On December 11, 2003, Zhang Jizhong's version of "The Legend of the Condor Heroes" was launched, with very ideal ratings. The reporter interviewed Zhang Jizhong: "Which 1997 version of "The Legend of the Condor Heroes" or your film is better?"

2025/06/2906:39:42 entertainment 1166

On December 11, 2003, Zhang Jizhong version of "The Legend of the Condor Heroes" was launched, and the ratings were very ideal. The reporter interviewed Zhang Jizhong: "Which 97 version of "The Legend of the Condor Heroes" is better?"

On December 11, 2003, Zhang Jizhong's version of

faced the camera, Zhang Jizhong said disdainfully: "Of course it's my good. 97 version has only watched a few episodes. Huang Rihua is not strong enough, and her style is ugly, which is far from the original work!"

19 passed by, and this set of martial arts dramas that Mr. Zhang Jizhong said, "It's far from the original work" repeatedly, and Huang Rihua's own BGM's Eighteen Dragon Subduing Palms has become a classic of an era.

On December 11, 2003, Zhang Jizhong's version of

In the Douban martial arts drama rating, this version of "The Legend of the Condor Heroes" tied for second place with 9.0 points with Jordan Chan's version of "The Deer and the Cauldron", second only to "The Return of the Condor Heroes" starring Louis Koo and Li Ruotong . The directors of the three dramas were all filmed " Women's Heroes " before TVB retired.

On December 11, 2003, Zhang Jizhong's version of

0年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年年�

On December 11, 2003, Zhang Jizhong's version of

No matter how you compare, the 1997 version of "The Legend of the Condor Heroes" is the best martial arts drama in the minds of many people, and it is one of the most successful works of Jin Yong's original adaptation.

. Netizens have always praised this version of Qiao Feng : "There is no Qiao Feng after Huang Rihua." "Who can reject the man who has his own BGM?!"

On December 11, 2003, Zhang Jizhong's version of

can be said to be that Qiao Feng is the number one hero written by Jin Yong, and the version of "The Legend of the Condor Heroes" filmed by Li Tiansheng is the pinnacle of Chinese martial arts dramas.

Later, Zhang Jizhong's mainland martial arts drama won the production of scenery and lost its martial arts spirit.

and the subsequent remakes won the traffic, but lost their chivalrous spirit. The more they broadcast the audience, the more they were, until they almost lost the foundation of the martial arts drama.

On December 11, 2003, Zhang Jizhong's version of

Now 25 years have passed. Looking back at the 1997 version of "The Legend of the Condor Heroes", its four major characteristics are enough to make it recorded in the history of Chinese TV dramas.

first, the 1997 version of "The Legend of the Condor Heroes" is the first Hong Kong-style martial arts drama.

On July 28, 1997, "The Legend of the Condor Heroes" premiered on TVB, with ratings of 33 points. Huang Rihua became a popular candidate for the first TVB selection of TVB. She wore Qiao Feng's clothing to attend the award ceremony, but unfortunately she lost to Luo Jialiang . When the classic martial arts drama

was introduced, mainland satellite TV stations had just risen, and "The Legend of the Condor Heroes" became the touchstone for many satellite TV stations to compete for ratings. 34 provincial TV stations (of which 19 were satellite TV stations) played "The Legend of the Condor Heroes" almost at the same time, setting a precedent for Chinese television history.

On December 11, 2003, Zhang Jizhong's version of

Before this drama, the martial arts drama was either like the mainland " Gan Shijiumei " and was a costume drama full of strangeness and romance; or like the martial arts dramas in the 1980s, it was fascinating with tortuous stories and characters, but the production was relatively rough.

and the 1997 version of "The Legend of the Condor Heroes" is based on TVB's many years of rich experience in martial arts drama production. Li Tiansheng has filmed 1994-year-old Zhang Zhilin version of "The Legend of the Condor Heroes", 1995 Louis Koo, 1997 Louis Koo's version of "The Return of the Condor Heroes", and 1996-year-old Lv Songxian 2 version of "The Smiling and Proud Wanderer".

