I really didn’t expect that Henan TV’s classic Spring Festival program “Tang Palace Night Banquet” will be brought to the big screen one day. The short story collection of "Our Ten Years" is really exciting.

A song and a dance, a night banquet in the Tang Palace, is famous all over the world.

I really didn’t expect that Henan TV ’s classic Spring Festival program " Tang Palace Night Banquet ” will be brought to the big screen one day.

gives us the opportunity to see the warmth and bitterness behind the scenes of it, which is really a surprise.

short story collection of "We've been this decade" is really exciting.

will not hurt without comparison, which reminds me of the " Hutong " that was just broadcast not long ago.

Both dramas are positive energy short dramas, but the difference is really not a little bit.

Below, I will use the first three stories of "We're Here" to make a simple comparison.

plot: Simple and empty VS meticulous and touching

"Hutong" is a three-unit drama, telling the inheritance of three generations of old, middle-aged and young people as the director of the neighborhood committee .

The story begins with people without the desire to continue watching, and the plot is not compact enough. I feel lonely watching the first four episodes.

is the most powerful master under Maoren Feng's throne, but he was taken away by three or four people next to him without resistance.

What is the martial arts skills that are said to be high-quality, that's it? This is to treat the audience as a fool, and at least struggle for a while, it is really boring.

The uneducated grandmother Tian Zao has a position to serve the people, so she should show more what she does for the people.

But most of the plot talks about how she led everyone to do things for the government, not what she did for the people.

This way, it is a bit overly high and not down-to-earth, so it is normal for this drama to "open high and end low".

The first three unit dramas of "We've been here in the past ten years", the Tang Palace Night Banquet, the Love Chapter, and the Qianhai Chapter.

tells three completely independent stories about growth and love.

Although each story has only four short episodes, it is much more exciting than the stories of more than ten episodes told in one chapter of "Hutong".

"Tang Palace Night Banquet" was broadcast on the Lantern Festival, and everyone worked together to complete all the shooting work in just a few days. That scene was really touching.

Friends are often tired and sleeping in the venue just to let everyone see this program full of cultural heritage.

, especially Yi Wenyan, as the chief dancer, still insists on walking side by side with everyone despite being pregnant.

Until it was broadcast on TV, "The Night Banquet in the Tang Palace" quickly became popular. At that moment, it seemed that all the efforts everyone put in was worth it.

In "Love Chapter", Zhang Lei, played by Bai Yufan, went from playing soccer, compiling his qualifications, and finally really having feelings for the students, working hard for his football dream.

From being looked down upon to winning the championship, the youthful spirit really makes people feel excited and full of tears.

In "Qianhai Chapter", Ye Zhou, played by Lin Yi, was young and energetic at the beginning, and founded his own company with his passion.

However, due to his eagerness for quick success and instant benefits, he was framed by a large company, which caused the company to encounter serious debt problems and almost went bankrupt.

Fortunately, with the help of my master Xiang Hai, his friends and partners, he overcomes the difficulties.

Each story has a change and growth process of characters and their highlight moments, which really makes people unable to see enough.

Acting skills: Not out of style VS lively and cute

Both dramas are pretty good, and the actors' acting skills are also remarkable, and they don't feel out of the way.

But in comparison, the starring actors in "Our Decade" have more exciting performances.

"Tang Palace Night Banquet" Zhang Huiwen , Wan Peng , Dong Siyi , Bai Baihe, Lou Yixiao , several actors are very distinctive.

Someone commented on Bai Baihe and said that she didn't seem to have any new ideas when she looked at her acting, but she acted naturally, without any effort, and without modification.

Inadvertently integrate the character into your heart, impressing you and feeling very comfortable. This is probably acting.

and Wan Peng also acted naturally in the feeling of not seeking progress and waiting to lie flat.

Dong Siyi acted the role of Wang Baoyuan very cute. Although she had no talent, she worked hard just to get closer to her dream.

"Love Chapter" Bai Yufan also performed very realistically. He was reluctant at first, but in the end he was moved and stayed. He really acted very touchingly.

dubbing: Too Mandarin VS dialect differences are obvious

The story of "Hutong" takes place in Beijing, but the protagonist hardly said a complete and authentic Beijing dialect, which makes people feel very out of the way.

And old Beijing usually calls "you" to elders, but the play is full of you, which is too modern.

But almost every unit of "We've been doing this decade" tells its own unique dialect based on the place where the story takes place.

Most of the actors speak dialect, which is really down-to-earth and has a strong sense of substitution.

The story of "The Night Banquet in the Tang Palace" takes place in Henan, and the actors speak in Henan.

"Love" story takes place in Xinjiang. The young actors speak Mandarin with Xinjiang accent.

The story of "Qianhai" takes place in Hong Kong. At the beginning, what Ye Zhou and his family say is a bit Cantonese to communicate.

This unique dialect with thousands of words has formed one wonderful story after another, which really makes people feel full of sincerity and warmth!

Scene layout: lack of sense of the times VS is right now

The Beijing style of "Hutong" was criticized by many people as soon as the opening of "Hutong".

All layouts are too new, and there is no atmosphere of life for the people of Beijing.

The clothes on the actors are also very new, their faces are clean, with fine skin and tender flesh, and there is no sign of the shadow of that era at all.

Before the founding of New China, where did the bricks and floors come from? All of them were dirt roads?

The heroine also had a fish tank to raise small goldfish at her home. As an orphan in that era, how could Tianzao have the spare money to raise goldfish?

There are so many little brothers under their hands, even eating and wearing a warm dress is a problem. They actually put a fish tank in the room. This is too inappropriate!

But "Our Decade" still puts some effort into these details.

"Qianhai" chapter, the story begins with Before and after Hong Kong's return to , the decorations at home are more in line with the atmosphere of life of people in that era.

crowded streets, grocery shops, black and white TV series at home, walkman, big speakers, golden paper bags of chocolate candy , etc.

is really too substitute, as if he followed the protagonist back to the scene of that era.

written at the end

The audience is not fools. Whether the story is well or not, everyone has a scale in their hearts, it is clear and clear.

In this era of continuous progress, it is absolutely impossible to try to rely on traffic stars to open up the Ren and Du meridians that create shoddy plots.

If a drama wants to become popular, it is necessary to have a good plot, a good actor, a good scene layout, and a line dubbing.

Only serious people can win the final applause.

#Telebrity Creation Challenge##TV Series Our Ten Years#