the existence of its finite individuals, and the indefinite generative structure of the aesthetic object.
39. Dynamic process of aesthetic experience
Answer: The dynamic process of aesthetic experience is mainly manifested in three stages: presentation stage, composition stage and evaluation stage.
(1) presentation stage.
In the stage of presenting aesthetic experience, the establishment of aesthetic attitude is a subjective sign of the beginning of aesthetic activities. The aesthetic subject does not first establish a relationship through his facial features, but through his entire body and mind and object, to achieve the unity of the subject and object. The unity state between the subject and the object does not mean possession of the object, but a state of selflessness that occurs after breaking away from the constraints of material desires, and establishing an equal spiritual communication relationship on this basis.
(2) constitutes the stage.
Aesthetic imagination is very important in the composition stage, and the prior and empirical levels of imagination have different functions. The priori imagination breaks the unity between the subject and the object and forms an aesthetic distance. Empirical imagination can form a gestalt for aesthetic objects based on this basis through the original empirical materials. In fact, they are not two different imaginations, but two aspects of the same thinking activity.
(3) evaluation stage.
The understanding of the subject plays an important role in the evaluation stage. It can suppress imagination. Relax the bond it forms between us and the world. "Reflection and judgment" is the aesthetic concept of Kant , which refers to finding universal concepts and laws based on special things and feelings. It can achieve universality because it only involves the form of objects, not matter. From the perspective of phenomenology : the existence of others and intersubjectivity are self-evident, while the individual self is gradually formed on this basis, which gives Kant's "reflective judgment" a basis in the sense of existence.
40. The importance of Schiller's aesthetic thought reflects
Answer:
(1) Explain the unique purpose of aesthetic education different from other forms of education from the perspective of philosophy, and inherently unify the purpose of aesthetic education with the nature of aesthetic activities.
(2) clearly reveals that the value of aesthetic education is perfect human nature.
(3) The way to answer the perfect human nature - the basis for the unity of human nature lies in oneself.
41, aesthetic form duality
Answer:
(1) The duality of aesthetic form mainly refers to the unity of nationality and globality.
(2) Taking the aesthetic form of tragedy as an example, its nationality is reflected in: as the tragedy of aesthetic form, in terms of ending, ancient tragedy in China and the West are very different, and in terms of globality, tragedy consciousness and tragedy spirit are more in common in the tragedy art of China and the West. In terms of sublimity, the conflict of fate of killing a father and marrying a mother in the tragedy of Ancient Greek Ancient Greek sculpture " Raocon " and the tragic phenomenon of a person biting to death by a poisonous snake in the ancient Greek sculpture " Raocon ". The conflict of the subject and the fierce effect of the subject and the guest are indeed not possessed by ancient Chinese aesthetic culture. But the grandeur and magnificence are shared by both Chinese and Western countries. Similarly, the artistic conception is unique to ancient China, but the coexistence of virtual and reality is used as an artistic technique, and is common to both Chinese and Western countries. For example, the description of Helen's beauty in the poetic history of Homer is not directed, but is achieved through the amazement of the elders and the effect of the war caused by her. To this end, Lessing said: "What can cause more vivid beautiful images than this narrative?" As for aesthetic forms such as beauty, comic, comedy, etc., they have more characteristics of Chinese and Western ties.
(3) Mastering the dual characteristics of aesthetic forms can avoid the simplicity of integrating the central state or eliminating the western state, so as to maintain the necessary tension in the polar opposition between the nationality and the global nature of aesthetic forms.
4. Essay question: This question has 10 points.
42. Emotionality of image
Answer: The emotionality of artistic image forms the artist's activities to create images. Emotion is closely related to "intention", and is an important driving force and guidance for artistic images to be melted into shape, and is accompanied by the entire process of image creation. Artistic images always contain emotional factors permeate a certain form of them, making the images have a strong appeal.
Artist writes a painting and reflects his attitude towards life or emotion; writes a poem and wants to express his own mood, which requires the subjective emotion. Images without emotion can only be dry and lifeless, and naturally will not cause the recipient's emotional resonance .
5. Analysis and explanation question: This question is 14 points.
None yet! ! !
or above is the entire content of "October 2022 Self-study 00037 Aesthetic Subjective Questions and Answers (Memories Version)". For more updates to the real questions and answers for October 2022, please contact Lesheng Education Teacher Xiaole
