China's most stylized choreographer Gu Jiani
With ten-dog group Three years 's sincere work
4 dancers, 4 dummy models, 40 boxes
From Traditional theaters in Beijing, Shanghai, Hong Kong,
Then to Hermès 2021 Autumn and Winter Women's Clothing Show Press Conference
Build a microcosm of the world with objects,
Observe the rheology and changes of life from broken fragments
Contemporary body theater "Migration"
is now invoiced
A new attempt to find balance in imbalance
A work of sincerity for the limit of the body
0 A migration journey of life flow
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"migration" in the world - html ml4
Everything changes, it is the ontology of the world,
If the rheology, migration, cycle, turning and alienation in the macro world are unified and abstracted into a game in a limited space, this is what the landscape body theater "Migration" looks like.
Migration of organisms, migration of human beings, changes in space... The entire history of the universe and human history are written by "migration". Everything changes, "Migration" is just like this, inspired by Gu Jiani's thoughts on "mobility": "There is no real stop in the world. 'Flow' is the essence of the existence of this world."
Photo photography: Hu Yifan
Next to the trash can next to a relocated fashion store, two discarded dummy models started the creation process of "Migration", "I moved two dummy models home to think about the relationship between people and things, and people. Who gave who value?"
The two dummy models became one of the earliest members of , one of the . In the identity transformation, the limbs and objects were placed or reorganized. The dancers and dancers, and the dancers and objects, sliding at high speed, touching, pushing and pulling back and forth, one action induces the next change... Indefinite movement like an atom, it creates a contradictory and clear language and relationship, which sharply and profoundly reveals Gu Jiani's thinking on why people, things, and objects migrates, and where will they migrate to , extending philosophical thinking on issues such as self and others, restrictions, etc.
Photo Photography: Hu Yifan
Media and industry comments
Gu Jiani's works are extremely creative, not afraid of breaking the rules at all, with a master's style.
——《US Huffington Post》
In "Migration", the dancers and dancers, and the dancers and objects slide at high speed, touching, pushing and pulling back and forth, and one action induces the next change...Derivation of infinite movement like an atom.
—" Hong Kong Wenhui Po "
Life This journey is linked together, and "Migration" will add the items that mark the journey and the closest things to everyone's life to the choreography to build a microcosm of the world.
—Vogue Hong Kong
maintains the cold style of the previous work, the blasting force and control, and the harsh pursuit of details. At the same time, through the dancer's body, the dancer and boxes, ropes, model dolls, the segmented stage ground, the dramatic lights and the sound design with a strong sense of oppression, create a relationship between individuals and the environment.
——Guangdong Art Magazine Chen Ran
Gu Jiani has given a merciless, sharp and profound revelation of the human situation with her consistent keen insight into life, as well as her unique body language and stage devices.
—Qingqing (Dance Institute of Chinese Academy of Arts )
Dancers have made many more difficult attempts, trying to explore and break through the boundaries of the limbs in order to express the exploration and extension of the boundaries of the human world.
——Weibo drama blogger @Youran and his good friends
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"Migration" of "Migration"-
From the Beijing Park Badminton Stadium to the Hermes show
A practical "migration experiment"
"Migration" is the third long work created by Gu Jiani and her team "Ten No Groups". It started in early 2018 and has undergone three years of "marathon" repeated scrutiny. Over the past three years, the movement of internal personnel and the change of works have formed a clever intertextual and annotation with the theme "migration".
Photo Photography: Huadong
From the east, west, south and north of Beijing, from seclusion, open, semi-open to "seclusion", gathering the personnel changes over the past three years. She and her team, without an exclusive rehearsal hall, are constantly experimenting with their bodies in many indoor and outdoor spaces in Beijing, such as the park outdoor badminton court. The final work "Migration" brings its own "history" to the audience in the thickness of migration and evolution and time!
In 2021, "Migration" won great praise after its premiere at the Vintage in Langyuan, Beijing and Shanghai International Dance Center. In the same year, he was invited by Hong Kong's cultural business card - West Kowloon Cultural District to perform in Hong Kong. This is also the first time that after the outbreak of the new crown epidemic in early 2020, the West Kowloon Cultural District of Hong Kong has invited a non-local art creation team to perform in Hong Kong. "Migration" has captured Hong Kong audiences with its unique body language, spatial vision and immersive voice creations. It is praised by the Hong Kong media as a work of "extreme exploration and sincere presentation of the body" .
Photo Photography: Hu Yifan
In addition to his debut in traditional theaters, the creative tentacles of "Migration" have also extended to Hermès 2021 Autumn and Winter Women's Clothing Show Press Conference . Hermes fashion designer and creative director Nadège Vanhée-Cybulski invited two choreographers including Gujiani worldwide to jointly create a special online cooperation and presentation between New York, Paris and Shanghai. Nadège Vanhée-Cybulski praised Gujiani's works: "Every time trying to achieve a clever balance between adventure and stability...Dance Dance is the language of the body, and the evolution of thought and spirit. "
Important object of "Migration" - "box" was unveiled at the Hermès 2021
Autumn and Winter Women's Clothing Show. (Photographed by Huadong)
In October this year, "Migration" will be launched on Langyuan Station to start a new experiment. Langyuan Station, which was built in the 1960s and 1970s, was the predecessor of Beijing Textile Warehouse. Now more than 30 textile warehouses built on railway tracks have been transformed into a new cultural consumption landmark. This time, Gu Jiani's ingenuity is also Gu Jiani's historical changes from textile warehouses to cultural landmarks, which once again became a micro-micro-smile of the theme of the play.
