Although I had to eat it one by one every time I came here to film, even if the master could taste the salty or light craftsmanship that day, I still couldn't help but think about it.

During the period when filming a new movie, Liu Shishi always cares about the delicacies in Hengdian. Although I had to eat it one by one every time I came here to film, even if the master could taste the salty or light craftsmanship that day, I still couldn't help but think about it. Liu Shishi later realized that the old taste is always not tired of eating it. "old" is probably normal. It doesn't have too many flower heads, but it can use the most ordinary moves to open your taste buds and even make you have some thoughts. actually has many options in its own food list. For example, when you arrive in Chengdu, you want to rush to a hot pot restaurant. When you arrive in Shanghai, you have a wider choice, but after going around, you will still be the same few stores. The old smell is summoning the tip of the tongue, and it is even more memorable because of its familiar state.

There are still some self-awareness caused by this taste: for example, there seems to be nothing wrong with repetition. This repetition is often like a kind of inertia, and it pops up with consciousness, a natural choice formula that has been accepted by oneself. Take my birthday that just passed half a year ago for example. I didn’t bother to come up with a few extraordinary wishes before midnight. I want to make the next year so brilliant. All the programs are no different from previous years - light a candle at midnight, close my eyes and make the same wish, blow out the candle, and the new year begins like this. "Every year, it seems that there are similar wishes." There is nothing wrong with the same wishes and expectations.

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When the repetition means some kind of quantitative, personality can be placed in it as a solution. Liu Shishi thought that her personality seemed to have not changed much, and she still looked like what she used to be. The only variable may be that she started to have different mentalities at different times, but after all, she can still reconcile herself. To talk about what this personality looks like, the introduction to Weibo was explained early in the morning. The introduction to claiming to be lazy has been used for many years. If you must explain this kind of "lazy", it is not a kind of procrastination or escape. Liu Shishi thinks, "That should be, you should do your own things normally, and you don't need to be serious about many things." Once you give up your thoughts of being serious, you will naturally reach a self-reconciliation.

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seem plain, but Liu Shishi enjoys this dullness, or rather, a state that makes everything happen naturally. The same is true for life. Even though you know how many followers will come to interact after a Weibo post, you will not want to deliberately maintain this interaction. The more common situation is that when you are truly in a beautiful scenery, you will remember to share the picture in front of you, so you will take a photo and share it with everyone on Weibo. There is another situation. When you are notified on your work, you will also post pictures taken by your colleagues when you remember it. In short, let things happen naturally when appropriate.

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If you want to find a suitable context for "natural occurrence", Liu Shishi thinks that may be related to "caring about the present". She remembered an example - we may suddenly remember the past in many cases, and will search for past memories with that emotion, relying on specific objects such as photos to concentrate on recalling them. But she rarely does this and doesn't know how to deliberately search and look at it carefully. The only possibility is that she happened to see it when she was cleaning up the house, so she just flipped through and followed the old objects to bring out the scene memories related to it. Compared to deliberateness, she only thinks this kind of accident is more interesting. As for memories and the life I have experienced, "It's not meaningless, but the existence and occurrence of everything has its own truth. Of course, I will learn something from these experiences and then use it in work and life. But I think it's good now and good enough. The life I like now is what I like. And I think it's important to grasp the present, both work and life are the same."

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. Regarding the nostalgia itself, Liu Shishi always has her own soberness. "Actually, I am not a person who often misses the past, but saying this does not mean that I don't like my past days. On the contrary, whether it is during my studies or when I first started filming, it is a very important experience. For example, when I was very young, I lived in school and lived a collective life. Later I felt that it was those days that made me more independent. But I am really a person who lives at this moment, and now there are many moments that can make me happy. Then it is enough to grasp the present. After all, living the present well will not miss it blindly in the future. "She can always watch it relatively clearly on one side.

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These happy and concrete things at present are separated from the public's imagination. This simple and satisfying pleasure can always be easily obtained. A meal that made me savor several times, a drama that I reluctantly pressed for pause, and a novel that I have been watching for many days... all satisfy her. The same small and concrete moment of freedom also happens in another Some moments: the moment when I informed me of the work, and when I was busy with a series of preparations before going to bed... She was always the most relaxed at that time.

