Pengpai News reporter Li Mei compiled
" Ping An He Ru Feng Ju Three Posts " is a calligraphy work by Wang Xizhi's calligrapher in the Jin Dynasty. "Ping An" and "He Ru" are two letters, and "Feng Ju" was originally a book attached to "He Ru". When writing the three posts, the strokes are full of changes in the strokes, speed, square and circle. The single-character structure is rigorous and interesting, and it shows creativity everywhere, setting an immortal example for future generations.
The Paper learned that on July 26, "How to Safe and Three Posts for Oranges" was exhibited at the "Popular National Treasure Exhibition" updated in the southern campus of the Palace Museum in Taipei. In addition, the "Imperial Pen Calligraphy of the Masters of All Times" and other fine works of Qing Dynasty craftsmanship in the 23rd year of the Kangxi reign of the Qing Dynasty. It is reported that the exhibition will last until January 29, 2023, and the national treasure "How to Safe and the Three Posts for Oranges" will be limited to October 4th to October 30th, 2022.
Beautiful and elegant: How can you be safe and care? Three posts for the jujube
Wang Xizhi (303?—361), whose courtesy name is Yishao, was from Linyi, Shandong. Later, he moved to Kuaiji, Zhejiang. After being a famous clan, he served as the general of the Right Army, so he was also called "Wang Youjun". Wang Xizhi first learned Mrs. Wei , and later learned from others' strengths, studying the calligraphy of Zhang Zhi , Zhong Yao , Cai Yong , Zhang Xu and others, creating a beautiful and flowing style of calligraphy and having the reputation of "Sage of Calligraphy".
"How to be a peaceful person in the Three Posts" is a double hook pattern filling (covered with transparent or translucent paper on the original work, first the outline of the double hook character, and then fill in ink stroke by stroke), and is copied on hard yellow paper. Among them, "Peace" and "He Ru" are two letters, and "Feng Ju" was originally attached to "He Ru". All three posts are filled with double hooks from Tang Dynasty, and are exquisitely copied. When writing, it is full of changes in the tip of the pen, speed, square and circle. The single-character structure is rigorous and interesting, showing creativity everywhere, setting an immortal example for future generations.
"Ping'an Tie": "This is a rough peace. I have been working for more than ten days. Everyone has collected it recently. I will come again tomorrow. I have no reason to share it. I am grateful." " He Ru Tie ": "Xi Zhibai: If you don't look at the body and compare it with me? I will tell you again. The cold rogue among Xizhi. I look for it to be white. Xizhi white." "Feng Ju Tie": "Three hundred oranges are worshipped. The frost has not yet fallen, so I can't get more."
The first one is "Ping'an Tie", which is a work of running script and cursive script . The second one is “He Ru Tie” and the third one is “Feng Ju Tie” and both are written in running script. Among the three posts, the strokes of "Ping'an Post" have many changes in the strokes and the cursive writing styles of some thread-tips are very clever; the characters of "Fengju Post" are also very tilted and tilted in size and tilt, which are also very varied; in contrast, "He Ru Post" is more neat.
Jin Wang Xizhi "How to Safe and Respect the Oranges" (partial) Taipei Palace Museum
Based on the information left on the post, these three posts were first collected in Emperor Wu of Liang , and were escorted by the foremost artists Xu Sengquan and Tang Huai Chongguan. In the Sui Dynasty, there was an Yao Cha 's office, and other other posts after the three posts: "On March 27, the 18th year of Kaihuang, Sui Dynasty, the bachelor of the army, Zhuge Ying Consulting the military officer, Liu Guyan, the bachelor of the army, explained Zhiguo."
Tang Dynasty The "Youjun Bibliography" compiled by Chu Suiliang includes three posts, but He Ru, Fengju Post and Ping'an Post are separated. Obviously it was not mounted on a hand scroll at that time. Later, , Emperor Taizong of Tang, asked someone to copy the collected posts and to use it as a reward. The three posts that have been passed down to this day may be such copies.
Until the Song Dynasty, sixteen scholars watched together, ten of whom signed the documents after the post, and then the names of the other six people were read together and "read on the 24th day of the first lunar month of Guimao". Also, because the collection of "Levi's Books" is the earliest seal on the hand scroll, it may be collected by Levi at this time.