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"migration" of Gu Jiani and the ten-men without group--
One of the boldest artists in the contemporary dance world of China
st one of the boldest artists in the Chinese contemporary dance world
Photo photography: Hu Yifan
"The head growing on the dancer's body is kicked around like a football in "Migration"... There are many images of "alienation" of body and behavior, such as half-human and half-beasts, mixed animals, inorganic substances, code products under modern industry... erupting strong, flowing, fresh, inexplicable creativity (Jiang Zhi) ". This close to terrifying scenes and shocking visual impact constantly stimulate the audience's nerves.
"Migration" has a more poetic vision. In addition to the observation of phenomena of physical and psychological changes, it also has a state of return, with a longing for nature and primitiveness, and full of admiration for the power of life. Everything happens, whether inevitable or accidental, forever exists in the trajectory of an arc.
"Precision", "Speedness", "High Energy", When these words are put together with the calmness and tenacity of each piece for a long time, they form a huge tension and gravity. Dancers are never stingy in challenging their own physiological and psychological limits from rehearsal to creation. This action force thrown to the "risk edge" makes this team a highly recognizable existence in the field of performing arts at home and abroad.
Concept and Choreography Gu Jiani
Independent artist and founder of the "Ten People Without Groups" working group
008-2011 Gu Jiani worked at Beijing Modern Dance Troupe . Since 2011, he has participated in many artists' works and has gradually begun to create personal creations to this day: cross-exploration of the construction of body language and vision and hearing to establish a concrete and abstract live picture composition language to discuss and pay attention to the social environment and life phenomena. Its content involves physics and psychology, behavior, object, image construction and energy distribution. While creating, she studied a variety of game-style movement methods, and her core technology takes the "bar.thrust double-person connection movement" explored for many years as the main direction, in order to improve people's visual awareness and establish their own connection with others. In 2012, he won the Best Youth Choreography Award and Bronze Award for the "National Grand Theater Ballet and Choreography Competition". In 2015, he was invited to participate in the Specialcombination organized by the Melbourne Arts Centre and received the 2020 Asian Culture and Arts Fund (ACC) New York Scholarship. Gujiani's works have been highly praised by domestic and foreign audiences and media many times. Eckhard Thiemann, art curator of Oslo International Dance Festival, praised Gujiani as "one of the most promising rookies in China."
About 未分文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文文� The "Go & N SPACE Body Plan" jointly established by Gu Jiani and Li Nan in 2013 was extended, and was jointly established with his partner Wang Xuanqi in 2016.
The tour footprints of the working group include: Shanghai International Dance Center, Shanghai International Art Festival , Shanghai Museum of Contemporary Art , Beijing Lanjing Art Space, Beijing Yushe Performing Arts Space, Beijing Intermediate Theater, Hong Kong Art Festival, Hong Kong West Kowloon Cultural District FREESPACE, Taiwan Two Halls Institute, Norway Coda Oslo International Dance Festival, San Francisco International Art Festival, Melbourne Art Festival, Seattle International Dance Art Festival, University of Michigan, New York Jack Theater and many places on the west coast of the United States...
Representative long works:
"Migration" Transition 2018-2021 Joint Commission: Chinese Dancers Association Youth Training Program, Shanghai International Dance Center Theater, Hong Kong West Kowloon Cultural District
"Latch" Exit 2016 Joint Commission: Shanghai International Art Festival Support Young Artists Program, Taiwan Two Halls and Hospitals
"Right One Left One" Right & Left 2014
Gu Jiani X Ten-People No Group
Contemporary Body Theater "Migration"
| Performance Time |
022/10/28-29 19:30
022/10/30 16:30
|Performance location|
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|Show ticket price|
80/280/180
"Migration" creative team
Concept design & choreography: gujiani
Dancer:
Wang Xuanqi Mingda Zhao Kai Gu Jiani
sound design: Gan Jian
lighting design & technical coordination: Zeng Ruixuan
stage design: Gu Jiani
fashion design: ml3 Zhang Sisi
lighting design execution: Liu Hengzhi
sound control: Banhua
stage design execution: Chen Liangru
stage supervision: Wu Yuanhu
video record shooting: Huadong
video clip: Gu Jiani
graphic design: Fan Cong
copy editing: Wang Xuanqi
copy editing: Wang Xuanqi
stage production: Wang Boming
Producer: Gujiani
Executive production: Mingda
Production promotion: Yu Linnan
Production and hosting: Ten None group
co-sponsored by: langyuan Station
Joint commission:
Chinese dance association "Cultivation Plan", West Kowloon Cultural District Free Space , Shanghai International Dance Center Theater
Strategic cooperation : Yicheng Cultural and Creative, Lanjing Culture, Lanjing Art Center
Venue support: Central Station
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