Li Bai's "role model group", Zhuge Liang is obviously in an important position. Because Zhuge Liang's legendary life and immortal achievements were exactly what Li Bai pursued.
Li Bai’s relationship with Nanyang began when he married into the Xu family and "Jiuyin Anlu". According to relevant investigations, Li Bai has visited Nanyang five times and left many poems.
The first time I arrived in Nanyang was in the 18th year of Kaiyuan (730), when Li Bai was thirty years old. In the poem "The Farewell to the King of Songfangzhou and Yan Zheng's words ", Li Bai wrote: "The wanderer came from the southeast and came from the capital." This shows that Li Bai went to Chang'an to seek a political outlook when he entered Nanyang. In "The Legend of the Condor Heroes of Xinping, Changshi," he also said: "I remember that I went to my house yesterday as a guest. The lotus flowers were red and the willow branches were green." This shows that he set off in Beijing in early summer.
Li Bai passed by Nanyang and was touched by Nanyang's rich cultural and historical sites. He wrote three poems: " Traveling to Nandu ", " Traveling to Nanyang Baishui Mountain Stone and Working " and " Traveling to Nanyang Qinglingquan ". "Southern Capital Travel" praises Nanyang's "boats, cars, Qin and Chu, and the south country is bound by the southern country", and its strategic position is very important; then writes "high buildings", "purple roads", "a first place" and "green mountains", to describe the prosperity and prosperity of Nanyang; finally, Nanyang Zhuge Liang wrote: "Who knows the guest of the dragon lying, and is sad and sad." He sighed that "the dragon lying" was fortunate, but he didn't meet him, so he sighed with "sad and sad".
The second time was in the autumn of the 20th year of Kaiyuan (732), and Li Bai returned to Anlu from Chang'an and passed through Nanyang. "How can I be so kind, and I am so sad that I sit alone." Li Bai met Cui Zongzhi here. After a conversation, he became a confidant and went to the "Huachi" for a banquet. Cui Zong wrote a poem to express his feelings, and Li Bai replied with "Rewarding Cui Wu's Doctor":
The clouds lie across the sky, and autumn scenery rises thousands of miles away. The hero's heart is flying, and the sunset sighs.
roared out of the field, and the cold wind blew. Fortunately, when I was wise, my achievements were not achieved.
How can I bear good luck? I am depressed and sad. I found the heroes and talked about me immediately.
Cui Gongsheng and his people are beautiful, and his beauty is far away. The production is based on the creation of nature and the satirizes the gods.
The sea can still be poured out, but the promise will never be changed. At that time, the frost was soaring and the leisure came to Huachi.
danced and brushed the long sword, and all the seats raised their eyebrows. Because of my love of poverty, I gave me a new poem.
is sweating again, and the nine heavens are far away. Raise your body and rest on the pot, wash your feet and play the sea.
has been in a state of decline since then, and it has been gone forever. Visit Mingguang Palace in the morning and enter Changheguan in the evening.
But you have to be long, why bother to Songqiu Mountain?
is visible from the poetry. After they sang together the poems and wine, Cui Zong invited Li Bai to retire. Li Bai did not agree because he "has not been accomplished", so he set a time to travel. It is said that Cui Zong failed to invite Li Bai to stay in seclusion in Songshan, so he accompanied Li Bai to Xiangyang to visit Meng Haoran.
There is information that this poem was written in Luoyang in the 22nd year of Kaiyuan (734), because "Mingguang Palace" and "Zangheguan" are geographical indications of Luoyang. However, this is writing a poem, a poetic expression, not a diary, nor a travelogue.
Let’s take a look at the poem “Give to Li Shierbai” written by Cui Zongzhi to Li Bai, which is helpful for understanding Li Bai’s “reward” poem and their interactions and emotions. The whole poem is as follows:
Cool breeze in August and September, and white dew fills the empty courtyard. The grudges are not smooth, and the sound of the wind and leaves are carried away.
I want to meet the heroic and handsome men, and talk about the past and the past. Mr. Li suddenly came to Yi and was not too late.
