Wu Lei and Zhao Lusi had collaborated in "Long Song Xing" earlier. At that time, many fans expected the two to team up for a CP. This time, they finally got their wish in "The Star".

is adapted from the novel "The Brilliant Star" by Wu Lei and Zhao Lusi .

Wu Lei and Zhao Lusi had collaborated in " Changgexing " earlier. At that time, many fans expected the two to team up for a CP. This time, they finally got their wish in "The Star".

As soon as the series was aired, the issue of Japanese clothing was brought to the forefront.

As shown in the picture above, many of Zhao Lusi's costumes have this kind of decorative bow. The costumes of other actors in the play basically follow a similar route.

Anyone who is familiar with Hanfu should know that there is no tradition of tying this kind of knot on the belt of traditional Hanfu. Especially when compared with the iconic belt knot of kimono, you will find similarities.

The biggest difference between kimono and Hanfu is that kimono does not have laces like Hanfu. The whole set of clothing is fixed by a belt. Most people cannot complete the task of wearing kimono alone. For this reason, Japan also has a corresponding profession - kimono wearer. .

The belt also plays a fixed role in Hanfu, but it can be kept worn by relying on the laces inside and outside the clothes without a belt.

At first glance, the costumes in "Brilliant Star" are based on traditional Hanfu, but in terms of details, they use a Japanese-style decorative belt knot, which anyone with a sharp eye can tell at a glance.

Another costume drama "My Name is Liu Jinfeng" was also criticized due to costume reasons. In order to avoid the same ending, the crew of "Brilliant Star" retouched and re-produced it overnight. The relevant elements can no longer be found in the plot that has been aired.

retouching may be able to avoid temporary disasters, but this matter is worth reflecting on. There are many traditional elements that can be used for reference. Why should we learn from kimono?