On September 16, Xinhua Daily Telegraph published a report titled "Cultural Walkers on the Northeast Land". "Responsibility: 1. Responsibility, shoulder heavy responsibilities. 2. Responsibility, heavy responsibilities."

Xinhua News Agency, Beijing, September 16th. On September 16th, Xinhua Daily Telegraph published a report titled "Cultural Walkers on the Northeast Land".

"Responsibility: 1. Responsibility, shoulder heavy responsibilities. 2. Responsibility, heavy responsibilities."

" Cihai " and "Eco Source", Zhang Fuyou finally found this explanation of "responsibility" from " Chinese Dictionary ".

In 2007, he read two lines of poems by the famous Cao Wei : "Worry and responsibility are heavy, who can bear it for me?" At that time, he didn't understand the meaning of "worry and responsibility", so he sought help from the dictionary - "It turned out to be a heavy burden and responsibility!" More than ten years later, Zhang Fuyou still remembered that he was touching the pages of the book, and the turbulence suddenly arose in his heart.

Since then, the word "worry" has always been spoken by Zhang Fuyou. He felt that he had been running for decades, exploring, researching and protecting the history, geography, culture and cultural relics in Northeast China. To summarize the joys and sorrows, it was just these two lines of poetry. He traveled all over the three northeastern provinces of and the ancient tomb groups, ancient cities and important sites in eastern Inner Mongolia. His journey exceeded one million kilometers was because of "worry and responsibility". He stopped the forklift in front of the forklift to protect important cultural relics and ruins, sometimes angry and sometimes happy, because of "worry and responsibility". He was 72 years old, but he still walked in a hurry and did not dare to slack off. He spent about half of his time in the field every year, because of "worry and responsibility"...

has been retired for almost ten years, and no one has arranged any questions for Zhang Fu. What he was busy with was not a job or career or career, but was closer to a spontaneous mission - in any case, he just couldn't let go of the "heavy burden" on his shoulders.

In the summer of 2022, Zhang Fuyou, a librarian and researcher of the Jilin Provincial Museum of Literature and History, was awarded the title of "The Most Beautiful Cultural Relics Safety Guardian" in the country. This is the first time that a candidate has been selected in the Northeast region since the National Cultural Heritage Administration organized the selection event in 2019. The award speech to him was: "Traveling through mountains and rivers, measuring the historical context of Changbai Mountain with your feet, and protecting the safety of cultural relics."

"Don't laugh at the East Frontier without writing"

It is not easy to truly understand a land, so each piece of land will choose its own "historian" to carry it through the past and present, and relay memory.

Zhang Fuyou's name should appear on the list of "historians" in Changbai Mountain. He really has the talent to do this job.

He has a good memory. A 72-year-old man can still recite large sections of historical documents in one breath; he can call out the names of more than 40 classmates in his class nearly 60 years ago according to his academic number; when talking about the past, Zhang Fu is always accurate to the day. For example: "The first time I went to Changbai Mountain was on August 8, 1993, the first day after the beginning of autumn." "After discovering the Gangzi site in 2016, I went there 11 times a year. The first time was April 28, then May 2, May 11, May 18, June 1, July 2, July 19..."

He still has good energy. Not to mention those field surveys, just walking companions who were 20 years old, 30 or even 50 years younger than him all lamented that his pace was fast and steady, and it was difficult to chase.

On this day, Zhang Fu climbed Changbai Mountain for the 204th time. He still looked at the scenery carefully, admiring the magnificence of nature, and read the signs and diagrams in the scenic area word by word to see if there are any mistakes in the expression. He was so familiar with the mountain. There are several scenic spots in Changbai Mountain area that he finalized the names and promoted them. For example, the Yalu River Grand Canyon , which was called "Camel Peak" in the early years and the Wangseng Swan Scenic Area , which was once called "Northern Red Cliff".

