To select the first house collapse incident in the entertainment industry in 2021, the first TV series "Shangyang Fu" of International Zhangshu was ridiculed by the public when it was broadcast. After all, it should be able to squeeze into the competition seat. To be honest, Zhan

Although not beautiful enough, the audience generally admits that the girls are unique.

Not to mention Gong Huang, who has been awarded the title of God and Zhou Dongyu , who has been promoted to the third-gold actress, even Ni Ni , whose actual performance in the movie is not very good, in the recently played "Golden Years", I feel that every frame and every move is the visual sense of the great beauty of .

wheel hardware, she is not a beautiful type, but it does not hinder her beautiful style.

It can be said that the existence of Mou Girl is an charm myth in the Chinese film circle , and the aesthetics of Zhang Yimou are often boasted of being unique.

No wonder Liu Haocun , who debuted in Zhang Yimou's " One Second ", is called Ziweixing from the Sky, and he also collaborated with his four-character brother in the New Year's Eve edition " Send You a Little Red Flower ".

But on the other hand, some netizens think that it is not that Zhang Yimou's aesthetic is unique, but that the audience is the cause of the red and white. A Mou girl who is not popular enough will be expelled from the Mou girl.

For example, Zhang Huiwen, who played the supporting actress in Zhang Yimou's "Return", appeared in the official Douyin Mou girl cut of "One Second", but was deleted in the silhouette of the Mou girl posted on the official blog.

Dong Jie and Qu Ying were also deleted in the cut of the official blog like her, and it felt like it was half a Mou girl

How credible is the charm myth of Mou girl? How did cultivate this kind of charm of with a sense of high-level story in them?

Which type of "Mou Girl" looks more "Mou Girls", and why do they seem to be beautiful and beautiful in , but they always make people feel that there is a kind of beautiful that is worth savoring? Is their charm and achievements attributed to Zhang Yimou's unique aesthetic ?

Today, let Zhongjian talk about this topic~

01 What does the Mou girl look like?

Frontly, the overall face shape is very smooth but also has a bone-like feeling.

Moreover, their facial soft tissue is generally less and tight, with fewer angles or expressions, and can control shooting at various angles. There are very few blind spots in .

Ang Lee praised Zhang Ziyi, no matter how you shoot it, you will look good.

This " flat skeleton + tight flesh " type hardware feels like a piece of white paper, which can handle various light and shadow colors and angle changes, and creates the ultimate picture beauty .

Under the side light, the light edge lines on the face are clear and clean, and the entire composition is harmonious, without people focusing on the large protruding cheekbones.

On the contrary, 's cheekbones are too large and abrupt. At some angles, people will focus on their cheekbones. ignores the overall composition :

so it often appears in movies that do not pursue the beauty of the picture. For example, in "Genius Gunner", the heroine

Although it is generally recognized that the big screen shots are extremely picky about the bones and skin of the actors, Zhang Yimou obviously has made "pursuing even bones and flesh" to the extreme .

For example, although all "movie faces" require a higher degree of bone and flesh uniformity, other directors may only require 80 points, while Zhang Yimou requires more than 95 points.

For example, the queen of the shadows, the large feeling of her cheekbones and mandibles is stronger, and the lines of Ni Ni's temples-cheekbones-mandibles are smooth.

Compared with Hong Kong movies, the beauty with bright facial features of is often preferred by . Just looking at the face is eye-catching enough. It is a beauty with suitable for taking big headshots .

Zhang Yimou, who was a videographer, pays more attention to whether the actor's hardware can echo the beauty of the picture . The selected mou girl is actually the beauty suitable for taking panoramic pictures .

This photogenic aesthetic is implemented in the skeleton ratio of head and body , which requires the hardware to have a small head and a long neck, and the skeleton is slender, and dynamic behavior can also maintain the strait of .

The head and body are proportionate and slender and upright, so that you can not drag down the overall beauty of the picture when shooting the full body image in the movie.

A typical example is Maggie Cheung . Although she is not a well-known girl, she actually has an advantage that many people have not noticed. Her head and body are extremely outstanding. Zhang Yimou's composition among heroes uses colors and scenery to highlight her slender body beauty.

Only look at the background, all the graceful and elegant

This is probably why, except for Gong Li Qu Ying, the other mou girls are basically from dance: Zhang Ziyi, Dong Jie and Liu Haocun are in the dance department, and Ni Ni and Zhou Dongyu also have dance specialties.