On December 11, 2003, Zhang Jizhong's version of

We often talk about TVB dramas. In fact, TVB dramas are created by many talented creators. Each genre has a pillar-like genius creator, such as Wei Jiahui , Qi Qiyi's family drama, Qi Qiyi's palace drama, Mei Xiaoqing's costume comedy, etc. If a creator leaves, this genre will decline.

and Li Tiansheng is undoubtedly the sweeping monk in the TVB martial arts drama.

His narrative and image style are both typical "TVB martial arts drama aesthetics" and also achieve "TVB martial arts drama aesthetics".

On December 11, 2003, Zhang Jizhong's version of

can represent the highest level of TVB or even Chinese martial arts dramas at that time, so "The Legend of the Condor Heroes" is like a mirror, reflecting all the advantages of TVB martial arts dramas.

First of all, in terms of the plot, , whether it is the original work or the 1982 version of Liang Jiaren and Huang Rihua, the story is based on Duan Yu , but in Li Tiansheng's hands, the core protagonist becomes Qiao Feng.

Qiao Feng's story is a tragedy , which contains many cruel framed plots. The wireless drama is aimed at family audiences, so the drama does not deliberately exaggerate the cruel plot, but the plot points and heavy scenes appear in the entire drama just right, creating multiple climaxes for the whole drama.

On December 11, 2003, Zhang Jizhong's version of

Li Tiansheng used a large number of zoom lenses and virtual focus processing to help the audience recognize the points they need to pay attention at a glance. Although it is a bit fake when looking back, it is extremely appropriate to watch it in one go in the "TVB martial arts drama aesthetics".

In order to restore the "Jin Yong's martial arts world" in the book to the greatest extent, Zhang Jizhong's crew spent 110 million yuan to create the Yunnan Dali Film and Television City covering an area of ​​more than 700 acres. Most of the scenes in the play were filmed on site, among which important scenes such as Mando Villa, Dali Town's Nanwang Mansion, and Xixia Palace were all reproduced one by one under great practice.

On December 11, 2003, Zhang Jizhong's version of

Li Tiansheng’s budget for Jingjing is less than one-twentieth that of Zhang Jizhong, but good steel is used on the blade.

In the same scene, the tables and chairs are placed in a teahouse, and when moved out, it is an inn, and a curtain is placed is the royal palace. A thin horse and a dozen people, and you dare to say you can attack the Song army if you raise a chess piece.

On December 11, 2003, Zhang Jizhong's version of

But Li Tiansheng used all his extremely limited budget to the special effects of fighting scenes.

Many of the kung fu in the play have been processed through special skills, turning invisible into tangible, the Six-Meridian Divine Sword, Lingbo Microstep, Dragon Capture, Eighteen Palms of Dragon Subduing, Tianshan Plum Hand, and Xiao Wuxiang Gong have all become beautiful memories of a generation of audiences.

small budget does not mean that shooting is sloppy. At the beginning of the first episode, the Beggars' Sect went to Xixia for assassination and retreated. Qiao Feng came to rescue everyone. The scene of fighting Murong Fu and the four evil people was only about ten minutes, but it took forty days.

On December 11, 2003, Zhang Jizhong's version of

A group of actors ride horses and hang steel wires every day.

Although the budget is not enough, Huang Rihua's version of Qiao Feng is full of heroic spirit in his eyebrows, and he plays the eighteen dragon-subduing palms, full of "heroes", and his strength shows the hard power of "making the 50-cent special effects" to shock the special effects.

On December 11, 2003, Zhang Jizhong's version of

Duan Yu's Lingbo Microstep played by Chen Haomin is even more outrageous. He saves even the special effects and is completed directly by the actor's acting skills and photography.

On December 11, 2003, Zhang Jizhong's version of

But these "special effects light waves" + image magic secretly envelop our childhood. Looking back more than 20 years later, it is still full of momentum.

Because Li Tiansheng + Guo Zhui 's action design is wonderful!

has smooth movements and sound effects. The detailed design of each action scene is closely linked to the plot and character martial arts settings. The rapid advancement gestures and the tense atmosphere created by the camera are full of.

Qiao Feng’s duel Murong Fu, and the action scenes of the duel with Jiumozhi will never be repeated. The first duel between Murong Fu and the final beating Murong Fu is definitely not the same.

