Theme idea: Eight chapters pay tribute to the new era
For many years, Jiangsu Satellite TV has continued to practice the idea of empowering literary and artistic innovation with scientific and technological innovation, and uses realistic aesthetic style to accompany the audience on the night of farewell to the old and welcome the new, and to feel the pulse of art from the pulse of the times. The main creative team also brought together the all-star lineup of Jiangsu Satellite TV's New Year's Eve, including general producer Wang Xi, chief director Jiang Fangming, chief director Tang Yan, director Li Qingwen, audio director Jin Shaogang , lighting designer Dong Jiang, AR director Cui Yongjiang , etc.
How to better highlight the spiritual theme in this art event that is united in the New Year’s Eve concert? This year, Jiangsu Satellite TV further refined the theme from the changes of the times, the advancement of China, and the call of the public to achieve innovation and breakthroughs in the sector model. has developed narrative from eight chapters: "Salute to the century-old glory", "Salute to you who struggle", "Salute to the voice of classics", "Salute to the cutest people", "Salute to the better life", "Salute to science and technology and innovation", "Salute to the flying youth", and "Salute to the new era". It cleverly integrates elements that echo the theme of the times into the content, displays the style of struggle from different angles, interprets the spirit of struggle, and conveys the energy of struggle.
Stage Design: Focusing on the concept of "planet"
In 2021, China's aerospace attracted worldwide attention, and the space theme naturally became the best choice for Jiangsu TV's 2022 New Year's Eve concert. This year's stage design focuses on the concept of "planet" , reflecting the grand blueprint of struggle and development, transmitting cosmic energy to the party site, and also displaying energy to the universe and the future. The most eye-catching visual device on the scene is a huge hemispherical projection screen above the stage. It serves as a visual carrier, presenting rich changes and echoing the ground screen.
The hemispherical sky curtain in the center of the stage blends light, shadow, patterns, and materials, bringing the audience an extraordinary sense of starry sky, cosmic and futuristic sense.
Overall stage visual creativity is responsible for Tang Yan, and its subsidiary Changsha Hanshuang Vision Culture Communication Co., Ltd. is responsible for the refinement of the stage design, and Hunan Space Wapu Engine Studio is responsible for the rehearsal of the stage.
The main stage project of the evening party is constructed by Nanjing Vision Engineering Co., Ltd. . The main stage of is composed of a basic stage with a total length of 28 meters and a circular stage with a diameter of 12 meters. The total height is 2.4 meters. The basic stage is inlaid with LED mirror floor screen. The outer ring of the stage is equipped with a fan-shaped lifting stage with a diameter of 16.8 meters. On the outside of the lifting platform are two lighting platforms with a diameter of 18 meters and 26 meters. In the middle of the lighting platform is the in-field audience area.
stage spherical sky curtain structure is produced by Guangzhou Huachuang Lisheng Technology Co., Ltd., and Chuangyuan Culture (Guangzhou Hengqin) Co., Ltd. led by Director Wu Rishen is responsible for the construction and hanging. sphere is 27.4 meters in diameter and 9 meters high. It is made up of 55 irregular borders on the top layer and 270 hexagonal structures.
Lighting design: centered on the sky, create concepts such as universe, star rings, etc.
This year's dance design is a concept of a planet, and the lighting mainly wants to create the universe, star rings, etc. to cater to the concept of stage design. The three-work team led by Dong Jiang, the artistic director of lighting, lighting design is centered on the hemispherical sky curtain. A lamp post inlaid with strobe lights is set at the axis of the sky curtain. It is programmed to create a dazzling light that penetrates the sky curtain, creating a sense of sparkling atmosphere of diamonds. Beijing Dongyu Huaxing Culture and Art Co., Ltd. is responsible for lighting engineering projects.
There are 32 CNC straight beam lamp stands around the sphere, and 8 lifting lamp posts on the outside of the stage, which present different morphological spaces through different combinations.
The use of different lighting combinations requires the presentation of four and a half hours and dozens of shows. This is the difficulty of lighting design at Jiangsu Satellite TV's New Year's Eve concert. Moreover, this time the lighting and the projection of the ball screen cooperate with each other, and the control requirements for lights are higher.
In addition, this year's New Year's Eve used the ue4 engine - a technology in "2060" to give lights to the virtual stage. The lighting effects in several virtual stages are restored one by one according to the on-site lights.
Sangong Team
Virtual Design: Breakthrough of unprecedented technical difficulties
Jiangsu New Year's virtual technology has always been an innovation hotspot that has been continuously paid attention to by the industry. Cui Yongjiang, executive creative director of AR, led the ACG Jingxi team to break through the boundaries of the use of virtual and real, and applied multi-dimensional presentation techniques such as AI technology, real-time digital imaging, nudging and anti-nudging, real-time color calibration to the party, successfully challenging many unprecedented technical difficulties, forging each stage into a "high-end customization" with intertwined emotions and ingenious thoughts, creating the first time in many worlds in the field of live variety shows, and it is also a first to pay tribute to the classics.