Then there is the second feature, which is the skin preference of " white-lear classical style ".

Zhang Yimou himself is an artist with a great national sentiment in . The themes of his works are often not the modern style of a modern city.

His early works mostly describe the themes of the old feudal era and rural areas, such as "The Big Red Lantern Hanging High", "Red Sorghum", "My Father and Mother", etc.

has appeared classical martial arts works "Heroes" and "Hidden Ambush " in the middle and late periods, as well as "Hidden Warriors of the War" in the war period, "Hidden Return" and "One Second" in a special era (the only pure urban film is "Hidden Telling ", but the style of being evaluated is not very Zhang Yimou, like Feng Xiaogang's work).

The pictures of these subjects are either rough and simple beauty or classical freehand beauty.

is suitable for beauties with these themes and styles, and often has classical characteristics. has a more relaxed proportion, small and medium facial features have more white space, and clean and small lines. Only a beauties like

can be integrated with the chronological background or classical background

The roots of the nose will not be particularly prominent, but rather the straight and straight of . It is not the exquisite and fashionable style of thin, narrow and straight + pointed nose, but the has a slightly warm feeling under the three-dimensional .

Compared with the three-dimensional and bright thick face, the facial features are more comfortable and durable.

Compared with the modern style brought by the strong impact facial features + three-dimensional contour, the eyes of the girl are more inclined to savor the lines and leave white and beautiful , just like the Chinese beauty slowly drawn with fine brushstrokes. In addition, the bright black and white eyes are unique and touching.

Zhang Yimou once said that his casting attaches great importance to all the details displayed by the eyes on the big screen.

Even if Liu Haocun, who is round in his eyes (her role in "One Second" is more childish, so he looks younger), the corners of his eyes are still classical freehand style tip-top , rather than round and blunt, and always has a Chinese classical charm.

Compared with this, Hiroaka Aya's round eyes and inner corners are also round and dull

In Zhang Yimou's works, it is not suitable for exquisite beauties with comic proportions or modern beauties with three-dimensional contours.

Qu Ying in the pure urban film "Speak Well" is the most fashionable one among the Mou girls. Her outline is more three-dimensional and her facial features are brighter, but she is also a retro style, which is different from the urban girls of Hong Kong stars in the 1990s.

Later, Zhang Yimou never got involved in urban themes and fashionable beauties.

Compared with Hong Kong stars with modern temperament and rich facial features, the of the Mou girls looks attractive but looks "light" . However, under the shaping of Zhang Yimou's superb atmosphere, the charm highlights on their bodies are no less than stunning .

Many people have a view that the culprit of vague face is "light". But in fact, is vague because it does not respect personal characteristics and homogeneously packages without thinking.

Even if it is a seemingly non-light thick-colored , it will also appear that is vague when does not respect the characteristics .

Internet celebrity face packaging is a typical example

On the contrary, even the light-looking look like Mou Girl has different characteristics (about how Zhang Yimou captures and develops their characteristics, we will analyze it in detail later).

The last common feature of the appearance of a girl is " stubborn struggle in the era of emotional ".

Zhang Yimou's classic movie themes are mostly the struggle of individuals in special eras against the tragic fate, and the tone of this struggle story can be said to constitute the different charm of the characters.

Whether it is Song Lian, who is incompatible with the feudal family wives and concubine system in "The Big Red Lantern" played by Gong Li, Zhao Di, who bravely pursues free love in "My Father and Mother" played by Zhang Ziyi, or Yumo played by Ni Ni, who sacrificed herself to save a female student in "The Flowers of War" played by Ni Ni, they all have a stubborn sense of resistance.

This kind of stubborn and fighting emotions makes them uniquely contagious.

On the one hand, they are beautiful and beautiful people with ill fate; but on the other hand, they are not dodder flowers, but have a stubborn vitality of that grows wildly, which distinguishes their charm from the common pitiful and beautiful little white flowers, forming a contradictory and unified story of .

is implemented on the specific hardware. The corners of the Mougun’s mouth tend to be slightly downward. It is not a pleasing smile lips, but a stubborn feeling is displayed on the face.

Eyebrows often have brow peak with a strong sense of folded line, with a proud and heroic vitality, rather than the gentleness and gentleness brought by the round and curved eyebrows.

Even if Gong Li is born with a flat eyebrows, it still retains the presence of a broken eyebrow peak.

Rather than saying that they are pretty, they are the beauty of " clean and honest ".