On December 11, 2003, Zhang Jizhong's version of

In contrast, in today's domestic martial arts dramas, the ultimate display of martial arts by top experts is slow motion circles + Wan Jian Return to the clan, but this kind of show-off action special effect cannot retain the audience at all. Instead, I want to ask about the martial arts movement design, what kind of martial arts is this? I can't see who they are attacking and defending?

Li Tiansheng's music use is also a major feature. A large number of music with strong styles, combined with the changes in the action scenes, are tragic, vigorous, intense, and joyful.

On December 11, 2003, Zhang Jizhong's version of

, especially Qiao Feng uses the "Eighteen Palms of Dragon Subduing" every time, and the audience is already excited. With Huang Rihua's acting skills and light wave special effects, of course, the audience is still unsatisfied.

And although the scene is simple, the plot and line core of Hong Kong martial arts are not simple.

For example, the part where Qiao Feng was framed, from the murder of martial arts masters one after another, Qiao Feng investigated the truth, and later framed by Ma Ma , it was full of suspense and coherence, and the crisis made the audience so angry that they gritted their teeth, wishing they could rush into the screen to beat the villain.

On December 11, 2003, Zhang Jizhong's version of

This is the narrative art of martial arts dramas.

In contrast, many of the current domestic martial arts dramas, except for water injection and boredom, are just trying to find ways to get candy. They don’t feel the danger of the martial arts world at all. What are the people wearing ancient costumes doing?

97 version of "The Legend of the Condor Heroes" 45 episodes, but the impression is more compact than the 40-episode Zhang Jizhong version, and no episode is wasted.

In the end, Hong Kong-style martial arts exhausted everything and established vivid characters, connecting the characters with the story, opening a window for the audience, and giving us a clear understanding of Jin Yong's martial arts world for the first time. The image and interpretation of most characters are also unsurprisingly successful. The remake version after

On December 11, 2003, Zhang Jizhong's version of

is investing more and more, with more and more celebrities, but it lacks the Hong Kong flavor and the atmosphere of the 1997 version, and also fades the fascinating martial arts and humanistic temperament. Of course, it is not good-looking.

second, the 1997 version of "The Legend of the Condor Heroes" perfectly portrays the number one hero in Jin Yong's works - Qiao Feng.

During this period, the Marvel and DC superhero war in Hollywood suddenly began again.

Here, Marvel invited Robert Downey Jr. to play Iron Man, which is said to appear in "Avengers 6", and in the easter egg of DC's new film " Black Adam ", Henry Cavill's version of Superman appeared again.

Superheroes are still Hollywood's winning magic weapon, but when does it take Hollywood's turn to heroes who go to heaven and earth?

On December 11, 2003, Zhang Jizhong's version of

The superheroes in Hollywood comics either obtain superpowers by accident or their abilities come from aliens.

Our kung fu heroes are destined by three points, seven points rely on hard work, and martial arts cultivation depends on hard work. What we are walking in the air is not a plane, but a Lingbo Microwave. What is shaking the sky and the earth is not the Thunder God's Hammer, but the Eighteen Dragon Subduing Palms.

On December 11, 2003, Zhang Jizhong's version of

They have a common name, called Daxia. If, like the Marvel Universe, find a hero from Jin Yong’s martial arts world, to lead the heroes and fight against evil, who should we choose?

I think the answer must be him - the number one hero in Jin Yong's works, Qiao Feng.

, , and other stars have played this hero, but the only two that appear in the hearts of netizens should be Hu Jun and Huang Rihua. Which version is better? It can be said that there are many different opinions and endless debates.

On December 11, 2003, Zhang Jizhong's version of

From the appearance conditions, Huang Rihua is not only far inferior to Hu Jun's image as he was in the original work, but even from the perspective of the shooting at that time, he should not have chosen him to play Qiao Feng at all.

You should know that Huang Rihua's most popular screen image before was Guo Jing in the 1983 version of "The Legend of the Condor Heroes", and he also played Xu Zhu in the 1982 version of "The Legend of the Condor Heroes". He himself is as upright and honest as Guo Jing. Even if he included other fashion shows such as " Unforgiving ", his acting style is mainly focused on calm and simple role types, which is significantly different from Qiao Feng's heroic and righteous Yuntian.

