Hello everyone, the little girl has been broadcasting the sixth episode, which is half of the show. At first, everyone's evaluation of the show was very good, and I have seen the audience's character design one after another, but I don't understand it. What is the real reason why women are abandoned? In-joo reveals the cruel truth, but it is actually hidden in the meaning of the father tree.
But most of the time, I personally don’t feel this way. Instead, I think this is because of their simple growth environment. And those rich people who rack their brains and try their best to do their best to scheming, scheming women is two different worlds.
Suddenly the two have to compete, and the feeling of not being able to keep up with the strength will be particularly obvious. However, this state cannot last until the second half. I hope that the protagonists can be seen in the second half and have some growth and understanding. However, even from the third to the sixth episodes, the editor still finds it quite interesting.
The feeling of struggling in poverty and justice has become an unexpected highlight for the little woman.
Then let’s talk about the following articles in the latest four episodes. When the opening analysis of the previous title was analyzed, because the Thieves Princess and the Ghost Orchid were both blue or purple, it was a bit unclear whether the two flowers were of the same species?
At present, the plot looks like two completely different orchids, Yuan Shangyu, who likes princesses, and General Yuan Qixian and Yuan Shangya, who likes ghost orchids, just look like two factions, Ghost Orchids is also called the Orchid of Death.
Because explorers and botanists searched all over Vietnam , they only found a few plants, and even lost their lives in the end. The story now shows that Yuan Qi first discovered the ghost orchid in the war and brought it back to South Korea for cultivation.
In episode 6, Yuan Shangya gave a ghost orchid to In-joo, and said that as long as In-joo goes to Singapore and performs well, she will hang the orchid on the father's tree. When the opening analysis of
was explained, there was an explanation for the orchid of the orchid, and the orchid undoubtedly showed more clearly after the explanation of this plot. Those orchids around the deceased all represent that they used to be attached to the father tree in the past. Now they have been picked and can no longer absorb the microorganisms and molds that can be absorbed on the father tree, so they have entered death.
Qinglan Club seems to be talking about a group of people dependent on Yuan Qixian, and now the dominance of thisQinglan Club seems to have fallen on Yuan Shangya. Ghost orchids are so rare that the only person who can place orchids around the deceased in a short period of time seems to be Yuan Shangya.
I wonder if it is just implying that the deaths of these people are dominated by Yuan Shangya. Judging from In Hye's experience, those who absorb the fragrance of ghost orchids may have hallucinations and auditory hallucinations .
And Renhui produces the content of the mother complaining in her infancy. However, she has never seen the dead child Renshan, but she feels that she is Renshan in her hallucination. When experiencing that memory, it seems that she is Ghost Orchid, which will confuse people's imagination and memories, making people feel like seeing ghosts.
Maybe this is why in the sixth episode, In Joo saw the scene of Park Jae-sang killing Hua Ying. She had never seen it before, but she had such an illusion. It should be that it would confuse memory and imagination. Isn’t it a bit like dreaming?
It is often said that you have thoughts on the day and dreams on the night. Yuan Shangya, who gave it to Renzhu Ghost Orchid, said that after smelling the fragrance of flowers all night, you can see what you really want. It seems to be a bit because of hallucinations due to imagination.
In Inju's memory, the sister Renshan, who died when she was young, gradually became a symbol of her fear of poverty.
The appearance of the plot of Renshan actually surprised the editor. I could find that the screenwriter's feelings about poverty are profound, and Renshan's death also shows that what poverty is most afraid of is powerless death. If you can't do anything, you will die inexplicably.
Poverty seems to be incompetent, without enough strength to protect what he loves, just like in the fourth episode, if In Hye had not had the help of the Park family or her aunt, she might have been unable to make things happen.
In fact, most of the editor can understand the personalities of the three sisters. As the eldest sister, Renzhu grew up as the eldest daughter in a poor family. She is the first child to feel the power of poverty.
Aunt said that when I was a child, In-joo loved to laugh very much, and could feel In-joo's essence, and she was innocent and kind. To be honest, this is really not a one. As a good characteristic to fight against evil forces.
But perhaps because I have deeply felt poverty, the stronger the desire to get rid of poverty, the stronger it is, even if I have to rely on it, she is willing to marry her. Poverty makes people crazy, In-zhu must be able to understand this sentence.
But even greed cannot be blocked. Although she is kind and innocent, she still takes two billion to find Yuan Shangyu's representative and ask if she can let Yuan Shangyu take away the stolen money. Yuan Shangyu gave it interestingly, and In-joo left the reason for the stolen money.
anyway, it’s all dirty money, so why don’t you just use it? When Yuan Shangyu asked In-joo if there was anything he wanted, In-joo’s first answer was a winter coat, which really broke the editor’s heart in one sentence.
When I was a student, I really felt that winter clothes were the most likely object to show poverty or incompetence. The editor believes that In-hye is feeling poverty every day. At Park Hyo-ri's celebration party, everyone is glamorous, and only In-hye is wearing a uniform, because this is the only dress that can cover up poverty. In-hye's paintings are full of sadness and pain. The sister lying under the dark woods, the woman running away desperately, and the faces flowing in tears are all showing that In-hye's understanding of the world is full of sadness, and the editor can also understand the reason why In-hye is attached to the Park family.
To be honest, it was a mutually beneficial symbiotic relationship. Adults were afraid that In-hye would be used or liquidated afterwards, but for In-hye who had nothing, it was indeed the best solution in front of her at the moment.
She also loves her sisters very much, but she doesn't want to use her sisters' hard work and sacrifice to exchange for the future she wants. From this point of view, Inhye really cares about her sisters, and in Yuan Shangya's plan, Inhye seems to have been recognized as an orchid attached to her father's tree.
