Wu Ershan directed the myth film "The Trilogy of the Gods" and released a set of latest black and white characters. The
poster uses black and white as the background color, and the faces of the characters show the vigor of the years, and the little sparks also highlight the fierce battle of the gods.
Yes, Wu Ershan’s new work focuses on the traditional Chinese myth "Feng Shen Yan Yi".
This is also a domestically produced Conferred God series in addition to the "Fengshen Universe" established by "Nezha" the film.
It took nearly 7 years for Director Wu Ershan to make preparations.
These 7 years are not for anything else, just to concentrate on studying the various story texts of "Fengshen Yanyi" to restore the original "Fengshen".
In reality, every time I talk about the domestic mythological movies in recent years, the situation of various monsters and monsters rampant is very interesting. Shaking his head again and again.
Especially young people who have no acting skills, stand on the stage with one face and easily harvest hundreds of millions of box office.
One minute on stage, ten years of work off stage, this ancient motto seems to be getting farther and farther away from us.
At this point, it must be emphasized that the casting of "The Trilogy of Conferred Gods" will no longer be emphasized. Go the old way-don't need traffic stars, make your own stars!
In fact, the method of selecting the main actors of this film has changed from the "habit" of previous Chinese blockbusters:
The protagonist selects popular stars (most of the budget), and the supporting roles are then searched from newcomers.
The casting of "Fengshen Trilogy" reaches the world, from China to Southeast Asia, Australia, Europe and North America.
For this reason, the crew dispatched eight casting teams to find newcomers. Their casting goal was only one-to make stars through movies.
In the words of director Wu Ershan himself, "Instead of letting the actors create value for the "Fengshen Trilogy", it is better to let the "Fengshen Trilogy" create value for the actors."
Maybe some people may have concerns: If the publicity is like this, will the actual result be the same again?
seems to be aware of this, director Wu Ershan has shown his other trump card-"exclusiveness".
If an actor is involved in the shooting of the film, it means that he has no chance to accept other projects, nor can he make other announcements.
As mentioned earlier, "The Trilogy of Gods" is like "Lord of the Rings", not a part After the release, the sequel will be filmed, but the film will continue for at least one and a half to two years.
The emergence of "exclusiveness", coupled with the large number of war scenes required by the movie, the dangerous performance of horse-riding war must be indispensable.
This is tantamount to blocking the entry of traffic stars, making them give up their intention to get a vote and leave.
So we will find Yu Shi, Hai Liang, Li Yunrui, Xu Fei, Sun Rui in the starring list.A newcomer whose actor profile is almost blank.
And these newcomers who have been selected through layers of selection are likely to make their own piece of the world in this "star-making platform"!
Secondly, in the latest role posters, we saw the Shang Wang Yinshou and Li Hou Jichang played by Fei Xiang, and Xi Bo Shen Gongbao played by Xia Yu.
Among the veteran actors, Huang Bo's Jiang Ziya is not even recognized at first sight!
Needless to say, the acting level of these old actors.
They have long won the recognition of audiences of different ages with their many film and television works in their early years.
and only them, can make us as the audience feel at ease about the performance of the lead actor.
In addition to the cast, the lineup of people behind the scenes is also a god-like strong presence.
"Lord of the Rings" trilogy producer, Barry M. Osborne as production consultant, "猎妖记" producer Jiang Zhiqiang as producer;
ran Ping, Ran Jia and his father and daughter served as screenwriters, "Farewell My Concubine" Screenplay Lu Wei joined hands "Crouching Tiger Hidden Dragon" Screenwriter James Shams served as script consultant;
"Planet" "War", "True Lies", "Independence Day" Visual effects director Douglas served as visual effects, "crouching tiger hidden dragon" art director Ye Jintian served as art director...
The representative works of these people in front of the stage and behind the scenes are all in existence.
is in this lineup, enough to be dazzling.
No wonder some people have begun to expect the movie to become " Oriental version of "Lord of the Rings" ".
The personnel have kept up, and the technical hardware naturally has to keep up.
It is reported that the production investment of "Fengshen Trilogy" is as high as 3 billion.
The astonishing 3 billion was used in the process of making movies and used it to actively and boldly experiment with the industrialization of Chinese movies.
Director Wu Ershan has been preparing for nearly seven years in order to determine that the film can belong to the Chinese own aesthetics .
At the same time, it brought the country's poor film industrialization level closer to Hollywood.
During the filming, the strict team management of every detail made it possible for Director Guo Fan to sigh that the industrialization level of "The Wandering Earth" is "handwork workshop" after visiting the class.
Looking back at the career of director Wu Ershan, in 2015 he amazed fans with "Looking for the Dragon". Become a leader in various IP adaptation movies.
The film has not only gained word of mouth, but also gained 1.68 billion box office results.
And the appearance of "Looking for the Dragon" is just the fourth directed work of Wu Ershan's director career.
Logically speaking, Ursula can make more movies while it is hot.
However, he chose to retreat from the rapids and concentrate on polishing "The Trilogy of Conferred Gods". The shooting process for years and days made it impossible for anyone to predict the final result.
But Wu Ershan did just that, just to fill the gaps in the Chinese mythological epic blockbusters, and to create the Chinese mythical epic.
is like Wu Jing's view of his 60 million investment in "Wandering Earth".
It does not matter if the movie loses, but Chinese movies always have to take the first step.
The 4.6 billion box office result of the final "Flow Earth" is obvious to all.
Compared to a bunch of bad plays, it is quickly realized through the flow of traffic, and it is a method of getting a vote and leaving.
The introduction of industrialized domestic films is the real development direction of Chinese films.
"The Trilogy of Conferred Gods" grinds a sword for ten years, and when this sword is pierced, it will be a sharp-edged existence.
Bluestone Film Editorial Department | Shi Shu
