Photography has always existed in Sylvie Lancrenon's life. She has been modeling her childhood friends since she was a child.
Images are her language, she never let go of her camera, she used the camera to photograph the most beautiful woman in more than 25 years. She knows how to highlight their beauty and suggest their vulnerability.
inspired by the movie, she started working with the most prestigious directors at the age of 18, from Lelouch to Becker. Since then, she has continued to use the film’s framing to perform beauty.
Women are the core of her work, whether it is an actress, a model or an unknown woman. She knows how to capture their private parts and reveal the truth about their emotions.
She took off her soul's clothes at a glance and clicked; she worked very quickly to capture spontaneous expressions. This kind of photography exposure is out of a desire for the truth.
In her sensitive portraits and modest nudes, she makes seductive and sexy models in an extremely delicate way.
Painting is another source of inspiration for her, and she has the same pursuit of ideal beauty.
She likes the authenticity of things and the outdoor environment of the photo studio.
In front of her camera, movie stars come and go: Isabel Adjani , Isabel Juper , Leah Seidu, Charlotte Lamplin , Eva Green , Leila Behti, Robin Wright, Melanie Thierry, Andy McDowell, Letitia Casta…and of course, Emmanuel Belt, with whom she made the legendary Elle magazine cover.
The most famous supermodel is also her model: Naomi Campbell, Eva Herzigova, Liz Hurley...
Sylvie Lancrenon Regularly publish portraits of famous women.
She also works for the fashion, beauty and jewelry industries and advertises it for it.
was attracted by the film production, and she was behind the camera. She published Cuba Libre, a book that reveals Emmanuelle Béart’s warm atmosphere in Cuba , and Fragile, 90 unpublished photos of Mylène Farmer.
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
©Sylvie Lancrenon
Special Note
This article is only used for academic exchanges. The copyright of the content involving commercial advertising belongs to the advertiser, and the copyright of the non-commercial advertising belongs to the original author
If there is any copyright issue, please contact the author to deal with
