April of each year is the concentrated moment of the Japanese spring auction, and many Chinese faces gather here every April. However, every year, there are continuous exciting appearances of the lots. I believe that Japan has prepared good things for everyone early now, so comrades who want to search and dig Taobao must be as early as possible! As a neighbor who is the same as China, Japan has been greatly influenced by Chinese culture since ancient times. In particular, the advanced political systems and cultural habits of the mainland brought back by the envoys of the Sui Dynasty and Tang Dynasty took root and sprouted on the land of Japan. Today, we can still see the shadows passed down thousands of years ago.
Japan has great efforts to protect historical relics, which is not only reflected in large museums and art galleries with rich collections, but also many ancient artifacts are stored in many private residences. These treasures containing the crystallization of Chinese culture for thousands of years have been passed down in Japan for generations, waiting for the exploration and discovery of those who are destined to be explored and discovered.
says that the soldiers on the battlefield are the same, and the same is true for auctions. As the backbone of the Japanese auction industry, the Japanese Art Association has been deeply engaged in Dongfeng for 8 years. The 2019 Spring Auction Art Association has collected several first-hand sources of famous Japanese families with conclusive sources and high-end roads. It will also be shot for two consecutive days from April 25th to 26th. Please stay tuned for the good things! In April when cherry blossoms are in full bloom, we will share with you the artistic feast of spring when spring is in full bloom at the most cutting-edge Odaiba location in Tokyo Bay . American and European Art Film will select a number of special high-quality products for you. I wonder if it will suit your wishes?
Artistic tastes of famous doors and famous doors
— Matsumoto Sachi Shuangxuan's old collection album —
Lot 120 Southern Song Pink Celadon Pisces Ear Plate Mouth Bottle
Size: 24cm
Starting price: 4,800,000 yen
Source: Matsumoto Sachi Shuangxuan's old collection
The mouth of this bottle is flat and oblique, and the edge of the mouth is slightly rounded, just like the mouth. The long neck is straight tube-shaped, with double fish ears on both sides. The fish is thick in shape, with the head, eyes and scales clearly visible, and the image is realistic, inadvertently showing the exquisite craftsmanship of porcelain craftsmen. Fold in with your shoulders, and the lower abdomen gradually shrinks to form a soft curve, and dig it into your feet with a shallow bottom. The whole body of the utensil is covered with green glaze, the glaze is pure and delicate, the color is deep and verdant, and it shows the elegant and pure beauty unique to Song porcelain. The utensil is equipped with a brocade cloth costume, which is a cloth bag specially used in Japanese tea ceremony to wrap precious tea utensils. The packaging of the utensil also contains an old wooden box to hold it. The words "Qingmax Double-Ear Bottle" and "Yuxuan'an" are written in the box lid. They were specially customized by Japanese collectors in the old days. From one side, they also reflect the old collectors' care and care for this celadon bottle.
Lot 106 Bronze wrong gold and silver beast face ear pot
Size: 23x30cm
Starting price: 5,800,000 yen
Source: Matsumoto Shizang Shuangxuan'an Old Collection
Record: "Shuangxuan'an Art Integrated Catalogue" No. 222
This product has a solid body and a texture, round mouth and extravagant outside, short neck and inner bundle, sloping shoulders and bulging abdomen, double lion's ears on both sides of the shoulders, and the lower abdomen are restrained and connected to ring foot . The shape of the instrument is orthodox and heavy, with a grand spirit and solemn. The skin of the whole copper material is dark brown and clear, moisturized like the skin, the patina is simple and the momentum is thick. Gold and silver are applied to form various surround patterns: the edge of the mouth is an inverted triangle geometric pattern, the neck, shoulders and abdomen are surrounded by three square oblique thunder patterns, and the foot is decorated with cloud and thunder patterns. Above the solemn and deep background, the gold and silver stripes wander freely, bringing a dynamic vitality, showing a gorgeous luster against the backdrop of the light, making the whole instrument look shining. These patterns themselves are mysterious, simple, exquisite and elegant, with awe, and a sense of awe arises naturally.
The Tokugawa family's collection is verified and conclusively verified.