After going down the mountain, Zhang Fu did poems and records as usual. When he climbed Changbai Mountain for the 200th time, he wrote: "I am fortunate to follow the white color of the mountain, and I am soaking the sky when I stay together forever." This time, he wrote: "I have a life to protect my home and do not laugh at the east side without literature."

"The east side without literature" - believe that the northeast is located in the border, a wilderness and has no cultural heritage. This prejudice was once deeply rooted in people's hearts. " Mountains and Seas " records: "There is a mountain in the great wilderness, called Buxian, and there is a country of the Sushen ." "Great Wilderness" refers to a very distant place, and " Buxian Mountain " is Changbai Mountain.

In 1996, during his work in Baishan City, Jilin Province, an important task was to strengthen the construction of Changbai Mountain culture. At that time, Changbai Mountain was far less famous than the "Top Ten Famous Mountains in China" today.Zhang Fuyou came up with a promotional pictorial, but found that he couldn't even get all the photos that could be used. He simply used the weekend time to go up the mountain to take photos by himself again and again.

According to the suggestions of local friends, shortly after visiting Baishan , Zhang Fuyou began to collect and organize poems related to the Changbai Mountain area during his spare time. The more he digs, the more he feels that the culture of Changbai Mountain is long.

"Golden flowers fold the wind hat, white horse returns." This is "Goguryeo" by the Tang Dynasty poet Li Bai ; "The mountains are surrounded by chicken forests, the river is clear and the ducks are green, and the sea is narrow and the sea is narrow." This is "Nian Nujiao·Inscription on Xu Mingshu's Flute Song" by the Song Dynasty poet Zhang Yuangan.

The first two years and three months from Baishan, Zhang Fu spent almost all his spare time looking for a needle in a haystack from classics. His wife and children are in Changchun, and he goes back to reunite once a month. He will not attend the dinner unless he has no choice. "I really can't bear to sit there for two hours. This time is enough for me to annotate several poems." In order to approve a word from Li Bai's "Goguryeo", he went to the provincial capital library to find the "Complete Tang Poems" in the woodcut of the Song Dynasty. The old warehouse had not opened for a long time. As soon as the door opened, he first swallowed a mouthful of dust from unknown years and months, and choked for a long time...

1998, "Selected Poetry of Changbai Mountain" was published, which included 1,145 poems by 541 authors since " Book of Songs ", becoming a fill-in-the-blank work to showcase the historical and cultural heritage of Changbai Mountain. The history reflected behind the poems also gave Zhang Fu a new understanding of the land under his feet. He found that the burden on his shoulders was heavier and he had to do more.

"Changbai Mountain is not only a treasure house of natural resources, but also a treasure house of cultural resources. There are records about Changbai Mountain in "Shan Hai Jing", "Book of Songs" and "Records of the Grand Historian". From this point of view, Changbai Mountain culture is closely related to Central Plains culture and is one of the sources of Chinese culture." Zhang Fuyou said. He specifically pointed out that as a border area and a multi-ethnic area, studying Changbai Mountain culture is of great significance to understanding the formation and development of the diverse and integrated historical pattern of the Chinese nation.

"This is a 'concern'." He said, "But I didn't know this word at that time."

In 2000, Zhang Fuyou, who was transferred from Baishan City , and several scholars and experts, initiated the establishment of the Changbaishan Culture Research Association of Jilin Province and was elected as the president, continuing to dig deep into Changbaishan culture. So far, they have organized 9 Changbaishan cultural seminars, published 4 "Changbaishan Cultural Theory Series", published more than 200 papers, and achieved more than 40 new archaeological discoveries and new conclusions, adding academic reserves and discourse power to the study of Northeast history and culture. Zhang Fuyou's research has verified that the " Yang'an Jun " of Zhao Guoyang Anjun bronze weapon unearthed from Ji'an is called Li Ji'an . It is an academic innovation such as Laozi Li Er's fifth generation grandson. It has been recognized by the famous archaeologist Lin Yun and has been written into the "Overview of China's Pre-Qin History Research". "Now I rarely hear the saying "Dongquan Wuwen" again." Zhang Fuyou said, and he was relieved about it.

