Original title: "Spring Tide" premiered at the Film Festival. Analyzing the original family relationship is praised for its true
Today, the movie "Spring Tide" produced by Liao Qingsong and Shishan Shangsan, written and directed by Yang Lisen, starring Hao Lei and Jin Yanling, starring Qu Junxi and Li Wenbo, and starring Huang Shanghe , and was specially starred in . "Spring Tide" was premiered on the 22nd Shanghai International Film Festival at .
video focuses on the current hotly discussed original family topics, and brings a very representative three-generation family relationship to the screen through a real and delicate lens. The presentation and analysis of family interpersonal difficulties in the film, the deep bone-marrowed characters, and the realistic depiction of the Northeast city and family style have been unanimously praised by the audience at the premiere. Some viewers said that the film allowed herself to revisit her relationship with her mother and for the first time trying to stand from her mother's perspective and try to understand her feelings.
The struggle of three generations reflects the pain of the contemporary original family
The movie "Spring Tide" tells the story of three generations of women expressing their love with resentment under the same roof and dissolving their resentment with love. When reporting a series of social news, the newspaper reporter Guo Jianbo (played by Hao Lei) not only uncovered his scars, but also touched the secret wounds of his mother Ji Minglan (played by Jin Yanling), and the relationship between the two was once tense. At the same time, although Guo Jianbo's daughter Guo Wanting (played by Qu Junxi) is already familiar with the laws of the adult world, in the process of trying to reconcile the conflict between her grandmother and her mother, she is also subtly influenced by the two adults, and the relationship between the mother and daughter three generations is entangled.
In the film, the three generations of women have independent personalities and values, but due to the constraints of the times and destiny, their personalities and demands cannot be properly stretched at the appropriate stage of life. Such a growth history is reflected in the family, and the fierce confrontation is almost a subconscious reaction. In their respective efforts and struggles, the three generations of women who should have been holding each other together for warmth inevitably hurt each other, and at the same time, they made themselves feel increasingly cold. How all kinds of backlogs of emotions are finally released has become the most curious and focused highlight of the audience during the movie.
The entanglement of three generations of people Hao Lei, Jin and Yanling explore the emotional way out
In addition to the very realistic themes and themes, the character creation of "Spring Tide" has also become a hot topic for audience discussion after the premiere. In the film, Guo Jianbo tried to escape several times, but was always pulled back to the whirlpool of his family. Grandma Ji Minglan seems to be strong and outgoing, but the heavy past she carries makes people feel sympathetic. On the one hand, Guo Wanting is as innocent, cute and even willful as her peers, but she shows amazing transparency and maturity in her interactions with her mother and grandma. Many viewers said that they saw the shadow of themselves and their family from several characters in "Spring Tide", which also prompted them to reflect on their growth process and how they get along with their loved ones.
The simpler and more authentic the work is, the greater the challenge it will be to the actors. Hao Lei plays the forbearing and sensitive Guo Jianbo in the movie. Although she often doesn't say a word when confronting her mother, her actions and eyes contain emotional storms; while Jin Yanling, who plays her grandmother, accurately grasps the complex relationship between external strength and inner fragility, and highlights the character's weathered soul from the dense and "lethal" lines. The two actors have completely different ways of performing each other, firmly controlling the rhythm of the whole film, and the wonderful rival scenes made the audience praise them.
Hao Lei said at the premiere that like every Chinese today, she is in an era of rapid development, and there will be more or less "generation gap" between her and her mother. However, she also confessed that the process of filming "Spring Tide" is also a process of healing oneself. As the saying goes, "The relationship between you and your mother determines your relationship with the world." If you can achieve true reconciliation with your mother, you can achieve reconciliation with the world.
Details and points to help the movie restore life
The movie "Spring Tide" abandons the glitz and grand narrative of the form, closely linking the true state of the characters with the environmental background.In the film, from the towering cooling tower of the thermal power plant, to the simple car repair shed on the roadside, to the layout and furnishings of the apartment building rooms, all of which are ultimately restored to the style and living environment of the old industrial city in Northeast China, and at the same time echoes the characters' inner state of both bleakness and heat.
"Spring Tide" director and screenwriter Yang Lisan integrates fresh memories and in-depth insights into his creation. With a sincere and frank perspective, a character can unfold his story freely in front of the camera, creating a realistic work like "Spring Tide" with a sharp core but warm touch, bringing a highlight to the main competition unit of this year's Shanghai Film Festival, and also bringing touch and strength to the audience. Yang Lisen said that he hopes that the film can allow everyone to re-view the relationship with their mother and daughter and discover the possibility of reconciliation through examination.
Source: People's Daily
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