Gold lacquer carving dragon pattern with girdle and mud support seven-screen throne
Jasper shallow carving with golden cloud and dragon pattern special chime
Gold painted high relief hardwood screen with sea water cloud and dragon pattern
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Read these words that are very picturesque
You Is the "palace style" in your heart already oily? However, at the National Museum , more than 200 pieces (sets) of Qing Dynasty palace art treasures from Shenyang Palace Museum have been properly arranged. Together with more than 30 pieces (sets) of Qing palace utensils collected by the National Museum, they form a "golden and jade-filled hall" ——Exhibition of Qing Dynasty Palace Treasures from the Shenyang Forbidden City.
The exhibition opens today , let’s bid farewell to 2020 and welcome the new year with everyone!
This exhibition is also the first systematic display of fine cultural relics from the Forbidden City in Shenyang in Beijing!
Audiences visited the exhibition
Shengjing Palace and Shenyang Palace Museum
Yu built the Forbidden City, which is famous.
has risen to the Taijie level, and the Taijie level is full of glory.
has no color decoration, but a thick accumulation.
This is the grand scene of the Shengjing Palace described by Emperor Qianlong in " Shengjing Fu" in the eighth year of Qianlong's reign (1743).
Shengjing Palace, also known as the Shenyang Forbidden City, is a royal palace built and used in the early Qing Dynasty. It was first built in the Nurhachi period and was completed in the Huangtaiji period. It was expanded and improved many times during the Kangxi and Qianlong periods. The largest palace complex during the Qing Dynasty's period outside the Pass.
Picture/Shenyang Palace Museum official website
The Shengjing Palace was the political center of the Qing Dynasty before it entered the customs. After the Qing Dynasty entered the customs, the Shengjing Palace became the "Palace of the Accompanying Capital", and because it was the "important place of dragon prosperity", it received much attention from the emperors of the past dynasties. Emperors Kangxi and Qianlong not only allocated internal funds to repair and expand the Shengjing Palace many times, but also continuously sent a large number of royal utensils and treasures from the Beijing Palace to be stored here to show that they "do not forget the roots."
The Shenyang Palace Museum was established on the basis of the Shengjing Palace and has a very rich collection of Qing Dynasty palace art treasures. With the opening of this exhibition, we have the opportunity to see these treasures from the Shengjing and deep palace collections at the National Museum.
Exhibition Highlights
. There are a large number of cultural relics on display, and the categories of cultural relics are rich and colorful.
The cultural relics on display in this exhibition include well-made official kiln porcelain (imperial utensils and furnishing utensils) from the Kangxi, Yongzheng, and Qianlong periods, as well as splendid clothing, hats, crowns, and splendid Luxurious jewelry and accessories; both exquisite and gorgeous food and utensils, and cooking utensils with full ethnic characteristics; not only the imperial calligraphy and painting of Emperors Kangxi, Yongzheng, and Qianlong, but also the works of ministers, princes, and royal families. Made.
2. The exhibition is rich in content and is both academic and popular. The
exhibition closely combines the display of Qing Dynasty palace artworks with the complex historical section of the Qing Dynasty. Through representative exhibits, it introduces the audience to the etiquette, life, customs, beliefs, culture, armaments and other aspects of the Qing Dynasty palace.
This exhibition has the largest number and richest types of cultural relics among the cultural relics exhibitions held by the Shenyang Palace Museum in China over the years. It is a large-scale cultural relics exhibition that systematically displays the art treasures of the Qing Dynasty in its collection.
Exhibition structure
Imperial power and order
The Qing Dynasty inherited the previous system and developed it to build a complete materialization system of imperial power. The majesty of the Qing Dynasty’s imperial power and the political power and order behind it are revealed in the solemn thrones, seals, holy faces and majestic rituals, as well as in the splendid attire of the emperors and empresses that highlight their rank.
Posthumous treasure of Nurhachi, Taizu of the Qing Dynasty
Bust of Huang Taiji, collected by the National Museum of China
This unit uses the solemn throne, the statues of the emperor in court and ordinary clothes, the emperor's seal, letter plate, royal objects that represent the identity and power, the emperor's posthumous treasure and posthumous book enshrined in the Ancestral Temple of Shengjing, etc., in the palace. and the musical instruments used in Shao music and Danbi music, as well as the ceremonial instruments used in the ceremony. Exhibits such as the elegant and luxurious costumes of emperors and empresses are intended to illustrate the construction and generation of imperial power, as well as the hierarchical order and political implications behind it.
Daoguang·Ming yellow satin color embroidered flat gold dragon cotton dragon robe
Life and customs
This unit displays a large number of exquisite and gorgeous palace daily necessities and relics, allowing the audience to understand the palace life of the Qing Dynasty from daily life, food, entertainment, customs, etc. There is a specific and subtle understanding and understanding of the situation and appearance.
