See Dujiangyan again ID:youjianjy
The park city in the snowy mountains, and see everything beautiful in Dujiangyan again...
Recently, the second season of the documentary "China in Art" was popular on CCTV, leading the audience to appreciate the beauty of culture and art. Qingchengshan has always been popular among painters. Huang Binhong , Zhang Daqian , Xu Beihong , Huang Junbi , Lu Yanshao , Guanshanyue , He Haixia , Dong Shouping and many other famous artists have left behind excellent works here.
Today, let’s follow the footsteps of famous artists, follow their brushes, witness the beautiful China in the green mountains and waters, and feel the unique charm of the world to the quiet Qingcheng Mountain!
Photography: Folding Rabbit
Zhang Daqian
In October 1938, Zhang Daqian climbed Qingcheng Mountain for the first time. From then on, Zhang Daqian, a famous Chinese painting master who is known as the "largest painter in the contemporary world", has formed a fate with Qingcheng Mountain for more than half a century, becoming a good story in the history of Chinese culture.
Zhang Daqian and his family were in Qingcheng Mountain Picture According to Kuiguang Academy
Zhang Daqian was in the stage of his youth, strong energy, the most diligent brushwork, the most creative, and the more poetry and painting. The profound Taoist culture and the quiet and ethereal beauty brought him infinite creative inspiration.
Qingcheng 0,000 mountain Zhang Daqian painted
During the four years he lived in Qingcheng Mountain, Zhang Daqian created thousands of works, including "Father-in-law's Peak After the Rain", "High Earth", "Picture of Zhang Tianshi", "Picture of Qingcheng Jade Crow", "Molou", "Picture of Magu", "Picture of Magu", "Picture of Red Leaf Bird", "Picture of Jade Girl", and accepted three disciples of Ding Mingxiu, Long Guoping and Hu Li.
Qingcheng Red Leaf Bird Zhang Daqian painted
Qingcheng Mountain has also become an important station for Zhang Daqian to climb the peak of his artistic life, and it is also the soul of his artistic life, and he cannot be separated for his whole life.
Qingcheng Mountain overlooking the scenery Zhang Daqian painted
Xu Beihong
In July 1943, Xu Beihong led all the researchers of Chinese Academy of Fine Arts to overcome many difficulties along the way and came to Qingcheng Mountain to sketch.
Xu Beihong and Liao Jingwen took photos in Qingcheng Mountain (picture from the Internet)
It was the hot summer season at that time. The boundless forests, gurgling springs and strict Taoist temples of Qingcheng Mountain gave him and his disciples great creative inspiration. Shangqing Palace became a good place for them to sketch and paint.
Chinese paintings such as "Yunzhongjun" and "Confucius Lectures" and oil paintings such as "The Great Ginkgo Tree" and "The Daozhong of Qingcheng" are all the ink treasures left by Xu Beihong here back then.
Xu Beihong's "Ginkgo in the Tianshi Cave"
Xu Beihong's "Tianma Picture"
Huang Binhong
In the spring of 1933, 70-year-old Huang Binhong came to Qingcheng Mountain alone, where he realized the "rule" of reform - "rain hitting the wall".
Jin Shangyi oil painting "Huang Binhong"
At that time, Huang Binhong encountered rain on the way to Qingcheng, and passers-by were escaping the road, but Huang Binhong continued to move forward and picked a rock to "sit in the rain to see the scenery." I have to go back to the hostel, "I'm sleeping in a deep sleep." The next day, he drew more than ten "Qingcheng Misty Rain Book" in one breath, vividly depicting the misty and rainy and green mountains of Qingcheng to the fullest.
Huang Binhong "Qingcheng Mountain Throwing Bi Peak"
After that, he called his landscape "rain hitting the wall". The so-called rainfall on the wall originally refers to the horse head wall on Anhui houses eroded by wind and rain, which has accumulated over time and left many traces of leakage. From a distance, it looks very similar to the effect of ink staining on white paper.
"Picture of sitting in the mountains of Qingcheng" is Huang Binhong's best annotation on "rain hitting the wall". This picture is almost purely sketched, and compared with Huang Binhong's other "Rain Mountain Pictures" that are unrestrained ink, there is not much ink. But it is true that "rain hits the wall", dry and moist, moist and bone-like; the green flowers blend into the light ink to describe the rain, mist and water, and the fresh breath seems to overflow the picture.
Huang Binhong "Sitting in the Mountains of Qingcheng"
Lu Yanshao
Lu Yanshao visited Qingcheng Mountain for two lifetimes, with cliffs floating on rocks, clouds covered with fog, and the spectacular and beautiful scenery left a deep impression on him.
According to "Lu Yanshao's Self-Disclaimer", he visited Qingcheng Mountain in 1939 and 1984, accumulating materials along the way and making great gains. Since then, many excellent landscape works have been painted with Qingcheng Mountain as the theme.
Lu Yanshao's "Qingcheng Mountain Picture"
This "Qingcheng Mountain Color" is his mature masterpiece of "Lu's Landscape" style. It has the broad spirit of flowing clouds and water, and can transcend beyond objects, which seems to bring the viewer back to a state of satisfactory literati painting .
Lu Yanshao's "Qingcheng Mountain Scenery"
He Haixia
He Haixia once went deep into Shu with his teacher Zhang Daqian in 1946, and appreciated the local landscape and scenery. He Haixia was unique in the secludedness of Qingcheng Mountain and created many unique works.
Art master He Haixia Photo According to Chengdu Calligraphy Education Network
"Autumn in Qingcheng" is one of He Haixia's excellent landscape paintings. This painting adopts the painting style of Zhang Daqian and Huang Binhong. It is rough and majestic, with gorgeous ink, vigorous brushwork, and steady layout. It uses lyrical tone to depict the ethereal peaks and tranquility of Qingcheng Mountain in late autumn, with a vigorous momentum.
The green mountains stand tall in the painting, piercing the sky. The trees are lush, and the gurgling stream flows down the mountain. It seems to have the poetic meaning of "The graceful wild cranes fly like dancing, and the rising rock flowers cannot smile". It deeply arouses people's infinite love and awe for the mountains and rivers of the motherland.
Editor's note: The cover image is based on the Eye Rabbit, the pictures and texts are based on the West China Metropolis Daily , China American Net, Beijing Rongbao Auction , Chengdu Calligraphy Education Network, Xinxun Express, Zhongbei News Network, etc. Some pictures and texts are from the Internet, so I would like to express my gratitude here!
Director: Propaganda Department of the Dujiangyan Municipal Committee of the Communist Party of China
Director: Dujiangyan Internet Information Center
Editor in charge: Dong Liu, Dai Yang
Duty Editor: Chen Ailin
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