Ever since the people of ancient Greece evolved ritual activities into a form of entertainment that everyone can participate in, theater has been an important part of human spiritual and cultural life for thousands of years. People use drama to judge the past and present, and to

has evolved the festival of the festival since the ancient Greek people into the entertainment form that everyone can participate in. For thousands of years, theater has been an important part of human spiritual and cultural life. Self, and the theater, as the carrier of this rich culture, often introduce new forms and styles, becoming a representative building of a city. Below, Xiaobian will take you to see the 24 most interesting modern theaters in the world.

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韩国釜山电影中心建筑设计:蓝天组Coop Himmelb(l)au

据蓝天组设计负责人沃尔夫·德·普瑞克斯先生介绍,该项目的基本概念主要展现了开放与闭合空间、公共Overflow with the private field. The purpose of design is to create a new interactive space for public exchanges, cultural programs, entertainment activities, scientific and technological innovation, and architectural design, and shape a dynamic monument in urban landscapes.

© Duccio Malagamba


© Duccio Malagambas

M Duccio Malagamba

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Shenzhen Opera

Architecture Design: Lannville Architect

Shenzhen Opera House Architectural Contest Design International Competition The winner of the prize and the international famous architectural design master Jean Nudell's design team submitted the "Sea Light" plan to stand out and won the first prize. The plan of Jean Nuville's design team responded to the venue and propositions in a combination of abstraction and concrete, thinking from the angle of cities, mountains, and sea -dimensional dimensions.

© Jean Nudill Office

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HT TML7

Building Design: OMA Architect

OMA believes that "contemporary art is the contemporary art is the contemporary art is the art of contemporary art is There is no reason for depression. "TPAC is an opportunity to try the internal operation of the theater, which has a dynamic appearance. Therefore, the three theaters of TPAC are inserted into a central cube, combining the stage, background and service space into a single, effective entity, so that the stage can modify or merge the unpredictable scenes. The project will include three theaters, including 1,500 seats in the Grand Theater, and 800 seats in the multi -functional theater. In order to experience a better performance, the theater adopted a flexible layout and a ball type of 800 seats. theater. This may be the appearance of the most iconic elements.

© Christ Stowers

© oma

© Oma

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THE SHED Art Center

Architecture Design: Diller Scofidio + renfro architectural affairs The open infrastructure of

"The Shed" can provide permanent flexibility for the unknown future Sexuality and the changing needs of scale, media, technology and artists in a timely manner. The 37 -meter -high -high -moving shell of "The SHED" is built by a naked steel slashing rack with a semi -transparent cushion. The cushion is made of polyfluoroethylene (ETFE) and lightweel fluoron polymer. This material has the heat insulation performance of insulation glass, and is only equivalent to a small amount of weight of the insulated glass. The polyfluoroethylene panel of "The SHED" is the largest panel ever, and it placed its length close to 21 meters in some places.

© Iwan Baan

© TimothySchenck

© TimothySchenck

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Elbphilharmonie Hamburg

Architectural design: Herzog & de Meuron Architectural firm

built a towering glass structure on a historic warehouse building on the banks of the Elbe River. The building includes 3 concert halls, a large music education area, a terrace overlooking the city and a hotel. The Concert Hall, the largest of the three concert halls, will seat 2,100 people and its acoustic environment was designed by internationally renowned acoustician Yasuhisa Toyoda. In the building, people can enjoy a visual journey.

© Iwan Baan

© Iwan Baan

© Iwan Baan

© Iwan Baan

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Sverdlovsk Philharmonic Concert Hall

Architectural design: Zaha Hadid Architects

To design the new home of the Ural Philharmonic Orchestra, Zaha Hadid Architects named "Echo" physical sound waves” Create an inspiring place that supports the Philharmonic’s growth plans and creates a new public square that serves all citizens. Zaha Hadid's proposal is based on "the undulating properties of musical resonance in a continuous smooth performance" transformed into fluid, suspended elements that float above a new urban space, all contained within a vast dome. Down. The centerpiece of the scheme is a 1,600-seat concert hall and 400-seat private concert hall "nested with the morphing surface of a suspended dome." Rising away from the ground, this element creates an unobstructed hall below that serves as a dynamic Urban populations in public gathering spaces. In this scheme, interconnected public spaces are arranged continuously in the form of a roof terrace overlooking the city's All Saints Church.

