The rural construction action spanning a century has received unprecedented attention in the past two years. With curiosity, the reporter embarked on a vibrant journey, with his footprints spanning southern Jiangsu, central Jiangsu and northern Jiangsu. The awakening and rebirth

Source: [Jiaohuidian News Client]

Xinhua Daily·Humanities Weekly (Issue 238)

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[Context]

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"Rural Construction Hot" has started, and the awakened countryside has set out again

0 The rural construction action spans a hundred years has received unprecedented attention in the past two years. A new round of "rural construction fever" has begun, and in the context of the new era, it has a broader connotation and echoes multiple dimensions of rural revitalization.

With curiosity, the reporter embarked on a vibrant journey, with his footprints spanning southern Jiangsu, central Jiangsu and northern Jiangsu. The awakening and rebirth of the countryside, change and remain unchanged, is gratifying. In Shangmingdian, Kunshan, Wang Duo, the owner of Yuanzhenzhai who came from Shanghai to start a business, enthusiastically displayed the same coffee robot in the Winter Olympics village in the store; in the internet celebrity village Niujiaoyan, millstones and stone tiles have become "immersive cultural and tourism projects", and the children enjoy reviewing their father's work memories; in Fengzhuang Community, Lailong Town, Suqian, the reporter was invited into the house by the simple and hospitable villagers, to appreciate their new homes with bright windows, and to talk about the appearance of a better life in their hearts... With this wave of "rural construction fever", the countryside sets off again at a new starting point - where will they go?

Nanjing Lishui Red Lixiang

Lative culture

New origin of Shuiyunsu Township

Special pastoral countryside is the business card of Jiangsu, and the characteristic culture is also the logo of Jiangsu's characteristic pastoral countryside. As early as 2017, Jiangsu launched a pilot program of characteristic pastoralism. Changzhou Liyang was the first to imagine the appearance of modern pastoralism in a vast space. Its pioneering exploration has gradually made the logical chain of Jiangsu's rural construction gradually manifest.

This is so beautiful! Niumatang Village, Shangxing Town, Liyang, close to Caoshan Tourism Resort, is a proud work of Jiangsu Province's Urban and Rural Planning and Design Institute. It is not an exaggeration to describe it as "scenic scenery". In addition to using the iconic pink walls and black tiles of the villages in Jiangnan as the main symbol, the beauty of Niumatang also has a special exquisiteness and concreteness.

For example, local specialty sweet potatoes transform into colorful and cute cartoon images. The courtyard wall alone uses regular bricks, irregular stones and a mix of brick colors, and is supplemented by the hollowing effect of exquisitely stacked tiles. The village road is also worthy of appreciation, and the edges are collected with locally produced pebbles, adding a bit of a sense of flatness. Next to the pebbly path, a low wall is sometimes built as a partition. On the other end are staggered blue flowers and plants, pomegranate trees, swaying in the breeze in late summer and early autumn.

Liyang Niumatang

Han Jinhong, former deputy director of Liyang Municipal Housing and Urban-Rural Development Bureau, took reporters to the village, and was as familiar as if he was going home. In the past decade of rural construction in Liyang, Han Jinhong's role cannot be ignored. Based on her understanding of "what is a countryside" and her aesthetic intuition about local characteristics, she proposed the rural construction idea of ​​"using local materials to create local characteristics" - and at that time, the whole society had not yet formed a consensus on "let the countryside remain rural".

In 2005, Lijiayuan Village, Daibu Town, near the bamboo sea in Nanshan, Liyang, was selected for the pilot project of socialist new rural construction. Han Jinhong "runs to the village" every day. In addition to lamenting the native charm of the countryside, he also regrets those "incongruent" that are not only uneven. Li Jiayuan has rich bamboo resources and mountain streams, and has superior natural talents. She especially loves those winding paths, either winding or winding down, which has a bit of a mountain village. However, local villagers like to use concrete watering roads and gray-white hard roads. Han Jinhong suggested, why not press the pebbles into the concrete, which not only completes the hardening of the road surface, but also removes the inherent sense of town of concrete? This move is indeed feasible. She also launched the bamboo craftsman to weave bamboo fences for each household. The originally plain-faced village fences have a elegant feeling and retain the local customs. Well, Xiaojing is quite beautiful!

Liyang Niumatang

Lijiayuan Village's rural practice actually inspires the basic methods of rural construction: granite, tar , real stone paint, beautiful and neat landscape trees, beautiful, but not the language of the countryside. On the contrary, even if a native tree has a low variety and its branches are unrestrained, it is a comprehensive product of the local climate and soil, with a natural temperament and "versatile" with the village appearance.

Niujiaoyan new rural community in Caiji Town, Suqian, was on the front page of " People's Daily " last year. Because it is a "Internet celebrity" village, Niujiaoyan has a kind of hustle and bustle. What attracts people to stop the whole village most is a carefully preserved residential houses in the 1970s and 1980s, which in fact became the "memory place" of this village: some houses are built with red bricks, and some are thatched roof adobe houses. When you walk into the house, the fragrance of straw comes to your face. Benches, baskets, old cabinets, wooden boxes with locks... The traces of time are sealed one by one, demonstrating the respect of contemporary rural builders for the "small history" of the village. When I went out, some of the children were playing with stone tiles, while some of them "cooperated" with their mothers and grandmothers to experience the traditional lifestyle connected to this space with great enthusiasm.

Suqian Niujiaoyan

Lative culture is the origin of village growth, and this concept is recognized by more and more rural construction participants. Speaking of Beihuaxiang - the first batch of characteristic pastoral villages in our province and the current Kunshan business card, Ge Dayong, director of Planning Institute 1 of the Provincial Urban and Rural Planning and Design Institute, said that solving the problem of villagers in economically advanced areas' identification and improvement of their own rural culture and local aesthetics is his core focus for understanding this project.

When entering Beihuaxiang, the planning and design team saw rows of farm houses decorated with Roman columns , and they were a little amused. We chose two or three rural houses to pilot the project. First, we communicated with the villagers with great care, and then took the villagers' representatives out for inspection. Finally, we finally made the European elements on the rural houses as economical, safe and beautiful as possible. After seeing the real version of "Dream Home", the villagers began to agree with the "national style". In addition to restoring the pink walls and black tiles, the team is also trying hard to find Beihuaxiang’s own characteristics - bacon culture! It was surrounded by water and had difficulty traveling in the past, so the ancestors learned to make easy-to-storage bacon. Soon, the symbol of bacon was cleverly visualized: an old wooden boat at the entrance of the village, with several old marinated meat tanks piled on it, decorated with local vegetation and village name logos, which have both rural customs and modern design sense. Murakami's bacon industry chain has recovered and fission, and the trend of integration of the three industries has gradually become obvious.