, Gong Li, Zhang Ziyi and Liu Haocun, their faces were flat and even slightly concave.The concave brings a sense of bitterness, but the chemoside of the concave is a kind of stubborn emotion that resists fate.

, and Gong Li is a little bit slightly inverted, making her feel stronger.

Therefore, even if they play the Queen (Gong Li's "The Golden Armor in the City") and the Imperial Concubine (Zhang Ziyi's "Night Banquet"), they are not the kind of Zhou Xun and Xiao Taiping who are raised by Jin Yu, but they are like those who climbed up all the way up the mountain of corpses and blood. At the very least, they are the Concubine Hua, most of whom are going to go for Zhen Huan. The story of the heart family is more suitable for them.

It is no wonder that the scene in "Shangyang Fu" of the little princess Zhang Ziyi acted coquettishly to the emperor's uncle, and was interpreted by netizens as a CP feeling full of the style of the concubine blowing the pillow

Although the girls of the Mo girls look at at first glance, they have a pretty and light face with not strong outlines and lots of white facial features, they do not have the weak and pitiful "pleasant feeling" of , but rather a "sense of resistance" and "lifeline" of that is dissatisfied with fate.

It is this contradictory and unified beauty that has promoted the charm of the Mou girls from being beautiful and attractive to the richer , the pure and honest beauty .

However, how did they avoid the common dilemma of 's beautiful style , forming the distinctive and high-end personal style of ?

02 How to get rid of fuzzy aesthetics

create characteristics?

As mentioned above, instead of saying that the Mou girls are born with "movie faces" and look particularly moving in front of the movie camera, it is better to say that their hardware as "clean and honest beauty" just fits the picture beauty, classical beauty and emotional beauty of Zhang Yimou's movies. The two complement each other and strengthen the beauty.

Zhang Yimou has one advantage as a director. His films are more beautiful than narratives (some people say that some of his works are larger than content). Therefore, he is very good at exploring the qualities of beauty and complementing the atmosphere and environment.

Although Maggie Cheung is not from the Mou Girl, the scenes in "Heroes" are also so beautiful that they make people fall in love with

Overall, the Mou Girls' hardware does have similarities with , but also has their own characteristics .

. Zhang Yimou's aesthetic outstanding feature is that he is very able to recognize, respect and render different traits of aesthetic .

The girls who are close to the amateur age may be pure and attractive in the eyes of some people. In Zhang Yimou's eyes, it may be that Gong Li is grand and elegant, Zhang Ziyi is stubborn and delicate, and Ni Ni is charming and honest (as mentioned above, the vague problem is not because of the thick and light face, but because of the lack of awareness of respect for the characteristics).

If a kind of innocent beauty like a mou girl falls into the hands of a director who has poor aesthetic taste, she will probably have long black hair and white skirts. She is all upright and calm in her expressions. She feels that she can cosplay female teachers with her lecture notes - each with her own characteristics and can make her look blurred.

To carry forward the characteristics and form a differentiated personal style, it is best to first extract personal characteristics from the hardware, then plan the style according to the characteristics, and use the beauty of the picture, atmosphere and beauty to maximize its beauty. Instead of first setting up the specific style, then copying the style in every detail.

Of course, this is a bit abstract. Take the Miao Girl as an example:

Zhang Ziyi was called Xiao Gong Li when she debuted. Both are obviously beautiful and stubborn, but in fact, their personal characteristics are not similar:

has similarities, but their respective characteristics are very clear.

Gong Li's face is closer to the square and bone-like oval face, slightly reversed and stronger, her eyebrows and eyes tend to be flat, her whole person's energy is 's calm, gentle, and profound , and her shape is " square ", which feels like a mature and atmospheric queen aura, and the edges and corners of are the hidden .

Ze Ziyi's face is closer to a skeleton-like melon-shaped face, with a pointed chin and raised eyebrows and eyes, and therefore has a more beautiful and girlish . The whole person's energy is sharp, external, and hot , and the shape is " pointed ". It feels like the aura of a female struggler who is crawling upwards. The edges and corners of are that are external.

Therefore, the roles she played at the beginning were all beautiful girls with this stubborn sense of beauty, and few people would associate the elegant and upright Zhang Ziyi with her gorgeous mature style.

If you copy the "Qingxian Guide", Zhang should have turned to gentle arms as he grows older. Specifically, his hair is changed to dignified hair, light eyebrows, plump lying silkworms, rosy cheeks and elegant lip colors. This is also the upgrade idea of ​​many exquisite styles. Qiao Mei is a typical example.

