"Our Song" Group B's PK officially began. This episode will be summarized. I can only say that compared with Group A, Group B is much stronger overall. Especially for the song selection, works such as "Our Love", "Never Leaving", "Ambiguous", and "Quan Love" are very familiar to most audiences in the sinking market and young people.
can only be said that this episode was quite satisfying to watch, and the final ranking was the same as I expected.
1.Da Zhangwei &Jiao Maiqi : "Super Angry Song"
Da Zhangwei came to this show, really to make a fuss, in the first episode of "Oh! After "Good", the song selection returned to its own style again, making the whole scene burst. Music like
is unattractive to me. If I saw such a performance on the stage of "Tucao Conference", I might think: Oh, it's really good.
So if there are also eliminations this season, then Da Zhangwei and Jiao Maiqi will most likely leave early. And judging from the current song selections of the two, it is probably difficult for a work to be featured in this show.
2. Rainie Yang & Xu Jingyun : "Ambiguous"
Rainie Yang and Xu Jingyun sang a very classic work "Ambiguous". This is Rainie Yang's own work. It should be said that the singing of the two is much better than I expected, and it is a work above the passing line.
In fact, such a song that the public likes very much should be promoted, but there is no way, the other two groups are too strong.
This song is not suitable for competition. The melody of the chorus part has already determined the overall style of the song. The addition of flowers to the last paragraph is already the limit. If you encounter songs like "I Haven't Leaved" and "Our Love", you will basically have no chance of winning if the level of the two sides is not big...
does not mean that "Ambiguous" is not good, the songs are still good, and the chorus version of the two people is also very audible, but it is not suitable for competition.
3.Zhang Yuan&Zhan Wenting : "Our Love" and "Quote Love"
Zhang Yuan became the "guest" and Zhan Wenting became the protagonist. Zhang Yuan was indeed lucky to be able to work with Zhan Wenting, because he could sing many hit singles with Zhan Wenting.
However, after watching this episode, Zhang Yuan’s performance was not good. The reason is very simple. The song sets the tone and takes care of Zhan Wenting, and Zhang Yuan will not feel comfortable no matter how he sings it.
This situation is predictable, and Zhang Yuan himself said: Even if he sings harmony to Zhan Wenting for all this song, he is willing to stand on the stage.
"Our Love" uses the original tune. It is obviously unrealistic to let Zhang Yuan, a male voice with a comfortable zone in the middle and high notes, travel with Zhan Wenting in three groups of small characters. Therefore, "Our Love" was actually led by Zhan Wenting. Zhang Yuan basically did not participate in the chorus part, and the singing of the low octaves was not able to add power. Zhang Yuan became the "guest" for this song.
But I personally think Zhang Yuan’s choice is also right, because this song is of great significance to Zhan Wenting, and the male voice JJ Lin’s version is really too difficult to surpass. It is thankless to force yourself to become the protagonist. As the original singer, Zhan Wenting was able to sing the original taste of this song.
The second chorus part is more obvious, because the first part is led by Zhan Wenting, so the second part needs to be sung by Zhang Yuan. Then the tune of the song was raised by four and a halftones. Here, Zhang Yuan's octave highest notation hits G4. The pitch that a male voice can exert force, Zhan Wenting's pressure is much greater, and the highest notation of the chorus touches F5. Zhan Wenting's singing skills are much better than I imagined. F5, which has a more balanced head voice, has no obvious faults.
However, Zhan Wenting chose to walk the harmony in the word "in" singing "until now", and the hard top of the G5 is indeed a bit difficult to sing. Actually, after listening to this song, my feeling is that it is difficult for the two of them to choose songs later because their comfort zones are different.
Zhang Yuan can't continue to output between A4-C5, and Zhan Wenting cannot make efforts in G4, which is too low for her.
Then we talk about "Qiao Love", which more intuitively shows the difference in the range of the two.
The song is still in the original tune at the beginning, which is more suitable for Zhan Wenting to sing. Of course, the original tune is not bad in the main song. There is no problem with Zhang Yuan singing it to the D to the G-slowing sound.
But you can hear that in the "shocking" of "causing a shock", Zhang Yuan directly cut the false sound. The original song was not cut the false, and Zhang Yuan chose this just for the sake of listening. Because after the G reduction ends, there is another G reduction, which shows Zhang Yuan’s current singing skills. The highest notes in the comfort zone of
are near G4. It can choose light functions and balance it, but it does not have the ability to continuously output in the voice change zone. Similarly, it is impossible to control the strength of the sound while singing.
The first chorus is really embarrassing, because the second chorus has to go three degrees, so the first chorus can only go eight degrees, otherwise there will be no sense of layering before and after. Zhang Yuan sang in a low eighth overall, and then Zhan Wenting went in the original tune, so I still have to praise him. Zhan Wenting sang really well.
As mentioned earlier, Zhang Yuan was able to sing in G, but he couldn't control it with ease. The second main song is very obvious. The word "warm" in "The gentleness of the fingertips" is actually sung in G. The volume is much louder and the concentration is not high.