Kunshan Beihuaxiang

"Oh, it turns out that traditional is beautiful." The famous Beihuaxiang attracts all kinds of resources and elements to influx. Villagers have the opportunity to re-examine their familiar hometown from an external perspective - by integrating into the spatial cognition of others, realizing the "identity reshaping" of locals, arousing their pride and love for local culture, which is also a subtle and important part of rural construction.

What exactly is culture? Lu Hai, secretary of the Party Branch and deputy general manager of the Provincial Urban and Rural Planning and Design Institute, understands that for rural areas, the way of production and life, ethical order and concepts are the more ontological culture. "Instead of those superficial things, if any courtyard has beautiful patterns, copy and paste them. The meaning of culture is not like this."

When the reporter arrived in Zhouzhuang Village, Yuxi Town, Taizhou, it was six or seven o'clock in the evening. In the Qiantan pastoral, the corn stalks that absorbed the essence of heaven and earth during the day released a strong fragrance in the wilderness. The village is built on the water, with dense houses, ferries lying quietly, and arch bridges are quiet. Villagers wash clothes by the water, which is a typical Lixiahe water town feature. The first prize work of the 5th Purple Gold Award Architecture and Environmental Design Competition "Qiantan Zhouzhuang - Lixiahe Farming Memories, Revival and Conjecture of "原" is precisely by grasping the local "原" agricultural cultural heritage, which revolves around the internal logic of rural operation and growth.

Taizhou Zhouzhuang Village

During the preliminary investigation, Zhang Chuan, director of the Small Town and Rural Planning Branch of the Urban Planning and Design Institute of Nanjing University, found that what Zhouzhuang Village lacks is a new starting point and motivation: villagers generally feel that their living standards are improving, but they feel sorry for the idle farmland; they are proud of the locally produced taro and Cigu. Zhang Chuan then followed the villagers' "heart disease" to trace the local farming methods. In order to deal with the frequent floods in Xiahe area of ​​, the ancestors picked up soil and built fields here and built large areas of yang (sound) fields above the water surface. This way of farming in actually stipulates a complete set of production and life details.

For example, the villagers rowed to farm; interacted by the water; tied a scoop-shaped container to one end of the bamboo pole during irrigation, filled with water, and then threw the bamboo pole hard - after finding out the unique DNA here, the village organized a large area of ​​ridges, and the new possibilities extended to the inherent logic of the village. Zhang Chuan explained that "Thousand Halls" are about a thousand possibilities. It can be a vegetable garden for villagers, a Taobao market for citizens to communicate with villagers, a place for tourists to experience farming culture, and a "returning to the garden and living" in the "accelerating era" - combined with the rich needs of modern life, traditional Halls will carry endless content and forms.

"Looks beautiful" behind

There is strong inner growth of the countryside

The countryside has obviously become beautiful! This time when I went to the countryside, the reporter was amazed: strolling in the countryside is like changing the scenery. Any scene is arousing attraction and is worthy of being frozen.

"But, should we make the countryside a bonsai, or a big tree that can grow?" Lu Hai raised a question. In the past decade, Jiangsu has made a deep connection between a large number of urban designers and rural areas by vigorously promoting "design to the countryside", including holding rural creative design competitions and incorporating rural projects into the design master selection criteria. In the long-term companionship and local service process, Lu Hai found that what is more difficult than "answering questions" is to gather all forces to "prove the questions well", that is, what exactly does the countryside want to do? What can be done?

Kunshan Beihuaxiang

In the multi-dimensional vision of rural revitalization, "industrial prosperity" is a particularly critical link. In terms of exploring the path of rural industrial development, Beihuaxiang’s practice is very representative.

Strolling in this poetic modern pastoral land, it is no longer possible to imagine the old scene described by Ding Xinliang, secretary of Jinhua Village (the administrative village to which Beihuaxiang belongs),: villagers have to row boats to plant "crossing river fields". Because life is hard, a girl from another village married and ran back. In the 1980s and 1990s, Kunshan's economic takeoff brought opportunities to the countryside. Taking on the spillover demand in the Economic and Technological Development Zone, the village built standard factories to strengthen the village collective economy by relying on rent, while laying hidden dangers of pollution. After entering the characteristic pastoral pilot in 2017, the local government cruelly vacate all polluting enterprises in the village and is determined to turn "beauty" into an increase in development. Nowadays, the effect of Beihuaxiang’s cage and replacing birds is demonstrated, and the pattern of “one living room and multiple gardens” has been formed: “one living room” is a pastoral living room that integrates multiple functions and opens the door to guests. “Double gardens” are the overlapping of agricultural, cultural and tourism integration formats such as Taoyuan, Cherry Garden, science vegetable garden, children’s park, cafe, party hall, and homestay.

"We Beihuaxiang people are very outgoing. No matter whether you have a house in the village or not, you are welcome to live here." Ding Xinliang said with a smile. Behind the "looking beautiful"

is the strong inner growth of the countryside. Shangmingdian, a famous "Jiangnan Poldering·Rural Silicon Valley" in Kunshan, is 10 kilometers away from Kunshan German Industrial Park and 35 kilometers away from Shanghai Hongqiao Station. The gathering of resources has prompted the traditional homestay economy to transform early here: homestay owners come here to start businesses, and even live here - but share their "home".

Bed and B&B 79 years

Bed and B&B 79 years boss is a Shanghai couple who invested more than 7 million yuan for this B&B - because it is to build its own home, it spares no effort. Chatting with the boss, you will find that higher-level homestays now sell not only physical spaces: the "people" of the homestay owners, their straightforward and natural concepts of life, their aesthetic taste in decoration, feeding flowers and grass, and even the 7 cats they adopted have become things that this little world silently gives to guests.

"Yuan Zhenzhai has an intelligent coffee robot" is the legend of Shangmingdian's new countryside. Yuan Zhenzhai’s boss is three Shanghai girls. In order to make a cup of hand-made coffee, he “shopped” hundreds of thousands of dollars and “pulled the weeds”. After getting it, he found that the money was spent so much value - liberating the boss and giving them more energy to serve their customers.

