China is the hometown of tigers and the birthplace of tiger culture. 2022 is the year of the tiger in the lunar calendar. The tiger is auspicious beast in traditional Chinese culture. From the "monarch in the mountains" to the totem tiger, white tiger, hidden tiger, and house-controlling tiger, showing the important position of tigers in Chinese history and culture. The following are 50 representative cultural relics related to tigers (feudal period) selected for display.
"tiger talisman" is a trust and object for ancient emperors to mobilize their troops. The local officials or generals who commanded the army shall be granted military power. Since the left half of the tiger talisman is granted, when the army is to be mobilized, the envoy will be sent to the garrison with the right holding the tiger talisman to the garrison. Local officials or generals who commanded soldiers and commanded the two halves of tiger talismans, and if they were proved correctly, they should send troops. Tiger talismans were popular in the Warring States Period, Qin and Han dynasties. This is a thing from the Qin Dynasty. There are two lines of twelve words in the inscription between the neck and the crotch of the tiger. The book says: "The talisman of armor and soldiers is the right talent (in the emperor) and the left talent (in the Yangling). Yangling is the name of Qin's county, which is now Gaoling County, Shaanxi. This piece of copper is awarded the tiger talisman of the generals stationed in Yangling by Qin Shihuang . Because this piece has been around for a long time, it has rust in the joints, and now it cannot be separated from the left and right, forming a work of art as a whole. The tiger talismans found at present are all from Qin, with three items: Qin Xin Guo Hu Fu, Qin Du Hu Fu, and Qin Yang Ling Tiger. According to legend, it was unearthed in Lincheng, Zaozhuang City, Shandong Province and is now in the National Museum of China. This toy is a siding tiger lying on the ground, with its head raised and looking forward, the curved tail is upturned, the inscription is rigorous and thick, the style is dignified, and the brushwork is round and round, and it has a high artistic nature. It is an extremely rare and extremely precious complete tiger talisman, national treasure-level cultural relic .
Huo Qubing’s tomb stone carving includes 14 pieces of horses trampling on the Huns, lying horses, lying horses, lying tigers, lying elephants, stone frogs, stone fish 2, wild people, wild beasts eat sheep, lying cattle, humans and bears, wild boars, and toads, and two pieces of stone engraved inscribed inscriptions. These stone carvings have diverse themes, very concise carving techniques, vigorous and vigorous shapes, and are ancient and rough. They are the earliest and most complete large-scale round carving crafts discovered in China so far. They are also outstanding representatives of stone carving art in the Han Dynasty and occupy an important position in the history of Chinese art. This fuhu stone sculpture is 2 meters long and 0.84 meters wide. The work carved out the image of a slot machine being vigilant and fierce, randomly capturing prey. It has stripes all over the body, showing the plumpness, gentleness and colorfulness of the fur. Its tail is thick and powerful, and curled on the back, adding to its aggressive and powerful momentum. This stone sculpture was originally distributed in front of the tomb of Huo Qubing tomb in Xingping City, Xianyang, Shaanxi Province, and is now stored in the Maoling Museum, . This stone carving knife technique is simple, the tiger's tail is rolled back on its back, and the tiger's body is spotted without carving, which adds its aggressive and powerful momentum, which is extremely vivid, showing the superb skills of carving in the Western Han Dynasty. It is the earliest example of placing a stone tiger in front of the tomb so far, and it is also an outstanding representative of the Han Dynasty stone carving art and a national treasure-level cultural relic.
This copper tiger is 11.6 cm high, 19 cm long and 1.2 cm thick. It is a flat tiger with its head raised and its chest raised, showing a squatting posture; it exposes its teeth and opens its mouth, arches its waist and stares, majestic and very grand; its tail is curled into the shape of a "8", with shallow grooves under the front and back feet, and the twists of the head and feet and wrinkles on its face are outlined in short lines, which is very clear; the copper tiger is black all over, but the stripes on its body are brightly colored, and is represented by a shallow groove in a curved leaf-shaped groove attached to gold foil, which is very three-dimensional. In 1983, the tomb of the Nanyue King of Xianggang Mountain in Guangzhou City, Guangdong Province was unearthed and is now in the Nanyue King of Western Han Dynasty Museum. There are five words in the front of this Tiger Festival, "The King's Destiny of the Carriage" in the wrong gold inscription, which means that this is a letter to mobilize chariots. It should be the order to mobilize chariots to dispatch soldiers during their lifetime, Zhao Xu's order to mobilize soldiers and generals during his lifetime. It is the only trait of traits discovered in my country so far. It is a very precious and national treasure-level cultural relic.