The Ming Dynasty carving and paint quality
The old packaging of triple wooden box
Witness the historical footprints of the three eras
Lot 204 The early Ming Dynasty, the colored immortal Wangjiang Pavilion melon diamond-shaped triple box
Size: 15x13.5cm
Starting price: 8,000,000 Japanese yen
Reference: Shanghai Museum collection " red landscape figure petal-shaped box", "Thousands of literature and thousands of Chinese lacquerware art" P150-151, No.98
Note: The former collection of Tokugawa Art Museum with collection tags Part 2 No. 1 Food cage 233 Showa July 23, 31st year Liufan 2 picks 4th 13th
Source: The old collection of Tokugawa family
This coat of three wooden boxes, each of which contains its own story: the first book " pine, bamboo and plum Yuweishi multi-fold box", this work was originally owned by people from Kobori Torukita in the Edo period, and was used to serve snacks in tea parties to entertain guests. The second cover is written on the face of the "Three-combined seal cage and food cage" with long red papaya-shaped pine, bamboo and plum mattes". The bottom of the box is titled "New adjustment in December of the First Year of the Dazheng period". The third cover and inside the cover are written with words such as "Yintokugawa Art Museum, a pile of red long papaya-shaped pine, bamboo and plum, three heavy incense boxes" and "July 23, 31st year of Showa". At that time, Japan was in a period of incomplete rehabilitation after the war. The Tokugawa Art Museum also released some of its collections for rebuilding, including this precious lacquer box from the Ming Dynasty.
device is in the style of a triple box, the cover is hexagonal melon-shaped, with the edges horns between the sides, and the mother-child ports between the layers are buckled, and the coloring process is applied. The cover surface shows the mountainous rocks on the riverside, the strong pine trees and the hexagonal pavilion. The Chinese scholars look at the river with railings, and the immortals in the sky are flying in the clouds and fog, and the landscape is wonderful. The side wall of the box carved several pine, bamboo and plum trees on the plain ground. The green paint is pine, bamboo and red paint is plum trees, which connotate the three friends of the cold year. The layers of the heavy box show part of the trees. When combined, they can splice the entire branches and leaves, which is quite interesting. There are more than 50 Chinese lacquerwarewares in the early Ming Dynasty, and important lacquerware also include the "Disc of the Red Pine Shade in the Shade of the High School of the Ming Dynasty" and the "Disc of the Yuan-Ming Dynasty" and the "Disc of the Red Gardenia Pattern of the Yuan Dynasty".
—Jijin Supreme-GaoAncient Bronze Special Session—
Lot 507 Shang-Zhou Bronze Boqing Ding
Size: 30x18cm
Starting price: 4,500,000 yen
Registration:
"Xi Qing Ancient Crime" Volume 2: 39, 841-56
" Three Generations of Ji Jinwen Cun " Volume 1 Volume 3
"Shangzhou and Zhou Bronze Inscriptions and Image Integration" 01623
Bronze Inscriptions: Bo Qing's Baozun Yi
Source: Old Collection of Qing Palace, Ding Xiaonong (Luo Biao) Collection, Japanese collector's body has a round opening, a square edge of the flat mouth and square edges outward, with double standing ears on both sides, slightly confined short necks surrounding two raised string patterns as decoration, with a round belly and a round bottom, and three solid feet at the bottom, making it a very classic Shang Ding ware shape. The whole instrument is full and plump in shape, the patterns are simple and refined, without too much complicated embellishment. Just by the green spots all over the body, the weight and vicissitudes that have been passed down for thousands of years can be shown, and the ancient and simplicity embossed in it is unique. The inscription is engraved on the inside of the tripod: "Bai (Bo) Qing (made) Baozun Yi", "Bo" refers to Bo from the Qing Kingdom. His "made Baozun Yi" is an artifact made as "Bo". It was originally born with great honor and was not owned by ordinary people. According to research, this artifact was once a collection of the Qing Palace, and later it was included in his collection by Ding Xiaonong, a collector in the late Qing Dynasty.
—You Gu Banhuang - Ancient Jade Special Festival —
Lot 535 Warring States Period - Western Han Dynasty Green Jade Full of Spots Pubi
Size: 10.8cm
Starting Price: 6,000,000 Japanese Yen
Source: Wu Dacheng Old Collection of Lizhai, Wu Dacheng compiled "Ancient Jade Pictures" and recorded by Pu Yubi
Note: Original Box
Box Book: Pu Bi Ding Shaoshan was kind-hearted and said that the ancient puppet jade was weaving puppet jade. There was no ancient puppet jade carved puppet grass, which was very true.This jade is covered with green jade, and the diameter is 5 inches. The 新年新
also attached: Guangxu Ji Chou Mengxia Wu Dacheng 2 volumes of ancient jade pictures
This jade bi was inherited from the War Han Dynasty, with wide edges and small holes, presenting the most classic jade bi shape of this period. The surface of the pure jade bi made by cutting and diamond holes is first drawn with the hole as the center to form a circle. The outer big circle and the edge of the bi are outlined equidistantly to form a rope pattern decoration around the edge. The surface of the inner small circle and the big circle is engraved with three straight lines in different directions. This pattern comes from the mat where the ancients sat on the ground, which is closely related to people's daily lives. It is a classic pattern that is quite common in ancient jade jewelry during the Warring States Period. The instrument is equipped with a hardwood collection box, and the engraved text on the lid indicates that this item was once collected by Wu Dacheng, a great master of the Qing Dynasty.