At present, the homestay economy has exposed the shortcomings of homogeneity. Yuan Zhenzhai found a strategy to add to the homestay.The boss Wang Duo is a professional psychological counselor, with a wide range of knowledge and many ideas: relying on different style units such as tea culture, coffee culture, Japanese dry landscapes, etc. in the store, she wants to do "B&B+", and add multiple functions such as psychological counseling, meditation, and meditation outside the accommodation to help urban people slow down and calm down. "Spiritual restoration requires a field. A city with bright lights and wine cannot provide this feeling, but Shang Mingdian has this."

Moreover, Wang Duo has thought about how to deal with the relationship between "modernity" and "nostalgia" in the process of rural development, and how to reshape the rural communication pattern: urban people and locals have "needed both" demands for the countryside, blue sky, white clouds, poetry and distant places, comprehensive basic public services, modern and convenient life, so Yuanzhenzhai has old brick and tile walls, mortise and tenon structure pavilions, coffee robots and heatable smart toilets. The encounter between the city and the local two sets of lifestyles and living standards often forms a kind of interaction and learning.

White-collar workers who work in SOSO Coffee in Shangmingdian

Don’t forget, Shangmingdian is still a "Silicon Valley" living in polder fields. Xiangban Cultural Tourism Group is responsible for the operation of Shangmingdian, and has attracted 18 high-tech companies to register here. The form of work has changed in this countryside: there are no office buildings or grids here, but there are gyms, swimming pools, animation wall paintings and 360° dead corner rural scenery. You can also see the internet celebrity check-in place at any time - the Kunqu characters in the polder field paintings. The influx of scientific and technological innovation and talent factors has significantly enhanced the vitality of the village. When SOSO Coffee was resting, the reporter was ashamed to find that there were no idle people here, and the young white-collar workers were all working towards the computer - the beautiful vision of urban-rural integration is monetized here in advance.

Lixiang, Lishui, Nanjing also had surprises. During the War of Resistance Against Japan, Lixiang Village was the "Little Yan'an in Southern Jiangsu"; now, "Red Lixiang" has more business cards: National key rural tourism village, Jiangsu Provincial Party School Training Base, Nanjing Patriotism Education Base, and an important position for major units to carry out party spirit education and revolutionary traditional education. When we look at the former residences of the New Fourth Army generals such as Chen Yi and Jiang Weiqing, people's eyes cannot be avoided by the exterior walls of the house: they are unfake "faces" that are calmly baptized by time, clearly exposed the marks of repair. Walking out of the time and space tunnel, what comes to us is the popular new rural scenery - with the "old" leading to the "new", Red Li Lane just walks out of the "historical alley".

Nanjing Lishui Red Lixiang

What did Lixiang do right? Li Zhu, the main creator of the project and the designer of the Southeast University Architectural Design Institute, summarized several ideas. First, "building and village-like" means that the tall and majestic red memorial exhibition hall in people's impression is divided into functions, and the exhibition function is completed with the scattered points of the village. "Inheriting the red culture in the fields, in ancient towns, and in the countryside" has become the characteristic of Lixiang. The second is "there are people around the corners". People are welcome to stay and weave new veins into the original texture of the village. If villagers want to get rich and start a business, they will have the opportunity to stay at their doorstep. The public space here is also located in "host and guest sharing". The pieces of eaves and corridors are a place for tourists to rest during the day, and at night they become the territory for villagers to dance square dance. All of these are actually deliberately avoiding the thinking of closing tickets and isolating the scenic spots, and integrating the salvage of red resources into the overall layout of for rural revitalization.

——From the famous Red Li Lane today, and traced back to the blueprint on paper at that time, I found that all the growth of the countryside has traces to follow, and all the development of the countryside needs careful design.

The "highlight moment" of rural areas is coming

Finally, I will be a "friend of time"

To be fair, the villages of Kunshan, Lishui , and Liyang naturally have more opportunities as the hinterland of big cities, while in central and northern Jiangsu, the development vision of rural areas is limited. I chatted with the villagers in Niujiaoyan in Suqian. The old man regretted that Niujiaoyan had become popular last year, and the enthusiasm for this year has subsided. How to "become famous" after "Internet celebrities", how to broaden the industrial form and ways for farmers to increase their income are new problems faced by Niujiaoyan.When visiting a village in northern Jiangsu, I found that the villagers' wishes were simple and "small" - the villagers in Lin Town were able to work at their doorstep, which was enough to make the aunt's eyes ignite envy.

The countryside in the deep changes also faces the problem of changing customs and customs, testing the wisdom of rural governance. In some new communities, just villagers building illegally and throwing them around is enough to give village cadres a headache. The favor expenses of weddings and weddings restrict the smooth realization of the goal of "rich life". The grassroots level’s burden reduction must be implemented. “The report materials are filled with three file boxes, but the ledgers are still too small” – how can we go lightly and lead the countryside to run?

Suqian Fengzhuang Community, Lailong Town,

However, now is a "highlight moment" that has never been seen in the countryside. After food and clothing, villagers are full of concrete imagination about a better life. Village cadres are eager to do a big fuss in the countryside. Wanderers, local sages, social forces and capital are paying attention to the countryside. Urban people are looking forward to "hiding in the wild" and feeling "slow in the past" in the countryside - multiple factors have fueled the current "rural construction fever". So, what else can rural construction do?

First of all, you should ask, what should rural construction be. The establishment of a village serving tourism has gradually corrected the rules for sharing the host and the guest. The rural construction method of large-scale demolition and merger has been replaced by "micro intervention", "micro update", or "organic update" or "gradual update", which emphasizes the preservation of the blood entanglement between villagers and the land, respects the correlation form of rural space forms and life models, and pays more attention to reducing costs and establishing a healthy mechanism to tolerate and correct mistakes.

In Zhouzhuang Village, Taizhou, what surprised the reporter was that in addition to the creation of public spaces such as pavilions, there were almost no obvious signs of design in this highly acclaimed purple gold medal work, and sometimes even "anti-design". For example, a house with Chinese-style gates and European-style railings stands at the intersection in a mixed style, but after the sense of incongruity arose from the heart, it quickly turns into a knowing smile. In fact, rural China has undergone tremendous changes in the past few decades. It is also a way to maintain the real and complicated process of "time and space compression" and it is also a way to build a rural construction. As Zhang Chuan said, it is "to make the countryside truly an ecosystem that is equal to the city."