But according to the previous analysis, the characteristics of Zhang are sharp and sharp. If you ignore the characteristics and copy the style, it is often difficult to avoid the hard concave :

This shape feels like you want to lead in a gentle direction, but it is not Zhang Ziyi.

" sharp " and " sharp " are stubborn, but they are also petty. This is still the case for Fan Bingbing. Therefore, Zhang can never compete with Gong Li in atmospheric and calm , because the latter is the best among them.

But in "Ten Faces", Zhang Yimou obviously captured a style solution that respects traits:

In terms of character settings, Zhang's character is the red card dancer of the Jiaofangsi who is charming , and on the other hand, he is the tough girl who hides his identity to avenge his father. Therefore, in terms of temperament, is both charming and cold and stubborn.

The beauty of "clear but not light, gorgeous but not close to monsters" is undoubtedly very contradictory, layered and story-based, which has also made Zhang's peak appearance

Zhang Yimou keenly captured that the hardware's " sharp " sense not only brings the " sharp " sense, but also brings Zhang Ziyi a feminine " beautiful " sense.

In "Ten Sides of Ambush", Zhang Yimou used the color beauty of his makeup to elevate this "pretty" feeling to " beautiful " feeling, and combined with Zhang Ziyi's hardware " clear " and " positive " to form a unique and both story and layered sense, worth savoring " clear ".

"Qing" neutralizes the "Yan" people, and "Yan" allows "Qing" to get rid of monotony.

is implemented in makeup and hair style. On the one hand, is beautiful and plump, with round and pointed petal lip , creating a feminine charm. skin color has a soft and healthy pink tone , showing the elements of " beautiful ".

On the other hand, the eyeliner is not drawn into a very charming S-shaped, but is slightly extended, keeping clear and clean . The purpose is more like highlighting the bright and pure black and white eyeballs. The eyebrows are not painted as willow-leaf brows of classical ladies, but instead adopts folded line-like eyebrow , retaining the elements of " clear ". The design concept of this makeup set coincides with the representative of another beautiful beauty, Rie Miyazawa, who also practiced from the pure girl's route.

The difference is that Zhang Ziyi's facial bones feel strong and straight lines are more and more, and it looks colder; Miyazawa Rie's facial bones feel weak and more and more and more, and it looks warmer, so there is no need to look pink like Zhang Ziyi's skin tone, and the folded eyebrows also turn from thin and thick to thick. The same is true for

clothing. Choose a straight blue and gold-plated pink to maintain a balance between "clear" and "bright", rather than using red to simply enhance the gorgeous aura.

Ze Ziyi's characteristics are not "stable" enough. The excessive "sexy" of will only harmonize "sharp" into "demon" , but loses the "clear and upright" beauty .

On the contrary, the pink color that others can easily look vulgar when worn can be refined and elegantly modified by her "clean and upright feeling". Feng Xiaogang's "Night Banquet" on the right is a very sharp "demon".

is implemented in the environment. " beautiful beauty " has its own temperament of with bright and bright wind and moon. Their "influenza" is insufficient, which is more suitable for bright scenes . The square temple is full of classical patterns and a place with bright light can complement each other.

The blurry and dark light and shadow, the desolation of the romantic place, is the atmosphere of Faye Wong and Wong Kar-wai.

expressions also cannot have "pleasant feelings" or "titled" , so that they can be so beautiful that they are not noisy.

is not as delicate as spring flowers, not as beautiful as autumn leaves, but has the benefits of quiet and beautiful autumn flowers .

famous scene "The Beautiful Woman" can be said to have a wonderful interpretation of Zhang Ziyi's characteristic beauty. Zhang Yimou has really achieved the ability to be able to be online, the scenery, and the feelings.

Another typical example is Ni Ni's jade ink.

In Zhang Yimou's "The Flowers of War", Yumo is a veteran in the field of love and moon, a beautiful woman on the Qinhuai River. She has both a smart and transparent side and a delicate side, and a pure and tenacious side, willing to sacrifice herself for the female student.

The beauty of this character is complex and three-dimensional, but it is in line with Ni Ni's hardware.

Ni Ni's eyes are wide, and she has a lazy fish-style appearance. Her eyes are slender and her inner corners are pointed and look charming. It can be said that her " charming " side echoes the charming and the ease of transparency on Yu Mo's body.

