This is the first time I went to the Imperial Capital to watch a big screen outside the Northern Film Festival. Three people attracted me, Kitano Takeshi, Hisaishi Joe and Film.
～Kitano Takeshi～
Takeshi Kitano, who has supported the Japanese movie 90s for a whole decade almost alone, basically likes his movies. But my favorites are "Fireworks" and "The Quiet Sea That Summer", these two films I consider to be the most Kitano Takeshi films, are representative of his masterpieces.
The previous article mentioned violent beauty when writing "The Gathering at Southern Station". Quentin, Wu Yusen, Diao Yinan were mentioned, and the other one should be Kitano Takeshi. If Quentin is the gorgeous violent beauty, Wu Yusen is the violent beauty of posing, Diao Yinan is the violent beauty of Diao Yinan, then Kitano's is the cruel and poignant violent beauty!
2#a1a04a0d#4da0a02#a11d#4da0a02#a11d# The originator should be Sam Pekinpa of "Field Group" (Sunset Yellow Sand). Wu Yusen can be said to have both stolen the black master Jean-Pierre Melville and imitated Pekinpa, but he failed to protect himself from the night. Quentin, who came from a video rental shop, is a group of Kun-style dialect tuberculosis + Kun-style plasma! Diao Yimen's violent beauty has just been said and will not be repeated. Kitano Takeshi’s is a sudden eruption, the kind of pure beauty that is like the moment when a firework bursts, just like the fireworks in "Fireworks", and it is also like the firework illustration by Kitano Takeshi in the film. The first frame is still as calm as water. One frame is a sudden burst of gunfire and blood!
Violent beauty, first violence and then beauty, indispensable, not to say that violence can be beautiful, and beauty is not just relying on violence.
Whether it’s "The Quiet Sea of That Summer" or "Fireworks", or "Summer of Kikujiro", the story is very simple, and the characters are also very simple, but Kitano can add magic to this simplicity with ingenuity There are many other details such as the deaf smashing the window glass of his girlfriend’s house, the naturalized surfing of the troubled teenager, the mischief of the criminal policeman (throwing a baseball and tearing the kite at the end), etc. There are many other details. The reason why Takeshi Kitano is OK The whole decade of supporting Japanese movies alone is not without scientific reason.
~ Hisaishi Joe~
There have been many classic director + soundtrack combinations, and there are many collaborations of Spielberg With Williams, Luc Besson and Eric Serra, Kieslowski and Zebeneu Prisner, Theo Angelopoulos and Elena Karan De Ruo, there are also Leonne and Morricone, Coppola and Nino Rota that are unique in the world. Of course there are Hayao Miyazaki and Joe Hisaishi, and Takeshi Kitano and Joe Hisaishi.
This time, before each screening of the Kitano Takeshi Film Festival, there is a skewer of Kitano Takeshi’s movie clips. When the BGM of "Bad Boy's Sky" sounded in the movie hall, my adrenal glands were surging, and then "That Year In the feature screening of "Summer Quiet Sea", Hisaishi's familiar and endlessly listened soundtrack seemed to be the first time I heard it! This is the excitement in the legend!
What if humanity loses association?
What if Kitano Takeshi does not cooperate with Hisaishi Joe? !
～film～
When Kitano Takeshi and Hisaishi met the film.
The 2 Kitano Takeshi I watched in Beijing this time are glueFilm screening! This is not the first time I have watched a movie in moma, but it is the first time I have watched film! Hall 1 of Beijing Paragon moma store is not big, only 14*14=196 seats (no wonder movie tickets are so hard to grab!), the screen is not big, but the viewing effect is good, firstly the brightness is OK, secondly the old films are worn out The peculiar scratches, noise, as well as the unobtrusive faintness and dimness of the four corners of the picture, these are all clearly and truly displayed, and together form the unique visual effect of the film. This effect not only reminds me of the past. The paradise time in the cinema, but the unique wonderful layering and tolerance that film has always been around in my dreams attracted me. So apart from the aspect ratio and the shooting equipment, I would care so much about whether a movie was shot on film!
Screen photo: I firmly oppose the act of screen photo! This is only for the special purpose of explaining the characteristics of the film picture, and cannot be imitated.
At the moment when there are fewer and fewer films, no matter what the film is, occasionally I will get a treasure when I see the end of the film. Therefore, film screening was one of the main reasons why I came to the Imperial Capital to watch these two Kitano Takeshi.
But the wheels of history are rolling, and the number of films shot on film will only become less and less, and the remaining films will wear out more and more severely. Watch it and cherish it! And I also like digital with sharp details and clear and uniform picture throughout. Being attached to film does not mean rejecting digital, and liking digital means rejecting film. This is not a contradiction.
～ Highlights～
Beijing contemporary moma Broadway first floor sale is good, roughly a large original poster for sale It is 1 meter long and 900 wide, with a thick and reliable plastic protective bag, 2 sheets per bag, 220 yuan for Mayang, and 300 yuan for "Fireworks" for the occasion. In fact, more than 100 genuine posters of this size are not expensive. . . I didn't buy it either. It's not easy to get Mobike + Green Night Run at night.
The atmosphere of the Kitano Takeshi film exhibition.
MOMA Broadway also held the European Union Film Festival.
Trophy.
I like Broadway pre-screening cartoon advice.
Beijing Contemporary MOMA.
Look out from the 2nd floor of MOMA Broadway to the 1st floor.
There are many bicycles on Beijing Street. At a glance, it is still the world of Meituan Mobike.
Encountered a halal snack.
Beijing station within 12 hours, arriving in the morning and leaving at night.
