On May 20, with the broadcast of Hunan Satellite TV's variety show "Sisters Riding the Wind and Waves 3", it made many "sisters" who had classic works before and were highly well-known, but now they are not popular enough.

text | Linghu Boguang

On May 20, with the broadcast of Hunan Satellite TV variety show "Sisters Riding the Wind and Waves 3" (hereinafter referred to as "Sisters 3"), it has made many "sisters" who have had classic works in the past and are highly famous, but are not popular enough now. Of course, some sisters perform well, while some sisters perform controversially, so I won’t analyze it here.

No one expected that the first wave of "Sisters of Waves 3" was actually Wang Xinling . I have previously written about the comparison between Wang Xinling and the "four big and three little queens" in Taiwan, China. Today I will write about some Taiwanese actresses who are popular in the mainland during the same era. They are gradually "out of time" like female singers such as Wang Xinling.

After 2020, this new era has gradually subsided and successfully transformed, and many people have even been reborn.

00 to around 2010, and Taiwanese actresses who debuted around 2000 and became popular in the mainland include Ruby Lin , Alyssa Chi-wen, Chen Qiaoen, Chris Lin , Gui Lunmei, Ariel Lin , Chen Yihan , An Yixuan , etc. Of course, there must be a lot of missing, but they did become popular in the mainland during this period.

Other actresses either debuted earlier, such as Chen Derong , Xiao Qiang , or they were a little worse in film and television dramas, like Chen Yirong; or they were popular after 2010, such as Zhang Rongrong , Chen Yanxi, Guo Biting and Guo Caijie, etc.

Why are Taiwanese actresses collectively "out of fashion"? The answer is simpler than you think.

This artist ultimately depends on business ability and works to support development. The output of this popular work and audience feedback (whether the market is popular), and it is feedback to the artist. It is the development stage (there are complex things such as resource levels, connections, etc. behind it).

Actors can probably divide their development into several positions due to their works and routes.

First, an idol artist like Wang Xinling, who is a youthful artist, is very fast to renew. Even if there are classic hits, it will be almost the peak of its ten years of development.

"Idol stars" are boys and girls in their teenage years old, and consumers are almost the same audience of this age group. Celebrities have grown older, their appearance and figure have changed, and their temperaments have also changed. The new generation of boys and girls have new idols they like.

(Idol strength and idol worship are never an equal relationship).

Second, the career of powerful actors usually takes longer, after all, they enter the mainstream film and television industry. The mainland is usually an actor who can act in period dramas, revolutionary dramas, urban dramas and main theme dramas. Not only are there official and mainstream media endorsements, but the scope of consumers is much wider, and some big dramas are even at the national level.

For example, the hit drama "The Beginning" and " Human World " in early 2022, "The Beginning" has definitely become popular, but it is far from comparing the scope of "The Beginning". Look at the obvious differences in the promotional positioning of the two dramas by the official and mainstream media.

The actors of these two dramas benefited differently. Don’t look at Bai Jingting and Zhao Jinmai’s is very popular, right? It can’t be said that is virtually fire , but it is more substitutable. Zhao Jinmai to Yin Tao, and Xiao Song Jia can still act like this kind of big investment TV series at the age of .

The third is to turn from a chess piece to a chess board into a trader. It is difficult for most actors to successfully transform their business capabilities and development routes in their peak period into the next five years. Ten years, especially twenty years later, another business capability and route peak is very powerful. It is very good to be able to maintain the peak of the business capabilities and development routes.

even the ancient costume male god Huang Haibing couldn't hold on. On the contrary, the successful transformation of Pan Yueming and Nie Yuan .

After 2012, there are several big shots in the mainland who grasp the east wind, from business capabilities, routes and even trading, including Wu Jing , Xu Zheng , Huang Bo, Wang Baoqiang , Deng Chao , etc. From supporting roles in art films and blockbusters in 10 years, to the protagonists of the film and commercial blockbusters in 2012, to the transformation of identity as big actors, big directors and behind-the-scenes investors in recent years.

However, the status gap between this powerful actor and trader who have developed to the top is not big. You can't say what the status of the previous generation of , Li Xuejian, , Chen Daoming and others are different from this generation of Wu Jing, Xu Zheng and others, right? It's just that their positioning and influence are different.

Finally, there are different social phenomena caused by male artists and female artists due to gender, which will also show different projects when the artists develop. Female artists may neglect their careers because of marriage, love, marriage, and having children at the same time, which will naturally lead to female artists becoming "out of date".