—Yihai Jiepin-Selected Night Scene in Ancient Chinese Art —
Lot 321 Qing Qianlong Bean Green Glaze Relief Kuilong Kuifeng Bafang Bottle
Size: 33cm
Starting Price: 12,000,000 Japanese Yen
Model:
Remarks: lacquered wooden box
The opening is extravagant, the neck is retracted, the shoulders are folded, the oblique abdomen gradually condensed, the circle feet are maintained from top to bottom, the lines are tough, the shape of the vessel is upright, and unique. The whole body is covered with bean green glaze, the glaze is pure and delicate, the color is deep and verdant, and the surface is also outlined with relief patterns: the edge is surrounded by crutches, and there are neatly arranged Ruyi heads, and the folded shoulders are decorated with banana leaves. The belly is surrounded by pairs of Kuilong patterns and Ruyi heads. In the middle, a large area of Kuifeng dances, and the lines of Ruyi foot are outlined at the close feet, with clear layers and moderate tension and relaxation. The indifferent and plain glaze surface shows extremely exquisite porcelain making technology, which is integrated with the dignified shape. The inner bottom of the foot contains the six-character seal script style "made in the reign of Qianlong of the Qing Dynasty" written in blue and white materials.
Lot 306 Qianlong Qing Dynasty colored double dragon playing with beads inserted
Size: 55x49cm
Starting price: 3,500,000 yen
Note: Rosewood seat frame
insert hardwood frame, rectangular shape, the overall shape is tough and round, with jade embedded on five sides of the border, engraved with patterns as decoration, and the details are carefully carved. The front of the screen is colored, first painted with yellow ground, then green layer, and finally piled with vermilion paint, each with a certain thickness, and carved with sharp knives, and finally completed a classic double dragon playing with pearl patterns. The picture shows the endless ocean and sea. The Sumeru Fairy Mountain appears in the sea. Three-color auspicious clouds are everywhere in the sky above. A pair of giant dragons are swaying in the clouds and fogs to compete for a colorful bead, which makes the whole picture form a three-dimensional structure from the sea to the sky. The layers are clear and the lines are smooth. Whether it is the waves, flowing clouds, the colorful light of the beads, and the twists and turns of the dragon body, they are full of vitality with rhythm.
Lot 346 Qing Xuantong Sandalwood Three Pheasant Knuckle Seal
Size: 23x7.5x12cm
Starting price: 3,000,000 yen
Note: Mahogany pedestal
Printing surface: Jingyi Imperial Concubine’s treasure
This product is carved from sandalwood. The printing buttons are represented by large, medium and small three-child chickens staying between the branches. The postures and postures are different, but they are all covered with neat and beautiful wings, as if a family of three is full of interest. The seal is surrounded by four sides, and the words "The Treasure of Emperor Jingyi Concubine" are engraved. The Imperial Concubine Jingyi was born in Hesheli. She was originally a concubine and served as a concubine, and was later promoted to a concubine. Later, she was successively named Yu Concubine Yu and Jingyi Concubine Jingyi. When she left the palace with Puyi, she was reunified and waited for Princess Gulun. Most of the time in his life, Emperor Jingyi was treated coldly and could only pass the time through calligraphy and painting. This seal should be one of the imperial tools used by the imperial concubine to relieve her loneliness.
Deeply cultivated Japan and discovered the deep treasures
The treasures of Chinese art left in Japan are inseparable from the influence Chinese culture has brought to Japan, and are reflected in traditional cultural contents such as tea ceremony, incense, flower path, and calligraphy since ancient times.
American Association Culture has been committed to exchange, learning and cultural sharing with local Japanese tea ceremony families and traditional collectors this year. In these processes, many rare treasures have been explored.
Lot 315 Ming Hongwu Underglaze Red Pine, Bamboo, Plum, Banana, Stone Jade Pot Spring Bottle
Size: 32.5cm
Starting price: 6,000,000 yen
Source:
Osaka Old Zaipan Family and Tea Ceremony Collectors' Collection
Record: The 15th Year of Showa (1940)Osaka Art Club's 52nd piece
This instrument is a classic jade pot spring bottle style, with a round mouth outward, flat edge, and a thin neck slightly converging, gradually widening downward to form a round drooping belly, and a circle foot. The whole body shows the red underglaze technique, the glaze is delicate and smooth, the patterns are clear and dense, and the patterns are elegant and the layers are clear. Whether it is the pattern on the inner edge of the mouth, the banana leaf pattern on the bottleneck, or the lotus pattern on the bottom of the abdomen, the leaf veins, vines, branches and flowers are all outlined in a delicate and delicate manner, clear and relaxed, combined with the exotic style, the characteristics of the underglaze red products are fully reflected. Especially the patterns of pine, bamboo, plum, banana and stone presented on the belly of the bottle accurately grasp the characteristics of each scenery, creating a fresh, natural, elegant and unconventional literary temperament, with a unique charm.