"A person can't live a tree in his life, and even more so, stones cannot be compared." On Changbai Mountain, Zhang Fuyou looked at the scenery and sighed that people are passers-by and the mountain is the owner. "I think it is very meaningful to be able to do something for the mountains and rivers and leave some traces for future generations."

"nothing business" that must be taken care of

In 1950, Zhang Fuyou was born in Liangmin Village, Ji'an County, Jilin Province, at the foot of Changbai Mountain and next to Yalu River. When he was a child, he often went to the pile of stones behind his house to pull pig grass . At the age of 14, the Jilin Provincial Archaeological Team came to his house to do archaeological excavation. Zhang Fuyou was surprised to hear that the piles of stones that the fellow villagers were common to were originally ancient tombs.

"I love the landscape of my hometown very much, but when I was a child, I didn't know its history and culture at all." Zhang Fuyou said. The true understanding of the value of these ancient tombs in my hometown was after he began to study the historical and geography issues of Northeast China from the study of Changbai Mountain's poetry, which "used poetry to prove history".

This childhood memory is like a wedge, indicating that Zhang Fu has the future of dealing with cultural relics and monuments in his hometown, and also reminds him to have a deeper understanding of the land under his feet and pay more attention to the remains on the land.

In 2003, Zhang Fuyou was responsible for the study of major historical and geography issues in Northeast China.In the following ten years, he focused his work on the ancient local regimes in Northeast China and the archaeology of Liao and Jin Dynasties. Together with experts from Ji'an Museum, Sun Renjie and Chi Yong, he traveled all over the ancient cities, ancient tomb groups and important sites in the three northeastern provinces and eastern Inner Mongolia, taking photos, measuring points, and recording, and accumulating many precious first-hand information.

"If you don't have first-hand reliable information, you have no right to speak and you may suffer a great loss." Zhang Fuyou said. Research on major historical and geography issues in Northeast China involves major issues such as ethnicity, borders, culture, and politics in the Northeast region.

"Worry and responsiveness", Zhang Fuyou recited this word again when talking about countless days and nights in those ten years. After a long field investigation, he wrote a poem "Ji Liaodong" to two fellow scholars, his driver and off-road vehicle each. The poem written for the off-road vehicle is: "Climbing mountains and wading in the water, walking in winter and summer, starry and sunset. Visiting the city and mountains is far and near, and you are willing to regard the road as your home. Remembering your image is like relatives and friends, keeping it in your heart, and proving history to come and suffer together to avoid the worries of the descendants."

"We must protect our limited cultural resources, which are non-renewable." Zhang Fuyou said, "In recent years, I have seen some cultural relics under serious threats, and they will disappear forever if they step late. It's fine if I don't know, but if I know them, I must watch it."

He is not afraid of killing people for this. "I have taken care of many 'nothing business' that I don't care about. I can't ignore it and go around it. I can't get over this hurdle in my heart."

As early as 1996, when Zhang Fuyou first came to work in Baishan City, he once took a bus to pass by Dayangcha Town and encountered a construction team rushing to repair a road destroyed by heavy rain. The road construction location happened to be in the area of ​​the important local geological site "Cambrian-Oddoodle System Boundary". The workers fired fire again and used air drills to punch the holes, which had caused some damage.

He called to stop the car and stepped forward to stop it. The other party asked: "Do you have any control?" - Indeed, this is not a job that Zhang Fuyou is in charge. "If it's not my control, I have to control it too!" He called the city, and the head of the relevant department then rushed to the scene to coordinate the handling. "This place is about to be destroyed. This is a great event! Absolutely not!"

On February 2, 2013, the Chibei District of Changbai Mountain Management Committee hired Zhang Fuyou as the general consultant of the history and culture of BMW City Economic Development Zone to attend the seminar. Only then did he realize that the ancient city ruins "BMW City" had been designated as an economic development project for more than two years and was about to develop the main body of the site.

