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These domestic dramas are so daring to shoot. The rule of law-themed TV series " Bottom Line " starring Jin Dong , Cheng Yi , and Cai Wenjing is created by Supreme People's Court . Many cases in the play are based on reality and balance artistic and professionalism appropriately. Another surprise comes from the new work of Li Mo, director of the high-scoring Chinese drama " I'm pretty good in a foreign land" " Sanyue has a new job ". The drama focuses on the funeral industry and shoots serious topics to the healing sense of Japanese dramas, so that the living can understand the meaning of living better.
The rule of law theme is based on reality
□ Reporter Jian Yue
The rule of law theme TV series "Bottom Line" starring Jin Dong, Cheng Yi and Cai Wenjing won the first place in the ratings of six websites on the day of its broadcast. "Bottom Line" is guided and created by the Supreme People's Court. Many cases in the play are based on reality, such as "the murder case of insulting mother", "the sudden death of female anchor overwork", "the Jiang Ge case", and "the female passenger jumping off the car in Huolala".
Many cases have already had verdicts in reality. The TV series focuses on the process of "how to judge", and presents the world's various aspects through the game of the three dimensions of nature, national law, and human feelings.
Human nature is so complex and elusive. How a judge can tell whether the murderer has subjective malice affects the judgment result, and the judgment result will affect the life of the parties involved. How to ensure that the fairness of the law is not influenced by judges' prejudice or public opinion in this process? It is more touching than the judgment result.
The protagonist of the drama "Bottom Line" is Fang Yuan, the filing court, nicknamed "Aunt Fang". The filing court has 4 people and many cases. The judge’s goal is to mediate if possible. The mediation work seems to be “missing”, but in fact it requires great wisdom. Sometimes both parties in the mediation were angry and would fight if they had disagreements. Fang Yuan friendly reminded him, "Win to the police station and to the hospital." When both sides calm down, use roundabout tactics to drag on it, slow down, and mediate twice the result with half the effort. Small cases are easy to deal with, and the most difficult thing to mediate is the big ones that have killed people. For example, the female anchor was sucked by her parents and the company and died suddenly in the live broadcast room overwork. Her parents asked the company for compensation to buy a house and get married for her younger brother. The blood-sucking parents are naturally hateful, but they did not break the law. The core contradiction in the case is the labor relationship between the anchor and the company. In the end, the parents won the case and received one million compensation. This result is not "very pleasing", but the judge is not a god. The law can only defend the bottom line of society and cannot solve all problems.
"Bottom Line" creates a group portrait of grassroots judges through cases of big and small, especially their lively, cute and down-to-earth side outside the trial. Fang Yuan was "savvy" when dealing with work, but his emotional intelligence was not enough in front of his superiors. His best friend is Chen, the elder of the Minting Court. Two "old guys" met and chatted about gossip, joked and cried each other, winked each other during meetings, pinched their thighs under the table, and even when being scolded by their leaders, they had to drag the other party to share the firepower together. They are the best CP in the play.
Fang Yuan's apprentice Zhou Yian has gradually become a judge from a legal assistant step by step. He has learned to be as smooth as his master at a young age. There was a deadbeat who owed money but refused to pay it back. He originally admitted that he had borrowed money, but when he heard that the creditor lost the IOU, he immediately changed his words to deny borrowing money. Zhou Yian had no choice but to use metaphysics to scare him, which made the other party stunned. Soon the case was mediated. This was heard by the new Dharma assistant Ye Xin, and the two quarreled. Ye Xin went from the Supreme Court to the grassroots level to train. He was good at theory and lacked practice. He compared dogmatic in his work. But this unpleasant "Legal Sister" has extraordinary persistence in fairness and justice. She overcomes all difficulties and helps the victims of workplace sexual harassment cases insist on appealing, even if this will increase the workload of the judge, and the victim will eventually win and restore his reputation. Ye Xin's idealism towards the profession of judges also invisibly infected Fang Yuan.
As a tribute drama, "Bottom Line" has a good balance of artistic and professionalism, without the boringness of preaching, and everyone in it is vivid and real.This drama can not only popularize the law, but also make ordinary people better understand the judge group. It is indeed a masterpiece worth watching.
Use laughs to relieve the heaviness
□ Reporter Ren Ting
Last year's low-cost drama "I'm good in a foreign land" successfully became popular and won a high score of 8.1 on Douban. Recently, director Li Mo came with his new work "Sanyue has a new job". This time he touched on the funeral theme that Chinese people are very taboo.
Although this drama and " Life Events " focus on the funeral industry, the two are completely different. "The Great Events in Life" uses humor and romance to eliminate death, and ultimately fall into family affection, while "Sanyue has a new job" completely faces death. Although the topic is serious, it can use laughs to relieve the heaviness and will not make people overdepressed. The style of the whole drama is more like a Japanese drama, which is a bit healing. If you find a benchmark, it is like a combination of "The Immortal" and " My Things to Say Long" ".
The heroine Sanyue has been staying at home after graduation. Although she is a "parent dependent", she is not as guilty as the protagonist of "My Things Are Long" and is not as guilty as she is dependent on her parents. Instead, she is full of thorns and is not vague when she criticizes people. My mother couldn't stand her doing nothing. Sanyue, who was scolded, not only did not restrain herself, but instead mocked her mother's boyfriend for being an "old white-faced". In anger, her mother slapped her in the face and threw her things out, asking her to "don't come back if you have the ability, and die outside even if you die." Then, Sanyue sat on the overpass and attempted to commit suicide.
Aunt asked her to temporarily give up the idea of suicide and "scam" her to go to the funeral home to work as a body makeup artist. When Sanyue found out that the job she introduced to her was in the funeral home, she turned around and left, but when she heard that she could make her mother who could open a wedding shop angry, she immediately ran into the funeral home. The relationship between Sanyue and her mother is a typical Chinese-style parent-child relationship. She cannot communicate normally or express love directly. She must hold a gun and a stick when speaking. She is obviously the closest person but she becomes like an enemy.
Our social context has always been very secretive about death and is also very repulsive of the funeral industry. Sanyue has also experienced this process, both an exercisor of prejudice and a bearer of prejudice. The first time she followed her aunt who was doing funeral work to clean up the body, she vomited directly. She didn't answer the water until her aunt said she had washed her hands. When she started working as a body makeup artist in the funeral home, she was entangled with vomiting, insomnia, nightmares, loss of appetite, etc., and did not really respect death. She even hung the famous brand of the two reborn people, which almost caused a disaster. But after witnessing deaths again and again, she began to change.
The first rebirth that Sanyue met was Qin Wei. . Qin Wei, who has advanced cancer, came to shoot a documentary for the funeral home and experienced death in advance. When he left, he left a letter and a dog to Sanyue, hoping that the dog would become a bondage to Sanyue and live with her. Afterwards, Sanyue met the reborn who helped and supported him with three single sisters. He did not need a farewell ceremony, but just wanted to leave with beautiful makeup and decently. There were also people who were working hard in the last second, and they could never wake up again in the next second, and could only cover the quilt made by his parents after death... In these deaths, there were regrets and sadness, and impermanent destiny. Sanyue, who used to be covered in thorns and felt that life was meaningless, began to change. She would agree with her master's criticism, bow to the rebirth seriously, and try her best to satisfy the wishes of the rebirth. She, who once wanted to commit suicide, gradually realized that it was good to live.
To be honest, it is rare to see such a drama that faces death rather than avoids it, allowing the audience to truly enter every death, see the warmth and coldness of human nature, and find the meaning of life from arrogance to a slightest reasoning death.