© Zaha Hadid Architects

© Zaha Hadid Architects

© Zaha Hadid Architects

© Zaha Hadid Architects Zaha Hadid

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Kamal Theater

Architectural design: Kengo Kuma Architects

The geometric design of the new theater is inspired by the "ice flower", a rare natural phenomenon on Lake Kaban. During the winter, the building’s volume blends into its surroundings and becomes part of the lake. In the summer, the waterside building will be integrated into the landscape through the various folded reflections of its transparent façade. Thus, through its form, the building expresses the "sharpness" and "ambition" that characterize Tatar culture, architecture and art.

© Galiasgar Kamal Tatarian State Academic Theater

© Galiasgar Kamal Tatarian State Academic Theater

© Galiasgar Kamal Tatarian State Academic Theater

© Galiasgar Kamal Tatarian State Academic Theater

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Sydney Opera House

Architectural Design: Jorn Utzon

The history behind the Opera House and its creation is as rich as the building itself. In 1956, the New South Wales government launched a public competition to design two performance halls (for opera and symphony concerts) in the hope of establishing Sydney as a major city. The competition was won by Danish architect Jørn Utzon, whose work consisted of a few simple sketches and attracted the famous Eero Saarinen, who was one of the judges. The jury thought: "The submitted drawings are simple enough to illustrate.""Construction began in March 1959 and was carried out in three phases: the construction of the foundations and podium overlooking Sydney Harbour, the construction of the shell, and the construction of the interior. The shell structure consisted of a rib system of precast concrete shells, made of individual spheres Partially composed. To achieve this aesthetic, Utzon wanted the shells to be depicted as large sails, contrasting with the deep blue ocean in which they sit. The shell is covered with 1,056,066 ceramic tiles made in Sweden from clay and gravel, and it took 11 years to complete the iconic roof structure. Virtual 360

© Flickr - User: Heaven's Gate (John)

© Yellow Book/New South Wales Government State Records

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Harbin Opera House

Architectural design: MAD Architectural firm

Located in the wetland environment of Harbin, the design of the Harbin Opera House echoes the wild spiritual power and harsh climatic conditions of this northern city. The building seems to be shaped by wind and water, fully integrated into nature. and terrain, injecting local characteristics, art and culture. “We hope that the Harbin Opera House will become a property. It is a cultural center of the future, a venue for large-scale performances, but also a dynamic public space that integrates people, art and urban identity, and at the same time blends into the surrounding natural environment,” said MAD founder, Architecture Teacher Ma Yansong said

©. Hufton+Crow

© Adam Mørk

© Hufton+Crow

© MAD Architectural design: Sou Fujimoto Architects

Sou Fujimoto's Hungarian "Music House" is a contemporary cultural landmark dedicated to music located in a Budapest city park , which was officially opened to the public recently. The Hungarian Music House is considered one of the most anticipated buildings in 2022. It is perched among the trees in the park and has a large horizontal continuous glass volume and a roof made of perforated panels, making the building a continuation of the natural environment. The House of Music creates a unique artistic experience by integrating architecture, curatorial and landscape, all of which will help to optimize music and sound.

© LIGET_BUDAPEST_Palkó_György

© LIGET_BUDAPEST_Palkó_György

© LIGET_BUDAPEST_Palkó_György

© LIGET_BUDAPEST_Palkó_György

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Shanghai Grand Opera House

Architectural design: Snøhetta The new Shanghai Grand Opera House by the architectural firm

is located on the back beach of the Expo, close to the bank of the Huangpu River. As an art palace for artists and the public, the new Shanghai Grand Opera House embodies dynamic concepts. Just like the dancing body of an opera singer during a performance, or the dynamic unfolding of a fan, they all inspire the exterior and interior spaces of the Grand Opera House, extending from the foyer to the three auditoriums. The fan-like unfolding of the roof forms the accessible surface and the space below. At the same time, the geometric unfolding of the roof naturally forms a spiral staircase, connecting the ground and the sky, and creating a view facing the core of Shanghai and the Huangpu River. Excellent viewing point. The dynamic intention of the Grand Opera House's architectural design also permeates its visual brand design, which includes a highly recognizable logo with an unfolded fan pattern, which is full of oriental regional characteristics, exquisite and simple.