This instrument is 50 cm high and has a cover diameter of 25 cm. It has been archaeologically identified as an item in the Western Han Dynasty. The instrument is a typical cylindrical waist with a flat bottom and a foot underneath.Each side of the waist of the instrument is decorated with a tiger-shaped ear, and the tiger is climbing upward. Whether it is the overall appearance of the tiger or the details are extremely realistic. The tiger is climbing upward, roaring with its mouth open, and its tail droops, like two real tigers attached to both sides of the instrument. On the cover of the utensil, there are four strong cows running around the center counterclockwise, and there is a cylindrical handle tray in the center, and there is an image of a knight riding a tall horse on it. The four steaks are arranged in an orderly manner, traveling counterclockwise on the plane of the utensil cover. Each stele is curled and the hole is powerful. Tomb No. 10, Shizhaishan, Jinning County, Kunming City, Yunnan Province in 1956, is now in the Yunnan Provincial Museum. This instrument adopts casting, welding, gilding and other processes, greatly enriching the shape of the instrument body. It is a typical waist-burning cylindrical shell storage vessel. The image of a gilded sword rider indicates that the tomb owner had extremely high power and identity during his lifetime. From this, you can see the brilliance of the mysterious ancient "Dian Kingdom" civilization and a national treasure-level cultural relic.
This jade pendant is made of white jade, round, with a diameter of 7.1 cm. The jade pendant uses openwork technique, the upper part is hollowed out into cherry blossoms, and a coiled dragon and tiger carved in the middle. The tiger body carved out its body shape with yin lines, both sides were engraved, with simple and vivid images. The edge of the jade pendant is carved with two circles of string patterns and , and a double arc pattern is sandwiched in the middle, showing fine engraving skills. The so-called "chihu" has a body shaped like a tiger, which is a complex body of chi and tiger. "Shuowen Jiezi" says: "Chi, like a dragon and yellow, is called a land in the north, following the insect, separated from the sound, or without horns, is called Chi." Chi is Yin, representing the earth; tiger is Yang, representing the sky - combined into Chi, "like tiger and scales" or "tiger type, dragon shape", which means that heaven and earth are combined, yin and yang are connected, symbolizing imperial power and auspiciousness. In 1975, the tomb of Qingwang, the Western Han Dynasty of Dabaotai, Huaxiang, Fengtai District, Beijing was unearthed and is now in the collection of the Western Han Dynasty Tomb Museum of Dabaotai, Beijing. This jade pendant is worn by the queen. It has ingenious engraving and exquisite patterns. The image of a dragon and a winding and winding dragon, and the fierce and powerful tiger. It expresses the characteristics of the two animals just right. It is the best jade pendant in ancient my country.
is a tool worn on the right thumb when shooting archery in ancient times to hook the strings, made of elephant bones, also known as "block (jue)", commonly known as "ring". This tiger-patterned shaped jade pendant is 4.8 cm long, 4 cm wide and 0.5 cm thick. It is carefully carved from Hetian jade blue-white jade . The body of the instrument is flat and slightly oval. There is a round hole in the center, with a pointed point in the middle of the upper end, a slightly bulging bottom, and a slightly concave back. The highlight is the symmetrical openwork tiger attached to both sides of the jade pendant. The tiger's head is facing upward, the mouth is opened to reveal its teeth, the slender waist is covered with the twisted silk tail, and the tiger's back is engraved with a yin line as its ridge. The two tigers hugged the body with their limbs tightly, and the lower part was engraved with symmetrical cloud patterns. In 1996, the tomb of Lu Ke in Fangwanggang, Chaohu City, Hefei, Anhui Province was unearthed and is now in the Chaohu Museum. This jade pendant is smooth, white and pure, with a novel shape, and is concise in knife skills. It uses tiger patterns as an accessories and is completely symmetrical. It is rare. It has its unique artistic style and is a masterpiece of Han jade.
