From a plot point of view, the ending of " The Young Son of a Chaebol Family " is not exciting, nor is it a fun drama routine.
Looking at the details, the ending of "The Young Son of the Chaebol Family" is obviously too hasty!
and there are some logical holes that have not been filled in.
1, Yin Xuanyou was killed by a headshot at the beach, but was miraculously reborn. This seems impossible.
Second, Shin Kyung-min, the former subordinate responsible for hunting down Yoon Woo-hyun overseas, disappeared in the end without any explanation.
Third, just relying on a phone recording to identify the eldest son of the old chaebol as the murderer behind Chen Daojun is not in line with the characteristics of a chaebol power game.
4. The clue to the investigation of Chen Daojun's first car accident was the note with the driver's license plate number of the old chaebol.
The clue to Chen Daojun’s second car accident is that he kept the business card of the grandson of the old chaebol. This is obviously too simple and unrealistic.
Because of these reasons, "The Young Son of the Chaebol Family" was nicknamed "Seven Days Dream Journey" by Korean netizens, and was questioned as being unfinished.
In the sixteenth episode at the end of the drama, the screenwriter just used a simple logical closed loop to complete the narrative of the story.
The so-called reborn Chen Daojun actually died in the conspiracy of the second car accident.
The real Yin Xuanyou was not shot, but was saved by the female prosecutor.
The so-called " grandson's rebirth as " by the chaebol family was all Yin Xuanyou's dream for seven days while he was in a coma.
Therefore, it was not Yin Xuanyou who was reborn, but Chen Daojun’s soul was reborn in Yin Youxuan’s mind.
In this case, the last episode of "The Little Grandson of the Chaebol Family" only solved part of the suspense left before.
Including the reason why the heroine has been investigating Soon Yang, because of the previous truth, the investigation was forcibly terminated by the Minister of Justice.
After recovering, Yin Xuanyou won the management rights of Shunyang Group by teaming up with Representative Wu, and in the process, revealed the truth about Chen Daojun's death.
Of course, at the end, the emotional lines of the hero and heroine will be echoed back and forth. When
saw the concert scene of the singer she liked, the heroine had a sad feeling of " returns to from the past".
Yin Xuanyou, who carried Chen Daojun's soul, turned and left at this time. The heroine silently stared at the hero's back, her eyes filled with a touch of sadness.
The whole drama ended perfectly in creating the love atmosphere that Korean dramas are best at.
But the seemingly happy ending still cannot solve the fact that " has not fully filled in ".
This has also led to netizens questioning and criticizing the poor ending of "The Youngest Son of the Chaebol Family".
But in fact, this is because netizens who have been following the drama do not understand the operating routines and techniques of Korean dramas.
Or simply put, this kind of similar saucy operation is a common feature of the commercialization of Korean dramas.
According to the popularity of "The Youngest Son of the Chaebol", this drama will definitely have a second or even third season.
During the filming process of Korean dramas, several different versions are usually shot according to the expectations of the script.
then selectively broadcasts different versions on TV stations based on audience feedback.
Of course, if the broadcast version is a hit, it will leave room for subsequent filming, leaving suspense for the filming of the second or even third season.
In the eyes of the audience, these suspense points mean that the "hole filling" has not been filled in properly, which is what we commonly call unfinished work.
If the audience's response is average, it will end normally, and we will never meet the audience again.
From this point of view, there are no clear details in this season of "The Young Son of the Chaebol Family". They are all the logical main lines for plot development in the next season.
For example, the murderer Shin Kyung-min, the former subordinate who hunted Yoon Hyun-woo overseas, will reappear and make a plot supplement to the logic of the previous "headshot".
The eldest son of the chaebol is definitely not the only murderer. There will be family members secretly wiring the plot to design Chen Daojun's death.
The chaebols of the Sunyang family cannot be easily deprived of their management rights. According to the closeness between the Korean chaebols and the powerful, the chaebol family can easily reverse the situation.
In reality, Lee Jae-yong of Samsung Group also came out of retirement after serving a short sentence, successfully took over, and became the talker of the family.
In the first season, all the logic and loopholes will become the main structural clues of the plot of the second season of "The Young Son of the Chaebol Family".
Otherwise, how can the TV station and screenwriters be worthy of the value of "The Youngest Son of the Chaebol Family", a big IP that has been hyped up?
The screenwriters of Korean dramas have always been good at "dojo in a screw shell", turning plots that the audience thought were impossible, into new plots.
The previously popular " penthouse " was filmed for three seasons by Korean screenwriters.
This also led to the complete failure of "The Penthouse".
has been reversing the plot and reversing the plot, which has caused the audience to feel tired while watching the drama.
At the same time, the final plot twist is so great that not to mention the audience not believing it, the screenwriter's own mother probably won't believe it either.
But also in the process of plot reversal, various logical factors are properly considered, and enough reasonable space is achieved, which even improves the depth and meaning of the plot.
For example, " Assistant Officer " starring Lee Jung Jae is such a positive example.
In the first season of "The Assistant", the audience did not wait for Congressman Song's downfall. Instead, at the end, the biggest villain was promoted.
But in the second season, Jang Taejun, played by Lee Jung Jae, gained the position of a member of Congress by recognizing the thief as his father, and gained more power.
At the end of the second season, Jang Taejun entered Blue House , but so what?
After defeating the corrupt Congressman Song, there are still countless Congressmen Song.
By the way, isn’t the President of South Korea the biggest real-life figure who colludes with power and money?
Therefore, there will definitely be a third season of "The Assistant", but the characters will be changed, but the character characteristics of the plot conflict will not change.
The plot will still be elaborated around Jang Taejun's idealism. Even if the biggest villain, Congressman Song, returns to the world, it is a normal plot design.
Judging from these Korean drama routines, the second season of "The Youngest Son of the Chaebol" will not appear too late, that is, this time next year.
Due to the type restrictions of this kind of cool drama, if it takes too long, the IP may become useless.
After all, "The Young Son of the Chaebol Family" is a story with a strong plot. Over time, the audience will forget about the plot, and the value of this IP will also be low.
On the contrary, weak plot stories, such as "Crash Landing on You", do not gain popularity by relying on the logic of the story.
Instead, it relied entirely on the sweetness of Hyun Bin and Son Ye Jin to gain the audience's enthusiasm for following the drama.
Although Hyun Bin and Son Ye-jin had a happy ending in "Crash Landing on You", if the TV station lacks a good script, it is normal to restart the second season of "Crash Landing on You".
This kind of story is easy to carry out. Just follow the timeline and you can proceed.
And "The Young Son of the Chaebol" is different from dramas such as "Crash Landing on You". If the screenwriter fills all the holes, what else will be filmed in the second season?
Everyone must believe in the ability of Korean screenwriters. There is no nonsense that they can't think of, and there are no pitfalls that Korean screenwriters can't fill.