Zhang Fu is anxious! When it was his turn to speak, he said: "The projects that have been started must be stopped immediately, and the main body of the site must never start construction." The venue, which was originally warm and warm, was suddenly silent.

Zhang Fuyou explained that BMW City is a provincial cultural relic protection unit. Moreover, combined with the speculations in "Hang Zigu was ordered to enfeoff Changbai Mountain and send it to you with poems" and "Changbai Mountain Records", BMW City is likely not a city, but a temple that worships Changbai Mountain in the Jin Dynasty . It should be declared immediately to the province and the state to strive for archaeological excavations.

A seminar on economic development ended quickly. Zhang Fuyou's opinions were paid attention to by Changbai Mountain Management Committee and relevant departments of Jilin Province. After more than four years of archaeological excavation, the members of the expert group unanimously determined that the BMW City ruins were the former site of the Changbai Mountain Temple in the Jin Dynasty.

In 2017, the Changbai Mountain Temple site of the Jin Dynasty was rated as one of the top ten new archaeological discoveries in the country of the year. In 2019, the site was announced by the State Council as the eighth batch of national key cultural relics protection units. In 2021, it was shortlisted for China's "Century of Archaeology and Top 100 Discoveries".

"Why is this temple so important?" Zhang Fuyou introduced that the Changbai Mountain Temple ruins are the first "mountain sacrifice" remains discovered outside the Central Plains of my country. Jin Shizong and Jin Zhangzong followed the tradition of the Central Plains emperor Fengshan and sacrificing Taishan , and worshiping Changbai Mountain here. Its discovery provides empirical evidence for exploring the formation and development of a multi-ethnic unified country, and is of great value.

Just two months after the BMW City development project was stopped, on April 4, 2013, Zhang Fuyou invited Liaoning Provincial Museum former director Wang Mianhou and then director Xiao Jingquan of Fushun Museum to visit Shenyang together to inspect the exact location of Shangbo Guantun Ancient City.After the inspection was over and when he boarded the bus and was about to leave, he saw a corner wall on the side of the road. He hurriedly summoned the two of them to get off and took a closer look. He found a Han Dynasty tomb from the foundation trench dug for the construction of the expressway. Zhang Fu suggested that Wang Mianhou immediately report to the Liaoning Provincial Cultural Relics Department, stop the project, and carry out rescue excavation.

The ancient tomb group of the Han Dynasty in the ancient city of Qingzhuzi of Shenyang was discovered in this way. In 2014, the "Qingzunzi City Site" was included in the ninth batch of provincial cultural relics protection units in Liaoning Province.

Within one year, Zhang Fu has reason to be proud of a "national security" and a "provincial security" from under the forklift, but sometimes his efforts are not rewarded.

again and again, and the site was still damaged by the brutal construction of the company. Zhang Fuyou yelled at the company representative at the expert discussion meeting: "I still reserve the right to pursue the matter according to law!" He asked again and again, but there were still places who were not active in cultural security work. Zhang Fuyou reported the problem, and the other party was impatient and directly pushed the old man out of the door. "If you protect cultural relics, I respect you! If you do not protect cultural relics, I look down on you!" Zhang Fuyou said.

Why bother? What's the purpose? He offended many people, making himself so angry that he blushed and heartbroken... Some people don't understand Zhang Fu's seriousness. "What am I afraid of? I am fearless! And what I said and done is reasonable, I am not for myself." Zhang Fuyou said, "It is so sad to see such a good site being destroyed and such a good site not being protected! It is much more painful than what I have lost in person."

Predecessors and strangers

Mugwort , Jerusalem artemisia , Grass and Rhinos , wild Alfalfa , Yuehua , mountain elm, Red Pine , yellow pine... The hillside is occupied by various plants and bees buzzing. In the afternoon sun, Zhang Fu had his fingers on the road and told us that he was almost at this location and picked up the Changbai Mountain hand axe about 30,000 to 50,000 years ago. Later, an archaeological team composed of , Chinese Academy of Sciences and Jilin Provincial Archaeology Institute was welcomed here. It was named "Maple Forest Site". It is also a landmark area of ​​Paleolithic archaeology in Northeast Asia region and was included in the related project of " Archaeology China".

