The director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii's daughter Fujii's body is dull. Such a ignorant scene is unbearable to break. First love has no vows or a fate, and it is not a matter of perish

2025/05/2522:44:35 hotcomm 1065

The director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii's daughter Fujii's body is dull. Such a ignorant scene is unbearable to break. First love has no vows or a fate, and it is not a matter of perish - DayDayNews

Male protagonist: Takashi Kashihara played Fujiiki

Just like the classic lines in the film, the content of the letter was considered so repeatedly, and many pieces of letter paper were crumpled. The letter ended up writing only these few words. Hiroko thought it was strange, but she liked it so short and so concise.

In "Love Letter", Shunji Iwai seems to have not explained any philosophy on the surface, but those faint memories are full of faint sorrow and are even more worth cherishing.

Director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii is the dullest person. Such a ignorant picture makes people unbearable to break.

First love has no vows, no end to the end, it is to attract your attention. You just don’t dare to tell you what I want after each book.

Perhaps this is the Japanese subtle expression of elegant and tactful love. Shunji Iwai accurately explained the Japanese aesthetic concept of "sad and extremely beautiful".

Two girls love but don’t get it, and the other love but knows it. Together, they discovered the truth about a story about a secret love and love that cannot be responded to. Light blues snowy. And the leisurely melancholy that permeates it. There is a feeling of sadness that cannot be let go of for a long time and an infinite remembrance of the past.

Sometimes feelings are more cruel than time, and some people become blind and desperate. Forgot to love two people who are equally dedicated.

—"Love Letter" classic lines

The director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii's daughter Fujii's body is dull. Such a ignorant scene is unbearable to break. First love has no vows or a fate, and it is not a matter of perish - DayDayNews

Male protagonist: Takashi Kashiwara plays Fujiiki

Love Letter storyline always revolves around life and death, but what is unique is that he does not deliberately express the horror and cruelty of death.

For example: the death of the male protagonist Fujiiki, the young female protagonist. Fujiiki's father's death, and the adult heroine Fujiiki. He almost died of a severe cold. In the film, death is diluted into a kind of grief and nostalgia.

The director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii's daughter Fujii's body is dull. Such a ignorant scene is unbearable to break. First love has no vows or a fate, and it is not a matter of perish - DayDayNews

male protagonist: Takashi Kashiwara plays Fujiiki

The video begins with a memorial service for the second anniversary of his death. Death should have cast a dark tone on the film. But the director handled his affairs very peacefully.

At that time, the lives of everyone around you were on the track of normal warm breathing again. Even her parents have walked out of love. But Bozi has always been unwilling to extricate himself.

The memory and camera of the heroine Fujiiki's father's death and then the dragonflies that were frozen to death on the frozen lake in winter are all a heavy nostalgia for death.

Especially when the heroine Fujii Kiku gets sick. The grandfather ran on his back in the heavy snow without giving up the scene of saving time every minute and a second. The use of a large number of shots to show the disease of the heroine Ikyoiki is that it highlights the preciousness of life through this life-and-death battle.

The director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii's daughter Fujii's body is dull. Such a ignorant scene is unbearable to break. First love has no vows or a fate, and it is not a matter of perish - DayDayNews

Bozi opened his eyes wide, and the beautiful mountains stood in front of him. Qiuye said, "It's that mountain." Bozi couldn't help but avoid his sight. "See clearly, Fujii is there." Hiroko slowly raised her head, making people feel that the solemn mountain occupied his sight, and Hiroko's tears burst out from her eyes.

——The classic line of "Love Letter"

The sign of disease was during the communication between Hakako and the heroine Fujii Kiku. The heroine Fujii Kiku kept writing about having a cold in her heart until the truth was revealed at the end of the film. Communication and memories finally stopped, and spring was blooming. His cold was also cured, and the disease here constituted the metaphor montage .

The constant memories of the deceased are like a case. If you have been deeply trapped in it, then you are only facing ruthless symptoms. Only by walking out of this dream demon can you live a happy normal life again.

The director uses clean and beautiful lens language to reflect the hazy and immature love between men and women. The shy heroine Fujii's daughter Fujii's body is dull. Such a ignorant scene is unbearable to break. First love has no vows or a fate, and it is not a matter of perish - DayDayNews

Although I have experienced the baptism of time, my true feelings are not erased. Life is short, love is an eternal friend, and having someone you can miss is happiness.

——"Love Letter" classic lines

The content of the entire movie is just two simple passages of beautiful emotions that have passed away.

A paragraph is a former love buried in the heart of the male protagonist Fujiiki, and a secret love that he never confessed to his classmates. Another paragraph is the endless remembrance expressed by Hakuko Watanabe to the deceased.

The characters in the whole film have very delicate emotions. Every place is pure, clear, life and impermanent reality, turning into flying snowflakes. He has been here and suddenly disappeared, but will never be forgotten. Perhaps this is the best ending. Not all movies end with a happy ending. It is like there are always regrets in life. This is the world where reality and ideals coexist.

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