Park Seo-joon and Kim Domi comic adapted drama "Itaewon Class" starring this week is updated to 12 episodes, and there are 4 episodes to be finalized. The emotional line between the male and female protagonists has not yet begun, which really makes the audience extremely anxious.
has been following Korean dramas for nearly 20 years, and still has a little appreciation for Korean drama . The plot this week is a bit weak, and the highest moment only has the confession of the 12 episodes of wise fortune and the narration of Erie.
" Comedy Craftsman " Although Park Seo-joon is good at choosing scripts and frequently produces popular dramas, the character design in "Itaewon Class" is the least likable.
Compared with the passionate young man Gao Dongwan in " Third-Rank Road ", the narcissistic chaebol Lee Young-jun in "Why is Secretary Kim like this", and the revenge of the straight man Park Se-ro in the new drama is the most difficult to play.
Due to the limitations of the script and the role, Park Seo-joon adopted a restrained performance, and her joy, anger, sorrow and happiness were not reflected. Except for the richer facial expressions when treating her enemy, President Zhang, and her expressions in the other shots were a bit dull. (Only for the characters, don't spray them with pleated fans)
Although Park Seo-joon's acting skills are unquestionable and her determination to transform is obvious to all, unfortunately, the plot of "Itaewon Class" adapted from the super popular manga has become a certain reality.
not only has a decline in reputation, but its Douban score has also dropped from 8.7 to 8.3, and it seems that there is still room for decline. So, why are the ratings of high-scoring dramas that are well-received on the entire network showing a downward trend in the later stages? Who should take the blame? Are there some points that can be learned and avoided by domestic dramas?
No. 1, the screenwriter forced the play to change the scene, losing the dramatic conflict in the original comics, and thus losing the viewability;
screenwriter is personally led by the original comic author. From all aspects of the actors' costumes and props, it can be seen that the production team's efforts to restore the original work as much as possible.
The direction of the entire drama is also in line with the original work, but there are several plots that have been adapted and whitewashed the character of the second female character. The ungrateful Black Lotus has become a big woman with self-worth. The screenwriter's biasedness in Nora should not be too obvious.
As the second female lead, Kwon Nara has far more shots in the drama than Kim Domi. This phenomenon continues to 11 episodes, which is not common in Korean dramas. Furthermore, the character of the second female character in the original comic is relatively black lotus. She betrayed her benefactor and chose the family of the enemy who killed him and served him, and was selfish.
However, the screenwriter made humanized changes to Xiuya's character. In the original comic, Xiuya followed the president's arrangements and learned that the minor Yiri was in the store opened by Shilu, she called the police regardless of friendship.
However, in the play, the screenwriter made an adaptation, which led to the audience's direct return to fans of the second female lead, and replaced the person who reported it with a classmate who had conflicts with the heroine Yi Rui, which indirectly stated that the hero's store closed and was fined because of the heroine.
The audience is full of sympathy and compassion for Sooya in the play, but Sooya's character changes have greatly reduced the conflicts and contradictions between the three protagonists, losing viewability, resulting in the subsequent plot far less good than the previous episodes.
No. 2, the male protagonist's character is too ideal, the female protagonist's character "witch" is not full, and the plot cannot support the setting;
The most attractive point of this drama is the character of the male and female protagonist, which is inspirational and novel. Shilu suffered a lot in order to avenge his father, but even though he dropped out of school and was in prison, he still did not bow to the cruel reality, and his friends around him had never seen him look discouraged.
The world of adhering to faith and freedom is like a ray of light, illuminating the hearts of several friends around him. He treats his friends with a generous heart. Especially for a second female character who once betrayed and hurt her own interests, or she still expresses her love repeatedly and repeatedly, isn’t such a character too ideal?
The screenwriter wants to instill in the audience the idea that the male protagonist is so outstanding and capable, but in fact, in addition to having strong resistance to stress, the audience did not notice that the male protagonist is particularly outstanding, but was persuaded to retreat by his Virgin Mary character.
The most gimmick in the drama is the heroine's " antisocial personality ", but judging from the development of the later role, there seems to be conflicting aspects. The biggest point of this personality is that she lacks empathy, will not form close relationships with others, and will not respond to other people's emotions.
However, the heroine's setting in the play was a bit off-the-spoken. The hero's words influenced her. The teenage girl quickly fell in love and even gave up the opportunity to go to college without hesitating to disobey her mother's wishes. If you have vision and be neat in your work, it means you have excellent IQ. The screenwriter is too underestimating the audience, right?
No. 3, the plot is slow, and the high-scoring drama can't escape the curse of "water injection";
The most troublesome thing about this drama is that the plot progresses slowly, especially the emotional scenes of the male and female protagonists are the most unpleasant. There are still 4 episodes to the finale, and the male protagonist still looks like "If you don't like me in , please organize yourself quickly." The performance of the male protagonist in the episode
12 once again disappointed the audience. He finally mustered up the courage to show up with the second female female Suya, and would not give up his hatred for the eldest child, and it was impossible for the two to be together. Soon, he actually returned to date the second female lead again. The woman decided to give up waiting. He looked confused and said, "Did I dump you?"
, in addition to the slow plot rhythm, the unfolding of each secondary line has no highlights, especially the part of Tony and Grandma Zhang recognize each other in the hospital, which is a bit deliberate and sensational. The plot and emotions in the play make the audience feel no in agreement and cannot resonate, which is also the most fatal. After episode
11, if the second male lead was not as a helper, the subsequent plot could be said to be unsightly. To be honest, the idea of this drama is very profound, reflecting the reality of the Korean chaebols, and also describing the tenacity and backbone of the people at the bottom.
The plot of the first few episodes of "Itaewon Class" is also very exciting. With "revenge" as the foundation and "entrepreneurship" as the core, the collision of different values and the growth of each small person together build the core of this drama - choice, and throwing a coin when you are confused has become a method that people all over the world will try.
encountered setbacks, and Shilu told us to fight head-on rather than escape. Such a story itself is upward and optimistic. Unfortunately, the later plot is a bit dull. Even if there is no emotional line, the exciting and emotional revenge line is also very charming. Unfortunately, the screenwriter was not sure about these two lines.
A truly excellent TV series must be flesh and blood and soul. No matter how good the character setting is, it cannot escape the later "water injection" curse. No matter how good the actor is, it cannot withstand the screenwriter's trouble? I hope that the three points I have summarized can be taken as a warning by domestic dramas. Don’t let the audience "come with expectation and return in disappointment!"
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