Opening
Return to field
countdown
Liu Yuning's "Sea of Stars"
Accompanying Liu Yuning's singing "Sea of Stars". The stage borrowed AR technology to connect Golden Light Variety Hall with the sky and core cabin of China Space Station . Through the superposition of space, the audience accompanied the audience to pay tribute to the Chinese aerospace power that went out to the sky and wandered in space in their eyes, and made good wishes to the starry sea, creating the most beautiful New Year's Eve that "the end of the world is at this time".
Liu Yuning "Starry Sea" live performance
Liu Yuning "Starry Sea" UE preview plan
" Teresa Teng " week depth
virtual reality interlaced, light and shadow symbiosis. Through the comprehensive integration of motion capture , virtual reality, artificial intelligence , etc., "Teres Teng" and Zhou Shen sang "Story of Small Town", "Strive on the Road of Life" and "Big Fish" on the same stage. The beautiful singing softens the years and is full of memories and touches. The lifelike "Teres Teng" fully reflects the remembrance of technology.
Vsinger Hard Candy Girl
Vsinger Luo Tianyi, Le Zhengling, Yanhe, Le Zhenglongya , Zheng Yumo Ke, Mo Qingxian appeared together, and cooperated with Hard Candy Girl 303 on the same stage, using solo dance, fighting dance to challenge the high-difficulty cooperation of "virtual people" with stage, characters, camera positions, and lighting.
Xue Zhiqian
Xue Zhiqian sang " Like the Wind ", the stage challenge used real-time rendering and real-time pinching to complete the program performance in the live program, bringing the audience a wonderful presentation that breaks through imagination. The TV audience saw "Like the Wind" and the audience saw with their own eyes that Xue Zhiqian performed suspended + magic with the little green man in front of the big green screen. It was too difficult, so we must give Xue Zhiqian a thumbs up to his professionalism that he would never laugh!
AR is a well-known technology as a reality enhancement. This time, ACG challenged the clamping technology that can only be completed in the later stages of the movie for the first time.
In order to meet the live broadcast requirements of the evening party, the team developed the reverse pinching technology of the AR engine.The new upgraded AR technology presents more mysterious and unique visual effects. Jiangsu Satellite TV's 2022 New Year's Eve concert achieved the first application of real-time rendering and real-time pinching technology. ACG has been breaking through the boundaries of imagination, and technology has made endless progress!
ACG Jingxi team
Visual design: create beautiful and cool stage vision
Some of the visual party of this New Year's Eve party was led by visual director Ke Changyong, Leti Vision Team, personally create beautiful and cool stage visual packaging , including Li Yuchun "Dance", Xiao Jingteng "Monkey Cage", Miriam Yeung " It's a pity that I am Aquarius ", "Big Events in Small Town", "Brave", "Wild Child", Deng Ziqi "Two Selfs", Tan Weiwei "Night in Ulaanbaatar", "Give You a Some Color", Zhou Shen Teresa Teng "Big Fish", Xue Zhiqian "Turn Waste into Treasure", Mao Buyi "Enter the Sea".
Let the Vision Team
Li Yuchun's "Dance"
Design concept: According to the song itself, Broadway style elements are combined with color block graphics and stage design to create a fashionable atmosphere of light and shadow.
Xiao Jingteng's "Monkey Cage"
Design concept: The first half is mechanical, with mechanical eyes as the main element, as if from the third perspective, it is a kind of order and precision feeling to unfold the look of the entire stage; the second half uses a strong sense of rhythm to express a state of freedom that seems to break free from the shackles, release the inner self and enjoy happiness.
Tan Weiwei's "Give You a Some Color"
Design concept: The spider web is an element that runs through the entire scene, combining shadow play and ink-splash brush changes to enhance the rhythm changes of the song. The integration of traditional culture with national trends makes the overall visual direction more majestic and rhythmic.
Zhoushen "Big Fish"
Design concept: It is a beautiful and artistic song. It draws the artistic conception of mountains and rivers through particle lines, and uses the combination of virtual and real elements to create a dreamlike stage.
Xue Zhiqian's "Turn waste into treasure"
Design concept: Based on the emotions of the song, use the gentlest and most romantic elements such as feathers and snowflakes to express the purest yearning for love.
Mao Buyi "Entering the Sea"
Design concept: This song is written for graduates, with a melodious and lyrical style, which not only expresses the nostalgia for the student days, but also has a longing for life after graduation. While it is a little sad, it is full of hope.
Audio Design: Create the ultimate audio to ensure the safety of broadcasting
New Year's Eve concert was jointly created by Jiangsu Taiwan Audio team and Jin Shaogang Audio team to create the ultimate audio experience . Jin Shaogang serves as the audio director, Zhang Xiaonian serves as the director of audio engineering, Hou Dawei serves as the audio coordinator, and the system engineering was produced by Nanjing Oste Audiovisual Technology Co., Ltd.
db ArrayCalc simulation map
New Year's Eve concert stage is designed with 360° stage, bringing many challenges to the construction of the live sound reinforcement system. The main sound reinforcement not only needs to meet the precise sound energy coverage of the audience area, but also minimize the impact of the main sound reinforcement system on the stage sound reinforcement system, but also consider the VIP area that has been fully upgraded this year's evening party. The audio team used db ArrayCalc sound field simulation software to simulate the on-site audio coverage needs and calculate the sound pressure level distribution. Through simulation, you can see the sound field coverage of a single speaker or a single-line array, as well as the superposition between multiple sound sources, and accurately calculate the speaker intersection angle, weight and other data. By constantly adjusting the position of the speaker system and performing multiple simulations in the model, the speaker installation is ensured to be accurate and safe.