That happened on October 20, 2014. The Changbai Mountain Management Committee Chinan District commissioned Zhang Fuyou to investigate the historical and cultural resources of the area around Manjiang . He therefore decided to retake the Qing Dynasty's official first inspection route of Changbai Mountain - the 16th year of Kangxi (1677) Qing Palace Minister Wu Mone 's road to Changbai Mountain.

Passed by Fenglin Village, Manjiang Town, Fusong County, right where the car stopped, Zhang Fuyou habitually glanced to the right before getting off the car, and saw a loess bun one and a half meters away from the car window, lying on a stone-making tool that he had never seen before, "green and beautiful."

was identified by Professor of Jilin University and Deputy Director of the Paleolithic Professional Committee of the Chinese Archaeology Society Chen Quanjia . This is a standard hand axe from the late Paleolithic era. It has exquisite production craftsmanship and beautiful shape, which is comparable to the typical Aseri hand axe in the West. It is very rare. "The discovery of this hand axe is of great significance." Chen Quanjia wrote in the "Changbaishan Hand Axe Identification Opinions", "It is of great significance to understand the Paleolithic Industrial Appearance in East Asia, the survival behavior of humans in the late Paleolithic period, and the comparative study of Paleolithic culture in the East and West."

So, at this moment, at the foot, the ancient atmosphere spreads.

Zhang Fuyou's eyes were shining with excitement: "I really want to know who made such a hand axe here 30,000 to 50,000 years ago? Where did they come from? How long did they stay here? How to live? Where did they go? What path did they go? - I don't know all this, it's all a mystery!"

haven't come to the maple forest for a long time. He crawled into the grass half-height, wanting to see if he could find anything else. Every step he took had to draw an arc forward with his feet to sweep vine , and from time to time he bent over and pick up the stones on the ground. He was as agile as a young man.

"A lot of things are coming out," said Zhang Fuyou. He is always on the road, before retirement, and still after retirement in 2013.

What he talked about most during countless journeys was the four field investigations of cultural anthropology , and the four "retreats" of the historical road. In addition to discovering the hand axe this time, there are also: in 2008, he re-tracked the road of Changbai Mountain, Liu Jianfeng, a hundred years ago, who was the first person in comprehensively and scientifically investigated Changbai Mountain; in 2015, he re-tracked the route of marching and returning to the army of Liao Taizu , and in 2016, he re-tracked the path of boundary survey recorded by patriotic official , Wu Dacheng in the diary style historical book "The Chronicle of Huanghua".

Zhang Fuyou figured out a way to go: combine document records, archaeological investigations and geographical environment analysis, and in the process of retracing, clarify the historical context as much as possible, conduct a more credible analysis of doubts in historical events, and draw more convincing conclusions.

He walked on the northeast land in this way. The ancient road was like a bridge connecting generations of ancient and modern people. He himself became a link between history and the present.

While walking, Zhang Fuyou could always see the backs of his predecessors. He chased them on a journey, feeling a bond and inheritance. "That mood is hard to express. First of all, it is gratitude and gratitude, thanking them for the valuable information they left to us. Then, I also want to comfort them that what you did was not done in vain. The contribution you made to the country and nation will be known to the future."

Zhang Fuyou likes Argentina sonnet "To Strangers", especially loves the sentence: "I feel that strangers, I have been extended in your existence."

"A person, no matter how hard you live, he will still grow old, but strangers will continue to emerge." Zhang Fuyou said, "What we do now is of course for people today, but from a certain extent, we must have aged." In the sense, it is not entirely, but to leave academic reserves and academic discourse for our descendants and our strangers. When we are not around in the future, what we leave will definitely help them in this and that way, just like today, Liu Jianfeng's " Changbai Mountain Jianggang Zhiluo ", Wu Mone's memorial to Kangxi , Wu Dacheng's "Huanghua Chronicle" and "Diary of Jilin" helped us. Because of strangers, the Chinese cultural context will continue and be passed on."