Qing Theory is both inferior to the palm of your hand, and mysterious Talk is also absolutely unforgettable. It is clear about the affairs of Chu and Han, and it is vivid in the kingly and domineering.
has no vulgar things, and I have visited the ancient times for more than a thousand miles. There is a dagger and a sword in the sleeve, and the Maoling book in the arms.
eyes shine, and the poems are lying on Zixu. Drinking wine and strings of the piano, the frost is calm and clean.
The things in my life, today I will tell you. My family has other karma, and I send it to the sun of Song.
The bright moon rises high in the sky, and the clear stream is clear and simple. The clouds scatter and the windows are quiet, and the wind blows the pine and cinnamon fragrance.
If the son travels together, he will never forget each other for thousands of years.
The time and scenery written in this poem are consistent with Li Bai's recitation poem. The greatest contribution of this poem is to leave Li Bai's appearance and spirit for future generations: "There is a dagger and a sword in his sleeve, and the book in his arms is lush. His eyes shine, and his poems are as clear as Zixu." It makes Wei Hao's portrayal of "the eyes are bright, and he is as trembling as a hungry tiger, or he sometimes tied his belt, and his romantic style" ("Preface to Li Hanlin's Collection") is more concrete and vivid.
Li Bai's "role model group", Zhuge Liang is obviously in an important position. Because Zhuge Liang's legendary life and immortal achievements were exactly what Li Bai pursued.
Li Bai’s relationship with Nanyang began when he married into the Xu family and "Jiuyin Anlu". According to relevant investigations, Li Bai has visited Nanyang five times and left many poems.
The first time I arrived in Nanyang was in the 18th year of Kaiyuan (730), when Li Bai was thirty years old. In the poem "The Farewell to the King of Songfangzhou and Yan Zheng's words ", Li Bai wrote: "The wanderer came from the southeast and came from the capital." This shows that Li Bai went to Chang'an to seek a political outlook when he entered Nanyang. In "The Legend of the Condor Heroes of Xinping, Changshi," he also said: "I remember that I went to my house yesterday as a guest. The lotus flowers were red and the willow branches were green." This shows that he set off in Beijing in early summer.
Li Bai passed by Nanyang and was touched by Nanyang's rich cultural and historical sites. He wrote three poems: " Traveling to Nandu ", " Traveling to Nanyang Baishui Mountain Stone and Working " and " Traveling to Nanyang Qinglingquan ". "Southern Capital Travel" praises Nanyang's "boats, cars, Qin and Chu, and the south country is bound by the southern country", and its strategic position is very important; then writes "high buildings", "purple roads", "a first place" and "green mountains", to describe the prosperity and prosperity of Nanyang; finally, Nanyang Zhuge Liang wrote: "Who knows the guest of the dragon lying, and is sad and sad." He sighed that "the dragon lying" was fortunate, but he didn't meet him, so he sighed with "sad and sad".
The second time was in the autumn of the 20th year of Kaiyuan (732), and Li Bai returned to Anlu from Chang'an and passed through Nanyang. "How can I be so kind, and I am so sad that I sit alone." Li Bai met Cui Zongzhi here. After a conversation, he became a confidant and went to the "Huachi" for a banquet. Cui Zong wrote a poem to express his feelings, and Li Bai replied with "Rewarding Cui Wu's Doctor":
The clouds lie across the sky, and autumn scenery rises thousands of miles away. The hero's heart is flying, and the sunset sighs.
roared out of the field, and the cold wind blew. Fortunately, when I was wise, my achievements were not achieved.
How can I bear good luck? I am depressed and sad. I found the heroes and talked about me immediately.
Cui Gongsheng and his people are beautiful, and his beauty is far away. The production is based on the creation of nature and the satirizes the gods.
The sea can still be poured out, but the promise will never be changed. At that time, the frost was soaring and the leisure came to Huachi.
danced and brushed the long sword, and all the seats raised their eyebrows. Because of my love of poverty, I gave me a new poem.
is sweating again, and the nine heavens are far away. Raise your body and rest on the pot, wash your feet and play the sea.
has been in a state of decline since then, and it has been gone forever. Visit Mingguang Palace in the morning and enter Changheguan in the evening.
But you have to be long, why bother to Songqiu Mountain?
is visible from the poetry. After they sang together the poems and wine, Cui Zong invited Li Bai to retire. Li Bai did not agree because he "has not been accomplished", so he set a time to travel. It is said that Cui Zong failed to invite Li Bai to stay in seclusion in Songshan, so he accompanied Li Bai to Xiangyang to visit Meng Haoran.
