If you start with the mentor, it must be Tan Weiwei's most eye-catching, because she took the stage up to three times in one night. One of them assisted the student actor, sang in full twice, and all three performances were remarkable.

" The Voice of Dreams " episode 9. If you start with the mentor, it must be the most eye-catching Tan Weiwei , because she appeared on stage as many as three times in one night (actually just edited in one episode), one of which assisted the student actor, sang in full twice, and the three performances were remarkable. Of course, although JJ Lin and Jane Jane appear once each, it is enough. If you can focus on just one performance, you will invest more energy. At least I think JJ Lin and Jane Jane's singing tonight is also excellent. As for

students, there are two who want to mention them in particular. Huang Junjie and Huang Xiaoyun are the most eye-catching, especially Huang Xiaoyun, who is described by JJ Lin as the great devil, which shows how strong it is.

Huang Junjie asked Tan Weiwei for advice. Tan Weiwei replied to "The Love You Want" and made a fuss about the audience.

Huang Junjie sang Tan Weiwei's work " Tan Moumou ", which was well modified, retaining the essence of the original song, and adding many modern elements, including rhythm and rhythm, making the lines of the song appear more natural, pleasant and comfortable. Huang Junjie's voice also handles it naturally, softly wraps up power, expresses it appropriately, not ostentatious but impactful enough. In addition, the bass Solo in the room is very extra points, which is a work that makes people unable to help but shake when they hear it.

Tan Weiwei sang Penny's "The Love You Want", and the adaptation is also bold, with an experimental nature. The psychedelic at the beginning is like the confusion of adolescence, which is in contrast to the subsequent intense arrangement. Tan Weiwei's voice also changes step by step from lazy to shouting and release, which is also not ostentatious, but has a strong momentum. Tan Weiwei's song selection is still wonderful, and can present a sense of collective memory in another way through the adaptation of classics.

Tan Weiwei Hu Yanbin assists Peng Xiyan , Peng Xiyan becomes strong when he meets strong

Peng Xiyan is already very powerful, and he is still the kind of student who becomes strong when he meets strong. Hu Yanbin and Tan Weiwei help her sing " Beyond Infinite ". It has to be said that both mentors are good assistants. Hu Yanbin's addition has integrated into another track, making the level of the song more three-dimensional and rich in auditory. Tan Weiwei played a role in promoting it, and evolved into the two of them singing on the same stage on the stage, tapping out more potential of Peng Xiyan. However, Peng Xiyan's singing style really needs to be adjusted appropriately, and the same sentence is still the case. This kind of singing hurts his voice.

JJ Lin is very strong, " People Like Me " perfectly controls various ranges of

JJ Lin sang "People Like Me", first of all, it is important to say that the arrangement is very important. Adding the performance of folk instruments such as Chinese drums and flutes. The former enhances the momentum of the song and brings out a magnificent and atmospheric effect, while the latter shows the delicate parts in the atmosphere with a melodious tone. Two different instruments are played together in a song, complementing each other.

Next, talk about JJ Lin's voice and singing. The high notes are a highlight in this song. The more powerful the work is, the more you need to support it with a high posture sound, which is sonorous and powerful, soaring straight into the sky. The more you feel, the more resonant it is. However, don’t ignore the fact that the high notes are set against the backdrop of the high notes, the magnetism and delicateness of JJ Lin’s mid-bass sound are also demonstrated. In terms of range and span, JJ Lin is still quite versatile. He can control the control and the -level -style processing with , so he can bring a sense of layering to different ranges by relying on the changes in tone.

A work that is a small pattern was sung by JJ Lin into a big song. It does not discuss feelings, but just as JJ Lin's interpretation, I was excited for a long time after listening to it. This is the power and resonance of the sound.

Huang Xiaoyun is the most amazing, his voice is "too domineering"

Huang Xiaoyun, his voice is as famous as his name, and he really has a voice that rushes into the sky, but it is not scary at all, but it seems very wonderful. The song "Left Hand Pointing to the Moon" is no exaggeration to say that the four mentors here dare not challenge it easily. Even if it challenges, it is difficult to sing the effect of Huang Xiaoyun. The degree of matching the tone and the song still needs to be emphasized.

Huang Xiaoyun asked Tan Weiwei for advice on " Light at that time". The first half of the tone is pure, and the second half is extremely penetrating. He also rushed into the sky, showing two different sound states from "Left Hand Finger Moon". It is too domineering and even a bit of a foul.

Tan Weiwei made his debut for the third time, and moved to sing family affection

Tan Weiwei was also very foul tonight, and actually went on stage three times. Unlike the previous two times, Tan Weiwei, who came on stage for the third time, was very moved and performed this song "Give Gift" very quietly. This is the Tan Weiwei who is rarely heard, and the Tan Weiwei who has always wanted to hear it. I think Tan Weiwei no longer needs to show her strength. Sometimes returning to nature is another surprise, but the second half is back to normal, and we still have to sing the songs big. Sometimes I wonder, can we change the model?

After listening to Tan Weiwei's big song, I felt extremely comfortable and comfortable when I listened to Mou Minxue's "Darwin". It is good to have a big picture, but sometimes it seems too annoying, and sometimes it is more touching to the heart. At first, Hu Yanbin thought that Mou Minxue was Zhou Hui , and her tone was a bit similar, but Zhou Hui's interpretation was more calm and her voice was a little more viscous.

Jane Zhang's freshly adapted "Worth" and Sammi Cheng highly praised

Jane Zhang for singing "Worth" and made a slight adjustment to the popularity and added blues elements. Not many. The important thing is to create a sense of style and increase the difficulty of singing. But I think this adaptation is quite suitable for Jane Zhang, which basically eliminates the popularity of the original work, making this free and easy look more straightforward and more flavorful.

Zhang Liangying's song "Worth" is actually very advanced, especially if you have been listening to Sammi Cheng's original version and listen to this version again, it will be fresh.

It’s no wonder that Sammi Cheng highly praised Jane Zhang’s singing on social platforms, and even used it as a “god level”.

PS: All pictures are from the Internet