cannot be said that Phoenix TV "Celebrity Face-to-face" column is not of high level, so I have to admit that they are good at catching the eyeball and taking advantage of hot topics.
In less than half a year, "Celebrity Face to Face" conducted exclusive interviews with Jiang Kun and other crosstalk traffic stars. To be honest, the content is not very profound. The picture editing and language logic of the program are somewhat rough. In short, the symbolic significance of the program is greater than the actual significance and lacks a distinct theme. The program team's need to catch the eye is greater than the need to explore the value of news.
However, since "Celebrity Face to Face" has interviewed exclusively, you can still see some superficial and essential differences between Jiang Kun and others after comparison.
1. Good and bad good and evil
There are people in the world, and there are good and bad, good and evil in the world, which is normal in itself.
The abnormality lies in the personal attitude towards the world. In Jiang Kun's eyes, the theme of goodness and kindness in the world of folk art is, so he should have a broader mind on those misunderstandings.
In the eyes of some people, the theme of bad and evil in the Quyi world is. Half of your energy is spent on resisting open and hidden arrows. I guess the other half of your energy is spent on casting open and hidden arrows on others, making money and scolding people, and thinking that this world is not good. Where can you make people who are scolded without making money?
In my opinion, in a harmonious society, the world of folk arts is generally good and good. People who are full of open and secret arrows should examine their own psychological state and what they do.
2. Exclusive interviews with others and themselves
. One of the concepts that appears very frequently is "they", and they include old artists, folk art groups and young practitioners. As a crosstalk actor and chairman of the Music Association, Jiang Kun not only has to perform on stage but also does a lot of things, and some things are completely "involved".
publishes books for the deceased old partner, speaks for everyone in the folk arts, and helps young folk arts... Jiang Kun, who is in his seventies, admitted that he hopes to give him more time and help more people.
In the interviews of some people, although they are at the top of the industry in a certain sense, more "me" appear in their mouths. I have many college skills. I have been to Beijing several times. My master went to court to sue me. My entrepreneurial partners abandoned me, my apprentice betrayed me, my agent beat people, my assistant scolded people, and of course there are also many broken things such as my apprentice's three vulgarities, my apprentice's cheating, my apprentice's hooliganism, and other messy things. Anyway, everything is someone else's fault, it's all open and secret arrows. I am open and secretly, and I don't care about them.
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3. The higher the overall and individual
, the further you see, this is the realm.
Jiang Kun also mentioned some of his own situation in his exclusive interview, such as being too old to be new and slow in college, and also that he hopes to help more people, etc., but most of his time he focuses on the whole of Quyi.
You should know that Jiang Kun is a crosstalk actor and has been talking about crosstalk for half his life. It seems that he can't even Dagu and Pingtan . However, as the chairman of the Qu Association, his vision has always been on the whole of Quyi, and he is concerned about the inheritance of the older generation of Quyi artists and their life issues. We are concerned about the survival issues of local small theater troupes and the training of the younger generation of folk artists.
In history, Jiang Kun can not only be regarded as the Bole of Uncle Zhao, the sketch king, but also the Bole of Comedy sketch Chen Peisi, , Zhu Shimao, , and to a certain extent, he is also the Bole of the famous comedy writer Liang Zuo . In terms of overall contribution to folk art and comedy art, Jiang Kun is a person worthy of writing.
Some people are limited by their different locations and realms. What they see most is their own land. In principle, as a businessman, it is normal to consider the profits of their own company. As a man, it is okay to consider the profits of their family. As a traffic star, it is also fine to consider the profits of their own business.
However, if it is clearly for individual considerations like yourself, your family and your company, don’t label it as saving this and that. Of course, it is not embarrassing to make money, but you have to make money and make money and make money. If you are both ready and ready, it is easy to attract bad luck for yourself. If you make a lot of money and cut leeks, then you will talk about how you are suppressed. This cannot be arguing, but should be called pretentious.
4. Art and Business
Some netizens put forward such a vivid metaphor: If the folk art industry is a garden, Jiang Kun is like a gardener, working hard to protect different kinds of flowers, plants and trees to grow vigorously. Some people find that flowers, plants and trees don’t make money, so they pull out these flowers and plants, then plant leeks in the garden, fertilize them with shit, urine and farts, and cut leeks one by one.
To be honest, it is natural for businessmen to cut leeks to make money. The fundamental reason why some businessmen in the folk art and crosstalk industries has caused huge controversy in the process of making money is two fundamental reasons: one is to embellish themselves with art, and the other is to defile art.
Crosstalk is a language art, which is recognized by all practitioners in the crosstalk industry. At the same time, crosstalk has entertainment elements, which is also the reason why crosstalk is popular.
Art and entertainment do not conflict. The purpose of appreciation between the elite and the masses is to bring the audience the enjoyment of language art. This is good crosstalk. Famous crosstalk artist Guo Degang once emphasized that crosstalk should be educated and educated, because art works can educate people, and crosstalk as language art is no exception.
It has to be admitted that Mr. Guo Degang is still very clear about the purpose of crosstalk, which is worth learning from and learning from by crosstalk colleagues.
Some people cannot meet the requirements of language art in terms of cultivation and level. In order to save trouble, overemphasize or even simply emphasize the entertainment attributes of crosstalk, which will cause misleading to the audience.
Of course, if entertainment is "simple" entertainment, it can at least take one end, but some people regard vulgar, kitsch, and vulgar low-level fun as crosstalk entertainment. This is a big mistake. It not only violates the purpose of crosstalk, but also tarnishes language art.
In the history of crosstalk, whether it is Bai Quanfu , Zhao Peiru , Yang Zhigang , Hou Yaowen , etc., crosstalk predecessors, regard language art as the fundamental principle of creating crosstalk and saying crosstalk. I believe that when they teach their apprentices, they will not regard vulgar and low-level fun as teaching content.
Jiang Kun has always insisted on the anti-vaginity of Quyi. In fact, this work has already begun before he took office as chairman of the Qu Association. Why is he still determined while suffering from a large number of online violence?
In the scene where Jiang Kun was interviewed by Phoenix TV, we can see a horizontal plaque with four enlightened words on it: Cultural confidence!
Cultural confidence is the full affirmation and active practice of a nation and a country's own cultural value, and it is a firm confidence in the vitality of culture.
What is the component of traditional culture for our country? It is literature, art, song, folk custom... It is also the dramas such as Peking Opera , Cantonese Opera , or the folk arts such as drums, Pingtan, crosstalk, and Pingshu .
For Jiang Kun, his greatest mission is to lead Quyi to continue to move forward on the road to improving cultural confidence. Cultural confidence comes from the charm of art, and it cannot be relaxed or abandoned. Once you relax your vigilance, let capital expand in disorderly manner in the field of Quyi, it will inevitably affect the vitality of art and cultural construction.
As a world-class power, an important symbol of cultural output is cultural confidence, and cultural confidence requires long-term adherence to the correct aesthetic direction.
This is the essential difference between Jiang Kun and some other crosstalk actors. Others only need to be responsible for their company's profits and their living conditions. Making money is the first factor. Jiang Kun is responsible for the status and development of crosstalk and folk art in the literary and artistic front.
To put it simply, if we relax our requirements for language arts, will we use "funny jokes and supporting female family members" to tell others what crosstalk is?
To put it bluntly, folk art and crosstalk are also part of the country's cultural soft power, so how can they tolerate the three vulgarities and cause rashness?