belt hook was used by ancient people for waistband, hook collar or hook ornaments. It usually consists of three parts: hook head, hook body and hook tail. It is both a practical instrument and a decoration. This Western Han Dynasty belt hook is 14.6 long, 3.5 wide, and 0.9 cm thick. It is flat and long striped. It is carved from a piece of whole Hetian jade. There are brown spots on the spot. The head and tail of the hook are carved into the shape of a dragon head, the hook body is slightly arced, and a dragon and tiger pattern is carved high on each side. Chi, an animal in ancient legends, is a genus of dragons. On one side, the tail of the Chihu is rolled to the hook surface, and on the other side, the head of the Chihu is facing the hook surface, and the tail is twisted. There are six groups of hooked cloud patterns embossed on the front of the hook body, with an oval button on the back, which is on one side, which may be carved with jade materials. In 1996, the tomb of Lu Ke in Fangwanggang, Chaohu City, Hefei, Anhui Province was unearthed and is now in the Chaohu Museum. Han Dynasty jade belt hooks, in addition to inheriting the patterns of the Warring States Period, also have development and innovation. The decoration of this belt hook, dragon and tiger is a new innovation. The dragon and tiger are interlocking and integrated, with the heritage of Chu culture, and show a vigorous and bold artistic style. It is a fine jade belt hook in the Western Han Dynasty.
Han Dynasty had strict regulations on the casting of seals, and the different shapes of the seal buttons were used to show the position and rank. According to the "Han Guanyi", the emperor's jade seal, the dragon and tiger button, the queen's golden seal, the dragon and tiger button; the princes and kings used the golden camel button; the marquis, prime ministers, the grand marquis, and the generals used the golden beetle button, etc. This jade seal is 2.8 cm long, 2.8 cm wide, and 2.3 cm high. The jade is grayish-white, smooth and bright, and square. The button is a dragon and tiger shape standing and looking back, indicating that the seal system in the early Western Han Dynasty was not yet perfected. The tiger's eyes were wide open, the limbs were thick and powerful, with a long tail ring under the abdomen, and the seat edge was surrounded by curly cloud patterns, without seals. In 1968, the tomb of King Jing of Han Zhongshan, Lingshan, Lingshan, Mancheng County, Baoding City, Hebei Province was unearthed and is now stored in the Hebei Museum. This jade seal is vivid and delicate in shape, providing valuable physical evidence for studying the development and evolution of seals in the Han Dynasty.
This copper tiger is a group of two pieces, basically preserved intact, 43.7 cm long, 10.6 cm wide, and 20.7 cm high. The tiger is raising its head and is majestic and vigorous. The eyes are inlaid with black minerals, and the whole body is decorated with tiger stripes with gold and silver craftsmanship. Tigers have always been regarded as the king of beasts in ancient Chinese society. The image of tigers is reflected in murals, portrait stones and various unearthed artifacts in the Han Dynasty, but their connotations are different. On the one hand, the tiger, Qinglong, Vermillion Bird, , and Xuanwu together form the image of the four gods, while symbolizing the direction, it plays more the role of warding off evil spirits; on the other hand, its realistic shape is often used in daily life such as copper towns and copper tents, which are closely connected with real life. In 2009, the Han tomb of Dayun Mountain, Xuyi County, Huai'an City, Jiangsu Province was unearthed and is now stored in the Nanjing Museum. The two copper tigers are molded as a whole, with exquisite shapes, luxurious decorations, coordinated proportions, and extremely realistic. They are very likely to be something they liked during their lifetime. Liu Fei himself is extremely martial, and the kingly aura displayed by these two copper tigers is very consistent with his personality.
Tiger Funeral Stone Chamber 1.5 meters long, 0.5 meters high, and 0.6 meters wide on the back. It is divided into two parts. It was built in 9 AD. It is more than two meters high. It is a stone cover on the top and carved with a stone tiger on the lying down; the bottom is a stone cave. The front and bottom of the tiger Funeral Stone Chamber are carved with "Xihai County Tiger Funeral Stone Chamber, in October of the first year of the founding of the Kingdom of China, and was built in Guorong, Henan Province." 22 seal script characters. The tiger talisman stone tent was the product of Wang Mang's false destiny, creating public opinion and seizing the Western Han Dynasty regime. It was the cabinet for the military talisman. The tiger lies on a rectangular stone mount, with its tail on the back in a crouching shape. It looks lifelike, as if it is jumping up. Unearthed in 1986, it was the ancient city ruins of Xihai County, Haiyan County, Haibei Tibetan Autonomous Prefecture, Qinghai Province, and is now in , Qinghai Provincial Museum, . This tiger sacred stone tent has the thick and simple style of Han stone carvings, with clear carving patterns and vivid expressions, which are actually rare treasures. Wang Mang also "proclaimed forty-two talismans in the world", and the tiger talisman stone tent is one of them, and it is the only national treasure-level cultural relic I have seen so far.
