Exterior view of Yongqing Clothing Museum.
"Internal decoration of the pattern of group life, longevity, cloud bats, etc., and the lower decoration of the sea water cliff pattern..." A single dragon robe with moon white cloud brocade colorful cloud blue dragon pattern in the middle and late Qing Dynasty has complicated processes and exquisite materials, showing its gorgeousness. More than 1,000 pieces of clothing from the Ming, Qing and Republic of China periods telling hundreds of years of social changes and various forms of the world -
came into being: A bright color in the Beijing-Tianjin-Hebei cultural circle
"food, clothing, housing and transportation", and clothing steadily ranks first in the ranking. Historians believe that wearing clothes is an important sign of human beings moving from ignorance to civilization.
In the coordinated development of Beijing, Tianjin and Hebei, Yongqing County actively undertakes the Beijing clothing industry and is committed to building a clothing city and fashion capital in the north. Therefore, Yongqing China Clothing Culture Expo Park came into being. The China Clothing Museum, one of the eight major sections of the China Clothing Culture Expo Park, moved in and opened in July 2014.
Yongqing China Clothing Museum’s construction area is 10,000 square meters. The museum has more than 2,000 pieces of clothing, and the first floor has been built to display 407 pieces of clothing, including 37 precious cultural relics. The China Clothing Museum is the first comprehensive clothing museum in my country. The exhibits include more than 1,000 sets of vertical historic clothing (pieces), which are divided into the Ming Dynasty official clothing area, the Qing Dynasty palace clothing area, and the Han nationality clothing area, respectively, and are exhibited on the themes of men's robes, men's robes, women's robes, women's robes, children's robes, accessories, etc. The museum also has horizontal exhibits of clothing and clothing from the Qing Dynasty, Republic of China and the founding of New China, , after the founding of , 56 ethnic groups in China. The museum's collections include silk, silk, satin, yarn, velvet, brocade and other silk fabrics, many of which are lonely products. It is a witness to the development of people's lives and history after the Qing Dynasty, and it is also a concentrated reflection of the developed level of weaving and embroidery in the Qing Dynasty. It has important research value for the study of clothing systems, manufacturing technology, artistic aesthetics, etc. in the Ming, Qing and Republic of China periods. At the same time, the Bazhou Museum also opened an exhibition hall to display Zhao Bo’s collection for many years, mainly the clothing of the Qing Dynasty and the Republic of China period.
takes a combination of fists. Build an exhibition hall to showcase the origins of the Chinese nation's clothing and the inheritance of culture, use VR and AI technology to implant history, and experience the Chinese clothing feast in an immersive way; organize a clothing forum to invite designers to share and communicate and integrate creativity, so that the project can become a fashion gathering place; compile a clothing culture book to promote Yongqing culture fashion, and promote it to the world; build a Chinese clothing culture street, improve the operation service system, export fashion, and win the market; build a "smart" town, and the Future City (Phase II) promotes the development of projects with the help of new manufacturing and new technologies to create a fashionable smart town.
lines to go far: The post-80s curator is obsessed with clothing culture
In order to study clothes as a science, the post-80s curator Zhao Bo traveled all over the years and collected more than a thousand pieces of clothing from the Ming, Qing and Republic of China periods, including many national treasure-level cultural relics. Some national leaders and film and television stars have worn the "new Chinese" costumes he designed. In order to prove to the world that the Han people have their own traditional clothing, he made a plan to concentrate on writing books.
Zhao Bo is a native of Bazhou . His hometown is Yongqing. Returning to his hometown is considered a return to his hometown. When he was a child, he often saw some "old clothes" at home and became very interested in traditional clothing. He studied in the Affiliated High School of Tianjin Academy of Fine Arts. At that time, there was a market in Tianjin that specialized in old goods, mainly used old goods. Some people set up stalls to sell old clothes, but Zhao Bo accepted what he liked. Those "old clothes" were useless in the eyes of others, but he felt like he had a treasure. From then on, he collected more and more traditional clothes.
Zhao Bo was admitted to Jiangnan University and continued to learn knowledge related to clothing. After graduation, he stayed to teach at the university. During this period, he never interrupted the collection of traditional clothing.