—Old collection of the Nine Ghost Baron Family—
Lot 136 Black paint inlaid mother-of-pearl character story picture octagonal heavy box
size: 35x26 cm
starting price: 5,000,000 Japanese Yen
Note: Old wooden box
Box book: "Made in Nine Ghosts" "Songxuanzhuang Canal No. 36"
with vermilion lacquer inner liner
Reference: Tokugawa Art Museum "Mother-Pearl-Rainbow Colors"
This product is a heavy box shape, with a flat lid surface, an equilateral octagonal shape, the mother-child mouth is buckled, the lid is sloping shoulder-shaped, straight wall, lower abdomen is retracted, and the shape is round and handsome, and it looks beautiful. The outside of the box is covered with black paint, and the paint is rich and smooth. Thin mother-of-pearl pieces are embedded on the cover to form the theme of returning home in glory. The characters in the picture form a scene, forming a picture with various patterns in the painting, and paired with the rich flowers and branches and leaves, forming an extremely lively and prosperous and interesting atmosphere. The shoulders, outer wall, and lower abdomen are divided into eight sides according to the shape, showing four layers and thirty-two sides. Each side is consecrated on the dense brocade ground. The consecration presents a picture of characters and rare beasts with different contents. When you look closely, there is no similarity. It is not too late to see it for a long time. The craftsmanship used is amazing.
—Some selected lots —
As spring returns to the earth, the Art Association has entered its eighth year since its opening. What has remained unchanged in the past eight years is the concept of deepening Japan and discovering treasures, and the original intention of providing the best service to the majority of Tibetans. Let us look forward to the upcoming art feast together. The following are some highlight lots, specially invited collectors from all over the world to appreciate them.
Lot 203 Yuan-Ming Dynasty red gardenia pattern disc
Size: 17 cm
Starting price: 4,500,000 Japanese yen
Source: Matsumoto Shuangxuan'an
Note: Old wooden box
Lot 333 Qianlong of the Qing Dynasty White jade rope pattern dragon pattern square bottle
Size: 25 cm
Starting price: 4,500,000 Japanese Yen
Note: Rosewood mount, mahogany box
Lot 372 Ming Dynasty copper gilt Yuanshi Tianzun statue
Size: 35 cm
Starting price: 1,800,000 Japanese Yen
Note: With base
Lot 329 Shang-zhou Bronze Phoenix Bird's halberd halberd
Size: 27 cm
Starting price: 8,000,000 Japanese yen
Lot 514 Spring and Autumn and Warring States Period bronze inlaid with red bronze ancient beast thunder pattern
size: 38x29 cm
starting price: 6,000,000 yen
Lot 123 Southern Song Dynasty official glaze cong bottle
size: 15x17.5 cm
starting price: 15,000,000 yen
Note: Old brocade bag, old painted wooden box
Source: Matsumoto Saicong Shuangxuan'an's old collection
record: In 1954, he participated in the New York Oriental Ceramics Exhibition
Lot 132 yuan Longquan celadon Kuilong pattern large tank black painted mother-of-pearl pedestal
size: 39 x 25 cm pedestal 51 x 32 cm
starting price: 5,000,000 yen
Note: Old wooden box
Lot 1068 Qing Daoguang Rouge red ground pink treasure pattern double-eared bottle
size: 30 cm
starting price: 8,000,000 yen
Lot 324 Mid-Qing Dynasty Westerners hold bottles
Size: 43cm
starting price: 1,800,000 yen
Note: Coral red glaze gold slab
April spring auction special
April 25
1. Japanese treasures—Japanese famous collections
2. Paint heavy beauty—Chinese ancient lacquerware special
3. Art sea of artwork—Chinese ancient art selection night venue
4. Jijin Supreme—High-Ancient Bronze Special Session
5. Yu Ancient Jade Special Session
4-26
6. Excellent value for money—no base price
7. Chinese antique treasure matinee
8. Meiji Shengong-Japanese craftsmanship special session
9. Camellia props special session
10. Yuzhen in the palm—small and exquisite treasure special session
11. Fusang ink—Chinese calligraphy and painting special session
Auction time: April 25-27, 2019
Auction location: Japan Artists Association Tokyo Club
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