This device is 28.2 cm tall, adopts a three-dimensional stacking process, and is divided into two layers. The upper cover part is based on the theme of "Warrior Fighting the Beast", creating a mountain full of beasts and a hollow relief hero. The lower base is a relief tiger squatting on the ground, looking back and making a side-biting dish-shaped shape, vivid and realistic, with its tail obliquely placed on its claws, full of interest. A pillar tray is carried on the tiger's back, and a diamond-shaped pattern is embossed in the middle of the pillar. In 2004, the Eastern Han Tomb was unearthed in Wangcheng Park, Luoyang City, Henan Province, and is now stored in Luoyang Museum . This furnace has unique shape and exquisite craftsmanship, reflecting the exquisite pottery making skills and rich artistic imagination of the Han Dynasty, and is a masterpiece.
tiger 0 tiger tits originated in the Warring States Period and was popular in the Han Dynasty and Six Dynasties . It was named because the shape of the instrument resembles a tiger. The overall shape is basically the same. Each era has different details in the portrayal. This tiger's head is 15.7 cm high and 20.9 cm long. It is round and has a torticular neck and a round mouth. It has a arched back and a tiger-shaped lifting beam on the abdomen. The tiger's head is raised, the mouth is opened and the tongue is exposed, and the eyes are looking far away. There are shrinking limbs under the abdomen.The whole body is decorated with light green glaze, and the shape is free from the rigid and forced appearance and shape. Pay attention to the expression of the inner spirit, which is exquisite but not without simplicity. The large number of appearances and evolutions of this animal shape changed the single style of Yue kiln porcelain and formed a new artistic style. This was also a distinctive feature of the society at that time being fostered major transformations. In 1955, the Wu Tomb of Zhao Shigang, Nanjing City, Jiangsu Province was unearthed and is now in the National Museum of China. The belly of this instrument is engraved with the inscriptions "made by Yuan Yi, the Shangyu Master of Kuaiji in the 14th year of Chiwu" and "Characteristics". It shows that it was made in 251 AD and is the earliest piece of ancient porcelain inscriptions in China, a national treasure-level cultural relic.
tiger sect is an ancient drowning weapon, generally in the shape of a hidden tiger, and is commonly found in tombs in Jiangnan from the late Eastern Han Dynasty to the Three Kingdoms and Jin Dynasties. It is rare in the north and is mostly porcelain. The tiger's son is 38 cm long and is an ancient drowning weapon. In 1965, Feng Sufu's tomb in General Mountain, Beipiao City, Liaoning Province was unearthed and is now stored in , Liaoning Provincial Museum, . This instrument is made of copper. Although the shape is four feet lying on the ground, it has a powerful shape. In addition to casting patterns on the whole body, it also carves hair and beards on the neck, back, chest and tail with thin lines, which is carefully expressed in the majesty and is a rare masterpiece.
Jingling is the tomb of Emperor Xiaozhuang of the Northern Wei Dynasty in China Yuan Ziyou . It is located in the south of Shangzhai Village, Hongshan Township, Luoyang City, Henan Province. It was built in 532. Emperor Xiaozhuang of the Northern Wei Dynasty, Yuan Ziyou (507-531; reigned for 528-531) was the emperor of the Northern Wei Dynasty during the Southern and Northern Dynasties, the grandson of Emperor Xianwen of the Northern Wei Dynasty, and the legitimate son (third son) of King Yuan Xie of Pengcheng, and his mother was the princess. Li Yuanhua, who was very handsome and brave. He served as a companion for Emperor Xiaoming in the palace since he was a child. It is quite friendly with Emperor Xiaoming. He was specially named King Changle in 527 and was supported by Emperor Xiaozhuang in 528. He is actually a puppet. This stone tiger is 106 cm tall, squatting, with wide eyes, and has to be made into three strands, bent and drooping, and has not been hollowed out under the abdomen. It is a stone carving of Emperor Xiaozhuang of the Northern Wei Dynasty. It was unearthed in Mangshan, Luoyang City, Henan Province in 1980 and is now stored in Luoyang Museum. Pavilion. This stone tiger is solid and very rare. It is a stone carving of Jingling of Emperor Xiaozhuang of the Northern Wei Dynasty. It is a rare Northern Wei Dynasty stone carving.
