"The Blood of the Republic": Literary and artistic innovation in the ritual drama is no longer a luxury

2020/12/2215:35:16 entertainment 989



text/Tomato Queen

In 2019, there are already N+N ways to watch TV series, including mobile video, mobile phone screen projection, projector box, computer, and finally the TV, color, Dolby sound, speed selection, Blu-ray screen, all kinds of effects. The update of science and technology has created infinite possibilities. TV dramas themselves have also undergone various changes, such as breakthroughs in scripts, special effects processing of screens, etc., although they are not as fast as technological updates, TV dramas are literary creations and are inseparable from human wisdom. A small attempt is a big change. This special kind of drama is also facing literary innovation.



The solid impression of the tribute drama is the main melody, the sacrifice for the gift, the praise of the great man, and the reproduction of the war. There are basically not too many literary genes and artistic beauty. The choice of subject matter has many aesthetic limitations. As a tribute drama for the 70th anniversary of the founding of the People’s Republic of China, "Blood of the Republic" took a different approach. Starting from the unique perspective of the construction of the petroleum industry, it fully restored the process of the Chinese People’s Liberation Army’s transition from a division to the First Division of Petroleum Engineering of the Chinese People’s Liberation Army. The “petroleum spirit” of Chinese soldiers and the builders of the new China’s oil industry.





The soldiers of the People’s Liberation Army, represented by the steel knife company, unloaded the long road from the small oil division of Yumen Petroleum. The guns and ammunition that charged into the battle, and the professional tools for drilling were also in response to the call of the motherland. The brothers of the steel knife company searched for the "blood" for the Republic with firm belief and hard work persistence. "Republic Blood" revolves around The new theme of oil development, returning to production and life, has shaped the style of the new generation of young people in New China.




"The Blood of the Republic" created the road of literary innovation in the tribute drama, and every character was branded and endowed with an emotional era People in every era have hardships that they dare not say. "The Bloodline of the Republic" lies between the collision of feudal and new ideas, the conflict between the military class and the working class, and the proletariat and the bourgeoisie. The plot is not single. To promote the soul of the country, but through the People’s Liberation Army from the cold enemy and us battlefield to the arduous oil production battlefield, from the supreme soldier to the worker’s apprenticeship, one after another realistic oil exploration stories, encountered in the process of oil exploration Difficulties and dangers are touching.



The People's Liberation Army, represented by Shi Xingguo, Xu Ru, Zhou Yuan, and Donna, represent four types of youth. They have great retaliatory enthusiasm, and a full of disciplined organization. They have upright character, strong skills and technology, and a selfless dedication to serve the people wholeheartedly. The working class represented by Liu Dayong has innocent enthusiasm and rich oil extraction experience, but they have a heart for the PLA’s transfer Hostility, fearing that the People’s Liberation Army will grab their iron rice bowls and lead to mutual exclusion between the working class and the soldiers of the People’s Liberation Army. And the rural girl represented by Mei Dani, completely brought feudal ideas into the People’s Liberation Army and gradually integrated into the life of the People’s Liberation Army. In the middle, slowly change the consciousness of feudalism.



Move with love and move with reason. "Republic Bloodline" It is a flesh-and-blood drama, with a grounded narration, the main melody drama is made to be interesting, emotional and deep. The ritual drama is no longer confined to form, and literary innovation is no longer a luxury.

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