"mixed style" residential houses in Zhouzhuang Village, Taizhou

Next, we should ask what should not be done in rural construction. When reviewing and reflecting on rural construction projects in recent years, Luhai discovered that some famous rural Internet celebrity buildings have declined. The root cause is that they do not match local needs and cannot grow without roots. Some village cadres complained that the designer did not understand the countryside, and the courtyard of the farmhouse was too small after the renovation, so the villagers could only pile up the farm tools on the main road. For example, some places' understanding of local characteristics is limited to posting cultural tags - Ge Dayong bluntly stated that the visualization of culture is just the simplest first step to "remembering homesickness". Only when culture becomes an industry, can it be purchased, edible, thinkable, and sensible, can it live in the contemporary world.

"The countryside is the hometown of each of us Chinese." said this. But in fact, the countryside is not only the "hometown" in the spiritual sense of the Chinese people, but also the current and eternal home that can be used to live happily and safely in the physical sense.

At present, the earth has awakened and the heartbeat of the countryside is surging and clear. Jinhua Village Secretary Ding Xinliang passionately imagines Beihuaxiang's "near future": one day, Beihuaxiang will attract more people to visit. He plans to draw a blueprint to the end and buy Beihuaxiang a "whole village insurance" to make every guest who comes to visit and relieve his worries.

Red Lixiang is so famous, how can the industrial development of Lixiang Village deserve its fame? Yu Xie, the first secretary of Shitouzhai Village, Lishui, Nanjing (the administrative village belonging to Lixiang Village), introduced that in the next step, Lixiang will "run quickly" to strengthen the village collective economy and increase the added value of crops, and also let the "Internet celebrity" Red Lixiang attract people to "brush".

Nanjing Lishui Red Lixiang

Fengzhuang Community, Lailong Town, Suqian is currently building a four-level party organization structure of "Community Party Committee-Grid Party Branch-Party Member Center Department-Location Party Group". It wants to weave the net of rural governance tightly and integrate it into convenient services.Earlier, around the three major subjects of veterans, , party members and cadres, and enthusiastic people, the community has established three volunteer service teams, namely "Battle Flag Red", "Party Emblem Yao" and "Fengzhuang Feng" to create a mutual assistance system for villagers. The next "small goal" is to target the local sages and capable people and big families, and to unite these precious rural development resources into one.

"External brain" like Li Zhu is now an active member who accompanies the growth of the countryside. On September 8, he moved his teaching class to Lixiang and invited senior students to face real "customers" - villagers, and listen to their voices and needs. The countryside needs more attention from young people and more future rural designers.

Li Zhu took a picture of the survey of young students

By 2025, 1,000 characteristic pastoral villages and 10,000 beautiful and livable villages will be built - Jiangsu's "14th Five-Year Plan" clearly wrote down its commitment to the countryside. When "special fields" bloom everywhere, building a demonstration zone for characteristic pastoral and rural areas, so that the adjacent "special fields" can complement each other and develop staggeredly is Jiangsu's next working idea.

"Rural construction is not urban construction, the growth of rural areas requires waiting." During this unforgettable trip to the countryside, several rural construction experts expressed the same view to reporters. This is exactly the "rural philosophy" that Liu Liangcheng understands. The decline of rural areas is a problem that plagues the whole world. In the process of promoting rural revitalization, we need historical "ambitions" to promote the strongest synergy and find the best way. We also need historical "patience" and wait for the countryside to become friends of time.

Xinhua Daily·Jianghuidian Reporter Feng Yuanfang

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Following ancient poems, check in to Jiangsu to enjoy the moon

Mid-Autumn Festival is coming, when a bright moon rises, quiet buildings, rippling water waves, hazy mountains, and swaying trees are all filled with infinite poetry, making people immerse themselves in the beautiful scenery like dreams. Jiangsu is a province of poetry, and literati and poets have written a lot of poems about watching the moon in the Mid-Autumn Festival, the same moonlight, and different moods. Follow these poems, check in to Jiangsu’s excellent moon-watching place, talk to poets thousands of years ago, raise a glass to invite the moon, and spend this romantic Mid-Autumn night together.

"A bottle can bring to old friends"

Expressing the joy of reunion and parting sadness

Su Shi 's " Water Melody Song Head·When will the bright moon be there " is the best poem for writing Mid-Autumn Festival. It was written in the Mid-Autumn Festival in the ninth year of Xining (1076), when Su Shi was in Mid-Autumn Festival (now Zhucheng, Shandong). And a year later, Su Shi came to Jiangsu.

In April of the tenth year of Xining (1077), Su Dongpo was transferred from the magistrate of Mizhou to the magistrate of Xuzhou . Su Zhe also came to Xuzhou with his brother and stayed for hundreds of days. The two brothers no longer "share the beauty of the moon together" and spent a wonderful time together. Su Che lived until Mid-Autumn Festival and left to work in Nanjing (now Shangqiu, Henan).

This time we met, Su Shi left behind a poem that has been passed down through the ages, " Yangguanqu·Mid-Autumn Moon ": "The clouds are collected at night and overflow the cold, and the silver man silently turns into the jade plate. This night is not good for this life, where can the bright moon be seen next year?" It means: all the clouds and fogs are collected at night, and a coldness is overflowing from the high sky. Milky Way is silent, and the white jade disc is slowly moving in the sky. This night of this life is not always so beautiful. Where will the bright moon be watched next year? This small poem, titled "Mid-Autumn Moon", is about the joy of "the full moon of man and the full moon"; the tune sent to " Yangguan Qu " also involves the feelings of separation, expressing the sorrow and emotion of breaking up shortly after the gathering.

