Hello everyone, I am the Quan sister who only recommends good movies to everyone. Almost everyone loves to watch the revenge movie, right? What Sister Quan recommends to you today is the big drama " Deadly Women " that was popular all over the Internet in 2019.
In the same mansion, there are three women of different personalities in three different eras. Faced with the chaos in marriage and family, they seem to have made the same choice - [Murder].
with confusion about [Why do women kill people], Sister Quan watched this drama and was originally coming to the eldest sister, Big , Liu Yuling, .
, but he was deeply attracted by this other heroine, Besian. This housewife who looks as gentle as a little sheep may have a completely different core than what we think.
Besian's family is a typical [man outside and woman inside] family. As a middle class who lives a good life, Besian's husband Robert works hard outside every day to provide guarantees for their lives.
At the beginning of the story, they moved into the mansion, and Robert proudly said to his wife: "You married a man who can afford a damn mansion." One sentence is enough to show the unequal gender relationship between the two: strong men and weak women.
Wearing a regular suit, perming meticulously, and cooking everything at home. Besian's daily routine is to make a table of steaming food and then wait for her husband to come home.
She is a wife, a housewife, her husband's [fan girl], and her husband's [mother].
When Rob introduces his famous company to his neighbors, Besian will raise his eyebrows playfully and proudly, showing a sly smile, as if he is very proud and proud of his husband.
When my husband Robert was talking to his neighbors, as long as he tapped the teacup, Besian would come over immediately to add water to him. Judging from her bent over, it seemed that she had already become accustomed to doing this on weekdays.
The action of knocking on the cup twice made the neighbors behold it. The enthusiastic female neighbor directly criticized Rob for her behavior as if she was shouting for a maid. If you want to drink coffee, you can just say it directly, there is no need to point fingers at the cup.
The outspoken expressions of the enthusiastic female neighbors were quite wonderful. Rob was embarrassed when he was crooked, while Besian was obviously a little unhappy.
Obviously they have long been used to this pattern of getting along. Rob takes his wife's efforts for granted, and Besian also feels that he should devote himself to his husband.
The words these two people said were also quite interesting. Robert asked Besian if this behavior offended her. On the surface, he asked his wife, but in fact his face was always facing the female neighbor, as if he was expressing [my own family matters are not your business].
Besian is on the same front with her husband at this time, holding a coffee pot in his left hand and a right hand on his husband's shoulder, showing with a proud look that Robert is an excellent family supporter. Here she used the word provider very cleverly enough to see how important Robert is to her to the family.
The husband is the sky, the husband is the earth, leaving the husband is like no air.
is such a seemingly harmonious and balanced family state that was broken overnight. Besian was shopping in the supermarket and heard his enthusiastic neighbors gossip, and the content of the gossip turned out to be his husband having cheated on him.
At this moment, Besian was panicked and even knocked over a stack of ketchup. For a housewife like her, her husband cheating is like a collapse.
But Besian's reaction speed was quite fast. He wiped tears in front of his neighbor the previous second, and began to track his husband the next second.
On a rainy night, she put on a headscarf and drove the car alone, wanting to see clearly.
The result is of course true. Through the glass, Besian saw his husband kissing the blonde waiter affectionately.
Besian was stinging inside, but he still maintained the principle of being cautious. She quickly got into her car, after all, she had to prepare evening food for Rob.
After discovering Rob [Stealed Eat], on the family table, Besian stood on the table with a knife, saying bluntly [I am thinking about when you will die]. Then, Rob was choked by the peppers that Besian put in the pie, which seemed to suggest Besian was about to start the battle.
Besian began to analyze on the dining table. From this monologue, it can be seen that Besian's inner state has quietly changed at this moment. She began to think about those problems she had never thought about, such as her current situation: no job, no hobbies, everything revolves around her husband.
So, Besian asked for the first time: Who am I?
Who is she? Everything she does seems to be dependent on the man in front of her. Besian couldn't find her position, she was vague.
After thinking about the question of "Who am I?" for the first time, Besian thought not to leave, but to calm down and find a way to use strategies to test the possibility of her husband changing his mind first.
outside, she took the initiative to find [Miss San] and even became friends with her, trying to persuade [Miss San] to leave Robert from the standpoint of her best friend.