Xianling, it is the tomb of Li Yuan of Tang Gaozu . It is located in Yonghe Village north of Sanyuan County. The stone tiger is the tomb-town beast of Xianling , which was carved in Tang Taizong in the ninth year of Zhenguan (635). This stone tiger is tall, thick, with a slightly oblique head, bulging cheeks, and eyes are focused, as if looking for prey. In the Tang Dynasty, only the stone tiger was set up in front of the Xianling magistrate of Li Yuan, and according to the time The convention is that the imperial tombs are usually set up stone lions, why should the Xianling be set up stone tigers? It turns out that the founder of the Tang Empire of , respected Taoism very much during his lifetime, and Li Er was his ancestor. If the divine beast lion in Buddhism is placed in front of his tomb, it is obviously not in line with Li Yuan's wishes, so he carved the stone tiger. The Xianling stone tiger was originally a pair, and one of them moved into the stele forest, and another stone tiger that had been with it for more than a thousand years was still stationed at the southern gate of Xianling in Tang Dynasty - Zhuquemen . This stone rhinoceros was originally placed in front of the Xianling of Emperor Gaozu of Tang Dynasty, and is now hidden in the Xi'an stele forest museum of Xi'an stele forest. This stone tiger is concise in lines, realistic engraving techniques, lifelike images, pursuit of realistic without gorgeous decoration, and the image of a beast It is portrayed gentle and tamely, and is a rare fine stone carving of the Tang Dynasty.
Dengfeng Kiln was fired in the Sui Dynasty and Tang Dynasty, and declined in the Jin Dynasty and Yuan Dynasty. The Northern Song Dynasty reached its heyday. Dengfeng Kiln has a long history, exquisite craftsmanship, rich categories and unique decorations. It is one of the tribute kilns in the middle and early Northern Song Dynasty. It is one of the most representative kilns in the Central Plains region, and it is also the master of ceramic decoration in the Northern Song Dynasty. There are rich varieties of porcelain firing, mainly white glaze, white glaze green color, white glaze carving, white glaze carving, white glaze pearl scratching, white glaze black flowers, and black glaze, green glaze printing, three-color and porcelain toys.Pearl ground drawing is the most representative. This decoration is influenced by the Mixian kiln and ranks first among similar decoration porcelains. The bottle is 32.3 cm high, 7.3 cm in diameter, and 9.5 cm in foot diameter, shaped like an olive and has a ring foot. The body is gray-brown and white makeup soil is applied. The bottle body is carved with two tigers, one standing, one walking, and the one grinning, all of which are agile and ferocious, fighting in the grass, lined with cave stones, banana , and there is a lotus petal pattern near the bottom. Small pearl-shaped circles are stamped in the blanks outside the pattern. Unearthed in 1962, it was located in the Dengfeng Kiln site in Quhe Village, Dengfeng County, Zhengzhou, Henan Province (now Dengfeng City ), and is now stored in the Palace Museum, Beijing. This bottle is made in a regular manner, with smooth lines, harmonious tones, vivid and realistic paintings, and vigorous and powerful brushwork, reflecting the extremely high level of porcelain making skills of the kiln. It is a representative work of Dengfeng kiln and the only one handed down from the Dengfeng kiln pearl-cutting tiger and leopard print bottle, a national treasure-level cultural relic.
This pillow is 12.8 cm high, 39.6 cm long, and 19.5 cm wide, forming a creeping tiger shape, with a flat tiger back as a pillow surface. Gray tire, apply white makeup soil. The pillow is round, with black painted squids inside, with a typical Chinese freehand painting style, and the brushwork is free and easy. The tiger's head and body are painted with black color. Except for the eyebrows, eyes, mouth, and teeth, which are light and thin brown, the rest are covered with darker brown. The outermost part is transparent glaze, and the ventilation holes are placed on the tiger's ears, which is very clever. The pillow is exposed at the bottom of the pillow, and the ink is written on "Zhang Family on June 26, the second year of Dading". A handed down product, now in the Shanghai Museum. This tiger pillow is rigorously composed, elegant and quaint, vivid and lively, and full of interest. It is a typical product of Cizhou Kiln. The pillow is decorated with flowers, lake stones and other forms, but it is rare for those with dates and can be called a fine product.