Su Che also wrote a poem "Shuituo Ge Tou·Xuzhou Mid-Autumn Festival" to record this: "How long has it been since we parted? I spent the Mid-Autumn Festival in seven years. Last year, the moon was so sad. I wondered that at the foot of Pengcheng Mountain, the Qinghe River and Ancient Bian, the boat was carrying Liangzhou. The geese rose to Tingzhou. Sitting in the middle of the guest, the green feathers and the purple fur. Su E was rogue, and I never left for anyone to leave. Tonight, Qing Zun met the guest, and the lonely sail in the water station on the night of the night, and still looked at the worries of separation. But I was afraid of Wang Can, and I climbed the tower forever." The first stanza of this poem describes the short gathering of happiness and the deep brothers and feet; the second stanza reveals the faint sorrow of parting.The ancient Bian River in Xuzhou where the two people were rafting on the

mentioned in the poem "The ancient Bian River in Xuzhou where they were boating no longer exists, but Su Shi left many memorable monuments and landscapes in Xuzhou. For example, the Sudi Road left to control the water; the Yellow Tower (now rebuilt) built to commemorate the victory of flood fighting, including the "Huanglou Fu" written by Su Che and Su Shi; the Yunlong Mountain where Su Shi visited and wrote poems many times, there is the Fanghe Pavilion , which is famous all over the world because of Su Shi's "Hankan Pavilion Record" by Su Shi; and the scenic spot in Yunlong Lake and surrounding it are Su Gong Island, Su Gong Bridge, and Su Gong Tower . On the Mid-Autumn Festival, you can enjoy the moon with your relatives and friends, walk through thousands of years of ancient sites, recall Su Shi, a generation of literary master, and appreciate the artistic conception of his poems: the climax and low points of life, the pride and frustration of life all go with the breeze, and the gathering of life and the joy and precious friendship are like the moonlight.

Watch the moon in the Mid-Autumn Festival, and two poems by the Yuan Dynasty painter Ni Zan also express their friendship.

One is "Drinking with Xu Liang's husband in the Mid-Autumn Festival and Drinking in Yunshan": "Wine is thirsty and tea is cool, and the clouds lie on the stone bed are cold and cold invading the clothes. The green trees hang golden millet, and the moon and noon are clear and the dream is fragrant." One is "Drinking under the Mid-Autumn Festival Moon": "The autumn moon is bright at the top of the phoenix hill, and a bottle can pour for old friends. The moon forest is full of green apples, and the fragrance of Qi trees is clear and the dew is clear."

Ni Zan is a 9-year-old native of Wuxi. He was born in the fifth year of Dade in the Emperor Chengzong of Yuan Dynasty (1301), and died in the seventh year of Hongwu in the Ming Dynasty (1374), and was 74 years old. This is a poem written by him the Mid-Autumn Festival the year before his death. The rulers of the Yuan Dynasty implemented a strict hierarchy of , which made the social status of the Han people in the Southern Song Dynasty region low. Most literati gave up their political pursuits, and the trend of seclusion was prevalent. Like most hermits, Ni Zan devoted all his energy to poetry and calligraphy and painting art, hid in the mountains and forests, and lived a life that was transcendent and free and free. This Mid-Autumn Festival, he and Xu Liangfu and others brought wine to their friends' houses next to Taihu to play. The confidant met with him for a few thousand cups and drank until the second day before they rested. Ni Zan used poems to record the scene of drinking happily under the moon next month.

Today, Yuantouzhu , by Taihu Lake in Wuxi, is not only a scenic spot in Taihu Lake, it is known as the "No. 1 scenic spot in Taihu Lake", but also an excellent place to enjoy the moon. It was once rated as one of the top ten "most beautiful places to enjoy the moon" in China by CCTV. On the Mid-Autumn Festival night, you can climb Luding Mountain, the peak of Yuantouzhu. The ancient trees are towering, quiet and simple, and the fragrance of flowers comes. Looking around and watching the bright moon makes people feel refreshed and refreshed.

In Miaowan, Funing, Yancheng, the Qing Dynasty poet Huang Da wrote a poem "Climbing the Miaowan Pavilion in Mid-Autumn Festival": "With the light smoke flying outside the threshold, the official pavilion is leaning on the railing alone. The clouds hang down on the sky, the lake light enters the sea. The sails return to the sky are cold, and the flute sounds broken. Tonight, the Mid-Autumn Festival moon, who can watch the wine?" Huang Da was from Huating, Jiangsu (now Songjiang, Shanghai) in the Qing Dynasty, and was a Jinshi in the 17th year of Qianlong (1752). This poem describes the Mid-Autumn night scene, and at the end expresses nostalgia for old friends.

Miaowan Ancient City is located at the mouth of the Sheyang River in Funing, Jiangsu Province. According to legend, it was built in the 23rd year of Wanli in the Ming Dynasty (1595). It has gone through vicissitudes and is now rebuilt in the style of classical gardens. It is antique and combines sightseeing, leisure and tourism. On Mid-Autumn Festival, you can go to the city wall with your family or friends, look up at the full moon on the eaves, feel that you have traveled through time and space, and experience the artistic conception of "the moon fills the west building".

Qing· Chen Mei "Moon Man Qing Travel Picture·Qiongtai Appreciation Moon"

"Water outside the body is the same color as the sky"

Expressing the beautiful scenery and fantasy of the moon

Mid-Autumn Festival, the bright moon hangs above the sky curtain of thousands of miles, slowly walking through the clouds, with the same color as the sky and the clear sky. Many poems describing the beautiful Mid-Autumn Festival night are also left across Jiangsu.

Mi Fu is a calligrapher of the Northern Song Dynasty. In the fourth year of Shaosheng (1097), at the age of 47, he served as the envoy of the Lianshui Army. Lianshui is located at the entrance of the Huaihe River and has a beautiful environment. Mi Fu's favorite place to visit in his spare time is Haidai Tower, and he left his poem "Climbing Haidai Tower in Mid-Autumn Festival": "I am as beautiful as silver, and thousands of rainbow lights raise clam treasures. If there is no moon house in the sky, the cinnamon branches will be damaged to the west." The meaning of the sentence "Mid-Autumn Festival" is: Looking at the moon on the high building in Mid-Autumn Festival, a piece of silver light shines on the sea with a vast blue wave. Why is the sea water so crystal clear? Because in addition to wave reflection, there are also countless clam shells showing pearlescent light, presenting extraordinary charming brilliance.This quotes a folk legend that the breeding of clams into pearls is related to the gains and losses of the moon. When the moon is full, the clam shell opens towards the moonlight and will nurture beautiful pearls. Later generations have different explanations. One is that if there were no osmanthus cut in the moon palace, the osmanthus would definitely grow to a margin in the fertile moon palace, praising the moon's roundness and brightness and its huge energy. Another explanation is: if no one cures the moon in the sky, the branches of the osmanthus tree will continue to grow westward, breaking the moon wheel. This quotes another folk legend. The moon is composed of seven treasures, and there are often 82,000 households in the world to repair it. This is Mi Fu's sensation that his career is often hindered by others and cannot be fully utilized.

