Qianjiang Evening News·Hourly News Reporter Wang Jiajia
"It seems like an unfinished song. Once upon a time in the south of the Yangtze River, there were infinitely beautiful mountains and rivers. It seems like the world has never been visited before. No one can tell what is right or wrong."
On the evenings of August 26th and 27th, the theater will perform music "The Musical "The Empress of the Southern Tang Dynasty " co-produced by Xi Culture and produced by Drama Music Coming to Hangzhou for its premiere, this original musical with "new national style" characteristics has attracted much attention since its incubation stage, and its reputation has continued to grow.
The performance in Hangzhou also attracted many people. The venue was almost full, and the audience could not conceal their enthusiasm and excitement. They came to the theater early in the morning and waited for the performance to start.
The heavy snow fell all over the sky, burying the beautiful spring breeze of Empress Li 's life.
"The Empress of the Southern Tang Dynasty" brought a unique surprise to the Hangzhou audience with its unique music style and dramatic historical story. Stage presentation.
This kind of surprise has "treasure dramatist" Liu Xiao. The style blessing of director Yi is inseparable from the wonderful performance of the actors. When it comes to the origin, it is the ingenuity of the entire creative team that has been polishing the work for three years.
I always say no when I mention the name of the queen of the Southern Tang Dynasty Li Yu. His pathos and legends have been shrouded in mixed reviews by history.
On the stage, in a mirror like water, we see the tearing of Li Houzhu's inner world throughout his life.
His tragedy is the lingering sense of fate brought about by the shackles of history and identity, and it is based on beauty. The confrontation between the poet and the imperial politics based on ambition
"Black and White", they are many things in one person. The embodiment of face-to-face nature. Li Yu and Li Congjia are at war with each other, but they are always dependent on each other. They argue, collide, and advance together in an involuntary environment...
is a national style, but it is not a pure national style. The live music effect of "The Queen" is undoubtedly vivid and stunning, with strong emotional tension without losing the profoundness of the ancient style. The national tonal aria "The Seventh Day of July", the aria "Prophecy: Don't Ask About Jiangnan", and the national style trap aria "The Dragon Chair Is There", which mainly uses guzheng and pipa , are all full of texture.
And when the sound of suona in the song "The Strong Wind is Rising" came out, the "html The atmosphere of "The Storm is Coming" was heightened to the extreme. The characters on the stage went crazy, and all the audience in the audience were fully immersed in the music and story, creating an unprecedented and consistent emotional resonance in . The show was established.
Some viewers said after the performance: With the sound of the suona, I went as "crazy" as Li Yu on the stage. The feeling of total immersion and resonance in the theater is unparalleled.
Director Liu Xiaoyi has injected an unparalleled dramatic quality into this play, creating an oriental aesthetic charm unique to "The Empress of the Southern Tang Dynasty", a "body image with a strong oriental mystery", and the choreography is also unique.
There are so many ingenuities in stage construction and lighting, which make "The Empress of the Southern Tang Dynasty" a very beautiful picture no matter how long it stays in one frame. The four ghosts of forest flowers, sycamores, cold rain, and jade hooks lead Li Yu to death. When the song " Spring Flowers and Autumn Moon Comes" ends, everything seems to be buried in the white snow, and the vicissitudes of fate are endowed with unparalleled brilliance. It is so sad. The background is wrapped in extreme romance, praising "Southern Tang".
director Liu Xiaoyi said frankly: "For original works, making mistakes in the rehearsal hall is the most important. Every mistake is gold, which means that the actor has made another step forward in the character. The final step in making the drama "The Empress of the Southern Tang Dynasty" is Fortunately, we have chosen these hard-working and dedicated actors in the play. I hope more audiences will come to the theater to experience the charm of our traditional culture. Let more young people in China feel the breadth and tolerance of their own culture, and feel the charm of history.”
This article is an original work of Qianjiang Evening News. Reprinting, copying, excerpting, adaptation and online dissemination of all works are prohibited without permission. Copyright use behavior, otherwise this newspaper will pursue the legal liability of the infringer through judicial channels.
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