"Dashan's Daughter", a hit TV series on poverty alleviation on CCTV Comprehensive Channel, "Dashan's Daughter" is currently being aired in prime time on CCTV Comprehensive Channel (CCTV-1). In the drama, Liu Yijun subverts the previous screen image and plays the role of the party

" Dashan's Daughter " CCTV Comprehensive Channel's popular

poverty alleviation themed TV series "Da Shan's Daughter" is currently being broadcast on the CCTV Comprehensive Channel (CCTV-1) prime time. In the drama, Liu Yijun subverts the previous screen image and interprets Dashan. The rural village party secretary is highly praised by the outside world.

■New Express reporter Liang Yanfen

"The Mountain's Daughter" is based on real events. It tells the story of Huang Wenxiu, a "model of the era" Huang Wenxiu , who came out of the countryside. After graduating from graduate school, she gave up the opportunity to work in a big city and returned to her hometown resolutely. Touching stories of fighting on the front line of poverty alleviation. In addition to the outstanding performance of Yang Rong, who plays the protagonist Huang Wenxiu, the performance of another veteran actor Liu Yijun also makes people give a thumbs up. The village party secretary Nong Zhanshan, played by Liu Yijun, speaks "Guangxi Mandarin", wears a straw hat, and does farm work... The audience all said that Liu Yijun brought the image of the village secretary to life.

According to Liu Yijun, Nong Zhanshan is a person who lives and grows in the mountains. To play this role well, you have to blend in with the local mountains and rivers. "The houses here are different from those in the north or other places. You have to find some details from bits and pieces of life and try to restore them." This character. When you stand in this village, you are a member of this village. When you stand in the loquat garden, you will look like a farmer growing loquats. "As for the "Guangxi Mandarin" in the play, Liu Yijun revealed, It also took a period of training. “It’s not very standard, but at least it’s a different style.”

Talking about the shooting process, Liu Yijun said with emotion that it was really difficult, “Because those poor families live in the mountains. We were shooting in real locations, and it was a long drive on a winding mountain road every day. Moreover, it was sometimes very foggy, and the visibility was about five or six meters, especially after filming. There are no street lights. In fact, we all came here from a narrow escape." It was this kind of shooting environment that made him feel the same and truly become a part of the mountains. After filming this film, Liu Yijun truly felt that he must make these things happen in the mountains. Pulling people out and lifting them out of poverty, "I can really relate to them. It's not easy for them."