Over the past decade, in addition to the northwest, southwest and some ethnic minority areas, Zhao Bo has traveled to more than 20 provinces and cities, traveling to ancient towns, and collecting clothing from the Ming, Qing and Republic of China periods, including national treasure-level collections. In addition, Zhao Bo has also repeatedly recovered precious clothing and cultural relics from Europe, America, Japan and other places.In practice, the more Zhao Bo sees, the more he understands traditional clothing, and even can tell the truth at a glance whether it is an antique or a modern manufacturing object. He especially has a deep research on Chinese Hanfu, and in the industry-renowned "Clothing Guide", he has published academic papers continuously. "History of Chinese Costume" completed in five years is about to be published. It studies the evolution of Hanfu from the pre-Qin period to the Republic of China, and makes up for a gap in the history of Chinese Costume . Before him, only Shen Congwen Mr. Shen Congwen's "History of Chinese Clothing" involved this. Of course there are difficulties in writing books. The pre-Qin period clothing research required to search historical materials, and he made two dictionaries bad.
In order to apply what he has learned, Zhao Bo resigned from his university job and became the director of the China Clothing Museum. He returned to his hometown to develop new product for clothing collection and Han nationality clothing. Next, Zhao Bo plans to spend five years to write Fuzhou's "Clothes", "Crown and Hat", "Shoes" and "Accessories", and finally compile it into a book, which will be a collection of "History of Chinese Clothing".
Zhao Bo's motivation to write a book is to gamble. At an Asian academic forum, a representative from a certain country openly stated that the Han people do not have traditional clothing. In order to prove to the world that Hanfu has a long history and orderly inheritance, Zhao Bo devoted himself to writing the book. For Zhao Bo, Hanfu represents the nation. What a nation says and wears clothes can best reflect the cultural significance. This is his must-do homework.
Traditional and fashion: Yongqing clothing scenery is so good
Zhao Bo studies clothing and designs clothing, and has participated in the design of the 2008 Olympic dress awards clothing, and the 2014 Beijing APEC conference new Chinese clothing. As far as the world and as close as his hometown, he used the knowledge he learned and his passion for traditional clothing to regard it as a career for his life. Fortunately, in recent years, all sectors of society have paid more and more attention to traditional clothing. Their collections have settled in the industrial park, which has given Zhao Bo confidence to make the national clothing industry bigger and stronger.
has built the China Clothing Museum into a research, design, display and exchange platform base, established the Golden Top Award Design Master Studio and an independent designer creative studio, hosting international competition design exhibitions, clothing show, and cultural exchange activities, and comprehensively displaying historical clothing and master works, Golden Scissor Award works, Fashion Design Newcomer Award and other works. At the same time, students from Clothing Academy and other majors are recruited to conduct professional explanations, showcases, welcome guests and other trainings in the Clothing Museum.
explores the cultural connotation of clothing, and they are committed to telling three stories well. First, clarify the development context of clothing culture and historical heritage; second, clarify the cultural context of clothing etiquette in different dynasties and eras; third, clarify the people's love and love clothing and their good wishes for clothing. It reflects fashion elements, including both Chinese fashion clothing display and world fashion clothing display.
integrates the staff of Fashion Future City, Yunchang International City and the working team to form a main team; hire top experts and core talents in the field of clothing, form an expert group and an advisory group, and strengthen discussions. Establish a cultural lecture hall for the clothing industry and invite clothing designers and clothing experts to focus on creating a Chinese clothing museum for discussion and exchange. Strengthen the learning of the clothing culture, industry, design and intelligence of the special team, and strive to be experts in the clothing industry. Strengthen docking and marriage. The High-tech Zone and Zhejiang Business Company jointly carry out the listing of clothing industry, academia and research bases, and actively connect to ensure that Tsinghua University , Beijing Clothing College , Hebei University of Science and Technology , and Hebei University of Engineering are listed in the China Clothing Museum. Strengthen contact with Beijing Clothing Academy Museum , etc., and strive to display the Beijing Clothing Academy Museum clothing.
Yunchang Town, Clothing Museum, Clothing Processing Industry, Yongqing relies on the blessed land in southern Beijing to make great works of "clothing" articles, anchoring the direction, inheriting culture, and decorating life, which makes people expect good prospects.
"This robe is a lucky dress worn by the emperor in summer. The round collar, blue silk sleeves, stone green weaves colorful dragon cloud bat pattern leader edge, decoration of golden edge. The moon white cloud brocade face is woven with blue dragon pattern nine dragon pattern, decoration of ball life, longevity, cloud bat and other patterns, and the lower part is decorated with sea water cliff patterns.Yunjin's technique is skillful and exquisite, and the makeup craftsmanship is extremely exquisite. It uses single-strand silver thread to weave a group of dragons, and five-color silk thread to weave a colorful cloud-shou character pattern. "This is at the China Clothing Museum in Yongqing County. Director Zhao Bo introduced a single dragon robe with white clouds and colorful clouds and blue dragon patterns in the middle and late Qing Dynasty.
(Reporter Meng Deming Editor Wang Jing)