Who would have thought of it? rap harmony, and it really sings harmony. Zhang Yuan is both the "guest" of the two songs. I am not worried about the selection of the two singers' subsequent songs. I really need to study it carefully. Zhang Yuan actually sings very well, but these two songs are just unable to perform.
4. Huang Xiaoyun & Lin Zhixuan : "I haven't left" and "Love Letter to Filmmakers"
First of all, congratulations to Huang Xiaoyun and Lin Zhixuan for winning the first place in this group. Both of them are well-deserved to be the first in this group. They are both top-notch singing skills, and have also been very successful in the selection of songs.
Let’s talk about “I haven’t left” first. This is the most enjoyable song I have listened to in this episode. The two singers maintained their functional abilities throughout the whole process. The chorus of the song is basically lingering in the male voice change area, which leads to the fact that both Lin Zhixuan and Huang Xiaoyun will sing very happily.
In fact, what surprised me was Huang Xiaoyun's bass, the word "has" D3, which is "unspeakable to touch", was launched by bubble sound , and is not considered effective, but the sound is a sound that can be used, and the bass is done well.
The first chorus is arranged very simple, Lin Zhixuan sings the main melody, and Huang Xiaoyun hums and adds flowers. This is actually a relatively fresh way to deal with it. Men and women's choruses are not just three degrees or eight degrees. The incompetent melody line can avoid some problems well.
After the first paragraph ends, the second paragraph directly gives Huang Xiaoyun a comfortable range. The main song part is dominated by Huang Xiaoyun. In fact, you can hear this change without learning vocal music. The smoothness and fullness of the sound determine whether the singer is comfortable.
Of course, the reason why the two people can play like this is mainly because Lin Zhixuan is strong enough. He can output in the voice change zone without pressure. If he changes a male voice, he can't adapt it like this.
The word "say" in the connection part of the second main chorus "Please listen to me" is very high in quality, and it is very solid, without any trace of changing voices.
There is a change in tone here. After Huang Xiaoyun finished singing the chorus, the song returned to Lin Zhixuan's more comfortable range. The transformation here of "Happiness, Anger, Sorrow, and Joy" was done very well. Most people may not be able to hear the change in tone. Lin Zhixuan finally gave a B4 extension tone for three seconds.The most exciting thing about
is actually the second half of the time, and I keep pushing my emotions up, especially "right now...", when the two singers joined the anger, the song was even more exciting. I strongly recommend that friends who have not listened to the songs go to watch the video.
In fact, after listening to this song, I found that if the male voice can be taken down the B4 sound, then it will be very comfortable to sing with the female voice, because it is easy to add flowers to the female voice on this basis. This song "I Haven't Leaved" is perfect. Lin Zhixuan ended with E5 and Huang Xiaoyun. The two singers are really smart. After singing a song with high notes throughout the whole process, the songs they sang no more high notes, but a song like "Love Letter to Filmmakers" that tests control.
This song is quite comfortable to listen to throughout the whole process. It tells us that singers who can sing high notes are actually very good if they don’t sing high notes. But I found that the Bel canto bread seemed a bit too big, and I mean the negative impact.
For example, the beginning part goes directly to the chorus part, here is the weak mixed treatment: "Why do you feel sad and sad, why do you have to get rid of sorrow and pain, why do you have to laugh, scold, hate and love. The world is just where you live..."
The bel canto training system has an extraordinary impact on Huang Xiaoyun. It not only affects Huang Xiaoyun's strong mixed listening experience, but also affects her weak mixed. Just the first paragraph of processing, when I heard it, I was already worried about the state of the bread.
As an listener, he is also a pop singing enthusiast. I don’t know if the weak voice is like , Shan Yichun , but it is definitely not like Huang Xiaoyun.
Everyone focuses on listening to the words "sad" and "sad". The pitches are lower E and lower D respectively, which are both three groups of sounds, but the concentration of the sound is too high, and the cavity is very large, and there is no feeling of weakening.
instead, the word "He" in the following "Why laugh and scold hatred and love" is a state that should be weakly mixed, and the pitch of that word is B4.
Especially the sentence "The Milky Way is the place where your soul wanders", there is a lot of closed accents to switch between true and false sounds. There is no beauty of weak mixing here, but only the power of functions.
Resonance of closed accents is easy to be brought out. Most people practice closed accents when practicing, because closed accents are more difficult to sing. That is to say, it is possible that Huang Xiaoyun's voice could not be weaker when singing near closed accent B4 and three groups of weak mixes.
I used it before, because there is another possibility that Huang Xiaoyun did this on purpose. Of course, I hope she did not do this on purpose. This is the problem of singing and selling, which is more difficult to solve than the former.
But I don’t understand why the sound of weak mixed state becomes like this. When the Voice of Dreams was singing "The Unparalleled World" on the stage, her weak mixed state was still normal, and her hearing was not as good as before.
Of course, Huang Xiaoyun's performance in heavy-duty function is still very strong. The problems caused by this kind of voice should be improved. I also hope she can be more comprehensive. After all, the mainstream of Chinese music scene is still lyrical songs, and the frequency of weak mixed usage will be higher.
At present, the strongest combination is Lin Zhixuan & Huang Xiaoyun.
I wonder which song you like more after watching this episode?
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