On December 11, 2003, Zhang Jizhong's version of

And he is not tall enough, so he used a hat as a make up for it.

And Hu Jun is rough and bold, with the taste of "northern man".

But Li Tiansheng's casting is not a joke. Louis Koo's Yang Guo was chosen by him, Chen Xiaochun's version Wei Xiaobao was chosen by him, Li Ruotong's leung girl was chosen by him, Jiang Hua's version Jinshe Langjun was chosen by him, you see Huang Rihua is not suitable, but Li Tiansheng thinks it must be him, and the first character he has decided is him. What is the result of

On December 11, 2003, Zhang Jizhong's version of

?

Hu Jun did perform Qiao Feng's tall, powerful, straightforward, reckless, impulsive and irritable personality. His acting skills can be scored 100 points.

But Huang Rihua's version of Qiao Feng is worth 120 points.

Qiao Feng interpreted by Huang Rihua is indeed less reckless, but his passion remains unabashed, and he has more of the word "benevolence".

He was struggling and twisted in the conflicts between the Beggars' Sect and the country. He chose between Qiao Feng and Xiao Feng . He could neither choose his own nation and life experience nor resolve the conflicts between Song and Liao. Faced with such pressure, such dilemma, and such a dilemma, how did Qiao Feng do it in Huang Rihua's version?

In Juxianzhuang , he was besieged by half of the martial arts world, fighting against the martial arts world with one person, and drinking with the heroes of the world.

On December 11, 2003, Zhang Jizhong's version of

To the shameless villain, he said: Today, Qiao Feng and the heroes in the world drink this sacrificial wine is to write off the grudges of the past. What kind of friendship do I have with you? Are you worthy of drinking with me?

On December 11, 2003, Zhang Jizhong's version of

In Shaolin, he fought against the top martial arts masters alone, saying: Mr. Murong, the leader of the Zhuang Gang, Old Monster Ding , you three will go together.

On December 11, 2003, Zhang Jizhong's version of

Seeing Murong Fu sneak attack on Duan Yu, he scolded him: I, Xiao Feng, is as famous as a despicable villain like you. It is a huge shame.

Look, a hero who is forced to have no way out, a hero who is isolated and helpless, every word and every action is still full of heroism.

Huang Rihua's original lines and dubbing version are both imposing and heroic. Both masculine and open-minded.

On December 11, 2003, Zhang Jizhong's version of

This is not a hero, what is a hero?

But Qiao Feng is not only a hero, but also a tragic hero.

Mr. Jin Yong's martial arts novels are all about the rise and growth of heroes. Only "The Legend of the Condor Heroes" describes the end of heroes.

Qiao Feng may have concentrated the essence of all tragedies, and Huang Rihua has played the tragedy to the extreme in every key paragraph.

Because of a misunderstanding, killing your favorite Azhu . The scene, you can feel that mood is bleak, and even more sad. Huang Rihua's entire performance conveys an indescribable helplessness, pain, and fate.

On December 11, 2003, Zhang Jizhong's version of

Yanmen Pass is where Qiao Feng confirms his identity as Khitan, his suicide place in the finale, and a place where the character is perfectly sublimated.

Before the finale, the audience loved him, respected him, and accepted him, because he had both affectionate little love and national love, and was a real hero, but after the finale, the audience saw the fate of Sisyphus in the character.

A true hero, who has been open and honest all his life, and finally fought to exchange for temporary peace in the Song and Liao dynasties, but he was in a dilemma, and he could only thank the world with death.

This is the most tragic scene of the character and the most charming side of the character.

On December 11, 2003, Zhang Jizhong's version of

The charm of the character complements Huang Rihua's superb performance, which makes the audience think of it.

Mr. Jin Yong used history to enter martial arts and also created history with martial arts. What kind of vision, courage, and pattern is this? What kind of hero Qiao Feng in his works is? It is so difficult to perform this Qiao Feng who is loyal to the original, classical, and tragic temperament.