Mi Fu's "Climbing the Haidai Tower in the Mid-Autumn Festival to Write a Poem"

No matter which explanation, it adds a mysterious color to the Mid-Autumn Festival moon. Mi Fu also left behind the cursive works in this poem, and wrote the poem twice, but the last sentence is different. One is "The guinea pig's skeleton is supporting the dam to the west wheel", and the other is "The guinea pig's skeleton is supporting the dam to the east wheel", and wrote his own experience in the gap between the two times: "Written three or four times, one or two words are good, and it is also difficult to write a letter!"

Mi Fu also left a poem "Butterfly Love Flowers·Haidai Tower Playing with the Moon": "The ripples of eternal qualities are clear and the sea tower is high, and the tail of Qinhuai is overlooking the Qinhuai River. The water is soaked in the blue sky and the sky is like water, and the vast palace is everywhere. The misty spring and the sea city are born in the sea. The three mountains are coming with the wheel in an instant. When the treasure moon is full, it is very strange, and the luminous light is precious." This poem is grand, with both exquisite and holy feeling and extraordinary beauty.

Haidai Tower was a very famous Wanghai Tower in the Tang and Song dynasties. Since ancient times, it has been the best tourist attraction for many literati to read poetry, and it no longer exists. There are many attractions related to Mi Fu in the Wudao Lake Park in Lianshui, such as "Flying Fog in the Mochi". After Mi Fu left Lianshui, the common people named his ink washing place "Mi Gong Ink Shaving Pool". Every morning, mist will rise in the pond, so it is called "Flying Fog in the Mochi". Like Ripples Lake, Mi Fu's poem contains "Ripples from the ages are clear and the land is clear". The lake surface is wide and the lake water is clear. Walking in the garden at the Mid-Autumn night, pavilions, platforms, buildings, pavilions, bridges and corridors are reflected in the water. The moon is hazy and quiet, and the shadows are scattered, making people feel like they are outside the world and intoxicated.

In Lianyungang , Qing Dynasty scholar Tang Zhongmian left a poem to enjoy the moon. Tang Zhongmian was a Jinshi in the 58th year of Qianlong (1793). He worked in Lianyungang, served as the magistrate of Haizhou , and had dates with Li Ruzhen 9, the author of "Mirror Flowers". The poem is "Mid-Autumn Festival on the Sea" (excerpt): "In the middle of the sea of ​​the wild museum, the dusk smoke in the sand field is rounded. It combines seven treasures to cultivate the moon, and it is a single place to go out of the ladder pass of the clouds." This poem was written by Tang Zhongmian before leaving Lianyungang. He left a few days after the Mid-Autumn Festival. Judging from the poem, he rode on the sea to enjoy the moon in the Mid-Autumn Festival this year.

Now, you can enjoy the moon in Lianyungang to Liandao . Lianyungang is connected to the eastern urban area of ​​Lianyungang City. It integrates green mountains, blue seas, lush forests, sea erosion stones, natural beaches, and cultural landscapes of island fishing villages. The clouds and mists are surrounded by the sea, like fairy mountains floating above the waves. Liandao has natural beaches. On Mid-Autumn night, sit on the beach and watch the full moon rise, listen to the sound of waves, and return to the vast sea and sky, as if floating in a fairyland.

Suzhou, Fan Chengda Leaves the poem "Miscellaneous Floods of Autumn in the Countryside" (One) to enjoy the moon: "The panoramic view of Mid-Autumn Festival belongs to the man who is in the sky. The water outside the body is silver and the moon is bright in the sky. There is no moon in the city."Fan Chengda is one of the four great poets of the revival of the Southern Song Dynasty. He was a native of Suzhou. He once used to be strong and unyielding, and was almost killed. In his later years, he retired to his hometown Shihu. It was during this period that he wrote 60 poems about the pastoral and mixed feelings of four seasons, which is one of them. The first line in the poem "hidden husband" refers to a hermit. On the Mid-Autumn Festival night, he came to Taihu Lake. The world was as white as silver. There should be no such beautiful scenery in the city.

Shihu Scenic Area is now part of Taihu National Scenic Area, with landscapes such as Xingchun Bridge. On Mid-Autumn night, there is a custom of boating in Shihu to enjoy the moon in Suzhou, which is called "Shihu River Moon". According to legend, when the bright moon is in the sky, the nine ring caves of Xingchun Bridge reflect the moon shadow in the lake, forming the wonder of "September Circle".

If you want to find a quiet place to enjoy the moon, you can also go to Mingyue Bay, Xishan Island, Taihu Lake. According to legend, more than 2,000 years ago, King Fuchai of Wu and the beautiful Xi Shi enjoyed the bright moon together. During the Mid-Autumn Festival, several people sat on the pier and looked at Taihu Lake. The bright moonlight shone with ripples, time seemed to stagnate, and quietly enjoyed the distant and ethereal sound of nature.

The modern poet Wu Yin left a poem about watching the moon in Suqian "Maling Autumn Moon": "Maling Mountain is vast and tall buildings are everywhere, and the toads are floating in the earth at midnight. The dew wet the sycamore trees and the cold well is green, and the clear light hides the autumn of the jade pot."

Maling Mountain starts from Shandong in the north and ends at the edge of Luoma Lake in Suqian in the south. The mountain is rolling and undulating, more than a hundred kilometers long. The Zhenwu Hall of Yuxuguan, Maling Mountain in the northern suburbs of Yuansuqian County was built in the Ming Dynasty and there is a well in the middle of the courtyard. Every Mid-Autumn Festival night, the well water reflects the moon like a mirror, making it a tourist destination. The first county annals of Suqian - the "Suqian County Annals" in Wanli, the Ming Dynasty, records that it is one of the "Eight Scenerys of Suqian" "Maling Autumn Moon".

At Mid-Autumn night, we go to Luomahu Beach Park in Suqian, which also has a unique artistic conception. Strolling on the beach, shuttle through the sand sculptures, looking up at the starry sky, watching the moonlight from afar; appreciating the sand sculptures nearby, sighing at the craftsmanship, which has a different flavor.