This jade bet is made of a blue and white jade tiger square bet, with a tiger on top, with a long-tail tattoo on it, and a perforated hole under the tiger's body. Its shape is similar to the "white amber" in the "New Ding San Li Tu" of the Northern Song Dynasty, or it may be related to the explanation of "hu" as "sending auspicious jade" in "Shuowen". The seal surface reduces the ground yang to raise three horizontal lines of different sizes, which is probably the secret of Fan Wenhu himself. The jade book is a plagiarism that cannot be used unless it is given a special gift. This shows that the jade painting of Fan Wenhu, the surrendered general of the Southern Song Dynasty, may be a special gift from the emperor. In 1956, Fan Wenhu's tomb was unearthed in Qipanshan, Anqing City, Anhui Province, and is now stored in Anhui Museum . This jade stick is made of Hetian jade material. It is warm and radiant, and the tiger button is the meaning of the user's courage and courage. It is currently the only jade stick in China with a clear unearthed location and year date, which is extremely precious.
This picture is 69 cm horizontally and 29.5 cm vertically. It is colored on silk, and the picture is the white tiger in autumn forest. The branches of trees are double-drawn with hard lines, the lines are strong and strong, and the sides of the mountains and rocks are rubbed to make the texture. The ancient cypress is bent and stretched, and the lips are 6. It is in sharp contrast with the majestic and ferocious white tiger. The white tiger is outlined with lines and applied white powder. The painting has no pattern. However, from the perspective of the expression method of tree and stone, it should be a work that was influenced by the hospital Zhejiang School in the early Ming Dynasty. This picture was unearthed from a lime-slurry tomb. According to the epitaph, the owner of the tomb was Wang Zhen, whose courtesy name was Bo'an. He was born in the 22nd year of Yongle in the Ming Dynasty (1424) and died in the eighth year of Hongzhi (1495). In the epitaph, Wang Zhen said that he was "diligent in managing his family and making money with good fortune. Therefore, his family became richer and loved the paintings and ink marks. He read and appreciated them all day long, and was good at knowing the authenticity of the truth." He reached the point where he never paid attention to the value of the collection. In 1982, the tomb of Wangzhen, Dongjiao Zhakou Village, Huaian District, Huaian City, Jiangsu Province was unearthed and is now in the Chuzhou Museum in Huaian City. This picture has a complete composition, exquisite brushwork, and a connotation of the paintings of the Southern Song Academy. It uses double hooks to fill in the color, and its charm is pure and powerful. Its painting level is first-class.
This embroidery is used to wrap Buddhist sutras, which are 35 cm long and 15.5 cm wide. The percutaneous surface is backed by yellow two-sentence twisted straight warp yarn, and yellow, red, blue, green, white and other colors of clothing and velvet threads are used as embroidery threads. The 2-3 color matching method is adopted to embroider the scene of Wu Song pounding tiger by reverse needles, sync needles, loose trocars, thread-checking, high embroidery, pine needles, rolling needles, scale-carving needles, and regular stools. The upper part of the meridian surface is a dragon with one claw on the side, which is a playful bead style. A huge treasure gourd is embroidered in the middle, with hills and pine trees embroidered in the outline of the gourd. Wu Song wore a gauze hat on his head, a robe with a belt on his waist, a ward boots on his feet, a tiger on his left foot, a tiger on his left hand, a stick on his right hand, a wide eyes, and a tiger on his body. The lower part is a stream that flows slowly. It is a former collection of the Qing Palace and is now in the Palace Museum in Beijing. This work is cleverly composed, prominent theme, clear layers, bold patterns, bright colors, and fine embroidery. It is a good product in the Ming Dynasty Beijing embroidery .
This furnace is 39.4 cm high and has a belly circumference of 23 cm. The incense consists of two parts, upper and lower parts, with an exquisite unglazed lion on top, and sits on it with a hydrangea. The lion is carved with extremely fine carving, with a slightly opened mouth, and the cigarette comes out from his mouth. He looks up and looks into the distance, as if calling his companions rushing from afar. The dynamic shape makes the originally static lion full of vitality and full of interest. The cover is covered with lotus patterns. The furnace body is painted with brocade ground patterns and phoenix-wired lotus patterns. The painting is fine and rough, with strong lines. The two ears have a generous and unique shape, like a phoenix spreading its wings, full of vitality. The blue material used is the blue material. The blue and white hair color is green and bright, the patterns are sparse and dense, vivid and simple, and the glaze is moist and bright. The three feet at the bottom use the tiger's head as the foot, reflecting the kingly style, indicating that the owner of the tomb has a prominent status and is quite identifiable. In 1969, the Ming tomb of the Fourth Brigade of Shengli Commune, Chengdu City, Sichuan Province was unearthed and is now stored in the Sichuan Museum. This insulated furnace blue and white is blue and purple, which is bright and bright. The entire utensil is covered with patterns, with flying phoenixes and flying cranes interspersed in the middle, which is complex and gorgeous. It is a fine blue and white product in the late Ming Dynasty.