But this relaxation does not mean not thinking, nor is it equivalent to letting the days push themselves forward. There are always some mute sounds in life. In her words, she is a person who can think a lot. "Because there are also many things to do, whether it is life or work, there will be many concerns. They may suddenly make decisions, but they may not necessarily execute them immediately. Let me give you a simple example. For example, if I want to eat spicy hot pot today, I will buy it immediately; but for example, I would have thought before that I have filmed several modern dramas and I also want to go back and shoot costumes. Although I have such an idea, I will not limit myself to only read the costume script next time, and I will still take all the themes with me. What if there are any stories and characters that will make me moved. " has a lot of thoughts, and sometimes it means that things may revolve repeatedly in a whirlpool. Whether you can escape the predicament smoothly depends on the person involved. Fortunately, Liu Shishi is not a twisted person and will not let herself get into trouble. "It's good to solve the problem when it happens, and it always has to be solved. "

's position of keeping a little distance from herself and watching herself seems to always make her self-consistent. Compared to the self-doubt that ordinary people fall into from time to time, she is now better at thinking rationally and will not randomly make her thoughts grow side branches and become a mess. At this time, she patiently analyzes rationally and see what should be done. Will it be better or worse, and thus, various problems will be solved easily.

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self-watching also happens in many cases. Liu Shishi later discovered that after filming " Dear Self, ", she began to become a bit like Li Siyu, and she would speak and do things the same as the characters. There is a bit of impulse; while playing Jiang Nansun in " Golden Years ", her personality and attitude towards work have been slightly withdrawn. This kind of self-watch made her feel quite interesting, and she also began to think about the problem from the perspective of the character - why does this thing do, and whether it will bring some good or bad results.

So far, each character has spent a lot of effort on her. After all, to play a good role, you have to devote your personal feelings to it, feel the current state of mind of the character, know what to do in that specific environment, and how to do it better. To say whether you have ever felt pity for the character, there will definitely be emotional injection on the one hand, but on the other hand, you still want to keep a little distance. "Every character has her own development context and ending, so you still have to follow the script. If you think this character can have a different ending, I think it will be left to the audience. You can imagine what kind of life this person in parallel time and space is living and what kind of ending he will have. "In Liu Shishi's opinion, this may be quite interesting.

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Talking about the new drama being filmed, Liu Shishi told us about the reason why the character Ren Ruyi in the play attracted her. "Because "Yi Nian Guanshan" is a group portrait drama, and every character has its own highlights." For example, Ren Ruyi, who plays herself, is a person who has a clear distinction between love and hate. "Whether it is her behavioral motivation for doing things or her changes in her thoughts along the way, they are based on subjective and objective factors, and they will only change after experiencing some things." During the filming of this drama, Liu Shishi learned horse riding in Hengdian and participated in martial arts drama training. Reuters of her walk out of the dance studio were also circulated on the Internet, which made the audience full of expectations. She is also willing to maintain this mystery: "This character and character identity cannot be revealed yet, but she can only be said to be a person with many 'skill points'." The fun of

may be reflected in this, which can be viewed and experienced by oneself, and can also be left to people to imagine. Of course, there are also moments of feeling tired. For example, sometimes the mood will be somewhat affected by the outside world, but fortunately, I have learned to adjust it quickly later; or sometimes the crew needs to intensively shoot night scenes, so I have to stay up for a big night scene for more than ten days, but this is also a normal shooting work, and it can always be digested in the end.

will talk about a certain food many times, and will crouch in the corner to read books when you want to be quiet, and will also make hearty laughs when you are happy... When the public regards Liu Shishi as a less specific object, it can be said that she is living the most specific life.

Photography: Oliver Styling: Kong Xiangguo

Written by: Zhang Yixuan Editor: Zhang Anya

Makeup: Chunnan Hairstyle: Gao Peng (NAN BEAUTY)

Producer: Luen Styling Assistant: Xiaoyu, Chaocha

Typesetting: Wang Zihan