Decades later, this post entered Huizong Nei Mansion Collection at the beginning of the Huizong inscribed "Jin Wang Xizhi Fengjuan Post" and two seals "Zhenghe" and "Xuanhe". There is also an Northern Song square jade seal next to the names of the sixteen people after the post. At the of the Southern Song Dynasty, there were two seals of Emperor Gaozong's "Shaoxing" and his queen Wu's seal.
After the Song Dynasty , this post has been through many twists and turns, with Mongolian seals and Basiba seals on it. Ming Dynasty Censor Zhang Peng's seal, and some irrecognizable seals.In the mid-Ming Dynasty, this post was transferred to the hands of collectors. The collector Xiang Yuanbian was written in seal script after the post: "Why is Wang Xizhi, the right general of the Song Dynasty, the right general of Jin, was safe, and how can he be worshipped by the orange post? How can he be regarded as a 200-year-old man from Jiajing, Ming Dynasty, and how can he be regarded as a 200-year-old man from Xiang Yuanbian." At the end of the post, he recorded: "Why is Wang Xizhi, the right general of the Song Dynasty, the right general of Jin, the right general of Jin, and how can he be regarded as a 200-year-old man from Xiang Yuanbian, the third person from Li Molin, Ming Dynasty, the first person from Xiang Yuanbian. The talented man is worth 200 gold." In addition, he also stamped sixteen seals on this post.
Records on the side of Xiang Yuanbian: "In the winter of the 47th year of Wanli, Zhang Jinchen was bought with 300 gold coins." Collector Zhang Xiaosi recorded after the names of 16 people in the Northern Song Dynasty: " Runzhou Lazy Zhang Xiaosi treasures." Later, he posted: "You don't postscript to the book but remember it in the book, and you can tell why I am fortunate to see this. I dare to know the years. During the eighth day of the Autumn Period of Wuxu, the lazy Zhang Xiaosi treasures." In the same year, collector Sun Chengze wrote on his riding crack: "Sun Chengze, Peiping, Zeng Guan."
Jin Wang Xizhi "How to Safe and Respect Oranges Three Posts" The Taipei Palace Museum
collector 号本本本本 also signed and stamped two pieces. This post was included in Qianlong's inner palace in the Qing Dynasty. Qianlong regarded it as a copy, and did not leave any inscriptions on this post, and only four seals were stamped. Later, except for the appreciation seals of Jiaqing and Xuantong Dynasty, this post rarely engraved or sealed. The Qing Dynasty was destroyed in 1911, and the palace collection was transferred to the predecessor of the "Palace Museum" ("Anti-Decoration Exhibition Center") in 1924. It was not until 1948 that it was taken to Taiwan to be kept in the Palace Museum in Taipei.
National Treasure Popularity: See Songlu Changchun from the Master of All Times
It is reported that together with Wang Xizhi's "The Three Posts for Peace and Peace" are also exhibited in the 23rd year of Kangxi of the Qing Dynasty, "The Emperor's Imperial Pen Writing of the Master of All Times", Qing gold inlaid gems, Qing cloisonné enamel Taiping Youxiang, Qing Qianlong pastel color, Qing Lu Shou gourd bottle , Qing meat-shaped stone, Qing 18th century beeswax Songlu Changchun Mountainzi and other Qing Dynasty calligraphy and arts and crafts.
In the 23rd year of Kangxi of the Qing Dynasty (1684) "The Emperor's Imperial Pen Writing of the Master of the World" Collection of the Palace Museum in Taipei
Among them, in the 23rd year of Kangxi of the Qing Dynasty (1684) "The Emperor's Imperial Pen Writing of the World" was written calmly and steady, with uniform force, neat and refreshing strokes, clear ink color, upright and rigorous characters, and thick and simple lines. It is the original trace of the plaque given by Kangxi's imperial pen in various places.
In the 23rd year of the reign of Emperor Kangxi (1684), he went to the Confucius Temple in Qufu, Shandong to worship, and presented the imperial book "Memorial of the Master of All Ages", and issued an edict the next year to copy this plaque and present it to the Tianxia Confucian Temple. Taiwan entered the Qing Dynasty in 1683, and was also among the Confucian Temple in Tainan, and was awarded this plaque in 1685.
Kangxi (1654-1722), named Aisin Gioro Xuanye, was the emperor who was the longest-reigning emperor in the Qing Dynasty and had many important achievements. In order to gain the Han , he especially advocates Confucianism and Neo-Confucianism and is diligent in learning calligraphy.