This gold seal is made of gold, with a side length of 10.3, a thickness of 1.6, a height of 8.6 cm, and a weight of 3.195 kilograms. The seal is made of six words "Yongchang Grand Marshal Seal" written on the nine-fold seal script, and the "Yongchang Grand Marshal Seal" and "made on the mid-winter day of Guiwei" are engraved on the left and right sides of the back of the seal. The seal button is the image of a standing tiger. The tiger's mouth is wide open, the tiger's body leans forward, the tiger's tail curls upward, and the tiger's body is engraved with lines that express the tiger's mane and markings. In 2013, the Jiangkou Shenyin Site in Pengshan District, Meishan City, Sichuan Province was stolen and unearthed. It was later recovered in 2016 and is now stored in the Pengshan Jiangkou Shenyin Site Museum. This gold seal tiger button and size are similar to the Ming Dynasty and the Southern Ming General Seal. It uses the nine-fold seal text of the Ming Dynasty official seal . It is one of the highest-level cultural relics found in the late Ming battlefield site of Jiangkou, Pengshan, Sichuan. It confirms the era and owner of the seal for the judgment of the nature of the site and the corresponding history. It is a national treasure-level cultural relic.
This tiger seal is the full name of the Zhasak Seal governing the left wing of Korqin Guoluosi rear banner. It is a square, silver, with a side length of 10.5 cm, a height of 11 cm, and a thickness of 3 cm. There is a large squat tiger-shaped button on the back of the seal. The seal text is Manchu regular script on the right, and the left is Mongolian regular script. The Chinese translation is: "The seal of the Zhasak Banner, the left wing of Korqin". The Manchu text is engraved on the right side of the back of this seal, and the Mongolian text is engraved on the left side. The Chinese translations are all the same as those of the seal. The seal is engraved with Manchu text on the right and the left is Mongolian text. The Chinese translations are both: "April in the 25th year of the Kangxi reign"; the front and back sides are engraved with Manchu and Han regular scripts, and the Chinese translations are both: "Made in the Ministry of Rites". The text on the back and side of this seal can only be identified and cannot be transferred. Moreover, the four corners of the seal are worn, which may be caused by long-term use. A handed down product, now in the Heilongjiang Provincial Museum. The appearance of this seal confirms that the Qing Dynasty had exercised effective jurisdiction over Korqin at that time. It is a symbol of friendship and harmonious coexistence among all ethnic groups in the Chinese family for generations, and it is also a historical evidence of the Qing Dynasty's governance and unification of the multi-ethnic state.
The bronze statue of beast head in the Old Summer Palace was originally part of the fountain outside the Haiyan Hall of the Old Summer Palace. It was a red bronze statue from the Qianlong period of the Qing Dynasty. It was designed by European missionaries and made by Qing court craftsmen. The bronze statue of the head of the twelve zodiac animals is in the shape of "eight" and is arranged on the human body stone platform on both sides of the fountain. Each animal is a fountain mechanism. Every hour, the corresponding animal will spray water from its mouth for two hours. Because one hour of the ancients was two hours, and twelve hours were exactly twenty-four hours. But at noon, they will spray water together, and the scene is spectacular. This bronze statue of tiger head is 32 cm high, and is one of the twelve zodiac statues originally placed in front of Haiyan Hall of the Old Summer Palace. The mortise and tenon inside the water spray pipe was broken, and there was only a small piece of tiger whiskers left. In 1860, " burned the Old Summer Palace " was plundered and lost overseas. It was later bought back by China Poly Group and is now in the Poly Art Museum in Beijing. This beast's head is exquisitely cast, and the surface is also carved with fine chiseling, showing an extremely high level of craftsmanship. It integrates Eastern and Western cultures into one, and is an artistic treasure that shows the integration of Chinese and Western cultures.
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