In order to provide first-class sound experience in this multi-functional large performance venue, the technical team specially designed a sound reinforcement system solution for this year's New Year's Eve concert, using 8 sets of KSL as main speakers to provide full-band directional control for the venue - each set of main expansion has 8 KSL full-frequency line array speakers, and according to the coverage angle required by the audience in the venue, 4 combinations of narrow angle KSL8 and wide angle KSL12 are selected for accurate coverage. Among them, the four main expansions are surrounded by the main stage in the middle, covering the audience area at the entrances of the stage on both sides of the short axis of the main stage; while the other four main expansions are covered by the left and right sides of the long axis, facing the audience area. The main expansion system has enabled db AP technology to further strengthen the control of sound direction, reduce harmful acoustic reflections of , improve language clarity, and achieve consistency of the whole scene tone. The
system is equipped with a total of 18 SL-SUB ultra-low frequency speakers. They are divided into three groups, which are arranged in the form of a ground low frequency array in an equal distance. Two groups are placed in the center of the ground on the side of the main stage long axis, and one group is arranged in front of the T-shaped stage entrance, providing shocking and infectious low-frequency energy for the entire venue.
Due to the special nature of the stage design of this year's New Year's Eve Gala, the sound reinforcement system design in this area adopts the combination of 6 V8s and two SL-SUBs. The auxiliary side fill is responsible by two V10Ps and 4 V8s. In addition, the main stage is also arranged along the front edge of the stage, with a total of 16 E8s covering the VIP audience around the stage. The purpose of this setting is to replenish the VIP area in all aspects, strive to make the sound perfectly present, so that the front row audience can more intuitively feel the infectiousness of the music on the stage. The super mixer system created by
Main OB room
OB room
Each live broadcast, the tuning team will select the room on site as the mixing room and use professional acoustic screen for simple sound absorption processing. In order to better deal with the standing wave and coupled problems, this year, the world's top Trinnov acoustic schooling system was used on site. Through the 3D Mic diaphragm three-dimensional acoustic microphone test, the acoustic characteristics of the entire room were fully collected, and the monitoring C position was accurately positioned. The room acoustic parameters such as the overall frequency response curve, direct audio response curve, full-band phase, group delay and pulse curve of the room were analyzed. Finally, after algorithm adjustment, each acoustic parameter was corrected to restore the studio-level production environment and provide standard monitoring conditions for on-site mixers.
Trinnov sound school inspection
This year, the broadcast audio production chose to use the 5.1 surround sound format. At the production level of , Jiangsu Taiwan has always adhered to the principle of "professional people do professional things" and made full use of its advantageous resources. music mixing system is responsible for mixing all singing parts and sending out stereo track segment signals to the final mixing system; final mixing system is responsible for balancing and up-changing various materials such as singing, dialogue, sound effects, VCR, environmental information, and reasonably selecting the effect plug-ins of the mixer and peripheral equipment, striving to restore transparent vocals, CD-quality music, and real environment.In terms of monitoring source settings, the final mixing system is equipped with native 5.1, dbE decoding, original sound ST, downmix ST and other signals. By constantly comparing monitoring during rehearsal, the accuracy of production-level operations is ensured.
Starting from the 2016 New Year's Eve concert, Jiangsu Taiwan's audio team has continuously applied new sound production modes and continuously produced formats such as 5.1 surround sound, 5.1.4 3D sound, headphone virtual 3D sound, etc., providing high-quality auditory enjoyment for different audience groups such as standard definition, high-definition, 4K ultra-high definition, mobile clients, etc., and standing at the forefront of the current TV mixing process.
end-mix team
safe and high-quality live broadcast production comes from the joint efforts of the team. Based on a series of conditions such as rigorous system design, reasonable resource allocation, scientific main and backup switching and signal distribution mechanism, rich tuning experience, and responsible work attitude, the sound production of Jiangsu Satellite TV's New Year's Eve concert always conforms to the "Asian Top Show" temperament.
"You can always believe in Jiangsu Satellite TV's New Year's Eve Concert" is the unanimous voice of many viewers. Locking against Jiangsu Satellite TV at the same time has become a powerful viewing inertia. While it gathers festival emotions, promotes cultural exchanges, and spreads the strong voice of the times, it can always bring the audience an aesthetic experience that refreshes imagination - such a creative attitude that only asks the original intention and no matter what, it is itself the best footnote to "light up happiness with struggle."
Special thanks/Dance Art Circle
Source/Dance Art Circle, Jiangsu Satellite TV, Sangong, ACG Whalexi Creativity, Let Vision, dbaudio Debang Audio, Chuanxin Technology
Editing and Organizing/WORLD SHOW
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