National Day holiday, some people chose to travel, some people chose to stay at home and rest. The author went to the National Grand Theater and checked in the large-scale documentary drama " Literary and Art in the War of Resistance".
This trip is not only not bad, but also has benefited a lot and was shocked.
For the first time, I appreciated my favorite Wang Ting , Li Guangjie , Guan Xiaotong , Wu Jinyan , Luo Yizhou and other powerful actors on the stage, which made a lot of money. Their performance is indeed not disappointing, and their interpretation, interpretation, restoration and reproduction of literary and artistic ancestors are impressive. The combination of live interpretation and video materials has given the editor a deeper understanding and understanding of the literary spirit and revolutionary beliefs of revolutionary predecessors such as Mao Dun , Tian Han , Xia Yan , Qin Yi , Zhang Ruifang , Nie Er and other revolutionary literary and artistic ancestors. When Guan Xiaotong walked from the center of the stage wearing a cheongsam, the performance artist Qin Yi's youthful style instantly shone in the entire theater. When Li Guangjie restored Xia Yan's story sometimes, powerfully and sometimes ups and downs, the author instantly fell into the lines of "The Contractor". When the best actor winners of professional film and television awards such as Chen Jianbin, Liao Fan, , Duan Yihong, Sun Honglei, , Song Jia and other professional film and television awards appeared in the center of the stage and on the large and small screens in the form of images, they were immediately impressed by their acting skills. The past and patriotic feelings of revolutionary literary and artistic ancestors such as Lao She , Ba Jin , Lu Xun, Jinshan, Xiao Hong are also vivid in my mind and deeply touching my heart. When Lao She, played by Chen Jianbin, said affectionately, "I also know that even if the enemy has no grudges or grudges for me, he robs the land of China and kills my compatriots. If such hatred is not enough to excite my heart, I will not be considered a human being." The author was already in tears. Looking back at the entire "Literature and Art in the War of Resistance", there are many touching moments like this. The stage charm of literature and art, the personal charm of literature and art, and the infinite power of literary and artistic inheritors are all restored in the wonderful performances of powerful actors in the literary works, speeches, recordings, and film materials presented by Sound and Optoelectronics.
As the first documentary drama of the National Theater, "Literature and Art in the War of Resistance" is not just a drama, it is also an innovation that organically combines installation image art and drama art. It is a panoramic reproduction of the literary spirit and revolutionary beliefs of revolutionary literary and artistic ancestors. The stage design of "Literature and Art in the War of Resistance" is simple and practical, and the sound, photoelectric combination is simple and atmospheric. The free combination of large and large screens and convert each other can present rich images and text materials from different perspectives such as close-up, close-up, and long-range views. Watch "Literature and Art in the Anti-Japanese War", the editor has a sense of déjà vu on the "Literature Museum" of revolutionary literary and artistic ancestors. Audible, visible, sensible, and knowable; dramatic, musical, art, and film, all-inclusive and everything. The literature and art of the War of Resistance Against Japan and the China in the story are also condensed in this documentary drama with a very high form, a very hard content, a very good performance and a very ignited theme. With the help of high-tech means, coupled with the wonderful stage performances and image presentation, the classic images described and created by the ancestors of revolutionary literature and art, on the drama stage, and in the movie lens, have become three-dimensional, vivid, plump, and full again, and therefore once again appeared in front of you and bumped into your heart. For example, Lao She's " Four Generations in the Family ", Ba Jin's " Spring and Autumn ", and Xia Yan's "Contracted Worker", both the characters in the novel and the images in film and television works have all flowed into the editor's memory as they are displayed again and again. When Tian Han, Nie Er, Guang Weiran and Xian Xinghai took the stage, the melody of " Marine of the Volunteers " and " Yellow River Chorus " also played again in the editor's heart. The immersive experience is shocking throughout the process, "Literature and Art in the War of Resistance" stirs the soul and raises the fighting spirit.
The charm of literature and art lies in innovation and inheritance.For young actors such as Wu Jinyan, Guan Xiaotong, and Luo Yizhou, being able to perform with senior acting players like Tian Yu , Li Guangjie, and Wang Ting is also a learning, experience and growth. Chen Jianbin, Liao Fan, Duan Yihong, Sun Honglei and other outstanding actors from the National Theater participated in "Literature and Art in the War of Resistance". This is not only an interpretation and restoration of the revolutionary literary and artistic ancestors in the War of Resistance, but also an inheritance and promotion of their literary spirit and revolutionary beliefs. The literary spirit and revolutionary beliefs of the literary and artistic ancestors in the War of Resistance Against Japan have been passed down to the present for decades, and have become more renewed and shining.
There is a passage in "Literature and Art in the War of Resistance" that I still remember it freshly. It was about Xia Yan's praise of Nie Er. Xia Yan said: Among young friends, we have met many geniuses, but I have never met a genius as humble as Nie Er and diligent as Nie Er; nor have we ever met a genius as Nie Er, who has no genius habits like Nie Er, who does not rely on his own genius and confidence in the collective power. He is a genius who has no traditional tradition of old genius. It is not difficult to see from this passage that the older generation of revolutionary literary and artistic artists cherish and appreciate the younger generation of literary and artistic workers. It is precisely because of the encouragement of revolutionary literary and artistic predecessors like Xia Yan that Nie Er created a masterpiece like "March of the Volunteers". Shu Xiuwen 1941's sentence in "The Spring and Autumn of Heaven" "The Great Enemy is in the Present, We Shouldn't Kill each other" not only caused a sensation in the mountain city, but also inspired young actresses such as Qin Yi, Baiyang , and Zhang Ruifang. Isn't this a kind of inheritance and promotion? ! It is precisely with this inheritance that the literary spirit and revolutionary beliefs of the revolutionary literary and artistic ancestors during the War of Resistance Against Japan were inherited from generation to generation and were continuously promoted.
Inherit and carry forward the precious spiritual wealth left by the literary and artistic ancestors in the War of Resistance Against Japan, we must not only promote their literary and artistic spirit, but also adhere to their revolutionary beliefs, but also learn from their simple life style, serious work attitude, and full creative passion. For all the cast and staff in front and behind the scenes of "Literature and Art in the War of Resistance", only by achieving all-round inheritance can one become an excellent literary and artistic worker. For practitioners of literary and artistic commentary like the editor, inheriting and promoting the literary and artistic spirit and revolutionary beliefs of revolutionary literary and artistic ancestors also has very rich inspirational significance.
National Theater jointly created by CCTV.com , which brings together outstanding creators from various fields such as drama, film, music, art, and multimedia, as well as many outstanding actors from the National Theater. Although they are at different ages, they have the same creative enthusiasm and performance passion, interpreting the literary spirit and revolutionary beliefs of the revolutionary literary and artistic ancestors during the War of Resistance Against Japan on the stage. This is an innovation, a practice, and an inheritance. Such innovation, practice and inheritance will continue, so that the literary spirit and revolutionary beliefs of revolutionary literary and artistic ancestors will always remain youthful, vibrant and vibrant.