On December 11, 2003, Zhang Jizhong's version of

Jin Yong once said that writing martial arts novels is actually about writing about human nature. Only by portraying human nature can it have long-term value.

Hu Jun's performance interprets what a true hero is and a true hero.

is Huang Rihua's performance, which perfectly interprets Jin Yong's definition of the hero and the taste of human nature. The character creation of martial arts dramas such as

is unprecedented and it is difficult to have anyone in the future.

The third one is that it perfectly shapes the martial arts group portrait. Among all martial arts dramas, it is likely to be the one with the most irreplaceable characters.

htmlFor more than 0 years, the most criticized thing about Hong Kong martial arts is the limited scenes. Looking at the Zhang Jizhong version of the world and landscape, the vastness of the world and landscapes that allow you to travel around, Hong Kong-style martial arts with limited funds seem even smaller.

But this shortcoming has actually made a major feature of Hong Kong martial arts - paying attention to characters. Although Qiao Feng was successfully portrayed in

97 version of "The Legend of the Condor Heroes", other characters are also wonderful.

Duan Yu, played by Chen Haomin, has become more dedicated and infatuated compared to the original work.

Compared with the noble character of Duan Yu played by Tang Zhenye in 1982, Chen Haomin created the naughty and cute side of the character more successfully. He first met Wang Yuyan and Kujing's love and other highlights, with rich expressions but not exaggerated expressions, accurate expressions of emotions, and a good plan.

On December 11, 2003, Zhang Jizhong's version of

Chen Haomin performed well in comedy, but when he was sad, he played a limited role. The two parents of Mantuo Villa died, which is far worse than the tragic scenes of Fan Shaohuang .

Xu Zhu is a typical character pushed by fate, and is also the lucky character in the whole story.

Fan Shaohuang was also very successful in shaping Xu Zhu. Back then, he was silly, and he was better than clear, with bright eyes when excited, and innocent and simple when happy. In addition, he had a foundation in kung fu, which added the highlights of the action scenes. Especially in the Battle of Shaomushan, when I first met my parents, I was separated from my flesh and blood, and the state of crying but no tears was grasped very delicately.

On December 11, 2003, Zhang Jizhong's version of

Li Ruotong plays two roles in the play, and it is also impeccable. Wang Yuyan's beauty is not aggressive, it is the gentleness and beauty that washes away all the dew.

When you are sad, there is no extreme anger or anger on your face. It was like a lake where a stone was gently dropped, rippling little by little.

And Mrs. Wang Aluo's nobleness and ruthlessness are clearly distinguished from Wang Yuyan's intelligence and gentleness.

On December 11, 2003, Zhang Jizhong's version of

Zhang Guoqiang Murong Fu is also the best among all versions.

This character is arrogant, conceited, and has no choice but to achieve her goals. She has also become famous since childhood and has a character flaw that cannot bear failure.

On December 11, 2003, Zhang Jizhong's version of

When his father Murong Bo had seen through everything and converted to Buddhism , he still couldn't let go of his pride and conceit. Zhang Guoqiang used many details to play this villain, such as seeing Duan Yu and Wang Yuyan together, his sudden angrily shout and his smile suddenly restrained.

In addition to the brilliance of several main characters, the small characters like the lantern beside them are also vivid. Although they do not have many scenes, you can feel that they are living people, and the stories behind them are worth our imagination.

22-year-old He Meitian plays 17 or 18-year-old Zhong Ling . The scenes are limited, but every scene is full of spirituality.

On December 11, 2003, Zhang Jizhong's version of

The cuteness and shyness of a girl was extremely portrayed by her.

On December 11, 2003, Zhang Jizhong's version of

Mrs. Ma, played by Xueli , looks like a hook in Qiao Feng's eyes, interpreting the character's evil charm, paranoidness and perversion to the extreme. Whether it is the horror that was secretly tasted by Qiao Feng after he was sprayed with blood on his face when he appeared, or the despair after being disfigured by A Zi, she accurately conveyed it from her eyebrows.

On December 11, 2003, Zhang Jizhong's version of

A Zi, played by Liu Yucui , is not beautiful enough, but she plays the character's agility and viciousness to the extreme. However, the audience hates her and feels a little pitiful to her, especially the ending.