Gao Cen, a native of the Qing Dynasty, wrote a poem "Autumn Moon in Pinghu" in Dazong Lake in Yancheng: "A small boat floats over the autumn lake, and the moonlight is flat like a painting. The red reed flowers are sparsely rolling in the snow, and the white apple leaves are fine and dew condensed. One day, the stars are as cool as washing, and the smoke on both sides of the straits are splashing. The wind and waves are surging in the crystal plate are the sunken dragon balls."

Dazong Lake has been a moon-watching place in Yancheng since ancient times. Every Mid-Autumn Festival, many tourists come to watch. The lake is covered with smoke and waves. Looking at the moon in the Mid-Autumn Festival, the view is wide, and the moon in the sky and the moon in the water are shining together.

Zhenjiang Jinshan, a poet Wu Xi wrote a poem "Mid-Autumn Festival in the Golden Mountain": "Suddenly, the rain in the empty river is harvested, the wet clouds roll in one day autumn, the rafts connect the silver Han people, the tide rushes to the golden waves and the moon fills the building. The shadow of the magpie turns over the trees at the bottom of the rock, the dragon light spits out late at night, and meets the smoke and clouds, and they are drunk and singing to the ten continents."

Jinshan is located in the northwest of Zhenjiang City. It is a famous tourist destination. It originally stood in the Yangtze River during the Song Dynasty, and was later alluvialized by mud and sand, so it is connected to the south bank. Jinshan Temple on the mountain is a famous ancient temple. Mid-Autumn Festival is like climbing a mountain temple, watching the moonlight at night, the river is quiet and the moonlight is bright, which makes people feel endless imagination and emotions.

"But I remember sitting on the bridge of jade man"

Expressing memorial to the past and the sadness in my heart

0 The Book of Songs describes the moonrise as: "The moon rises brightly, the people are at ease. It is smooth and graceful, and the heart is quiet." In the bright moon night, I can't help but think of the person I love. The ancients think of the graceful and romantic past of the beauty from looking at the moon.

There is a Moon Bridge in Bailuzhou Park, Nanjing. Zhou Xueke, a native of the Qing Dynasty, said in the ancient Qinhuai site: "The wind and smoke have been gone, and the west wind has left Changban Bridge. But I remember sitting on the Yuren Bridge, and the moon is bright and teaches to play the flute."

Ma Xianglan was a famous prostitute who was famous on the Qinhuai River in the late Ming and early Qing dynasties, and one of the eight beauties in Qinhuai. On Mid-Autumn Festival night, scholars and scholars from Nanjing City and even from other places come to admire Ma Xianglan's name and gather at the head of the Moon Playing Bridge in the Qinhuai River, either enjoying the moon and lying, or playing and singing. After the fall of the Ming Dynasty, Wanyue Bridge gradually declined and became a thing of the past, and the elegant Qinhuai River became a thing of the past. In 1972, Bailuzhou Park was renovated. Ma Xianglan's former residence was located next to Wanyue Bridge, opposite the stands in the river in Bailuzhou Park. During the Mid-Autumn Festival, I came to Wanyue Bridge, the smoke and willows painted bridge, and the moonlight was hazy, and it seemed like I saw a beautiful woman singing.

During the Southern Dynasty and Song dynasties, the poet Xie Zhuang, born in Jiankang (now Nanjing), in the representative work of "Moon Fu", includes "The beauty walks through the dust and sounds in the dust, and the moon is bright thousands of miles apart"; in "Send to Judge Han Chuo of Yangzhou" in "Twenty-four bridges to bright moonlight, where can the jade man teaches to play the flute"; Xu Ning's "Remembering Yangzhou": "Xiao Niang's face is thin and she cannot overcome tears, and her peach leaves and eyebrows are easy to get sad. Three parts of the world's bright moonlight night, two parts of the rogue is Yangzhou." These poems are all thought of beauty from the bright moon. Today, Confucius Temple in Nanjing and the thin West Lake in Yangzhou are all places to enjoy the moon in the Mid-Autumn Festival.

The Southern Song Dynasty poet Xin Qiji left a Mid-Autumn Festival poem in Nanjing "Taichang Yin·Mid-Autumn Night of Jiankang": "A round of autumn shadows turn golden waves, and the flying mirror is polished again. I asked Wen E with wine: What can I do if I be deceived by white hair? It's easy to ride the wind, and the sky is thousands of miles away, and I look down at the mountains and rivers. Cut off the osmanthus, and the human way is, there is more clear light.”

This poem was written on the Mid-Autumn Festival night of the first year of Chunxi (1174) of Emperor Xiaozong of the Southern Song Dynasty. It was a work for friends. At that time, Xin Qiji was appointed as the senator of the Jiangdong Pacification Department, and his capital was Jiankang, which is now Nanjing City. At this time, the author had been in the south for 12 years. In order to recover the Central Plains, the author wrote many letters, vigorously advocating against the Jin Dynasty, but was not adopted. He could only express his depression in poetry. The meaning of

is: The autumn moon slowly moved, just like the newly polished bronze mirror flying to the sky. I raised my wine glass and asked Chang'e in the moon, what should I do? The white hair is growing day by day, as if I was deliberately bullying me. I want to fly thousands of miles away from the sky and look down at the beautiful mountains and rivers of the motherland. I also want to cut off the branches of osmanthus trees swaying in the moon. Some people say that this will make the moon shine more brightly on earth. The lyrics combine surreal ideas with the contradictions in reality, with a strong romantic color. The so-called "Gui Posa" actually refers to the shadow of osmanthus that brings darkness to the people. It not only includes the surrender forces inside and outside the Southern Song court, but also the forces of the Jin people. He hopes to use the moonlight to sweep away the darkness and bring light to the world. The specific place of

is not clear about the specific writing of this poem in Nanjing, but several important poems such as "Shuilong Yin·Climbing Jiankang Shangxin Pavilion" left by Xin Qiji in Nanjing are all written in Shangxin Pavilion. Shangxin Pavilion was built in the Song Dynasty and was once A famous scenic spot inside the Shuiximen Gate in Nanjing was destroyed and built several times. After expert demonstration, referring to the Song Dynasty architectural books and the construction techniques of existing Song Dynasty buildings, the Admiralty Pavilion was rebuilt in the Shuiximen West Square, adopting the official style of the Song Dynasty, with the top of the octagonal mountain. In the Mid-Autumn Festival, the Moon was admired at the Admiralty Pavilion, and the view of the tower was far away, and the scenery of Qinhuai inside and outside was appreciated. I remember Xin Qiji climbed here and felt the patriotic feelings of no one to take pictures of the railings.

