On October 29, Bilibili held a press conference on the 2022-2023 National Creation Animation Works, announcing that the "Three-Body Problem" animation will be scheduled for December 3, and will start the "Three-Body Problem" animation global co-creation plan.

On October 29, Bilibili (hereinafter referred to as "B station ") held a 2022-2023 Guochuang animation work press conference, announcing that the " Three-Body " animation will be scheduled for December 3, and the global co-creation plan for "Three-Body" animation will be launched.

At the same time, B station has launched 49 new contents of domestically created works, including the latest PVs of animations such as "Soul Street Season 3", "Convex Hero X", "Time Agent Season 2", "Hundred Demons and Sensei Chapter", as well as new works such as "Seven Housing Records", "Immortality", and "What's the matter with Guan Miao". At the

press conference, Bilibili announced the progress of the support plan for creators of Guochuang animations. In the past year, "Bilibili Search for Light" has provided targeted help to animation creators at different stages. Among them, the first "Capsule Project" for professional creators is being broadcast on the site, and the second work is also being prepared. Vice Chairman and COO Li Ni said that animation is no longer just a content carrier, but an infrastructure capability to visualize the digital world.

From 2018 to the present, the B station’s National Innovation Press Conference has been held for five consecutive sessions. At present, B Station’s Guochuang works have achieved the implementation of more than 300 animation authorized projects. Li Ni revealed that this year, B station’s domestic works revenue is expected to exceed 2 billion.

"Three-Body Problem" animation was officially announced as early as 2019. The film company announced new PVs every year, but the specific launch date has not been decided yet. At this press conference, the launch date of the "Three-Body Problem" animation was announced by the original author of the novel Liu Cixin . He also said that animation and science fiction are both arts of imagination, and animation is particularly suitable for displaying the content and artistic conception of science fiction novels.

According to reports, this work is mainly produced by Bilibili, jointly produced by the Three-Body Universe, and jointly produced by Yihua Kaitian. At the same time, B station jointly launched the Global Cosmic Cosm of the Three-Body Animation Cosm, intending to invite outstanding animation creators from all over the world to explore diverse cooperation models and enrich the content space of the Three-Body Animation. Li Ni said, "The animation industry needs to start to have a global perspective and train the ability to cooperate with overseas production capacity." The

press conference announced the sequel to multiple animation works. These include "Soul-Section Street Season 3", "Convex Hero X", "The Legend of Mortals in Cultivation", "Time Agent Season 2", "Hundred Demons and Sifu Chapter", "Chinese Diary Season 4", and other domestic IPs have also announced new PVs.

's new animation includes 3D adaptations of "The Records of the Seven Housings" adapted from the IP novel of the same name by Ma Boyong, daily episodes of "What's the matter with Guan Meow" adapted from the comic IP image "My Royal Cat", as well as 3D adaptations such as "Immortality" and "The Ten Years of Eternal Life". "Wuhuangmao" original author Baicha said that there will be more IPs in the future, and they will appear in the public eye in the form of image first, and the characters will be ahead of the story.

Since the Wan brothers filmed China's first animation "Shu Zhendong Chinese Typewriter" in 1922, Chinese animation has gone through a hundred years and its output value has exceeded 200 billion yuan. Li Ni said that Guochuang is ushering in new momentum and animation is becoming an infrastructure construction capability. Currently, on Bilibili, more than 230,000 anchors have generated emotional links with the audience through animation technology. "Animation will definitely be a necessary ability to build a visual digital world. In the future, animation may replace all other content types," said Li Ni.