At that time, people once evaluated Liu Jianfeng, who was named after Changbai Mountain and the Sixteen Peaks of Tianchi, who went to check on Changbai Mountain and named the Sixteen Peaks of Tianchi. Zhang Fuyou also used these 8 words to demand himself. "We must reach the realm of predecessors. Our conditions are incomparable to our predecessors. We cannot live up to the opportunities given by history."

History is the reality of the past, and the future is the fruit of today. Every generation has their own concerns. We are strangers to our predecessors. We hold the hands of our previous generations, do the things of this generation, and wait for certain moments in the future. Our strangers will also hold our hands. "The strength will not be in vain. When I am depressed, as long as I think about this, I will be full of hope again." Zhang Fuyou smiled softly.

"The work has not been finished"

"Why are you tired? Whoever is tired knows." In private, Zhang Fuyou, who knows what tirelessly is in the eyes of the people around him, admits.

Once, he came back from the inspection alone. When he entered the door, he asked his wife to take pictures of himself carrying more than 60 kilograms of luggage and was exhausted. "I took a picture of a embarrassed look. After several years, when I can't walk or carry it, I will take it out and take it out. If the children are interested, I will show them and tell them how they can get something without giving? Dad has worked so hard."

Another time, he wrote down his sigh on the way to the ancient road: "I can't stand it, and I don't want to take a step... Gray hair, an authentic white-headed man, it's strange that I'm not tired! Be convinced!"

turned around, he carried his bag again, and ran on the road. "I haven't finished my work, I just let go of it like this, no matter how irresponsible it is to history," said Zhang Fuyou. When

was awarded the title of "The Most Beautiful Cultural Relics Safety Guardian", Zhang Fuyou remembered the people who had been with him over the years, especially Gangzi Village, Dunhua City, Jilin Province, the group of volunteers who followed him around. Some people say behind the scenes that Zhang Fuyou and these volunteers are like "a big madman leading a group of little madmen.""I want to use this honor to give me a name and them. We have not been running around all these years." Zhang Fuyou said.

In 2016, Zhang Fu, who had been retired for three years, consciously "had not finished his work" and continued to follow his archaeological path. He often bought a high-speed rail ticket alone, and set off with his luggage on his back. From April to July of that year, he went to Dunhua for archaeological investigations at his own expense and accidentally discovered an unrecorded group of Gangzi sites. After writing an article on " Jilin Daily ", Zhang Fuyou received a letter signed by 99 villagers and pressed their fingerprints.

The letter signed by "All villagers of Gangzi Village, Guandi Town, Dunhua City" states that with the long history and "Tonggou Town" in the Qing Dynasty, people are exploring the historical and cultural heritage of the village and developing a new rural cultural industry with the support of the village committee. "We are the local common people, searching in fragmented memories, searching in ancient books and related materials, for fear of making mistakes. After seeing your article, we realized that our place has such a profound cultural history. We were even more excited at once. In addition to being excited, we gradually realized that this is not something we can do well ourselves. We dreamed that if we could ask you, an expert, to guide and check..."

Zhang Fuyou decided to go to Gangzi Village. "I feel that these signatures are heavy and very heavy. This is the trust of the people in me and my responsibility. The history and culture of the Changbai Mountain area cannot be known only by those who study it, but also by the people. Only by letting the villagers understand the history and culture of the village can they love it more and have cultural confidence."

Yu Yaru, who drafted the joint letter, was both in other provinces. Because he returned to his hometown to worship his ancestors, he listened to the story of his ancestors in Gangzi Village and decided to return to the village to invest money to build a cultural park and inherit the history of the ancient village.