Song Dynasty Ma Yuan Songyue Map

"Taiwan Star is in Guanghan Palace"

Expressing praises merits and wishes for the future

1084 Mid-Autumn Festival, the prefect of Yangzhou, Lu Gongzhu held a banquet in Yunshan Pavilion. Qin Shaoyou was invited to attend and presented the poem "Mid-Autumn Slogan": "The eaves of the clouds are connected to the low altitude, and the public banquet is first opened and lush. Shining in the sea, flags and flags, in the autumn scenery, inspiring the sky and advocating the moonlight. A thousand beads were dripping in the incense groove, and a song fan was shocked to the cluster of jade. At the twenty-four bridges, the star of Tai is in Guanghan Palace. "

" slogan" is a kind of poetry. The former site of Yunshan Pavilion is located in the northwest corner of Wuting Bridge, Slender West Lake, Yangzhou. The poem describes the grand occasion of watching the moon in the Mid-Autumn Festival: the flags are full of flags, the stimulating propaganda, the fragrant wine is poured out of the wine tank, and rows of beauties offer singing and dancing. The last two sentences are to praise Lu Gong's calligraphy. The Taixing refers to the three Taixing stars, which refers to the priest. Guanghan Palace refers to the moon palace, which means to win the osmanthus of the toad palace. On the night of the moonlight, I wish Lu Gong's job to serve in the central government.

Mid-Autumn Festival, Wuting Bridge is the first choice to check-in place since the late Qing Dynasty. According to legend, when the moon is full on August 15th, when the boat is under the Wuting Bridge, you can see a moon under each bridge hole. "Yangzhou Lanshenglu" says: "Lotus Bridge, commonly known as Wuting Bridge... On the evening of the third and fifth days, the bright soul is in the sky... The golden color is rippling, the moon competes for its brilliance, and the waves are hanging upside down, which is unpredictable. "When the bright moon is in the sky, the five pavilions are like five lotus flowers that are rising from the water, standing tall and graceful. The sky and the earth are clear, the waves in the lake are shining, and the moon shadows are floating, making people intoxicated.

The Ming Dynasty poet Yuan Hua wrote a poem called "The Last Rhyme of the Moon Seat in Piling Xu Zuosi Mid-Autumn Festival" (excerpt): "The moonlight in Piling Mid-Autumn Festival is good, and the clear light scatters across the forest. Zi Weilang, the censor of Wutai, was fascinated when he met with him with a smile. The jade pavilion is pure and dust-free, and the golden millet is fragrant and refreshing. Whose girl who makes a good makeup and drinks is probably the best person in heaven. "This poem is a social work. Yuan Hua, from Kunshan, was a scholar in Suzhou Prefecture at the beginning. Piling refers to Changzhou, Zuosi is the official title, and the second rhyme is to combine the poem according to the rhyme and the order of the original poem. This poem is more popular, and describes the beautiful scenery and beauty under the moon.

Mid-Autumn Festival, in Changzhou, you can go to Xitai Lake to embrace the moon basin. Against the background of the moonlight, the lake surface is dazzling, showing the graceful charm of the floating lights and shadows. You can also enjoy the delicious food of the lake and experience a variety of yacht cycling activities.

In addition to blessing the superiors or leaders, the bright moon can also express your wishes for a better life in the future.

Qing Dynasty poet Kang Faxiang wrote "Hailing Bamboo Branch Ci" in Taizhou: "The people in the Moon Palace celebrate in the Mid-Autumn Festival, and the fruits are piled up (same as the "plate") are collected in various ways. He even sought foreign objects from the water town, with bright red water chestnuts and chicken heads."The lyrics of Zhuzhi are the name of the modern music of Yuefu, also known as "Bamboo Branch". They were originally folk songs. Liu Yuxi created new lyrics based on folk songs, which mostly describe the love between men and women and the customs of local people, and are widely circulated. This lyrics focus on writing about local customs.

Mid-Autumn Festival worship is a very ancient custom in our country, which actually originated from the worship of the "moon god" in some places in our country. That night, a big incense table was set up, and moon cakes, watermelons, apples, red dates, plums, grapes and other sacrifices were placed, and they worshiped them before the case. A man worshiped the moon, hoping to win the osmanthus in the toad palace; a woman worshiped the moon, hoping to look like Chang'e. Jin Yingzhi, a native of the Song Dynasty, recorded: "Mid-Autumn Festival, the meeting of the capital to enjoy the moon, and the women in the city did not go as rich and poor, but could go to the twelve and three, and all dressed in adult clothes. Go up the tower, or in the atrium, burn incense and worship the moon, each with its own expectations. "In some places, men do not worship the moon, but only serve as assistants such as praise and deacon.

Taizhou is a water town. The things that worship the moon are not only piles of various fruits, but also water chestnuts and chicken head rice.

The Qing Dynasty poet Li Yi also wrote a poem to worship the moon in Nantong "Looking at Jiangnan·Tongzhou Good": "Tongzhou is good, and the good night is on the Mid-Autumn Festival. A plate of cakes is shaped like a moon, and six Hunan skirts are worshipped as the building. The hands are soft. ”

Mid-Autumn Festival night, on Taizhou and Nantong, you can experience traditional rituals in person. The Daohe Ancient Street District in Taizhou prays for peace and peace and family reunion with tourists through ancient rituals. After the moon sacrifice ceremony, the moon sacrifice sacrifice will be distributed to the audience members to let the blessings of the moon god spread. At the City God Temple in Nantong, a moon worship event will be held on the Mid-Autumn Festival night. People from the surrounding areas gather at the City God Temple to watch acrobatics, Hanfu performances, folk music performances, folk dances and other festivals Eyes, feel the charm of traditional culture and spend the Mid-Autumn Festival together.

Watch the moon, the expressions in different places are different, but they cannot be separated from reunion and joy. The weather is a metaphor for human feelings and worldly conditions; when drinking and singing, it is a sleepless night. "Looking up at the bright moon, sending love to the light of thousands of miles" "The bright moon is born on the sea, and the end of the world is sharing this time". May everyone cherish every happy Mid-Autumn Festival, and may the bright moon illuminate every journey of life.

Xinhua Daily·Jiaohuidian Reporter Yang Minpu

Edited by: Wang Hui

This article comes from [Jiaohuidian News Client] and only represents the author's views. The national party media information public platform provides information release and dissemination services.

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