Sohu Entertainment Special Article (Yamaji/text) opened from high to low, and "Please You" only took 7 days. On the first day of
, the popularity of " Please " was as high as 9300+, and has been the first in the entire network for five consecutive days. The day after its launch, its platform popularity exceeded 9,000.
However, after seven consecutive days of updates, the popularity of "Please You" has declined, and the platform popularity, Maoyan popularity, V-list, etc. are not as good as those days when it was broadcast.
Although the performance of Ren Jialun and Li Qin are quite questioned, what really made "Please You" lower is its plot, unconsistent logic, and rough production.
This story is a bit boring
The type elements of "Please You" are very rich, mixing Love, fantasy, light comedy, Republic of China, reincarnation, past and present life .
The heroine Yu Dengdeng is a bandit, the leader of Qingquan Village, and the rebirth of Yun Xi, the saint of the Spirit Clan.
The male protagonist is the ancient Shu general Lu Yan, who has been sleeping in the ancient tomb for thousands of years and has been awakened by Yu Dengdeng, who robbed the tomb. His purpose is to find and resurrect Yun Xi.
In the same ancient puppet drama market, "Please You" sets the story background in the Republic of China and incorporates some fairy-tale elements, which is also a bit novel.
Unfortunately, the two most important elements of the story - "Fantasy" and "Love", it did not do well.
In the fantasy part, the narrative rhythm of "Please You" is too slow and the narrative efficiency is too low, resulting in the overall plot of being very dull.
Just the male and female protagonists meet, and then filmed one episode and another half episodes of the wedding.
Other village leaders are in a difficult position for the heroine. The heroine's apprentice becomes a woman after drinking. The second male shaves his head for the heroine... Such repetitive and unimportant information points appear repeatedly, dragging and infusing water.
The first crisis event in this drama is that the heroine is sucked in essence and will quickly aging and die within one day. In order to save the heroine, the protagonist and his group need to find the murderer as soon as possible.
Time is already so tense, but the protagonists spend half of their time chatting, and the content of the chat has nothing to do with the case itself.
When everyone was trapped in the cocoon, the male and female protagonists chatted for a while. The heroine's hair was already white, and she was not in a hurry. She started to talk to the second male lead again when she was looking for the murderer.
plot is driven entirely by dialogue, and lyrical MVs and protagonists chat at will be broadcast in a crisis event. The story that could have been nervous and exciting has become a flowing account without any turmoil.
In addition to the plot, The production of "Please You" is also very rough, perfunctory and foolish.
The ancient Shu battlefield three thousand years ago, the war between the two major races of human and spiritual, looked no more than 20 people in the audience. Do the human race and the spiritual race know that you are fighting?
The location of the war was chosen very casually, with narrow mountain roads and claustrophobic valleys. Isn’t this a bit hasty?
The style of the Spiritual Tribe's Saint Ling Xi, with big waves and a studio-style hair accessories, is so simple and perfunctory.
Of course, "Please You" is essentially an idol drama. If the requirements for other parts cannot be too high, what about the love line? doesn't seem to work well either.
A few episodes of industrial saccharin sprinkled in front of it - the heroine fell into the male protagonist's arms while drunk, and the two fell together accidentally, and the hero helped the heroine realize her dream.
As a result, the two broke up before they had established a deep relationship, which was ineffective and abusive love.
After the two had conflicts, there were two more episodes of male protagonist recalling the case. The three episodes of female protagonist investigated the case, resulting in the slow progress of the main . After the 18 episodes, the male and female protagonists were still lukewarm.
As for Ren Jialun and Li Qin's CP feeling, it is even thinner.One was indifferent, and each line was not emotional, and the other was too strong, jumping repeatedly between liveliness and recklessness.
This set of characters is not very pleasing
It is said that Li Qin acted a little too hard, but the root cause is that there are problems with the heroine.
In the early stage of the plot, I wanted to take the CP of "strong women and weak men", but the main creator did not spend time portraying the strength of the heroine, but simply and roughly turned her into a "man".
The copycat was short of money and couldn't continue to live. The heroine went down the mountain to force the man to rob the civilian, so as to get a generous dowry.
snatch the male protagonist to be the second house, and the way to force him to submit is to "cook the raw rice into cooked rice." The people in the village call the male protagonist of the second house "Auntie Lu", and is a logical, meaningless and not funny design.
There is a very obvious order of hierarchy between the two - as the second wife, the male protagonist must abide by the rules, , three obediences and four virtues, and have several more children. These plot designs are simply and roughly a gender conversion. They have neither ironic effect nor funny nor even a bit vulgar.
In terms of "strong women and weak men", Ren Jialun's previous film "First Meet You" was better than "Inviting You".
"First Meet You" was also "strong women and weak men" in the early stage, but the screenwriter focused on the strength of the heroine - her heart was firm, able to bend and stretch, brave and resourceful, pursuing freedom is the first goal, and falling in love is the accessory.
Under such a character, Li Qin's performance was powerless to turn the situation. She put her hips on her hips, crossed her legs, and smiled evilly. The cool and cold beauty turned into a greasy female leader.
In addition, the character logic of the heroine is very unconsistent. She is actually two people - a bully bandit + a silly white sweet girl. The screenwriter was very careless and put the two together.
The heroine shouted the slogan "Everyone relies on his hands to make a living", but if he has no money, he will be given priority to grab the dowry, and buy things on credit; he has valued "everyone in Qingquan Village is equal", but he also emphasized that he should "set rules" for Aunt Lu.
The heroine who is not logically online is hard to be substituted, and "Please You" has not even written the crucial male protagonist in the idol drama.
The male protagonist has participated in a racial war and has been sealed for thousands of years. The person he likes dies to save the people... He has a profound past, but he only shows the kind of coldness, except for expressionlessness, but frowning.
dominant president? Feeling and forbearing? Sperky tongue and black belly? Tender as jade? He doesn't have much to do with the popular characteristics of the male protagonists of these idol dramas.
We cannot see the impact of these past on him, nor can we see the change in his relationship with the heroine. The character does not show distinct personality traits and has no profound inner dilemma, and thus loses his personality charm.
In fact, the audience's requirements for domestic ancient puppets are not that high.
plot logic self-consistent , conforms to common sense, character IQ is online, and speaking, thinking, and doing things like normal people are already passing the line.
Those ancient puppets that make 5% new ideas have received more or less feedback from the audience, such as the recently completed "The Legend of the Condor Heroes", such as " Dream Hualu ".
The audience is already so tolerant, but the domestic ancient puppets still use the same plot, illogical characters, and deliberately industrial saccharine to perfunctory audiences. But in today's environment, only works that respect the audience can be respected by the audience in the end.