© MIR and Snøhetta

© Brick Visuals

© MIR and Snøhetta

© MIR and Snøhetta

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Bristol Old Vic Theater (renovation)

Architectural design: Haworth Tompkins Architects

Haworth Tompkins The architectural practice has completed a new foyer and studio for the Grade I listed Bristol Old Vic Theatre, the oldest continuously working theater in the English-speaking world. The result of five years of meticulous research, consultation, design and construction, the project aims to open up the foyer area to a wider and more diverse audience and place the theater at the center of Bristol’s public life and public spaces.

© Philip Vile

© Fred Howarth

© Fred Howarth

© Haworth Tompkins

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Park Theater

Architectural design: Renzo Piano Architects

In 2013, the Italian city of Trento donated a Renzo Piano-designed theater to the city of L'Aquila, which had been devastated by a devastating earthquake four years earlier. Reconstruction of this medieval city. The theater's form creates an illusion of instability, consisting of three interconnected cubes (a total of 1,165 cubic meters) made entirely of wood.

© Marco Caselli Nirmal

© Marco Caselli Nirmal

© Marco Caselli Nirmal

© Renzo Piano Studio

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Suzhou Bay Grand Theater

Architectural design: Christian de Bauzambach Architects

Suzhou Bay Cultural Center is located on the east bank of Taihu Lake in Wujiang, Suzhou, and is the center of Suzhou Bay. Launch of master planned landmark project. In 2013, when Pritzker Prize winner and architectural designer Christian de Portzamparc first came to East Taihu Lake and saw this open space, he was fascinated by the open plains and the boundless water and sky. I was deeply impressed. The planning of Wujiang Taihu New City is even more ambitious, and the scene of prosperity like Manhattan emerges vividly on the paper. The city on the blueprint uses a wide walkway perpendicular to the lakeshore as the central axis, where people can meet. The cultural center is in an important position on the lakeshore at the end of the axis. Bauzambach realized that there needs to be a link to connect the elements in the site ( city, sky, lake, people), the inspiration for “Streamers” comes from this.

© Shao Feng

© Shao Feng

© Shao Feng

© Christian de Bauzambach & Associates

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Reina Sofia Arts Opera House

Architectural design: Santiago Calatrava Architects

Valencia Opera House is both Valencia’s main performing arts facility and a vibrant urban landmark, helping to consolidate and Build areas and create energy. The program mainly consists of: an auditorium with 1,706 seats for opera productions, concerts and ballet; a chamber music hall with a capacity of 380 people for chorus, drama and other events (lectures, conferences, etc.); another auditorium, It can accommodate up to 1,520 people and is equipped with a state-of-the-art film and video projection system, with special video screens available to view performances.Adjacent to the main building is a 400-seat experimental theater and dance auditorium with gallery space for exhibitions of fine and decorative arts.

© Alan Karchmer

© Alan Karchmer

© Alan Karchmer

© Santiago Calatrava Architects

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Nanchang Poly Theater

Architectural design: PES Architects

The project creates a "Cultural and Business Park", a series of public living rooms provide a framework for the creation of intellectual, economic and social value. Borrowing the typology of traditional Chinese villages, the scheme is broken down into three volumes: a grand theater/opera house, a multi-purpose theater and an arts education and exhibition space. These are connected by a central passage that runs through the entire project area. The form of these loose volumes resembles three fish circling in a pond, allowing people to flow freely around them. The building’s wooden curtain wall is clad in a pixelated matrix of ceramic and glass bricks with varying degrees of translucence and opacity, a nod to the Nanchang region’s ceramic manufacturing tradition.

© PES Architects

© PES Architects

© PES Architects

© PES Architectural Office

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Harpa Concert Hall, Iceland

Architectural design: Henning Larsen Architects + Batteriid Architectural firm

's "Harpa Reykjavik Concert Hall and Conference Center" in Iceland is located at the junction of sea and land. It is inspired by the beautiful scenery and aurora of Iceland. Its gleaming appearance reflects the sky, sea, city and rich life. The project was designed by Henning Larsen Architects and local design firm Batteríie Architects. The façade design was completed by the architect in close collaboration with Icelandic artist Olafur Eliasson and the German engineering company GmbH.