Qing Dynasty Gold-inlaid gems forever and longevity. The Taipei Palace Museum
"Ruyi" is an auspicious blessing term and the name of the artifact in front of you. This piece of gold Ruyi is inlaid with a large number of pearls, crystals, turquoise and lapis lazuli and other gems, embellished into flowers and leaf vines. The surface is turquoise and hollowed out to present the swastikas that express longevity, and are matched with bats and cloud patterns, conveying blessings and congratulations of "blessings and blessings" and "good luck".
Qing Cloisonné enamel with a flat elephant. The Taipei Palace Museum is invented by a gentle elephant carrying a gorgeous bottle, forming the meaning of "big (tai) bottle (flat) with an elephant". A "halberd" is inserted in the center of the bottle, and a "chong" is hung on the halberd, which is the homonym of the two words "ji" and "qing". Next to it are four Ruyi, hanging with "Swastika" and "Pisces" pendants, combining them with meanings such as "Peace and good fortune, peace and happiness, and surplus every year", symbolizing "peace in the world" and "peace and peace in the country".
Qing Qianlong Pastel Fulu Shou Gourd Bottle The Taipei Palace Museum
Gourd is homophonic to "Fulu". This work is decorated with a lot of gourds, as well as continuous flowers and vines. The bat mouth is accompanied by a ribbon with a "swastika" in it, indicating "Fulu" and "Fulu for generations".A pink and purple bow ribbon is tied to the waist of the gourd bottle. The ribbon is a homonym for "shou", which means longevity, and the ruyi cloud pattern on the ribbon adds auspicious meaning. The whole vessel is colorful and lively, and the shapes and patterns present the image of "fortune, fortune, longevity and longevity".
Qing, evergreen bonsai. The Taipei Palace Museum is a decoration plant for festive days. It is homophonic to "Winning forever" and "Winning forever" and "Winning forever" to convey the wishes of health and health from the individual to the country. This evergreen bonsai is made of jade jewelry. The basin is made of red carved lacquer , and the perpetual green on it is made of jasper and is paired with red coral fruits made of gold wire. The basin is also decorated with lapis lazuli, white jade , tourmaline , and a strange stone Ganoderma lucidum made of opaque glass. The overall work is colorful and rich, making people feel the joy of the festival.
Qing Meat-shaped stone Important antiquities The Taipei Palace Museum is a superstar of the Forbidden City. It looks like a piece of " Dongpo Pork " that melts in the mouth.
This piece is made of hard chalcedony . The appearance is distinctly layered, with the skin densely covered with pores. After craftsmanship and dyeing, the texture is fat and thin, just like boiling, it exudes a smooth and tender taste, giving people a rich and full sense of happiness. After careful examination, we can see that the rich stacking textures in the formation of jade, from the natural rough stone at the bottom to the drilling and dyeing at the top, all reveal a vivid and clever combination of nature and artificiality.
Su ShiWhen he was in Huangzhou, he wrote: "Don't urge him to cook himself, and he will be beautiful when the heat is sufficient. ... Don't care if you are full." "Ode to Pork"; and the Song people also said: "The banana leaves are wrapped in steaming, and when they are ripe, they are also watered with apricot slurry. The red and fresh and elegant are called golden plates, and they are so soft that they can be picked by jade chopsticks." A poem describing pork cooking.
"Meat-shaped stone" not only reflects the relationship between "people and beautiful stone" in China, but also fully demonstrates the characteristics of food culture. No wonder Su Dongpo once praised: "The beauty of the cluster is premature and nourishes my old age."
The 18th Century of the Qing Dynasty, the beeswax pine deer Changchun Mountains, the Taipei Palace Museum
This is a beeswax pine tree with birthday celebrations as the theme. The instrument embosses long-lived and auspicious animals and plants such as pine trees, deer herds and Ganoderma lucidum, symbolizing the beautiful wish of "pine deer Changchun".
Craftsmen use natural beeswax as canvas and cleverly conceive, integrating pine, deer, turbulent waterfalls, cliffs and rocks into the painting, as if they are a three-dimensional microcosm of a landscape painting. It not only presents the meaning of auspiciousness and wealth, but also has a strong literary taste. With hollow Kuilong pattern red sandalwood base, it becomes the best micro-object for study decoration.
(Note: The pictures and texts of this article are compiled from the official website of the Palace Museum in Taipei and related calligraphy historical materials, Wang Xizhi's "How to Safe and the Three Posts for Oranges" materials, etc.)
Editor-in-charge: Gu Weihua
Proofreading: Ding Xiao