There is information that this poem was written in Luoyang in the 22nd year of Kaiyuan (734), because "Mingguang Palace" and "Zangheguan" are geographical indications of Luoyang. However, this is writing a poem, a poetic expression, not a diary, nor a travelogue.
Let’s take a look at the poem “Give to Li Shierbai” written by Cui Zongzhi to Li Bai, which is helpful for understanding Li Bai’s “reward” poem and their interactions and emotions. The whole poem is as follows:
Cool breeze in August and September, and white dew fills the empty courtyard. The grudges are not smooth, and the sound of the wind and leaves are carried away.
I want to meet the heroic and handsome men, and talk about the past and the past. Mr. Li suddenly came to Yi and was not too late.
Qing Theory is both inferior to the palm of your hand, and mysterious Talk is also absolutely unforgettable. It is clear about the affairs of Chu and Han, and it is vivid in the kingly and domineering.
has no vulgar things, and I have visited the ancient times for more than a thousand miles. There is a dagger and a sword in the sleeve, and the Maoling book in the arms.
eyes shine, and the poems are lying on Zixu. Drinking wine and strings of the piano, the frost is calm and clean.
The things in my life, today I will tell you. My family has other karma, and I send it to the sun of Song.
The bright moon rises high in the sky, and the clear stream is clear and simple. The clouds scatter and the windows are quiet, and the wind blows the pine and cinnamon fragrance.
If the son travels together, he will never forget each other for thousands of years.
The time and scenery written in this poem are consistent with Li Bai's recitation poem. The greatest contribution of this poem is to leave Li Bai's appearance and spirit for future generations: "There is a dagger and a sword in his sleeve, and the book in his arms is lush. His eyes shine, and his poems are as clear as Zixu." It makes Wei Hao's portrayal of "the eyes are bright, and he is as trembling as a hungry tiger, or he sometimes tied his belt, and his romantic style" ("Preface to Li Hanlin's Collection") is more concrete and vivid.This is the portrait of a character left by a literati of the same era of Li Bai who observed the poetic style from a close distance, and it can be called a "best stroke". In Cui Zong's eyes, Li Bai was a "male and handsome man". He not only talked about the past and the present, but also "clear" and "mysterious talk", talking about major events in the world and a strategy for governing the country. Cui Zongzhi also had something to say in his heart, but when he met Li Bai, he was out of control. Cui Zongzhi did invite Li Bai to travel with him, and this invitation seemed a bit "cowardly" - because standing in front of Cui Zongzhi was a "male and handsome man" - Li Bai's ideal of governing the world had no signs.
The third time was in the spring of the 22nd year of Kaiyuan (734), and Li Bai came from Anlu. Now Nanyang believes that "Sending Guests in Nanyang", "Handling Friends in " and "Handling Friends in " are written on this trip to Nanyang, both of which are about expressing friendship. It is said that these poems are written for Cui Zhongzhi, a friend I met last time. First read "Sending Guests in Nanyang": "Don't make it thin for wine, and don't forget your heart. Sitting and cherishing old friends will leave, but it will hurt the wanderer. Leave your face and complain about the fragrant grass, and think of the spring willows. Waving your hand and getting farewell again and again, and your heartbreak will be broken when you are in Qikong." The place where you bid farewell is in Nanyang, and it is difficult to judge why the "guests" are. But the friendship between this "old friend" and Li Bai is not so deep that it is so deep that it is "empty and heartbroken". Let’s look at “Sending Friends” again: “The green mountains lie across the north and the white water surround the east city. This place is a farewell, and the lonely huts are traveling thousands of miles away. The clouds and wandering children are like wandering in the sunset. I wave my hand to go here, and the horses are singing.” There is no reference information for the writing location and recipient of this poem. Some people say that the "Baishui" in the poem is the Baihe in Nanyang, and it is determined that it was written in Nanyang. The emotions of the two poems are sincere and have similar tones - tactful and profound, hurting the heart. Anqi's "Annotation of the Chronicle of Li Bai's Complete Poems" believes that "the title of the poem is suspected to be a reckless addition to the future generations... The city separated by the pond should be in Nanyang." The creation time of this poem was set as the 26th year of Kaiyuan (738). Yu Xianhao is suspected to be written in the sixth year of Tianbao (747), and the location is Jinling .