Three "Taiwanese Idol Goddesses" who were once popular in the mainland. Chen Qiaoen got married. Why did Ariel Lin get out of the blue?

2000 to 2010 was the peak era of Taiwanese idol dramas, and there were also a large number of Taiwanese idol actresses. However, they have come to the mainland to develop and have left many classic works in the mainland film and television industry, and not many of them are popular all over the country.

Why did Lin Chi-ling miss it? Because although she has become popular all over the country, she is not good at film and television works. There are only three most popular Taiwanese idol goddesses in this era, such as Chen Qiaoen, Ariel Lin and An Yixuan.

Chen Qiaoen's representative idol dramas in Taiwan are "The Prince Turns into a Frog", " Destined to Love You ", etc.

During this period, Chen Qiaoen became the queen of Taiwanese idols and came to the mainland to develop around 2010. " Spring Glory Pig Nine Sisters " and " The Price of Winning Girls " were all average. Until "The Smiling and Proud Wanderer" Dongfang Bubai restarted his second spring in his career, and although " Golden Fate Gorgeous Adventure " was criticized for being the domineering president, this was already the peak of her career in the mainland.

Arius Lin’s local idol dramas include “ My Secret Garden ”, “ Prank Kiss ”, “ I May Not Love You ”, etc., and the works co-produced by the three sides of the Taiwan Strait include “ Flying Immortals ”, “The Legend of the Condor Heroes”, etc.

An Yixuan became popular even earlier. Local idol dramas include " Spicy Fresh Teacher " and "Douyu". They came to the mainland for development very early. Their works include "The Sword of Immortals 1", "The Emperor of Han 3", etc. The peak period should be Zhang Jizhong , "The Heaven Sword", " Journey to the West ", and then "Water Margin" and other works.

If we look back, An Yixuan was the first to be "out of breath", and Ariel Lin and Chen Qiaoen were later.

The reason is perfectly consistent with the above analysis. The three actresses have reduced their energy to run their careers because of marriage. An Yixuan dated in 2014, got married in 2017, had a child in 2019, had a second child in 2020, and her husband Chen Ronglian was arrested by the Macau police for "illegal money laundering", and her career was basically over.

Arius Lin got married in 2014 and gave birth to a child in 2021; Chen Qiaoen 019 and Allen officially announced that she would get married in 2022.

Of course, the emotional and family problems of actresses are just one of the factors that affect their careers, because we can clearly feel that it will not work after 2015, and Ariel Lin and Joe Chen after 2018.

The reason is that they failed to transform in the actor line. After 2010, Taiwanese idol dramas declined. Ariel Lin was born in 1982 and was 28 years old in 2010. At this time, he was not very old and could still come to the mainland to act in idol dramas, so he became popular again with the 2013 "Lanling King" and was 31 years old at that time.

April Lin and Qiaoen Chen are the same as the mainland 85 actresses. If the first decade was the peak period of idol actors, the second phase will be after 2010. 85-flown dramas in mainland China have to continue to shoot similar works to keep their popularity. Yang Mi " Ancient Sword Qi Tan " "Three Lives Three Worlds Ten Miles of Peach Blossoms" are proof of this.

Arc Lin transformed into acting in a movie, and the result was that the actors in the movie were not as good as Gui Lunmei. I waited until 2017 to act in the TV series " Old Boy ", and I was 35 years old at this time. Like Chen Qiaoen, she can't act in an idol drama with a change in appearance. She should be a powerful film and television drama.

But her strength is also a bit worse than Chen Qiaoen. The key is that she has not handed over a successful work.They could have fought for another rush, but they chose to enter the marriage hall. We can clearly feel that there is almost no production in recent years, so naturally it seems a bit "out of date".

(Ariel Lin and Joe Chen still have a chance. Although they will face the problem of positioning the work caused by their strength when returning, An Yixuan basically has no chance).

can’t survive if you leave the mainland entertainment industry? Ruby Lin, Alyssa Chia slapped too many people in the face

Alyssa Chia and Ruby Lin are different because they are half a generation older. An Yixuan, Chen Qiaoen and Ariel Lin are actresses born in the 1980s (Chan 1979), and Alyssa Chia and Ruby Lin are actresses born in the 1975s.

These two are old masters, and they will not repeat how brilliant they are in the Chinese TV circle. They are both Na Ying on "Sisters Riding the Wind and Waves", and the big sisters at the level of Ning Jing are big.

However, the peak of the two was still between the late 1990s and around 2010. We can clearly feel that Alyssa Chia would not be able to do the mainland film and television industry after 2010. Ruby Lin was after the TV series " Jingzhong Yue Fei " in 2013, and the movie was after the horror film " Beijing No. 81 " in 2014.

