CCTV "Yi Shang China" premiered, "Du Fushen, Tang Daisi, Party A Quan, Silkworm Shenxing" launched

2020/11/0722:44:18 entertainment 561

The large-scale costume culture program "Yi Shang China", created by the Art Center of China Central Radio and Television, was broadcast on CCTV Variety Channel at 19:00 on November 7th. As the host Li Sisi opened the door of the "Da Tang Journey", the stars gathered to enter the peak era of Chinese Splendid Embroidery and restore the bright moments of Chinese Splendid Embroidery.

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historical space

first stop: Sisi takes us into Dingzhou. I met He Mingyuan, a Hu businessman in the Tang Dynasty played by Zhu Guangquan. In the Tang Dynasty, he managed the silk industry to benefit the people in all directions. Unexpectedly, people in the Tang dynasty talked about jokes in one set. As the overbearing president of Party A, Zhu Guangquan, as soon as he came up, he “appropriated Li Bai's drink-permanent song "Jianjinjiu" as his own. This is indeed the overbearing logic of the overbearing president. The tailor-made host "Li Sisi", as Party A, I am very satisfied.

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Second stop: Sisi came to a remote place in Shu. Although Shu Brocade originated in the mountains and ridges, it has spread far and wide. The two dancers: Ye Yin and Zhong Chen brought unique "national style street dance", revealing to us what kind of innovation and The development "breaks out of the siege" and "turns up against the wind" has become one of China's four famous championships.

On the way to the Datang, Sisi met a teenager with a simple blank picture in his hand, threatening to hide mysteries in the picture scroll. On the banks of the canal, Zhou Shen, a scholar in white clothes, brought Hua Juan with his hands to bring an ancient charm and style of "Hua Juan", which conveyed the love and thoughts hidden in the hearts of young people. Zhou Shen's singing completely pinned his longing for the girl in Huajuan, the beauty as always, and the addition of the drama has caught my ears. Today I will not write music reviews. Apart from beauty, there are not many adjectives. Talking about Zhou Shen’s progress, everyone should find that Zhou Shen’s microphone was not held in his hand, but replaced with earbands, freeing up his hands, and adding more body language to the song’s emotions. The lover's feelings of longing were expressed moving heartstrings, and the stage performance instantly rose to a level. Z3z

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Zhou Shen's outfit reminds me of Du Fu, the poet saint in the Chinese textbook. When Du Fu was in his youth, he must have been like Zhou Shen. He was very busy with books, berated Fang Qiu, sang in the daytime, and was youthful companion. The last stop of

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: Sisi took us to Jiangnan. Myolie Hu transformed into "The God of Silkworm" and "Jiangnan Weaver" Ahua gave a wonderful scene magic show. A Hua has mastered the secret of weaving beautiful silk and satin in the live teaching of "The Silkworm God Empress". The most beautiful silk will always be born in the hands of every pair of hardworking people.

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Ingenuity Space

Zhao Fengyi, the curator of China National Silk Museum, brought us a vivid and connotative lecture on splendid knowledge. In vivid and simple language, it introduces why Jinxiu represents China, the connotation of the changes in China's Jinxiu pattern, why manual embroidery will not be replaced by machines, and there is no reason to return and exchange goods in seven days. Although there is no quality supervision system in ancient times. "(The name of the producer is marked on the produced utensils) to prevent counterfeit and inferior products and use defects as good ones.

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Chen Nanliang, President of Donghua University, led the teachers and students of the engineering textile major to tell the history of the four generations of textile people who defy difficulties and face difficulties. Mr. Qian Baojun, the first-generation textile man who was concerned about the clothing problem of the motherland's 40,000 compatriots, returned from studying abroad to cultivate textile talents in the motherland. The story of overcoming difficulties in solving the problem of equipment shortage is moving. The story of the second generation of textile people represented by Ji Guobiao who bravely reformed and invented cotton substitute fabrics is inspiring. The third and fourth generations of textiles have inherited their style, march forward courageously, combine ancient and modern, and have a vision of innovation and development with full confidence and a promising future. The

creative space

has to mention the stage of CCTV's "Yi Shang China", which is really beautiful. Four gorgeous silks hang down from the center of the stage and spread out gracefully on the ground. They exquisitely form a beautiful long skirt. The central terrace slowly rises, opening a way into the beauty of traditional Chinese costumes. door. Surrounded by a wide U-shaped three-sided LED display, echoing the orderly arrangement of stage lights, the whole design is exquisite.

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"Creation Space" creatively moved the T stage where the models walked to the stage surrounded by LED display screens, showing the beauty of the costumes carefully designed by the designers under the background of the lighting and stage. "Yi Shang China" deserves to be the first CCTV focus on "beauty"Cultural program.

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Conclusion

Chinese traditional costumes are the root of the aesthetic spirit of the Chinese people, and the cultural roots of the nation of Chinese etiquette. These costumes record the level of productivity, people’s livelihood, ideological trends, and aesthetic concepts in different social stages. The arduous journey of textile people, struggling unremittingly, pioneering and innovating has allowed us to live a life of worry-free life, with a foundation for pursuing more beauty and fashion, so that the beauty of splendor continues to flow in the blood of Chinese people. "Clothing in China" reflects the creative spirit of the Chinese people from the excellent traditional culture of China, tells the story of traditional Chinese costumes from an aesthetic point of view, and shows the spiritual beauty and cultural beauty carried by traditional Chinese costumes. The importance of the birth of this cultural program The meaning is self-evident.

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clothes are still in China, let Chinese beauty show you

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