When the Winter Olympics champion Wu Dajing proposed to give morning exercise classes to the "Wooders" at 8:30 in the morning, Li Xueqin casually said, "I can't get up." Wang Sulong suggested, "Can I have one session in the morning and one in the evening?", and was immediately se

When the Winter Olympics champion Wu Dajing proposed to give morning exercise classes to "Wu Ding" at 8:30 in the morning, Li Xueqin casually said "I can't get up", Wang Sulong suggested "can I have one session in the morning and one in the evening?", and was immediately attacked. Song Dandan received severe criticism. Even though Wang Sulong repeatedly explained that "Dan's mother loves me the most", netizens still couldn't help complaining on the barrage that "the scene is too embarrassing" - the recently aired outdoor reality show "Fifty Kilometers Taohuawu" 2" once again caused the audience to think about the generation gap under the age difference.

from "Summer on the Roof", "Our Master", "Summer School" and "Take the Move, Senior!" ” This year’s popular “Intergenerational Question Answering King” and “Fifty Kilometers Taohuawu 2” have invariably demonstrated the “mode of getting along between guests with age differences.” Industry insiders said that the program attempts to build an ideal social model and demonstrates humanistic sentiments across generations.

Intergenerational differences are more obvious in fast-paced life. Explore different ways to dispel differences

"In traditional demography , twenty years is one generation, but now, ten years may be one generation." Sociological research expert, Wen Jun, dean of the School of Social Development of East China Normal University, told reporters that the gap between the current two generations far exceeds the difference between their parents and grandparents. The fast-paced social life, coupled with the high-intensity time and space compression brought about by globalization and networking, will make the gap between generations more obvious. "This also explains why "Fifty Kilometers Taohuawu 2" and other films focus on Scenes of the generational divide will increasingly cause concern.” The

program fully demonstrates the inner feelings of people of different ages while showing the intergenerational divide. The observational variety show "Summer on the Roof", which received high scores and praise on Station B, vividly showed the "hidden corners" of the guests' hearts. Liu Xuehua, the "Qiong Girl" in her sixties, has lived alone for ten years. In the show, she expressed her loneliness in her inner world through her interactions with her "roommate" and post-2000s UP host La Hongsang. In fact, too many lonely people living in foreign countries and places are colliding with each other, stirring up fragile and sensitive heartstrings and longing for care, and gradually opening the door of their hearts. How does

bridge the generational gap? Eliminate or reduce "loneliness"? Various explorations were carried out in variety shows - in "Fifty Kilometers Peach Blossom 2", Song Dandan proposed to hold a bonfire party to enhance the familiarity between the guests, but was opposed by many young artists, and the atmosphere was once awkward. According to Sun Jiashan, associate researcher at the China Art Research Institute, "Senior artists such as Song Dandan represent the era of sketches and TV series, while young artists such as Wang Sulong represent the Internet era." Behind the generational differences is the difference in media experience. At the same time, , differences in media experience have further amplified intergenerational differences, drawing more attention to the social anxieties surrounding intergenerational differences.

In contrast, "Summer School" designed multiple links such as "Opening the Blind Box", "Time Video Store" and "Fire Line Impact" to promote the relationship between the two generations. For example, in the "Time Video Store" section, information about songs or singers from different eras was set up, and guests from different eras resonated enthusiastically, which can be called "perfect effect".

"Breaking barriers" is growth and transformation, and it is also "cultural feedback."

Experts said that the process of people of different ages eliminating barriers and gaps through constant running-in is also a process of experience and growth. In the variety show "Our Master", which focuses on the running-in between senior artists and young artists, the "interactions and insights" in the lives of many masters are very inspiring to the younger generations. Director Kong Xiaoyi once publicly stated that this variety show "opened up a brand new subject like extracurricular tutoring in life, which has not appeared in the domestic variety show market. Young people do not like to passively accept things given to them by others. They prefer I hope to take the initiative to discover and explore.”

In "Summer on the Eaves", La Hongsang initially printed the explanation about his name and occupation on paper in advance and read it to his roommate Liu Xuehua, in order to avoid "awkward chats". As the two got along, Liu Xuehua's Infected by her life experience, Lahongsang no longer wrote down what she wanted to say and read it, but also patiently explained how to make a Bilibili video, and shared the video she made with Liu Xuehua on the screen, and even jokingly made up twins. The sister's story is used to explain the two selves on the same screen in the video... In Wen Jun's view, the influence of young La Hongsang on Liu Xuehua can be said to be a kind of "cultural feedback", that is, the younger generation teaches various kinds of skills to their elders. Knowledge in order to better integrate into society - "For the elders, they should adjust their mentality and values ​​​​and learn from their children with a good attitude. As long as it is in line with modern society and future development trends, they should take facts as the criterion and take the initiative to break The original authority structure relationship. "

Author: Wang Licheng

Editor: Guo Chaohao