At this time, the question arises. Why are these two Taiwanese actresses becoming less and less popular?

Of course, it also has a relationship with love life. Alyssa Chia married and had children with Xiu Jiekai in 2014, which had a great impact on her career. And Ruby Lin doesn't need to introduce this. Her marriage to , Wallace Huo has not only affected her, but also influenced two Taiwanese Mesozoic actors who have developed to the peak in the mainland.

(Jay Zhou couldn't bear the news about Ruby Lin and also gave her a fatal blow).

However, the most important reason for the poor development of these two seniors is also related to the unsuccessful transformation in the mainland market. Their dilemma is probably the dilemma of the mainland's post-70s " four-dan double-ice " in the film industry. 2015 domestic blockbusters are all commercial blockbusters such as " Wolf Warrior ", " Wandering Earth ", " Changjin Lake ", and they don't even have many blockbuster resources.

So, Zhou Xun , Chapter Ziyi , Tang Wei and other movie actresses all went to the TV circle to compete. In addition to mainland Chinese actresses born in the 1980s, born in the 1985s, etc., there are too many powerful middle-aged actresses in the mainland.

Mainland dramas in recent years are " Mountains and Seas ", "Awakening Era", " Anti-Black Storm ", "Adversary", "Xiao Min's Family", "Little Desirable", "The World", " Dear Children ", "Welcome", etc. The heroines are Reyiza , Liu Lin , Wu Yue, Tan Zhuo, Zhou Xun, Haiqing , Xiao Songjia, Qin Hailu, Yin Tao, Ren Suxi, Bai Baihe and other mainland Mesozoic actresses.

These mainland Mesozoic actresses have strong acting skills, language habits, temperament and style are more suitable for these mainland dramas. The key is that no mainland movie actresses who come to act in TV series have ever competed, let alone these older Taiwanese actresses.

To put it bluntly: there are too many talents but limited resources. Too much in the volume is dead.

Answer Ruby and Alyssa Chia were reborn, and they left the mainland and returned to Taiwan. Although the market is small, they successfully seized the Dongfeng of Netflix investing in Taiwanese dramas and became traders. They each handed in a reputation drama and immediately turned around.

These two are now big sisters in the new era of Taiwanese dramas, and it doesn’t make much sense to come to the mainland market.

Comparison of these 8 Taiwanese actresses in the past and present? Chen Yihan is not enterprising, only she has successfully transformed

The development of this group of Taiwanese actresses, Ariel Lin and Joe Chen are waiting for their return, Ruby Lin and Alyssa Chia are bravely retreating to the Taiwan market and becoming big sisters. So have anyone left behind the development of the mainland market and successfully transformed into powerful actors, and can also receive good resources from the mainland?

I have only one observation, that is Gui Lunmei, and Chen Yihan forms a sharp contrast with her.

Why are they not the same as Ariel Lin and Joe Chen? It is mainly because these two people started off as a movie actress. There are some achievements in TV series, but their development focus has always been on the film field.

Chen Yihan’s representative TV series is "Struggle" from the mainland and " Heroes of the Rogue " from Taiwan, but there are really a lot of movies, but dozens of movies do not have blockbusters and no movie masterpieces are used. To put it bluntly, the acting skills are not good, and they have always supported it with their good image and resources.

(Similar to her is Guo Caijie, who was a few years later than her, and it was very difficult to transform after "Tiny Times").

Gui Lunmei is better in actor development than in contemporary Taiwanese actresses. She debuted as a literary youth works " Blue Door " and "The Secret Can't Tell". Later, she took on Hong Kong movies such as " Informer " and " Christmas Rose ". In recent years, she handed over the mainland police and gangster films "Day Fireworks" and "Gate at the Southern Station".

The heroine identities of these two works have changed a lot. "The Fireworks in the Day" is a woman in Northeast China, and "The Party at the Southern Station" is a woman in Wuhan. Returning to the Taiwanese film industry in 2020, he also handed over the art film "Leggings", and there are still many film resources in the future, although there is no female lead in a commercial blockbuster.

No matter how you look at it, Gui Lunmei is an actor who has been transformed by this group of Taiwanese actresses with a very successful transformation.

Finally, it was still the peak of Taiwan's entertainment industry from around 2000 to around 2010. At that time, a large number of actors were contributed to the peak of Taiwanese idol dramas. Which actors and stars make everyone sigh? Everyone is welcome to pay attention and discuss!