This drama does not play tricks, is highly energy throughout the whole process, and has rigorous plot logic. If I hadn't seen the extraordinary appearance of Liu Yifei and Chen Xiao , I almost thought this was an inspirational growth drama for women.
The whole play has two things that surprised me the most.
starts with appearance, loyal to character
As the first TV series of the fairy sister in 16 years, like many people, I watched it first for Liu Yifei's appearance.
After all, she was the most beautiful little dragon and Wang Yuyan in my memory. Her every frown and smile seemed to be a woman walking out of the painting, with her own fairy spirit.
Liu Yifei seems to be born as a classical beauty. She will perfectly integrate into that era when wearing ancient costumes, making people feel immersive and nostalgic.
But a good drama is not enough to have a good appearance, it also requires a likable character and exciting plot.
Zhao Paner played by Liu Yifei is a character that easily resonates with. She is not a wealthy lady who is noble or a silly white sweet princess who is wandering among the people. She has no strong background and does not need to bear the family mission.
She is just an ordinary teahouse boss who makes money and makes a living by relying on her skills to support her beloved’s study and take the exam. Her biggest wish is that her fiancé can win the exam and grow old together with him.
The only thing worth paying attention to is that she was born in a brothel, but she had already become a good person.
is such an ordinary and special woman who trusts and understands her lover, is generous to her friends, has an independent source of income, and never depends on men. Character designs like
can easily resonate with female audiences, because we all hope to live out our own style like Zhao Paner.
Don’t show off your blood, don’t play routines,
Many idol dramas now have the same routines, such as the male and female protagonists who fall down will kiss, the male protagonist always appears in time when the female protagonist encounters danger, the hero saves the beauty, the two people have misunderstandings and never listen to the explanation, etc. You don’t have to watch and know what will happen next second, which makes the plot empty and boring.
The drama has almost no routines, and it even often has many anti-routine operations.
One: Zhao Paner accepts the breakup fee of scumbag Ouyang Xu
I believe many people have seen such a plot. The male protagonist's mother gave the female protagonist a bank card of several million and told her, "As long as you leave my son, the money will belong to you", and the female protagonist will angrily refuse, "You can insult me, but you can't insult our feelings", and then turn and leave.
Whenever I see this kind of plot, I always wonder, why can’t I take the money first and pretend to break up and get back together later?
Zhao Paner chose to ask for money. It was very sad when she learned that her hard-earned fiancé Ouyang Xu had won Tanhua, but became Gao Observer's son-in-law for the sake of her future.
Ouyang Xu sent his servant Uncle De to send 80 taels of gold as a breakup fee. He thought she would feel insulted and refused, but he didn't expect that Zhao Paner not only accepted it, but also felt that it was too little and wanted 500 taels.
Whether she can continue with Ouyang Xu in the future, economic compensation is necessary. Her spending on Ouyang Xu over the years cannot be wasted. This is the best way to stop losses in time.
The second: The male protagonist shot and injured the female protagonist in order to save himself. When he watches, he is used to seeing the male protagonist and the female protagonist are not acquainted with each other. When the female protagonist is in danger, the male protagonist stands up, or the female protagonist is kind-hearted and accidentally saves the seriously injured male protagonist. He will suspect that they may all be people with their own halos, and they like each other as soon as they meet, so they are so proactive.
This drama goes the opposite way. When encountering danger, Gu Qianfan shot the heroine Zhao Paner on the shoulder with a dart, telling her that it was poisonous on it, and forcing the heroine to save him.
Zhao Paner is also very smart, without any hesitation or dissatisfaction. After all, his life is the most important. The hero does not suffer any loss in front of him and helps Gu Qianfan escape from danger. After that, the two went their separate ways.
The third: The heroine did not turn against him after knowing the hero's life experience
The mystery of Gu Qianfan's life experience was revealed by his younger brother Xiao Wei, Gu Qianfan was always worried that Zhao Paner was hurt after knowing that he was the son of his father's enemy, and did not dare to face Zhao Paner. He chose to escape to make her give up, and even agreed that the two had broken up.
Zhao Paner was also sad because of Gu Qianfan's sudden indifference, but she really couldn't understand why Gu Qianfan did this.
It was not until she learned that her father's murder was related to Gu Qianfan's father Xiao Qinyan that she finally understood the truth.
She let go of her heart. Gu Qianfan did not betray her like Ouyang Xu, nor was she escaped because of her identity as a singing girl, but was just afraid that she would hate him.
She did not, like most idol dramas, bear the grudge of killing her father and gave up love completely, broke up with Gu Qianfan, but instead chose to forgive and said things that my father's death had nothing to do with you.
In fact, she may not have been shaken when she knew the truth. It’s just that she valued the present more than what had been gone and cherished the people in front of her.
