The trailer for episode 57 of " Mortal Cultivation of Immortality " has been updated. My evaluation of the previous episode was that there was very little new content. Looking at the whole episode, the only new content was the scene where Yunlu came to the Yellow Maple Valley and Xiang Zhili. The Huayuan Red Buddha fought with the pink skeleton, and the Yellow Maple Valley was destroyed. Everyone has known these contents for a long time, as well as the headless and tailless Huayuan Red Buddha's memory killing, and the swordsman did not have a sword.
Regarding the plot, this plot has been explained before. Regarding the characters, I wanted to establish Huayuan’s character deeply, but I forgot that in episode 55, Huayuan had already established the same character when he left Han Li and ran towards the Red Buddha. , the 56th episode continues to establish the same character, but it does not surpass the 55th episode. Seeing that the 57th episode requires a knife, this wave may surpass the 55th episode. The character creation is simply repeated here, and the plot is stagnant. Maybe most animations like this. I can only say that this episode of 56 seems to be lost to everyone. If it continues, it will be a decline in this chapter. .
Many Taoist friends may say that this is the production team enriching the character design and making the thin characters in the original work three-dimensional. Regarding this point of view, I think there is an essential difference between cultivating immortals and martial arts. Especially in the book Mortal, many characters in the early stage are basically soy sauce because of the difference in life span, such as the gift of the human world and the treasure flower in the spirit world. There are a few who can keep up with or even surpass the protagonist in the stage, and the plot is relatively rich.
Again, cultivating immortals is not martial arts. Appropriate adaptation makes the characters three-dimensional and humane, which is understandable in terms of look and feel.
However, no matter how three-dimensional it is, it is just a character that is the ultimate perfection of the golden elixir. Too much shaping will make it feel dragging, and it goes against the ethereal feeling of cultivating immortality. Generally speaking, I feel that the director's handling of this section is still a bit lacking. The TV series routine was used in the animation, and in order to create the characters, it was a bit overcorrected.
Mortal Animation still has a long way to go. With the current emphasis on this IP by the production team, I believe it will do better. However, it is right for viewers to raise reasonable questions. Just pay attention to the methods. Everyone. It’s because the animation is good, so there is no need to criticize it, especially the friends who have spoken so fondly in the comment area and private messages before, so I won’t mention them by name here.
Talking about the plot, I think Li Huayuan can die in the next episode, but he cannot die at Yun Lu's hands. In the subsequent plot, Han Li and Yun Lu actually have a good relationship. The relationship between master and apprentice is so deep. If he really dies at Yun Lu's hands, If so, Han Li would definitely destroy the Hehuan Sect based on his character, and it would be too difficult to come back later.
I think that in the next episode, Lao Li will fight the red pink skeleton at most, and then two more Dan-Jie stage ones will come, four to two. Li Huayuan died in the battle, Hong Fu was seriously injured and ran away without a trace, and then switched to Han Li The main line is perfect. Now in the trailer, Yunlu comes directly. After that, the plot will start to be outrageous. Either Yunlu lets Li Huayuan go, and then Lao Li and Hong Fu apply for a farewell, or Li Huayuan tries his best to fight Yunlu. But no matter what, it’s impossible to successfully run across borders, right?
But no matter what, the focus of the next episode will definitely be the portrayal of Li Huayuan and Hong Fu, as well as Han Li’s escape. You must know that if we start from the fifth episode of Farewell Tiannan, Han Li’s escape It's been six episodes, and we haven't even reached the Sea of Stars yet!
In fact, the essence of Mortal Cultivation of Immortality is to see the big from the small. Appropriate blank space is to truly understand mortals. It uses the protagonist’s experiences to reflect the difficulty of cultivating immortals and gives a glimpse into the world of immortality in Wang Yu’s heart. Why do so many pens and inks be needed? Describe supporting characters? Even Wangyu, who writes novels and likes water so much, knows that there is no need to write about Hongfu Li Huayuan in detail! I think animation adaptation is normal, but the essence should not be lost. Otherwise, how can it embody the classic saying in Mortals: "We will meet in the fairy world in the future, and the vicissitudes of life will be over with the words of a fellow Taoist"?