On December 11, 2003, Zhang Jizhong's version of

There are some villains who are very cute. Li Guolin 's Jiumozhi is a martial arts fanatic and is not conspicuous in the original work, but through Li Guolin's interpretation, we all see the cuteness of this character.

On December 11, 2003, Zhang Jizhong's version of

Quin Huang plays Yue Laosan, also very cute. The master-apprentice scene with Duan Yu is the source of joy for the audience.

On December 11, 2003, Zhang Jizhong's version of

In fact, in the play, there are many unforgettable little people, such as Luo Junzuo played Bao differently,

Chen Anying played Tianshan Tonglao is also the best in all versions, and her Sha Gu is also very exciting.

On December 11, 2003, Zhang Jizhong's version of

others such as Zhao Xueer's Mu Wanqing , Pan Zhiwen 's Duan Zhengchun 's Bao Fang 's sweeping monk, Chen Rongjun's Quan Guanqing, Liu Dan 's Ma Dayuan, Wang Wei 's Yelu Hongji 's et al., etc., each has distinct personalities.

Although Jiang Han , Ma Jingyi , Liao Lili, Wang Wei, Bao Fang, Luo Guowei , He Bijian , Huang Xin, Sun Jiqing , Luo Junzuo and others have all passed away,

On December 11, 2003, Zhang Jizhong's version of

But when the audience read the novel again, the images of these actors will automatically appear in front of their eyes, and these characters will always shine in the hearts of the audience. The fourth place in

is the essence of Jin Yong's martial arts world, which is filmed in the 1997 version of "The Legend of the Condor Heroes".

In the story of "The Legend of the Condor Heroes", time has a wonderful power.

is different from movies. TV series are more likely to be replaced by later generations in terms of technology, and former hits are harder to withstand the test of time.

Many of the Wang Bang who were once talked about would not be able to watch it again, but the 1997 version of "The Legend of the Condor Heroes" is always an exception. It not only shines in the past, but also constantly blooms new brilliance in the long wind of time.

On December 11, 2003, Zhang Jizhong's version of

Why? "Good-looking" is a comprehensive feeling.

Hong Kong martial arts dramas put the actors in the most appropriate position. The plot is based on the audience's emotions. The music is popular but can convey emotions. The makeup and clothing are not about the most budget, but the most "suitable" and "not out of the play".

actors, plots, lines, rhythms, etc. should be combined to present the best effect, so now it is still good to watch.

In contrast, in today's martial arts dramas, even if you want to cater to the public, what is sugar? Are there any of the Menggu and Xu Zhutian from that year?

On December 11, 2003, Zhang Jizhong's version of

The basic "work" is too bad. What’s more important is that Jin Yong’s world was filmed in the play.

Why is the mainland martial arts drama represented by Zhang Jizhong very sincere, and the production conditions are good, but I always feel that something is wrong. The answer is that no matter how hard I try, the taste is wrong, and it will be too serious when I shoot it.

While martial arts is far away, the Hong Kong TV drama industry has a complete set of experience and methodology for shooting martial arts stories, and has also found a natural temperament, which can make the feeling that mainland martial arts dramas cannot be filmed.

What? Chivalrous intention.

What exactly is a martial arts drama? It is not about having a large size and long collection, nor about having a gorgeous skin, but about having a sense of martial arts.

On December 11, 2003, Zhang Jizhong's version of

Li Tiansheng has read all Jin Yong's works as a teenager. After reading it over and over again, he can almost memorize the content. When filming "The Legend of the Condor Heroes", he said: "There are no historical events in Jin Yong's dramas at all. I have carefully investigated every location."

Although the crew is poor, they work hard. Chen Haomin's first fighting scene took 21 days to shoot, and even the little squirrels, golden toads and other animals in the drama are real.

Chen Haomin had just entered the industry, and once the director saw Chen Haomin squatting on the ground and smearing the mud on his face. Because Duan Yu's face was dirty when he saw the script explaining the next scene, he took advantage of the time to apply the mud.

This is the internal mechanism for the success of Hong Kong martial arts.

martial arts dramas are not enough to rely on more money. The scenes of the 1997 version of "The Legend of the Condor Heroes" are hidden, and all the stories are filmed in several scenes in the TVB City. Rockery audiences saw it again in "The Return of the Condor Heroes".

