Intangible cultural heritage is passed down, and the Fujian rhyme is full of fragrance. June 13th is the 15th "Chinese Cultural and Natural Heritage Day". The Fuzhou Federation of Trade Unions held a model worker sharing session at Lusen Mayfeng Workers' Bookstore on the same day. Lin Ying, the winner of the Provincial May 1st Labor Medal, deputy director of the Fuzhou Min Opera Theater, and municipal inheritor of the national intangible cultural heritage "Min Opera", tells the wonderful story of the guardian of the Fujian Opera. Under the epidemic, stage performances were suspended. Lin Ying explored live broadcasts on mobile phones to promote Fujian dramas, upload art online, and be a good guardian of Fuzhou urban culture
Fujian drama "Internet celebrity" and spread tradition into fashion
Southeast Net, June 18 (Fujian Daily reporter Shu Hongxia text/photo)
dramas are bigger than the sky, and Fujian dramas have been integrated into her blood
Lin Ying, who was born in a Liyuan family, was admitted to Fuzhou Art School after graduating from elementary school, and studied under Principal Hu Qiming, the "Queen of Fujian Drama" and the master of Fujian Drama and one of the "Three Primary Schools" of Fujian Drama.
Lin Ying's art school enlightenment opera is " Hujiazhuang ". The Peking Opera teacher Liu Yunqin, who is in charge of the guidance, asked her to turn over 20 kinds of guns every day, spend 50 guns each, and start and fight twice in a row. She also asked her to wear improved clothes made of sacks and walk on the scene by carrying weights to exercise her physical strength and strength.
"As an enlightenment teacher, Teacher Liu Yunqin's severity and rigor will benefit me for life! In the jargon of Fujian Opera, it is called 'Bao Chutou'. Whether the teacher can break a piece of good material depends on whether we work hard or not." Lin Ying recalled.
In the next days, Lin Ying was tempered more strictly. One line, one singing style, one appearance, the other appears, never tired of it, and earnestly teaching... Principal Hu Qiming's oral teachings carefully depict the hope of Fujian opera on a piece of white paper, and also depict the colorful future of Little Lin Ying.
html When she was 115 years old, Lin Ying played the heroic Marshal Fan Lihua in "Phoenix Mountain", the first protagonist in the first big drama. She heard her applause and cheers for the first time. Immediately afterwards, she starred in "The Eleventh Route" and "The Fisherman's No. 1 Scholar".1999's graduation report drama "The Female General of the Yang Family", 18-year-old Lin Ying performed the role of Mu Guiying brilliantly, graduated with the first place in the school, and successfully entered the Fujian Opera Theater in Fuzhou.
won awards one after another with different personalities, and Lin Ying's life drama was staged in great detail. "On the stage, I am a person of duty. I will do my best to perform the roles assigned in the institute and never picky. This simplicity and persistence allow me to work hard on the Fujian opera stage without distractions," said Lin Ying.
In 2009, Fujian Province held the 4th Art Festival, and Lin Ying played the role of the goddess of Mindu Chen Jinggu . During a rehearsal, she unfortunately injured her ankle. The doctor suggested that she should rest for a week before she could recover. However, the performance was imminent, so she could only grit her teeth and insist on rehearsing, which caused the injured area to become red and swollen and she could not even wear her shoes. When no one around her could understand, there were only four words in her heart - the play was bigger than the sky.
"The mission and pressure the starring actor bears are not something that ordinary people can imagine. Once the drama begins, you must go all the way to the end. No matter how hard, tired, difficult, or painful it is, you must not stop. You must also show your best state on the stage." Lin Ying believes that there is no pain in this world that you will endure in vain. If you are physically and mentally exhausted, then persist for a while, and these experiences will make you a better self.
Along the way, Lin Ying has suffered a lot of pain and has also won countless awards and honors. What force supports her silently sticking to the road to the Fujian Opera? Undoubtedly, the guidance of the master gradually internalized the spirit of the Fujian Opera artist.
