This summer is extremely hot, and it feels hotter than in previous years. I wonder if friends in the south feel this way. In this kind of weather, no matter how tall or fat you are, you will have to sweat profusely, and the face area in the photos will be very oily. In the facial

2024/06/2412:50:32 beauty 1476

This summer is extremely hot, and it feels even hotter than in previous years. I wonder if friends in the south feel this way. In this kind of weather, no matter how tall or fat you are, you have to sweat profusely, and the facial area in the photos taken will be very oily.

facial oil removal

This summer is extremely hot, and it feels hotter than in previous years. I wonder if friends in the south feel this way. In this kind of weather, no matter how tall or fat you are, you will have to sweat profusely, and the face area in the photos will be very oily. In the facial - DayDayNews

material

This summer is extremely hot, and it feels hotter than in previous years. I wonder if friends in the south feel this way. In this kind of weather, no matter how tall or fat you are, you will have to sweat profusely, and the face area in the photos will be very oily. In the facial - DayDayNews

rendering

material The bridge of the nose and the corners of the eyes look quite oily. We can adjust these two parts to normal skin color.

What method do you think of using?

1. When we get a material, we need to analyze first. The first thing we must do is how to select the area, and then make adjustments. Here I recommend that you use the channel method , observe the three channels and select the blue channel. , has richer light and dark details, , we copy the blue channel, and then use color levels to enhance the dark parts [the release of this part of the screenshot may cause discomfort], you can adjust it a few times for practice at the beginning;

2, the core idea of ​​the channel method is white represents the selection , black represents hiding;

3. Hold down the Ctrl key and click on the channel just processed with the color level to load the selection;

4. Before returning to the layer, everyone remembers to switch to RGB composite channel in . First Use the eyedropper tool to absorb the normal color of the eyes, and then create an solid color filled with . If you feel that the effect is not enough, you can copy another layer to strengthen it;

5, and then Gaussian blur the newly created solid color fill layer;

6, if you find that the adjusted oily area is too dark or too bright, use curve to move down or down accordingly. Fine-tune upward.

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