At Zhang Fu's suggestion, Yu Yaru named the cultural park of Gangzi Village "Tonggou Academy", and slowly gathered a group of enthusiastic volunteers. We all compiled village history together, built rural museums, held folk cultural activities, held historical and cultural lectures, followed Zhang Fuyou to go out early and go back late to check the ruins, and searched for cultural relics...

Fighting At that time, every time Zhang Fuyou came to Dunhua, he would always follow a few companions around him, because the volunteers were worried that he would go to the fields and mountains alone. Once, Zhang Fuyou went to Tonggouling Mountain City near Gangzi Village to measure the perimeter of the ancient city. Due to heat stroke, he took photos on the city wall and his eyes turned dark and fainted on the ground. Later, he was awakened by the shower and his legs were thrust.

"He is just a stubborn old man!" Yu Yaru said, "But his spirit is really touching, and his persistence has also spread to us. Whether we are crazy or stupid, we know that we are to revive local culture and to future generations, in the words of Teacher Zhang, leave something for strangers."

volunteer Lu Yajie said that following Zhang Fu would be addicted to archaeology: "When I first met Teacher Zhang, he talked and laughed to us, but he was very close. We didn't know archaeology before, and he told us stories every time we came back. The more we listened, the more we liked it. Later, he heard him telling those concerns and responsibilities, and felt that these things were meaningful. He had endless things to learn."

Yan Cheng is the administrator of a martyr's cemetery in Dunhua and the nephew of Chen Hanzhang, a famous general of the Northeast Anti-Japanese Coalition. When Zhang Fuyou went to Gangzi to check the ancient road, he came to be the driver. "The road was very bumpy. I was nearly 20 years younger than Teacher Zhang. During those days, I watched him sleeping on the sky and looking for something on the road... I only had one idea. As long as he came and I had time, I would drive him."

"Some people just don't understand. What do you think you want? Do you give you money?" Volunteer Shi Guijuan was the director of the Dunhua Municipal Bureau of Culture and Sports before retirement. She wrote her voice into "The Song of Tonggou Academy Volunteers": "There is a fire burning in my heart, and I am worried and responsible on my shoulders. The cold and heat are coming and going, the wind and snow are flying, and the footprints are left to the mountains and rivers..."

In the past six years, Zhang Fuyou took these volunteers to hundreds of trips to the ruins of the Gangzi. After heavy rain and typhoons, they collected thousands of stone tools and pottery from the surface, including jade bi, Wuzhu coins, bronze chariots, iron knives, iron horns, and other objects, with a span of about 8,000 years.These utensils will be donated to the local cultural and museum department after the research is completed.

Zhang Fu has a judgment that the Gangzi site may be the old place of Yilou , or it may be related to the founder of Bohai Kingdom, Dae Jo-young, "occupied Dongmu Mountain and built a city to live in it." He looks forward to archaeologists conducting investigations and excavations as soon as possible to crack the secrets behind this site.

has studied the history and culture of the Changbai Mountain area for more than 20 years. Zhang Fuyou still has some puzzles in his mind to be overcome. He felt that he could still run and was ready to run as much as possible. After all, "the value of life is diverse. It can solve several difficult problems in Northeast archaeological surveys and literary and historical research, which is my historical value and social value."

Looking back, he counted those shining, joyful and satisfied moments - at 3:30 in the morning, he finally figured out an academic problem, counted the watch until dawn, and immediately called to share it with other scholars; he found the answer he had been looking for for several years in the book, jumped from the bed barefoot, shouting, "I found! I found!" while circling around the house; in Gangzi Village after the heavy rain , following the villagers' guide, I walked through the ancient road that I had never walked, and found an important site, and picked up the precious pottery ; I guarded a site, discovered a new knowledge, was recognized by the academic community, respected by the villagers, and left valuable messages for future generations...

"Although I was tired, I felt it worth it." Zhang Fuyou said, "Responsibility has always been a huge driving force. The work has not been completed, and the road ahead is still long, and a long road must be taken slowly."

In fact, for Zhang Fuyou, the work can never be completed, but this is also a kind of happiness.