Recently, the Korean drama " Crash Landing of Love " starring Hyun Bin and Son Ye-jin is making a large number of Asian girls. It has only been released for six episodes, and the Douban score has reached 8.5.
screenwriter Park Ji-eun . She has created Korean dramas that are popular in Asia such as " You from the Stars " and "Legend of the Blue Sea". Her writing is full of tricks and strong contrasting CPs, full of skills to attract audience readers.
Watch the starring of the drama "Crash Landing of Love" again, they are "Hyung Bin" who is known as the public property of South Korea and "Sun Ye-jin", the actress who is a fairy-level actor, making fans and audiences satisfied just by knocking their appearance.
But the face of the starring actor is not the main factor that dominates the success of a film. After all, Hyun Bin and Song Hye Kyo once starred in "The World of They Live", with the same top configuration, but the ratings were disappointing.
This time, from the character setting to the plot control, all grasp the rhythm that the audience likes.
However, in terms of the brain highlights of the second generation of Korean chaebol vs. the second generation of North Korean officers, the screenwriter must be able to round up the seemingly impossible but interlocking plots in a smooth manner.
· Skill 1: Character conflicts, speed up the audience to substitute for
heroine Yin Shili, a 0.0001% chaebol in South Korea, has outstanding beauty and business acumen. She has her own clothing brand and cosmetics company, and combines thousands of brilliance. She can be said to have no shortcomings.
At the beginning of the plot, a suspension point was set. In a dark atmosphere, the heroine's luxury car was followed by someone, and a photo of her meeting with a well-known male star was taken.
originally thought that scandals would be flying everywhere, but unexpectedly, here in Shili, she successfully made the earrings and bags in her photos with the help of hot spots. This was the first step of reversal, and she also successfully drew the character of the arrogant and smart character.
seems to never be out of her control until she receives a call from her elder brother.
The contradictory point of the character Yin Shili began to slowly tear it apart.
She has two brothers who are not strong but compete for family property every day. Her father has just been released from prison on bail, while her mother is a taciturn woman in the family.
Through the conversation between her brother, we can roughly understand that she broke off friendship with her family early on. As for why, this place has become a suspension point for the characters to drive the plot, leading the audience to watch.
After all, the flaws in a perfect person are sometimes more attractive than shining points.
If the appearance of the heroine in the previous stage is to pave the character and setting with a reversal plot, then family conflicts have become a way to promote the plot and set suspense.
When Shili arrived at the family dinner in black, she heard her father announce: "I'll sit for you."
The appearance of the heroine at the beginning, and the contradiction reached the highest point here, because the next plot direction will be the heroine trying to paraglide and breaking into the North Korean situation for no reason, that is, she almost got everything.
And, more cleverly, it is precisely because Shili wants to get her father's property that she is eager to return to China in North Korea. Otherwise, if a girl with a simple identity meets true love, as the male protagonist, there will be no great resistance to stay there.
The compactness of the Korean drama begins is also reflected in the appearance of the male lead Lee Jung-hee , first of all, to catch tomb robbers and fight for the north and south lines.
Finally, the hostage was successfully taken back. The Major of the Security Bureau came over. A few undercurrent conversations showed that the two were not in line. This happened to lay the groundwork for the male protagonist not to hand over the female protagonist to the Security Department for interrogation later.
The appearance of the entire protagonist has highlights, excitement, and reversals. More importantly, the plot also explains the foreshadowing. Although it is bloody, there is basically no nonsense.
also makes the audience not have time to think. Is this true?
instead let the audience think about it themselves, that's OK!
· Skill 2: Plot reversal, expectation and not expectation
There are generally two ways to move the plot. One is to use foreshadowing to let the audience anticipate the next plot.
The second one is to set up a suspense that is beyond the expectation when the audience cannot guess how the male and female protagonists should get out of trouble next.
The second method is common in many film and television dramas, but the effect is amazing. In "Crash Landing of Love", the heroine uses the photos to quickly increase product sales after being photographed, which is a common unexpected reversal. The same was true when my father suddenly announced her as the heir at the family banquet.
This is not a simple plot to reveal family conflicts. Its design has a more important task, which is to make the heroine the most unpopular person in the entire family.
Therefore, in the first episode, the high-density plot content not only explains the character's background, but also involves the suspense and contradictions that are satisfying.
And the first case, there is a classic plot in "Crash Landing of Love", where the male and female protagonists kiss in the fish cabin.
Before the incident, there was a soldier in the military camp who loved to watch Korean dramas and told the male protagonist Lee Jung Hyuk: In Korean dramas, when you encounter danger, just do one thing to relieve the crisis, that is, kissing.
This is a silence, and it is also a sweet clip to warn the next. The most important thing is that if you want to abandon the show, you will not abandon it here!
There will always be surprises when you look at it.
So, when you know the next plot, will you continue to watch it?
The answer is of course: chase! And, it smells so good.
· Skill 3: The brain is open, it is self-consistent
The whole drama, although the emotional line of the male and female protagonists takes place in North Korea, a closed area that seems to have no contact with the outside world, the screenwriter's pen makes the characters in the play form a circle of contact.
That is to say, every person who appears has his value.
A plot occurs, at the end, the foreshadowing of the next plot, that is, suspense, which is the bait that allows readers and audiences to chase after it.
In the six episodes of "Crash Landing of Love", which currently airs six episodes, the characters who appear all have their roles, and even the aunts of the melon-eating crowd have taken on the responsibility of assisting.
Although the existence of the villain makes people feel annoyed, as the villain in the romance drama, everything must serve the main line, that is, reverse assist.
creates various obstacles for the male and female protagonists to let each other discover their true feelings.
And, the second male lead who fled to North Korea, has discovered the heroine Yoon Se-ri. He is a thread that leads the heroine back to South Korea.
And when he met the heroine, he directly let the male protagonist jealous king go online. It can be said that sweet dramas must be assisted by the whole world.
There is a line in the second male character, which is the dispute over interests with the heroine second brother. It is precisely because the second brother is eager to find the second male character, and the second male character discovers the heroine again. In this way, the characters in the whole plot are no longer separate.
The newly launched female second female lead not only caused emotional conflicts, but also asked her father to send the female lead back to South Korea on the grounds of getting married.
Every character is clearly used, the clues are not complicated, but the plot is coherent. Even if there are brain bugs, the audience can't help but help the screenwriter to make up for his own words.
Because, a drama knows what the audience wants, but does not want it automatically ignores it, and there is no need to explain the plot. In this way, the rhythm of the whole drama can be compact.
What will happen next in "Crash Landing of Love"? How to fill in the huge contrast between the Korean chaebol and the North Korean army?
Let's wait and see, and hope that the screenwriter can give a perfect circle in the entire ending.