On December 11, 2003, Zhang Jizhong's version of

But it makes you feel that the world is very big and people are very complicated. The night rain in the world is raining, and heroes and villains can’t be seen.

. Today's domestic martial arts dramas have many luxurious scenes, and they have whatever they want. The special effects are overwhelming, but the audience feels that the world is very small. The people in the drama seem to be here to play cosplay, and none of them are real heroes. The difference between the

On December 11, 2003, Zhang Jizhong's version of

97 version and the other versions is like hot pot and a big meal.

Some big meals use all the high-end ingredients and look like they have everything, but the stories made can apply to any drama in the world to praise it. They are nothing more than clichés such as "smooth, complete, clever details, and qualified performance".

And the 1997 version of "The Legend of the Condor Heroes" is a Hong Kong-style martial arts hotpot, a copper pot, a charcoal fire, and sparks sizzle out. The charm of this hotpot is that the ingredients may not be too great, but it provides you with the most familiar taste and unexpected surprises.

On December 11, 2003, Zhang Jizhong's version of

Together, these support a steaming "jianghu" full of martial arts charm. Will there be such martial arts dramas in

? I'm afraid it's very difficult.

Jin Yong's story is a big IP, and any casting will attract attention, which is called "own traffic". The novel's rich plot also makes the remake operation easy. Wang Jing and Donnie Yen 's new version of "The Legend of the Condor Heroes" is coming again, and Chen Yuqi Liu Yase both participated in .

On December 11, 2003, Zhang Jizhong's version of

However, some things are very rare, such as adapted stories, characters, and good-looking action design. Of course, the biggest question is: who will act? Who can act well?

Looking at the current entertainment industry, I can’t think of an actor who can accurately grasp Qiao Feng’s passion and tragic spirit.

On December 11, 2003, Zhang Jizhong's version of

The new martial arts drama has slow motion, the bones are soft, and the overall taste of martial arts is even more regressive. To put it bluntly, some of our actors may not even have the ability to understand and read the original work thoroughly.

How to shoot "Swallow the wind and kiss the rain, bury the sunset, bully the mountains and chase the sea, and walk on the snow path" in life, performing chivalrous, chivalrous and open-minded "never hesitate or despair".

So, maybe we may really never be able to make the second 97 version of "Chenlong".

However, from another perspective, that classic has perfectly completed its historical task. It not only restores the grand, exciting and historical insights of the original work as much as possible, but also allows more ordinary people to understand Jin Yong's novel, which is enough.

On December 11, 2003, Zhang Jizhong's version of

2021 old version of actors once reunited, and the most beautiful Wang Yuyan also had wrinkles on her face. They are old and martial arts are old, so there is no need to force them.

On December 11, 2003, Zhang Jizhong's version of

But the revelation left by the series is: what the audience values ​​is always the story itself. If a story is easy to understand and beautiful, and can also make the audience feel what chivalrous is, then it is the best story. No matter how exciting the

special effects are, they are not as realistic as a character who is deeply rooted in people's hearts.

Those born in the 1980s and 1990s who had watched the 18th and 1990s who had watched the 18th and 1990s who had watched the 19th edition of the 18th Dragon Subduing Palms have now practiced the 9th level of the Dragon Subduing Palms, but still couldn't learn the "Difficult Sutra". The future belongs to young people, just like martial arts dramas seem to be out of history. Some works belong to that era and cannot be copied and have no chance to reproduce.

But we, the stubborn old people, still insist on the stage of life, and ended the last show with martial arts.

On December 11, 2003, Zhang Jizhong's version of

days "sand rolls, water wrinkles and smiles", life "can't be guarded by these two eyes and hundreds of arms or thousands of hands", but life is still "Ah, Hazan cannot understand this difficult problem for a lifetime".

But we are still re-watching the 1997 version of "The Legend of the Condor Heroes" again and again because even if we live as passers-by A and Beggars' Gang B, no matter how deep the reality is or how far away the world is, we still hope to become a true hero like Qiao Feng.

entertainment Category Latest News