In contrast, the second sister, the editor thinks she is the happiest and most capable person among the three sisters, but she looks like a warrior who doesn't wear high-quality equipment and insists on running naked. Inkyung is a character that the editor can understand but not very sympathize with. She is not like Injoo when she was a child, she truly felt the lack of materiality.
spent her childhood at her aunt's house. Her aunt allowed her to have food and clothing without worries, and even learned financial management knowledge, knew how to operate stock trading, and had super financial capabilities, but she abandoned such capabilities and went to be a reporter. It is true that poor families can have dreams.
But as In Joo said, In Kyung didn't have enough empathy. When In Joo said he wanted to exchange the account book for one, and the three sisters could have a prosperous and stable future, In Kyung only thought about using it to expose Park Jae-sang. This is also a part of what the editor thinks is very strange about In Kyung's character.
When watching someone else’s misfortune, I was so sad that I almost cried in front of the camera, but when I faced my own difficulties, I looked like an outsider. I don’t know if it was a difference in childhood, which made In Kyung, In Joo and In Hye a big difference.
In the third episode, In Kyung believed that the reason she chose the job as a reporter was actually to explore the poverty of their family, but the editor was a little difficult to digest the role. She knew that those murders were around Park Jae-sang, and she should have a little bit of crisis awareness.
But she broke the news without any worries, and even wanted to catch In Hye, not wanting In Hye to cling to their Park Jae-sang family, regardless of their own safety, nor do she understand the sinister nature of people. She is simple and a little unreal, especially her aunt is trying every means to protect her.
She still only speaks at her. Now that the aunt is gone in the sixth episode, I wonder if it will become a turning point in Inkyung's growth?
This is a pretty small detail, but the editor thinks it is quite interesting. When In-joo took the princess orchid to find Yuan Shangyu, but was hit by Choi Dori, Yuan Shangyu pretended to be calm and pretended that he was just reading Monte Cristo's Revenge, which is a novel.
The story tells a sailor named Dontes. When he was about to reach the peak of his life, he was unexpectedly framed and imprisoned. He met an old prisoner, Father Faria, in prison. However, the priest passed away, and Dontes was able to escape from prison. At that time, Yuan Shangyu was saying that he happened to see the plot of Dontes escape from prison. After Dontes escaped, because the priest had a heart-to-heart relationship with Dontes during his lifetime, the priest entrusted all the wealth he had to Dontes.
So after escaping from prison, Dontes used the money to repay his kindness and revenge. The screenwriter here seemed to be hinting that Hua Ying and In-joo were both in a prison called "poverty", so they met each other, and Hua Ying was like a priest of the book of grudges, giving all the gains he had learned in his life to In-joo.
And In-joo was also able to escape from the cage of poverty because of Huaying's death and obtained a large amount of property. Yuan Shangyu said that he happened to see the part of the escape from prison, which implies that In-joo, who was carrying two billion yuan, was about to escape from the cage of poverty through Hua Ying's death.
Ariadne Many people may find it strange. Renhui usedAriadne to describe Yuan Shangya. Because of her outstanding appearance, here, the editor thinks that the screenwriter has another hint that Ariadne is a princess, her father is King Minos, but the princess of this king was cursed because of the sin he committed, so he gave birth to the half-human and half-ox Minos.
Finally, with the help of Ariadne, he was killed by the hero Theseus . If Yuan Shangya is Ariadne, then General Yuan Qixian is King Minos, and Minotaurus, a half-human and half-ox, is undoubtedly Yuan Shangyu. I wonder if it is possible, it is implying that Yuan Shangyu is not favored because they are not real father and son. The part of
is to be discussed, but Theseus is very likely to correspond to Park Jae-sang, while Minotauros was imprisoned in a maze because he was born like a monster. Won Sang-wook was also imprisoned in a mental hospital because he exposed his father.
So the maze corresponds to the mental hospital. Maybe in the future, Park Jae-seong will kill Won Sang-woo, but the editor finds the more interesting part is that in most versions of the Greek myth, Theseus abandoned Ariadne because he was afraid of the curse of God.
I don’t know if Park Jae-sang will be together for the sake of his dream. The reason why this drama is interesting is that the editor thinks it is because most of the characters have their own charm and unpredictable scheming. Choi Dao Ri always says that he only has money in his eyes. Will he eat Hei In-joo for money or be simply attracted to In-joo?
actually, this is very similar to what I saw in "The Temptation of the Lady". The protagonist group is all scammers, but whoever deceives who will become the final winner will become the biggest highlight.
And in the temptation of the lower girl, the editor sees that those who are willing to deliver sincerely will win. I don’t know if there is a moment for "Little Woman" to deliver sincerely in Choi Dao Ri and Wu In-joo.
In addition, the editor is also looking forward to watching the branch line of Renhui and Xiaolin. The 18-year-old girl, each of whom grew up in an extremely wealthy and poor family. However, Renhui is independent, steady and steady, while Xiaolin looks innocent and fragile. Some people think that Xiaolin is like her mother and doesn’t know how to make friends with ordinary people, so just like her mother, she uses money to consolidate friendship. It feels a good point of view and is very interesting.
Just the editor has a question. Yuan Shangya must be not as simple as we see. So Xiaolin, even Renhui, who lives with her day and night, thinks she is simple. The editor really thinks that this rich little daughter may have suffered from her parents' quarrels when she was young, and because of the big gap in family background, she doesn't know how to socialize.
But the editor can't understand why he put his mobile phone and painting under the bed, it's like he deliberately wants to let In-joo sees that painting, and at the same time, it seems that this painting is not suitable for others to see. In short, the editor still likes this drama very much in the six episodes, which makes me want to continue watching. In addition to "Little Girl", what other dramas do you have recently watched? You can share them with the editor.