On the other hand, Ni Ni has a straight cheek like other girls, but at the same time, has a full soft tissue and a strong sense of curves in facial features. This brings a kind of warm and friendly softness and feeling to her sense of , and it is not like a good person because of her charm.

But the problem with Ni Ni in the early days was that she seemed too clean and well-behaved. The "right" side was more than the "fashionable" side, and her direction of improvement was to strengthen "fashion".

style is often related to traits . Its own characteristics are distinctive, strong and unique, such as Nana Komatsu, you only need to find the personal characteristics of to strengthen , such as Nana Komatsu.

But the common characteristics of the Miao girl are also a dilemma. is pretty . Ni Ni is a little charming, but she can't be the best in the world under the charming route alone. If you insist on abandoning the characteristics of the route, you need to remove the square cheeks of with the clean and honest . This makes the charming and charming, but it is homogeneous to many internet celebrities.

is a matter of all. I think some people encounter this (or even face their own) problem, and this is really the solution.

, Zhang's solution is still respecting personal characteristics . Although neither honest nor charming is an exclusive style, it can be adjusted to form a unisex (Ni Ni's charm is not annoying, because it has a sense of integrity and integrity as the foundation).

Not only that, Ni Ni's early full soft tissue also gave her a soft and bright feeling different from Zhang Gong's stubborn and bitter style. It is a lively and fragrant with a sense of temperature in :

Fan Bingbing's face is too v-shaped, so charming that it looks similar to the charm style, and needs a cold feeling to look unpleasant. But unlike many people think, charm can only appear more advanced and unpleasant if combined with a cold feeling. Ni Ni's charm is another solution.

This charm is the feminine power that will not surrender or fall after encountering the hardships of fate. Instead, she smiled slightly and still to clean up her delicate and appropriate female power .

is full of vitality and is ashamed of his charming and charming. (On the contrary, Fan Bingbing's way of dealing with her charm is actually a bit unconfident.)

It can be said that Fan Bingbing's charm, is cold and hard and sharp , while Ni Ni's charm, is warm and lively and flowing .

This bright charm, Ni Ni's lively and fragrant dynamic beauty contributed a lot to

, and Zhang also emphasized Ni Ni's 's pleasant and seductive expression beauty and body beauty through the "sense of wind and moon" of the light and shadow atmosphere :

Light is alive, and people are alive.

At the beginning, her figure appeared on the hole in the glass window, allowing people to see the vitality of her smiling and kissing. She felt charming and charming, and she felt a little cheerful and playful.

makes the colorful light flowing on the colorful glass window echo the vividness and brightness of Ni Ni.

will use dim lights and stormy smoke to create a blurred light and shadow effect, which is combined with Ni Ni's charming posture, lowering her head and raising her eyes, raising her eyebrows, and raising her smoke, as if she is naturally charming.

Ni Ni's soft facial contours and facial features are not delicate enough, but she also looks cold, and she has a kind of intimate vitality under her versatility.

The most amazing atmosphere beauty is the jade ink with a bright and vivid expression and a charming gait in a blurry light projected through the colorful glass window.

This romantic, brilliant and unpredictable atmosphere, beauty, can be said to have completely displayed the charming scenery of Qinhuai singers, and fully amplified the vitality of Ni Ni.

It can be said that although people talk about the common characteristics of beautiful and attractive hardware on the Mou girls, they analyze how high-end and movie faces it is.

But in fact, what really makes their charm perfect on the big screen is actually the exploration of their respective qualities by a stylistic aesthetic, and creates a unique qualities, beauty, atmosphere, and beauty.

From this, it is not difficult to understand why they were a little blurred after leaving Zhang Yimou, some were all the way higher and some were overturned.

03 The charm of the Mou Girl

How to practice yourself

As mentioned above, the charm of the Mou Girl lies in the ability to to dig into the beauty of the atmosphere and story .

Therefore, their achievements and charm after leaving Zhang Yimou's movies depend on whether they can recognize their own and continue to study their own style. interprets their own traits and beauty in other contexts.

After all, although they can shine in Zhang Yimou's movies, they are often not the stunning and comic faces that are popular at the moment, and they are also limited by the preferences of the times.

Some people also think that the Mu Girl is not fashionable enough.

When they blindly change themselves and let their traits adapt to the popular , will lose their unique charm .

This is how Liu Haocun is. He did not stick to his smart and clear style, but instead he dressed in a bun with a scalp and was serious and mature, and did not respect his own characteristics.