She began to change her outfit and made a big change from head to toe for herself. She changed her hair to dry heels, but her husband Robert turned a blind eye.
Even in order to stimulate her husband, Besian ate naked on the dining table again, hoping that Rob would see her still sexy figure.
even adds some fancy to couples' lives, read some guides recommended by enthusiastic female neighbors, and try to please your husband with what you learned in the book.
Although none of these strategies worked, Besian did not regain Robert's heart, but she was accidentally regaining her original self step by step.
When the waiter told her that her dream was to be a singer, it evoked Besian's early musical dream. She remembered that she had studied piano for many years in her early years and even wanted to become a pianist, but because of her husband's sarcasm, she dispelled her enthusiasm.
Back home that night, Besian opened the piano and started playing to find the familiar feeling. Her fingers beat skillfully on the piano, as if venting the emotions in her heart.
It was also on this night that she said [no] to her husband for the first time. When Rob held the wine glass and wanted Besian to prepare olives for him as usual, Besian continued to play the piano and just told her husband that the olives were on the top of the refrigerator and asked him to search for them by himself. Besian began to change. She was no longer the little sheep who could only obey. She began to rethink the inequality relationship between the two and began to rebel.
In life, Besian's center of gravity has also begun to shift. She no longer just circles around her husband, no longer rushes between the supermarket and home, and begins to come into contact with new activities, skating, exhibitions, surfing . She gradually jumps out of the shackles of [Good Wife] and embraces her new life.
At the banquet with her husband's leader, Beth openly challenged her husband's boss, and even pointed at the other party's nose and said, "I bet you won't do it", completely disregarding the embarrassing husband on the side.
When her husband asked her why she wanted to take drugs, Besian no longer felt guilty and apologized. Instead, he questioned her husband [can’t I relax], and finally said bluntly [I know what you are doing recently], which seemed to be a signal to start a fight.
This is the second time Besian has [resistance] to her husband in the plot. The conversation between the two under the dining table seems to imply that this unequal gender relationship has begun to change. Besian gradually began to consider himself and treat himself as a [real person].
Faced with the female neighbor who was abused by domestic violence, her husband Rob advised Besian not to care about other people's family affairs. Besian listened to his inner voice and took the initiative to lend a helping hand to the neighbor, wanting to provide her with help and get rid of this demonic husband.
After the banquet, facing her husband's indifferent attitude of "no matter, he hangs up", Besan was furious and repeatedly asked why Robert did not rescue the female neighbor who was imprisoned, and mocked Robert for being a coward.
This is also the first head-on conflict between the two in the play. If Besian was still Robert's little fan in his early years, then she looked down on this [unsuccessful] man from the bottom of her heart.
In this kind of injury again and again, Besian chose to pack his luggage and leave Robert. She was as quick and decisive as before. This time she wanted to return to her hometown and start her new life there.
In Robert's office, she accidentally peeked into the secret of her daughter's death. It turned out that the assistant who had an extramarital affair with Robert was the indirect [murderer].
This incident also became the fuse for Besian to prepare to [kill husband]. She decided not to leave Robert again, and came up with a wonderful plan to find a female neighbor who was abused to cooperate with [show].
When everything goes according to Besian's plan, the two men begin to kill each other, and Rob is also shot three times, lying in a pool of blood.
Besian leaned against the door frame, wearing a red skirt, and enjoyed this [Drama] he planned with a smile, completing his own [Perfect Revenge].
Besian's story ends here. She has gone from a housewife who just agrees with her husband and looks down on herself to an independent, confident and shining woman.
If she did have the idea of maintaining a broken marriage at the beginning, but as her self-consciousness gradually awakened, she completely saw the true face of her husband and completely gave up the surviving marriage.
Although Besian's story is set in the 1960s, it still has practical significance even if it is in the present.
Besian is just a microcosm of thousands of women. Women have been educated as good mothers and wives since childhood, play their own various roles, and grasp the standard of doing anything.
But in these role-playing, the true self-image of women becomes unknowingly blurred, and they lose their names and become appendixes to their husbands.
Movies have become exaggerated art because of dramatic processing. But Besian's experience also enlightens us - no matter what environment we are in or what stories we experience, we cannot lose ourselves because of others, and we must become [you] with love.