The title of this poem "Remembering Cui Langzhongzong's trip to Nanyang Yiwu Confucius's touch of touching the piano" explains the recipients of the poem very clearly. The thing he "remembered" is the second time Li Bai went to Nanyang and first met Cui Zongzhi - Yiwu Confucius Jiji, and he thought of others while playing the piano. The whole poem is as follows:
In the past, I was in Nanyang City, and I only drank the mountain ferns. I remember that I was with Cui Zongzhi, and the white water touched the Su Yue.
:00 passes the jujube pond, and you can drink without a break. The golden flower is spread out, and the song is filled with decay and clear.
Once you destroy the jade tree, life and death are erratic. I am the Confucius piano, and the piano has been left dead.
Who spread Guangling San, but crying Mangshan bones. When will the spring doors be clear? I will sweep away the fox and rabbit caves.
The poem "Keep me Confucius' piano, and the piano is still alive and the person has died." The "death" means death. "Who tells Guangling San, but crying at the mountain bones" means that Qu San people ends - it is the end of the life of good friend Cui Zongzhi. And the person I remember is indeed Cui Zongzhi. Then, this poem was not written here and now, at least after Li Bai's second entry into Chang'an and was given gold and released. As for the "You Nanyang" in the title, it should be the relationship between Li Bai and Cui Zongzhi when they first met, and it was not the time when they met Cui Zongzhi this time, but recalling the past.
The fourth time was around the 28th year of Kaiyuan (740), when Li Bai moved his home to Donglu and passed by Nanyang. This is a speculation, no trace of the text was found.
The fifth time was first year of Tianbao (742). Li Bai was invited by Fangcheng Xianwengguan Taoist priest Yuan Danqiu to Fangcheng Temple and wrote "Talking about Xuan Works with Yuan Danqiu Fangcheng Temple". Fangcheng Temple is located on the mountain of Fangcheng County in today's Fangcheng County. Fangcheng County belongs to Nanyang City, Henan Province. "Talking about Xuan" is an activity of the theory of Zhuangzi , discussing profound issues or unrealistic things. What did Li Bai and Yuan Danqiu talk about? The whole poem is as follows:
In the vast dream, I am the only one who awakens first. The wind and fire are coming, and the appearance of a fake cooperation is fake.
eliminates all doubts and appreciates the essence. If you observe this body with clear thoughts, you will be able to achieve silence and illumination.
The Lang understands the past and later, and then he knows the wonder of the golden immortal. Fortunately, I met a Zen person and sat down to call him.
If I were both disappointed, the clouds and mountains would not be different. The breeze grows in the void, and the bright moon chats and laughs.
The Qinglian Palace is happy, and I will always wander and look around.
In the "Battle of Dreams", Li Bai thought he was foresighted.From the whole poem, it can be seen that the central topic Li Bai talked with his friend Yuan Danqiu this time was Buddhism and Taoism.
"Annotations on the Nanyang Prefecture Chronicles of the Ming Jiajing" contains 3 poems written by Li Bai in Nanyang, and 11 poems are collected by people today. Although Li Bai only mentioned Zhuge Liang directly in "Southern Metro", his repeated experiences and nostalgia for this is not unrelated to his "Zhuge Liang complex" that he accompanied him for life.
(To be continued; I am serious about Li Bai; All rights reserved)
text/Zhao Bin Photo/Tan Changyong and Jiang Ge
Li Bai's hometown , Sichuan Jiangyou
"Annotations on the Nanyang Prefecture Chronicles of the Ming Jiajing" contains 3 poems written by Li Bai in Nanyang, and 11 poems are collected by people today. Although Li Bai only mentioned Zhuge Liang directly in "Southern Metro", his repeated experiences and nostalgia for this is not unrelated to his "Zhuge Liang complex" that he accompanied him for life.
(To be continued; I am serious about Li Bai; All rights reserved)
text/Zhao Bin Photo/Tan Changyong and Jiang Ge
Li Bai's hometown , Sichuan Jiangyou
