What is APS-C? What are its advantages and disadvantages? How to match APS-C mirrorless camera lenses? 1. APS-C mirrorless camera APS-C is one of the sensor specifications that has been available since the birth of digital cameras. The size is between M43 and full-frame. The tech

APS-C? What are its advantages and disadvantages? How to match the lens of APS-C mirrorless camera?

1.APS-C mirrorless camera

APS-C is one of the sensor specifications that has been available since the birth of digital cameras. The size is between M43 and full frame. APS-C has developed to the present technology. The technology is relatively mature, and the camera cost is also relatively reasonable. The sensor size of APS-C is similar to the Super 35 sensor size popular in the traditional film and television industry, and many lenses can be adapted for application. For most Vlog users, the benefits of APS-C mirrorless cameras are that they are compact, affordable, and easy to install on a small stabilizer (as shown in the picture below). The disadvantage is that for major camera manufacturers, full frame may be their high-end model cameras, so APS-C mirrorless cameras are still far behind full-frame cameras in terms of performance or richness of expansion interfaces, and the high-end lenses available Also less than a full-frame camera system.

APS-C format digital cameras suitable for shooting Vlog on the market include SONY’s a6300, a6400, a6600, as well as Canon M50, FujiX-T3, No camera can satisfy everything from focusing, flip screen, high image quality, ultra-wide angle, and microphone interface. This is where many Vloggers get confused when choosing a camera. Let’s compare these models to see which one is more suitable for shooting Vlog.

The first model: SONY a6300

Advantages: lightweight body, 4K shooting oversampling, S-log in-camera direct recording, good autofocus, microphone interface, cheap price. Disadvantages of

: It needs to support optical anti-shake lens to achieve anti-shake function, there is no headphone jack, and there is no flip screen.

Second model: SONY a6400

Advantages: lightweight body, 4K shooting oversampling, S-log in-camera direct recording, support for real-time eye tracking, microphone interface, flip screen, can improve skin tone, no limit on video shooting time , improved menu logic. Disadvantages of

: It needs to support optical anti-shake lens to achieve anti-shake function, and there is no headphone jack.

The third model: SONY a6600

Advantages: lightweight body, 4K shooting oversampling, S-log in-camera direct recording, good autofocus, microphone interface, headphone interface, flip screen, five-axis anti-shake, touch screen, Improved menu logic. Disadvantages of

: low cost performance.

The fourth model: Canon M50

Advantages: The body is lightweight, shoots videos at 4K resolution, has anti-shake function, has a flip screen, has a microphone interface, the screen supports touch operation, the people captured have rosy skin, and the menu logic is excellent. Disadvantages of

: Videos shot at 4K resolution are cropped, and the anti-shake function is turned on. There is no headphone jack.

The fifth model: Fuji It has a headphone jack, the video can be simulated using film, the people captured have natural skin tones, there is a multi-directional flip screen, and the screen supports touch operations. Disadvantages of

: The video shot in 4K60p is cropped. It needs to support optical anti-shake lens to achieve the anti-shake function. There is no flip screen.

The sixth model: Fuji interface (2.5mm), the video can be simulated using film, the skin color of the captured characters is natural, and the screen supports touch operation. Disadvantages of

: Video is shot at 4K60p resolution, the picture is cropped, optical anti-shake lens is required to achieve anti-shake function, the maximum video shooting time is limited, there is no headphone jack, and there is no flip screen.

2. How to match the APS-C mirrorless camera lens?

If you want to get the best shooting experience, the camera lenses and recommended here are all based on native bayonet mounts.

a. Sony APS-C users

If users who need handheld selfies need wide-angle zoom and ultra-wide-angle zoom lenses, the E 10-18mm F4 OSS and E PZ16-50mm F3.5-5.6OSS lenses are more suitable.These two lenses are small in size and light in weight, making them suitable for handheld selfies. The OSS helps stabilize video images on bodies without anti-shake functions.

For standard zoom lenses for ordinary shooting, it is recommended to choose E18-135mm F3.5-5.6 OSS and E PZ 18-105mm F4 GOSS. The zoom range of these two lenses belongs to the mainstream focal range for daily shooting. The latter is an electric zoom lens that can achieve smooth zoom operation.

hopes to use Sony APS-C camera to shoot videos with background blur. You can choose E35mm F1.8 OSS and E50mm F1.8OSS lenses. You can also pay attention to Sigma 30mm F1.4DC DN and 56mm F1.4 DC DN. Contemporary series lenses.

b. Canon APS-C users

Users who need handheld selfies need wide-angle zoom and ultra-wide-angle zoom lenses, but considering the screen cropping of Canon APS-C mirrorless cameras in 4K video and anti-shake, the only choice is EF -M11-22mm f/4-5.6 IS STM.

As standard zoom lenses for ordinary shooting, it is recommended to choose EF-M 15-45mm f/3.5-6.3 IS STM, EF-M18-55mm f/3.5-5.6 IS STM and EF-M 18-150mmf/3.5-63IS STM, which require adjustment. Users with smaller machines should give priority to the first two models.

c. Fuji APS-C users

If users who need handheld selfies need wide-angle zoom and ultra-wide-angle zoom lenses, the XF10-24mmF4 R OIS, XC16-50mmF3.5-5.6OISI and XC15-45mmF3.5-5.6OISPZ Among the lenses, only the XF10-24mmF4ROIS belongs to the ultra-wide-angle category. The video quality of the XF lens is better than that of the XC lens, and of course it is heavier.

As standard zoom lenses for ordinary shooting, it is recommended to choose four models including XF18-55mmF2.8-4RLMOIS, xc16-50mmF3.5-5.6 SII, XC15-45mmF3.5-5.6 OIS PZ and XF18-135mmF3.5-5.6RLMOIS WR. Among them, the 18-55mmF2.8-4RLM OIS has the best video quality, the XF18-135mmF3.5-5.6RLM OIS WR has a large zoom range, and the two XC lenses are the lightest.

If you want to shoot videos with a blurred background, you can choose the XF35mmF1.4R and XF56mmF1.2RAPD lenses. These two XF lenses are excellent choices, and their lens quality exceeds those of competitors.