"The First of the Year" and "The Child of the Sun" "Dear Tenant", which was directed by Zheng Youjie for many years, is also a work that many viewers have been calling for. From trailers, posters to theme songs, they emit warm luster everywhere. However, after careful examination, they find that it is not a happy and beautiful story in front of them, but the meaning of sadness gives the family a soft and affectionate color on the picture. In fact, as Teacher Wu Mingyi once mentioned, all things are born and sad, but not dead. Just like our world, there is a little disappointment, a little joy, and a little gloomy, but still not total despair. Continuation is the knot that Yukazu Koreedo once again and again through the movie - the life state after trauma. How should people find the possibility of healing from the tiles and long pains all over the floor.
"You will be more relaxed without me." "But I will be happier with you."
Just two parent-child dialogues that were truly staged in the life of the creator. Drops permeate the viewer's hearts. People meet, people connect, and people experience emotions. Then, starting from making up for mistakes and taking responsibility, I realize that love and hate coexist, and I realize that I cannot leave step by step, and tidy up the deep bonds that are difficult to explain through both ideas but are no different from the family. Yes, it must be a life and economic burden, a burden that cannot be bearable in life. However, because people in the name of love, they can bear pressure every day, tolerate pain every night, and they can still be desperate even though they know it is futile. After climbing this mountain with difficulty, they suddenly realize that they have let the burden on their shoulders hold on their body, so that they will not be defeated by reality. It is precisely because of the ability to give love without seeking rewards, so many sufferings are no longer painful, many pains are no longer painful, and many are no longer tired. The joy and joy flowing in both directions appear on the faintly painful wounds, and then find a new way to heal slowly.
Director single-killed from the perspective of Lin Jianyi's middle-aged life. The jumping narrative is well grasped in both rhythmic mastery and emotional rendering, and the audience can dismantle this life that has long been used to silent as the past and the past intertwined and dismantled. The slightly quiet figure in front of me was obedient and neither humble nor arrogant to everything around me. She served the grandma tremblingly and took care of the children in every possible way. She saw a big man busy in and out of the kitchen, cooking a table full of sumptuous meals, but in the end she was timid and did not dare to sit down and eat with everyone. It turned out that he had nothing at all, lost his partner, lost love, and lost the focus of life. For a promise without regrets, he played a role that did not belong to him in the past. Gradually, the strange character grew into the shape of Kenichi, like love and home.
The urgent knock on the door has deepened the impermanence of gathering and separation in the world. He actually knew that the police were just looking in the direction of Kamou's "The Strange People" to find a reason that meets the conditions of a criminal, rather than a precise evidence of a crime, such as the same-sex dating, possessing drugs, and the motive for murder and murder in order to be added. But the charge he took on should not be attributed to anyone. Youyu will sooner or later blame himself for his past ignorance. Therefore, as a father and father No. 2, the earnest gaze in the tent that he wished he could embrace this thin body tightly into the depths of his heart repeatedly engraved the true appearance of love. All he could do was to protect the innocence and smile of the child as much as he could. He hoped that this love would lead him to the future less resentment and less hatred.
Jinmin once said that happiness has cohesion and will create more happiness after being condensed. "Dear Tenant" has also proved such magic. After all, there are places that do not necessarily belong, and there is no need to be warm with the eaves of home. Perhaps after things change, you will find that promises are just a turning point. The children have become a helper, leading us who are no longer alone out of the darkness, working hard to make up for our mistakes, working hard to become a better person, working hard to make the right choices, working hard to become what adults should be, and working hard to practice what Mr. Manjuan wrote in "Our generations": "Get up again after falling down, and wipe away tears after crying. I will never ask: "Why is this happening?" nor will I ask: "Why is it me?" The road is ahead, just walk on it."After all, children will understand their parents' persistence after experiencing vicissitudes, understand that their parents do not know how to turn their hardships into words, and then regenerate a bud of a family from the ruins of their homes, and witness another possibility of love from the cracks of love.
Gay romance is a necessary element of this movie, but this is not a necessity. In order to create a deeper dilemma, comrades can also be replaced by other hidden, weak or long-term misunderstood ethnic symbols. Through the gentle collision of traditional stereotypes and social views, the picture slowly turns from out of focus to clearness, sincerely portraying the essence of love that peels off all kinds of surfaces, which is tantamount to everything in the world. Mo Ziyi, who took down the Beijing Film Academy Award, interpreted the isolated and helpless middle-aged state of mind, and was introverted and deep, and followed the huge mourning. She still had sorrows on the corner of her mouth. She seemed calm on the surface, but she was surging in her heart. Her fragile and tenacious eyes not only slightly conveyed the riddled holes that had died once, but also revealed a willpower that she would not want to compromise. There was light, kindness, and courage.
The plot of "Dear Tenant" is just one of the ways to watch, but it gives each character their own vitality. In the restrained and restrained image blank space, the audience will see that since Wang Liwei left, not only Kenichi, but also Wang Ligang, who has become a black-faced brother. They all protect their families in their own way and try to retain things they have shared together in the past. The misunderstanding of the first row of the coast is still in my ears, but goodbye has been separated by heaven and man forever. It is not difficult to see that he misses his brother from the bottom of his heart, cares about his mother, and loves his nephew very much. Now the tree wants to be quiet but the wind does not stop. Who is the outsider? Who became an outsider again? All you can do is to grasp the inherent blood relationship and regain the wreckage of the original family. Even if you lose your sheep, you must fight for the justice in your heart.
Count Bai Runyin, Yao Chunyao , Yi Yuanjie, Wu Pengfeng , Wang Keyuan, each actor's performance is amazing, the interaction is sincere and natural, and the emotions are changing thousands of times, not only in line with the propositions of the times, but also allow thousands of souls in the storm to receive the understanding and comforting power from art. Producer Yang Yazhe also said that Chen Shufang's acting skills in this film are not inferior to those of Shiki Milin in "The Taste of Yokoyama Family". Facing the only object to blame, the contradictory and complex emotions are fully visible in the repeated attitudes; but the so-called "long-term" time shows people's hearts, most of the time, there are no pure bad people in the real world, and the tragedy does not originate from the mistakes made by anyone in his life. Kenichi obviously made mistakes, and Yuyu, who is not yet sensible, made mistakes, and his mother's long-term emotions. Blackmail is a common and huge mistake. Everyone has their own truth, everyone has their own difficulties, and everyone has their own way of expressing love. The key is how we reconcile with our indelible self after the trauma, so we can say tears at the edge of the bed: "Are you happy and happy with my son?"
"Dear Tenant" is undoubtedly a natural work directed by Zheng Youjie in his life so far. The restrained lens language truly presents the beauty of Taiwan's landform, gently rebuilding the touch between hearts, wandering in the misty mountain peaks, lingering in the dim harbor with bright lights, and a tender voice sounds melodiously with the sound of the piano. Yesterday seemed to be like a different world, but it was always vivid in my mind, constantly pulling memories back to the place in my dream.
If the heart has no place to live, it is wandering everywhere. Although it cannot fly, we all have wings. We once took root in the same soil and once docked on the same shore. From then on, we cannot truly travel far. Let the heavy happiness and uneasy happiness of the past become the focus. We will deliver sadness to the wind for love, indifference to the rain, and fear to the clouds. When we are wet, there is a safe haven. When we fly, we will look for familiar shoulders. We will look for the world through the window of the movie. We realize that it is inevitable for life to not be too late and cannot catch up. We believe that the love and companionship that appeared in life will be sublimated into the light and shadow behind us. We will eventually catch each other at critical moments, and support our steps and continue to move forward in the urging of time.