Qing Qianlong · Cloisonné Enamel Baoxianghua Large Refrigerator
Exquisite bonsais and flower pots, gorgeous Ruyi and fire sickles, exquisite and luxurious bowls, plates and tableware, exquisite spit bowls, Slag buckets, simple braziers, exquisitely crafted decorations of various shapes, etc., splendid harem clothes and hats, gorgeous jewelry, exquisite and gorgeous daily utensils, etc., can satisfy the audience's appreciation for the exquisiteness of the Qing Dynasty palace to a certain extent. The imagination of luxurious everyday life.
Baizi Chengxiang Jadeite Pei
Material Peony Head Flower
Kangxi Colorful December Flower Cup
Furnishings and Purification
Copper-plated gold-plated ends (lù duān) (pair)
This unit allows the audience to understand the palace creations of the Qing Dynasty through Qing palace furnishings and Qing Dynasty offerings such as bottles, plates, basins, bowls, tubes, clocks and other materials made of gold, jade, porcelain, copper, enamel and other materials. view Through the Qianlong Emperor's imitation of Shang and Zhou bronzes, Song and Yuan porcelain, ancient jades and other antique wares, we can understand the aesthetic taste of the Qing emperors; through a large number of auspicious meanings, rich patterns and types of exquisite furnishings and Qing Dynasty utensils, we can see The auspicious culture of the Qing Palace. And through these dazzling treasures embodying the value of traditional craftsmanship, you can appreciate the broad and profound heritage of Chinese traditional culture.
Painted enamel Sanyang Kaitai hexagonal bonsai
"Zhaichuan Zhile" colorful fish lotus plate
Art and Belief
This section displays the calligraphy and painting works of emperors, clans, princes, and ministers, which can provide a glimpse of the cultural accomplishment and literati taste of Emperors Kangxi, Yongzheng, and Qianlong.
Qing Dynasty Co-painted by Lang Shining and Tang Dai "Colored Songs and Cranes" axis
Qing Dynasty Yinzhen's running script "Peace and Ruyi" axis
Buddhist belief was one of the important contents of the court life and culture of the Qing Dynasty. This section displays some gold and bronze Buddha statues collected in the Shenyang Forbidden City. They integrate the artistic essence of Han, Mongolian, Tibetan and other ethnic groups as well as Tibetan Buddhist cultural relics from overseas areas. The representative of the bronze Buddha statue.
Qing Painting by Zou Yigui "Hundred Flowers" volume (part), collected by the National Museum of China
Qianlong period of the Qing Dynasty. Cloisonné enamel seawater Shuanglong penholder
Civil administration and military preparation
The collection and storage of classics of past dynasties and the organization of official revised classics are one of the cultural landscapes of ancient Chinese palaces. "When an emperor governs, culture and education come first." With the unification of the country and political peace, emperors Kangxi, Yongzheng, and Qianlong successively collected and sorted out classics from past dynasties on a large scale, compiled books to govern history, and published a wide variety of volumes. It is a collection of traditional and complete cultural classics, among which the "Ancient and Modern Books Collection" compiled in the Kangxi period and the "Qinding Sikuquanshu" compiled in the Qianlong period are the most famous.
The armaments of the Qing Dynasty were mostly weapons used by the emperor and the officers and soldiers of the palace garrison troops (Shenji Battalion, etc.). They were of various types, well-made, and had distinctive characteristics of the times. The royal swords, bows and arrows, and harpoons used by Emperor Shunzhi, Emperor Kangxi, and Emperor Qianlong on display in this section are all representative of the armaments of the Qing palace.Among them, the armor, saddles, riding whips, and parade arrows worn by Emperor Qianlong during the Grand Parade are the most famous.
Qing Dynasty·"Qin Ding Wuying Palace Treasure Edition Program"
Qianlong Qing Dynasty·White jade handle peach skin scabbard punch waist knife
Qianlong Qing Dynasty·White jade handle Peach skin scabbard punch waist knife
Emperor Qianlong's great reading with gold rope brocade cotton armor
Exhibits detailed appreciation
Exhibition information
Exhibition: Full of gold and jade - Shenyang Palace Museum Collection of Qing Dynasty palace treasures
Exhibition Hall: National Museum North 4 exhibition hall
Exhibition period: 2021/1/1 Opening, on display
(For more exhibition details, please refer to the official website of the National Expo)
Curated by the
curatorial team Person: Wang Zhiqiang
Curatorial Assistant: Sun Mengying
Space Design: Liu Weixian Jiang Quanmin Cao Xu
Graphic Design: Lian Jieqian Zhao Lei
Production Supervision: Su Fengning
Photography | Yu Guanchen Pang Daoqiong
Graphic Editor | Three Giants
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