An actor cannot only portray one kind of role in his whole life. After all, a person's temperament will change unconsciously with experience.
This is an internal change and an external change. No matter how hard you resist aging, the erosion of time and years will always be out of your control.
Therefore, the best state for an actor is that at different stages of life, he can create roles that suit his current temperament, and is not completely stuck to one role and unable to extricate himself.
However, there are many actors in the entertainment industry who stick to one role. They seem to have been portraying one role throughout their lives. They became famous at a young age and already had their own masterpieces at their most brilliant years. They used their most brilliant years to interpret the most radiant roles and received the greatest praise.
All the characters after them seem to be reflections of the previous characters. They keep repeating the previous characters and unknowingly frame themselves in them.
Ruby Lin once lost control of her emotions in a variety show and shouted, "I want to be a girl forever." As everyone knows, she has long passed the age of perplexity. Speaking of her, the most memorable ones for the audience are still the roles of Ziwei in "Huan Zhu Ge Ge" and Ru in "Love is Deep and Rainy" when she was 20 years old. Ping.
That was her most brilliant age, and that was her most representative work. Everyone hopes that they will stay in their twenties forever, but time is fair to everyone.
There are no longer a few famous actors in the entertainment industry who have been portraying girl characters until their death. Joe Chen Even though he is over 40 years old, he is still mass-producing idol dramas every year. Some people have also questioned the limitations of Chen Qiaoen's character creation at this age, but the actor is framed in one role, and the audience seems to be framed in the role she portrays. Her fans also seem to think that Chen Qiaoen can continue to be this "girly".
Are they the only ones who can't escape the "girly" character design? The representative works of the "post-85s big flower" of domestic entertainment, Yang Mi, Tang Yan, Liu Shishi, Zhao Liying are all ancient puppet dramas with a wide audience.
Speaking of their masterpieces, Yang Mi's " Three Lives Three Worlds Ten Miles of Peach Blossoms ", Tang Yan's " Splendid Weiyang ", Liu Shishi's " Step by Step Shocking " and Zhao Liying's " Flowers of Thousand Bones " are definitely the most popular ones. The 4 most popular TV shows that cannot be released.
But in their "resume", there are more than just these ancient puppet plays. Because of the popularity of a character type, how many times have they re-created it.
Even though they have gradually left the specific age period of girls, the heroines of popular IPs always grow up from girls step by step, so the characters they create will always have the unique brilliance of girls.
But it is obvious that Zhao Liying in the "Post-85s Big Flower" has the willingness to try a variety of roles. In the recent hit drama " Happiness Comes to Thousands of Homes ", Zhao Liying tried to play the role of a rural leader. This is the second time Zhao Liying has challenged the role of a rural leader since the red series "Ideals Shine on China".
This move clearly shows that Zhao Liying has the desire to broaden her acting career and create more roles. According to Zhao Liying's current appeal, she can stay in her "comfort zone" and still use ancient puppet shows to verify her status in this type of drama over and over again.
The current situation of ancient puppet dramas is that even if there are certain flaws in the plot, relying on the traffic of IP and the traffic carried by the actors themselves, ratings, and playback volume can still be guaranteed within a certain range.
But Zhao Liying may also realize that in her thirties, she has encountered a certain bottleneck in continuing to shape the heroine of ancient puppet dramas. She needs more roles to enrich her career as an actress.
Taking a proactive step like this has more initiative than taking a passive step. Enriching your career as an actor with more roles before the audience exhausts your interpretation of one role and is about to experience aesthetic fatigue will allow the audience to see more possibilities in shaping your characters.Thirty-year-old Zhao Liying is not in the prime of youth, but she truly has the confidence and vision of a professional actor!