© Henning Larsen

© Henning Larsen

© Henning Larsen

© Henning Larsen Architects + Batteriid Architects

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Chile Public Performance Space

Architectural design: The Scarcity and Creativity Studio

Sitio Eriazo is a group specializing in the transformation and reconstruction of abandoned, useless urban spaces. Most of their members are recent graduates from theater, art and architecture schools. They are located in Valparaíso, Chile, where there are currently many garbage dumps and Abandoned premises. In 2014, the Sitio Eriazo team obtained permission to move to an empty site under development at 428 Ecuador, using recycled waste materials to make tools and materials to build a flexible event space capable of housing theatre, circus and music performances. wait.

© The Scarcity and Creativity Studio

© The Scarcity and Creativity Studio

© The Scarcity and Creativity Studio

© The Scarcity and Creativity Studio

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Mexico City Cervantes Theater

Architectural design: Ensamble Studio

Dovela (keystone) is a kind of air stone, that is, "sun stone". This Aztec basalt boulder, excavated in Mexico City's Plaza de la Constitución, was the inspiration for this theatre.The building goes deep underground and has a total of five floors. Its main functions include a theater performance hall and a lecture hall.

© Roland Halbe

© Roland Halbe

© Ensamble Studio

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Andon Zako Çajupi Theater

Architectural design: Bolles + Wilson

The Korca Theater in Albania was originally a performance venue built during the Soviet period. During this renovation, the theater removed the Soviet classical architectural style and returned to a Balkan-style artistic style ( Balkan Art déco). The theme of the new plan for the theater's facade is faces, with tragic and joyful masks representing dramatic art as the main body, and many three-dimensional ceramic figures added.

© Roman Mensing

© Roman Mensing

© Bolles + Wilson

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Bamboo Forest Theater

Architectural design: DnA Architectural Office

Many ancient villages in Songyang County have moso bamboo forests growing all over the mountains and plains. They are very spectacular from a distance, but there is no room to stay in the bamboo forest. Therefore, we want to combine the natural properties of moso bamboo and create a flatter place deep in the bamboo forest. On the site, the surrounding moso bamboos are pulled down in an orderly manner to form a dome-like state. This forms a place where you can stay, and the growing bamboos are used to enclose the open leisure space.

© Zi Ling

© Zi Ling

© Zi Ling

© DnA

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Fumihiko Maki ‘Maezawa Residence’ Amphitheater + Hakuhanatei

Architectural design: APL design workshop

In Kurobe City, a small city facing the Sea of ​​Japan, the Maezawa Garden House designed by Shin Fumihiko has a vast natural garden composed of rolling lawns and trees. In one corner of the garden there is an amphitheater integrated into the surrounding landscape. The theater uses a previously conceived gentle lawn slope, consisting of a circular mound a few meters in diameter and a semi-circular rise with steps made of railway ties. A circular mound separates the lawn slope and the semi-circular high slope.

© KITAJIMA Toshiharu/ Archi Photo

© KITAJIMA Toshiharu/ Archi Photo

© APL design workshop

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Songshan Shaolin Monk Flying Theater

Architectural design: Mailitis Architects

Shaolin Monk Flying Theater is located on the top of Baishu Mountain in Songshan Mountain, Dengfeng, Henan. The architectural concept fully takes into account the surrounding natural environment and historical heritage. The architectural form is developed from two symbols - the mountain and the tree - and the theater can serve as a platform for any kind of performance, especially flying shows. Its construction combines modern and ancient techniques - laser-cut steel serves as the structure and supports hand-crafted steps made from locally sourced stone.

© Ansis Starks

© Ansis Starks

© Ansis Starks

© Mailitis Architects

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Ulumbarra Theatre, Australia

Architectural design: Y2 Architects

Sandhurst Gaol was built in 1861 as part of the municipal jurisdiction overlooking the city. Bendigo Senior High School surrounded the prison and had 11 or 12 students in a narrow building around 1800. In 2006 the prison complex was to be converted into a university and a series of consultations were launched to transform this cultural heritage campus and community into a high quality performing arts centre.

© Peter Clarke

© Peter Clarke

© Peter Clarke

© Y2 Architects