"When Mr. Liu Xiaoqin was 80 years old, I became a teacher. Not only did he teach him personally, he gave advice from time to time, but he also co-directed "The Legend of the White Snake: The Pagoda" with me. Many of the dramas I later acted in later cannot be separated from his inspiration and encouragement. After 12 years of knowing each other, I sent my master to his death." Lin Ying said with tears in her eyes that the inheritance of Fujian Opera is not only a display of skills, but also the noble artistic ethics of the older generation of Fujian Opera artists.
Under the teachings of the teachers, Lin Ying increasingly realized that the vitality of opera art lies in the passing on from generation to generation. "When I started to accept apprentices and teach art, the scenes of the teacher teaching opera always emerged. I taught apprentices and students as much as the teacher taught me. In addition to teaching operas to young actors, I also used my spare time to teach children one-on-one classes." Lin Ying said.
makes efforts online to bring Fujian opera closer to more young people
In 2017, the "Fuzhou literary and artistic master Lin Ying Drama Studio" was listed. Without fixed funds, fixed teams, and fixed projects, Lin Ying and her junior brothers and sisters have conducted one activity after another, and the impact has expanded.
At the beginning of this year, due to the impact of the epidemic, all rehearsal performances of art troupes were suspended. During the days when staying at home, Lin Ying found that many literary and artistic workers used short videos to perform for drama fans. She joined the ranks of cultural promotion without hesitation and applied for the Douyin and Toutiao account of "Minister Opera Lin Ying - Panting Yilin Mei" and began to upload online.
"In the fifth episode of the online, I used the advantages of Fuzhou dialect to record the Fujian opera rap "Song of Prevention and Anti-epidemic". The number of views, comments, and forwardings suddenly increased. There are currently more than 80,000 views." Lin Ying said that after a period of exploration, she basically determined the direction of doing Douyin - Fujian opera appreciation, Fuzhou dialect, Fuzhou folk customs and Fuzhou dialect songs.
The epidemic has forced the opening of "Yilin Meipan Pavilion" to be released once a day and updated every night. Nearly a hundred episodes have been made. The "Fuzhou Cultural Cloud Platform" is also a complete package of the "Yilin Mei Panting Pavilion" program to be broadcast simultaneously on mobile, TV and computer.
In order to prevent netizens from being aesthetically tired, she rummaged through boxes and cabinets and dressed up on the camera, used all corners such as study and living room as background, and also made a set of lamps, opened the oil paper umbrella as a base, and pasted the beauty lamp on the umbrella...
"From topic selection, manuscript assembly, shooting to post-subtitles, editing and packaging, it is basically done by yourself. Especially the subtitles are very painful, and each issue takes one or two hours. If you ask if you are tired? Of course you are tired! But I will stick to it, because there is a group of people around me who love Fujian opera like me, especially many opera fans and volunteers are also actively doing what they can for Fujian opera." Lin Ying said.
Some friends felt sorry for her and advised her not to be so serious about doing online live broadcasts, but she didn't think so.
"Shortcuts cannot exchange for results. In order to repay the 'wealth' given to me by Fujian Opera, I am willing to pay for Fujian Opera." Lin Ying said that actors are far from enough to rely on glamor and beauty. They need to endure the loneliness that ordinary people cannot stick to, pay the price that ordinary people cannot bear, and be persistent in the belief that ordinary people cannot stick to.
"What's more, I am also the inheritor of Fujian Opera. Fuzhou dialect is the carrier of Fujian Opera. The two are blended together. The local sound is connected to the hometown feelings and the hearts of all Fuzhou people. Therefore, as long as time and energy allow, I will continue to do it." Lin Ying said that when she saw the heartwarming messages encouraged by netizens, she was particularly moved.
: What made her feel gratified is that she had just been in contact with Douyin and live broadcast for less than half a year. The short videos she launched have made three top ten hot discussions in Fuzhou, and a single video has received two or three million traffic.
"Short videos will become a very important means of cultural dissemination in the future. To assist live broadcast means to cooperate, Fujian Opera will definitely bring more young people." Lin Ying said that building a good ecological environment for Fujian Opera and allowing it to inherit and develop is a systematic project. It requires both the inheritors to have a clear understanding and unremitting efforts, and the whole society needs to participate together. She is willing to move forward with Fujian Opera with the most meager but most firm and most devoted efforts.
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