"Spell Return" broadcasts over 100 million, seven seas are fighting, and Gojo Satoru wears a skirt in the small theater to cause controversy

The comic animation "Spell Return" produced by MAPPA has maintained a very high production level in the new show in October this year, and has won wide acclaim from the audience. With the broadcast of Chapter 10, The broadcast volume of "Spell Return" finally broke the 100 million mark, becoming another phenomenon-level popular masterpiece at Station B.

Several changes have optimized the look and feel of the animation

Before episode 9 OP aired last week, the animation production team briefly introduced the background of juvenile Junpei being bullied by campus, but some viewers thought that Junpei was too cowardly and did not know to resist Only then will you encounter the situation of being bullied, that is, "the victim is guilty." The 10th episode broadcast this week once again used 2 minutes before the OP to further supplement the cause of Junpei's bullying. You can see Shunping is not cowardly, but dared to resist, and the perpetrators often harm others without any reason. The episode before

OP was not included in the original comic due to limited space. Kusami has always regretted this. The new changes made by the animation production team better show the changes in Junpei’s personality and mentality. The reason is that makes Shunping's character image fuller and pave the way for the subsequent plot.

In addition, the production team also added an introduction to the real person’s abilities in the dialogue between Shunping and the real person. Real people can see the human soul, and can touch the soul to change the form of the creature. is in a slow-paced dialogue The introduction of the setting makes it easier for the animation audience to understand the plot logic, and the subsequent battle between the real person and Nanami is also smoother.

When Huzi was in contact with Shunping, Qihai, the striker on the other side, went to the underground waterway alone to clean up the curse spirit, and confronted the real person in the deep. Both sides are fighting for the first time, but the real person is clearly at ease, manipulating the curse spirit transformed from humans to besiege Qikai, even by transforming his legs to gain instant speed and burst, in an attempt to transform Qikai’s soul, and Qikai also shows work. Human cautiousness successfully blocked a real person's surprise attack. Although

is part of the battle, it also has the role of shaping the image of the character. The nature of the real "human evil" has been further verified. Qi Hai gently wiped away the tears of the transformation curse spirit to show the audience the gentleness of his cold face. The beaters never work overtime and the spirit of hating overtime has once again won the audience. Vibes.

is different from Apart’s large number of dialogues and still frames. Bpart’s battle scenes are still cool and cool, and the painting is online throughout. This clear-cut approach and the use of resources on the blade ensures the overall quality of the animation. The changes and details above

make up for some small flaws in the comics, thereby making the animation look smoother and smoother, which can be called a model of comics.

The small theater of curses has caused controversy.

Although the 10th episode is very good in both the changes to the original and the battle scenes, the irony is that "The Curse Back" is actually due to the small theater of curses after ED on Weibo. arouse controversy.

In the small theater of spells, Wild Rose found that her school uniform and skirt were missing, and they appeared on Xiong Ji and Gouma respectively. Both were shot to death by angry Wild Rose and took back the lost items. Qiangwei discovered that the dress on Gouma actually belonged to Maki-senpai, and 's own dress appeared on Gojo Satoru, and Gojo Satoru also made funny cute moves. This made some fans think that the small theater destroyed Gojo Satoru and others. Assume.

In fact, it is a very common operation to add funny or popular science theater after the feature film, especially some dark and serious works, will use the funny small theater method to ease the tension in the feature film, but their logic of action is also complete. Z4z, which is in line with the character setting, in recent years is a more famous example of " Jiang Ziya" after the end of the movie and "Nezha" linked to the small easter , showing the obsessive-compulsive side of Jiang Ziya. The small theater in 's original story is also in line with Gojo Satoru's bad personality and Gouma's personality that likes to prank. The characters in the

feature film are also frequent visitors of the small theater after the ED. There are also some animations that will be previewed in the next episode in the way of multiple or single characters "High Speed ​​God", but the characters in the feature film often do not use this Speed ​​and way of speaking.

In short, whether it’s a small theater or a notice for the next episode, the behavior of the characters in andThe feature film is completely independent, don't be too entangled, just watch it with a relaxed mind.