Similarly, Zhang Huiwen, a muddy girl, has extremely blurred eyes under her popular hairstyle + makeup, and it is difficult to become popular without recognition.

On the other hand, whether they are shooting movies or TV series, their atmosphere that is not suitable for will lose their charm.

Zhang Ziyi's "Shangyang Fu" was ridiculed for the start of broadcast. Rather than saying that her hardware no longer adapts to the girl role, her hardware characteristics are contrary to the lively and naughty character.

After all, in her good physical condition, in " Very Perfect " filmed when the movie was popular in the girl, she played the role of the silly sweet-white who was addicted to love, which was also very inconsistent and did not feel her charm.

So it’s really not because the movie face is not suitable for filming TV series, and the same is true when encountering movie characters that are not suitable for their traits.

The early Ni Ni also had this vague stage, and she played a simple and ignorant female student against her own characteristics.

Zhang Ziyi, who made a movie with a girl and Ni Ni, who made a movie with a campus movie, felt that she had lost her charm.

If you can respect your own characteristics and use this as the starting point to plan your route, even in TV series, the Miao girl can show her unique charm.

For example, in the later period, Ni Ni interpreted her own characteristics and beauty well in other contexts. The unique style of is lazy, charming and full of vitality. ,

She will choose appropriate tailoring to highlight her figure advantages, or use bright and bright natural color blocks, or use a retro feminine style. She can face any difficulties with a smile. She can dress herself up delicately and properly, and she always feels full of vitality.

Her interpretation of her style is very clever.

In "The Golden Years", the overall appearance shows that even if she lives in a rental house, she can take care of her hair vigorously every day, wear a retro tight skirt with red background and white polka dots that outline her figure, her bold brown sunglasses and ring earrings, and an exaggerated beach straw hat, and every detail will not go wrong.

full of face read: "I'm alive for a day! I'll be the most beautiful girl on this street!"

The charm secrets of the Mou girls are actually the same as Zhang Yimou's way of success. Compared to following the trend of following the trend, manages its own characteristics to the extreme to obtain the classic beauty .

Even if Zhang Yimou, who is a national teacher, will suffer a tragic loss when he has a pleasing mentality and will change his own characteristics to shoot movies that are not suitable for him, will suffer a tragic loss.

Like the vaguely-faced Mou Girl, Zhang Yimou's works that are not well-rated are often Northeast comedy styles that please the market popularity or oriental style blockbusters that please foreign stereotypes.

This actually reveals a truth. The so-called Myth of the Miao Girl from the Sky may not exist, or it may indeed exist, but it is not a myth.

We care too much about their charm and acting skills that seem to be given by God’s love, emphasizing that they are “naturally different”, and seem to be trying to shape a “forever winner” and express their uniqueness.

So, when they perform poorly, they also feel that the myth is shattered and then they will be deleted from the list of winners.

Once you fall from the God Platform, you will feel that your success is attributed to the role of others.

This mentality actually mistakenly regards the behavior of " to eliminate the value of hard thinking " as " is calm and elegant and elegant attitude ".

people’s success is not just because of beauty and luck. The underlying essence of is “suitable” . In ’s role, suitable atmosphere, and suitable time , put personal beauty to the maximum. This is the only way for .

didn't realize this, and really felt that I rely entirely on my beauty or acting skills, and I couldn't see the limitations, even the international chapter would be ruined.

The sense of belief that Zhang Ziyi has been reiterating is better than a precipitation of hard thinking. When she creates the character without thinking and moves for the sake of action, she loses her convincing charm.

So people must think about " who is " and "why should stand in this ", and the core is "what can do not do ". Long-term development must explore these issues clearly to plan.

Of course, trying is also valuable. If you don’t try, you won’t know where your possibilities and boundaries are. It is also a valuable experience - but calms down and sorts out carefully from the past. It is definitely much more convenient and effective than constantly hitting the wall with luck. . Celebrities and ordinary people should remember this.

Co-author: Jane

—Want to see more personal analysis about Mou Girl?

Ni Ni / Zhou Dongyu / Zhang Ziyi

—Want to read more articles about alkali and alkali?

The most beautiful spider-like Zhang Huiyi / Why are there fewer and fewer handsome guys and beauties / How to become beautiful in sweet dramas / Real life rich flowers / Rich young masters / Guo Jingming's aesthetic / How to describe style to become beautiful